جستجوی استاد راهنمای دانشگاهی

Christopher Castroمشاهده پروفایل

استادیار

• Music Composition
• Music Theory
• Western Art Music
• +۳ مورد دیگر

Christopher Castro serves as an Assistant Professor of Composition at Chapman University's College of Performing Arts. A composer and double bassist from Brooklyn, New York, he combines academic rigor with avant-garde experimentation. Ph.D. in Composition and Theory from University of California, Davis Bachelor of Music from Juilliard School (Double Bass & Composition) His research bridges Western Art Music traditions with contemporary innovations , creating works that merge: Johannes Ockeghem's polyphonic complexity John Coltrane's spiritual intensity Modernist structural experimentation Historical reconstruction techniques Jazz-classical hybrid forms Interdisciplinary performance formats Recent compositions demonstrate trends in flexible instrumentation , text-music relationships , and genre synthesis . His output spans chamber works, orchestral pieces, and vocal compositions with equal mastery. Scientific recognition includes: 2023 Fromm Music Foundation Commission (Harvard University) Chamber Music America's 2021 Classical Commissioning Award As a new music advocate , Castro collaborates with ensembles like: Left Coast Chamber Ensemble (artistic advisory board) New Mexico Contemporary Ensemble Los Angeles Philharmonic's Upbeat Live series Lyris Quartet and Sharon Harms

Byron Sharpمشاهده پروفایل

استاد

• Marketing Science
• Brand Growth
• Consumer Behavior
• +۷ مورد دیگر

Professor Byron Sharp is a Professor of Marketing Science and Director of the Ehrenberg-Bass Institute for Marketing Science at the University of South Australia. The institute is recognized as the world’s largest center for research into marketing, housing over 60 marketing scientists. He plays a pivotal role in advancing evidence-based marketing principles globally. Research Interests: Marketing Science and Empirical Generalizations Brand Growth and Customer Acquisition Advertising Effectiveness and Mental Availability Consumer Behavior and Loyalty Patterns Market Modeling (e.g., Dirichlet model) Evidence-Based Marketing Practice His recent publications reveal a consistent focus on quantifying brand performance, buyer behavior, and advertising impact. Trends in his articles emphasize the application of statistical models (e.g., NBD, Dirichlet) to understand consumer repertoires, loyalty, and the effects of advertising cessation. His work bridges academic rigor with practical marketing applications, particularly in brand strategy and media planning. Scientific Awards and Recognition: His book How Brands Grow was voted Marketing Book of the Year by AdAge readers. Recognized by Warc (2015) as one of the most influential marketing books of the past decade. Advising, Grants, and Collaborations: While specific student names are not listed, he leads a large research team and frequently collaborates with prominent scholars such as Jenni Romaniuk, John Dawes, and Robert Kennedy. His work is supported by industry partnerships and institutional funding through the Ehrenberg-Bass Institute, enabling large-scale empirical studies using real-world data. Labs and Teams: He directs the Ehrenberg-Bass Institute, which functions as a major research laboratory focused on marketing science, conducting longitudinal studies, empirical generalizations, and collaborative industry research.

Nicole Hartnettمشاهده پروفایل

پژوهشگر ارشد

• Advertising Effectiveness
• Brand Management
• Consumer Behaviour
• +۷ مورد دیگر

Dr. Nicole Hartnett is a Senior Marketing Scientist at the Ehrenberg-Bass Institute for Marketing Science, University of South Australia, where she conducts high-impact research on advertising effectiveness, brand performance, and consumer behavior. She serves as Associate Editor of the Journal of Advertising Research , contributing to the advancement of marketing science globally. Research Focus: Nicole's work centers on how advertising content influences sales, with particular emphasis on creative drivers, distinctive brand assets, and media planning. Her research integrates data analytics with behavioral insights to improve advertising measurement and strategic decision-making for consumer packaged goods companies. Her recent publications reveal a consistent focus on advertising effectiveness, brand health, and consumer response across digital and traditional media. She frequently investigates how brands perform when advertising is reduced or paused, the role of attention in video ads, and the validity of persuasion frameworks—demonstrating a strong commitment to evidence-based marketing. Scientific Recognition: Associate Editor, Journal of Advertising Research Prolific contributor to top-tier marketing journals including International Journal of Market Research , European Journal of Marketing , and Australasian Marketing Journal Advising & Grants: While no formal students are listed, Nicole collaborates extensively with global sponsors of the Ehrenberg-Bass Institute, managing brand health trackers and delivering strategic insights. Her work is applied in real-world contexts with major CPG firms, suggesting active engagement in funded research projects and industry partnerships. Labs & Teams: She is a core member of the Ehrenberg-Bass Institute, the world’s largest center for marketing science research, working within a team of over 60 marketing scientists focused on evidence-based brand growth.

Mara Gibsonمشاهده پروفایل

دانشیار

• Music Composition
• Cross-disciplinary Collaboration
• Contemporary Classical Music
• +۳ مورد دیگر

Mara Gibson is an Associate Professor of Composition at Louisiana State University (LSU) School of Music, where she serves as area coordinator with tenure. Originally from Charlottesville, VA, Dr. Gibson completed her Ph.D. at SUNY Buffalo after graduating from Bennington College. She has also studied at London College of Music, L'École des Beaux-Arts in Fontainebleau, France, and the International Music Institute at Darmstadt, Germany. Dr. Gibson's creative work spans contemporary composition with emphasis on cross-disciplinary collaborations. Her music has been described as "shocking, gripping and thought-provoking... conjuring a flurry of emotions" (PARMA Recordings). She is a regular collaborator with choreographers, visual artists, writers, and filmmakers, with notable projects including the ArtSounds initiative which ran for 11 years at UMKC. Her recent compositions demonstrate consistent innovation in technique and interdisciplinary approaches. Works like Escher Keys (2021), a bassoon concerto inspired by M.C. Escher, and Galetea's Dream (2021/23), a staged song cycle, showcase her ability to merge visual art concepts with musical expression. Her compositions often draw inspiration from poetry, visual arts, and natural phenomena, resulting in works that are both technically sophisticated and emotionally resonant. Dr. Gibson has received numerous prestigious awards including: LSU Provost Fund for Innovation in Research ($7,500 for "The Devil's Dream" opera, 2024) GRAMMY nomination eligibility for "Unseen World" album (2024) ATLAS grant through Louisiana Board of Regents ($32,000 for bassoon concerto project, 2021) MacDowell Colony Fellowship (2016) Virginia Center for the Arts residency (2015) Yale University Distinguished Music Educator Award (2015) As an educator, Dr. Gibson has significantly expanded the composition program at LSU, more than doubling its size since her arrival. She founded the Constantinides New Music Ensemble, which debuted at Carnegie Hall in April 2022. Previously, at UMKC Conservatory of Music and Dance, she coordinated undergraduate composition and tripled enrollment in the program. She is currently working on her first opera, "The Devil's Dream," based on Lee Smith's novel and inspired by the country music powerhouse Carter family.

Mark Dresserمشاهده پروفایل

استاد

• Contemporary Music
• Jazz
• Free Improvisation
• +۷ مورد دیگر

Mark Dresser is Professor of Music at the University of California, San Diego (UCSD), where he has been a faculty member since 2004. He earned both his B.A. and M.A. from UCSD, studying under Professor Bertram Turetzky. He has also taught at Princeton University, the New School University, and Hampshire College. Education: B.A., University of California, San Diego M.A., University of California, San Diego Fulbright Fellow, Italy (1983), studying with Maestro Franco Petracchi Mark Dresser is a Grammy-nominated bassist, composer, and innovator in contemporary music. His research focuses on expanding the sonic possibilities of the double bass through extended techniques, unconventional amplification, and interdisciplinary collaboration. He has authored a chapter in ARCANA and articles in The Strad on multiphonics and harmonics. His artistic work spans solo performance, ensemble leadership (e.g., Trio M, Arcado String Trio), and telematic music projects like Deep Tones for Peace . He is deeply engaged in improvisation, silent film scoring, and collaborative composition across media. His recent articles and recordings reflect a sustained exploration in avant-garde jazz, experimental composition, and telematic performance. Themes include extended instrumental techniques, interdisciplinary art, and innovative ensemble dynamics. His works blend jazz, classical, and free improvisation traditions into a unique sonic language. Scientific and Artistic Awards: Doris Duke Impact Award (2015) Shifting Foundation Award (2015) Fulbright Fellowship (1983) Two New York Foundation for the Arts Grants Meet the Composer Commissions Fellowships: MacDowell Colony, Civitella Ranieri, Bellagio, Akrai Mark Dresser has advised numerous emerging musicians and has been involved in significant research grants supporting telematic performance and interdisciplinary projects. He curates performance series and educational initiatives, including the Virtual Tour: A Reduced-Carbon Footprint Concert Series. He serves on the boards of the International Society of Bassists, the International Society of Improvised Music, and the Deep Listening Institute, contributing to the advancement of experimental music and improvisational practices. He leads and collaborates with several ensembles, including Trio M (with Myra Melford and Matt Wilson), Mauger (with Rudresh Mahanthappa and Gerry Hemingway), and a septet performing his original compositions. His UCSD-based research lab and performance groups focus on telematic music, real-time networked performance, and sonic experimentation with the double bass.

Sandor Ostlundمشاهده پروفایل

استاد

• Music
• Double Bass Performance
• Early Music
• +۲ مورد دیگر

Sandor Ostlund is Professor of Double Bass at Baylor University's School of Music, where he chairs the Performance Department and directs the Instrumental Studies Division. An internationally recognized performer, he serves as Principal Double Bassist for the Waco Symphony, River Oaks Chamber Orchestra, and Chamber Orchestra San Antonio, while maintaining an active solo and chamber music career. His recent solo CD 'Leap of Faith' showcases his artistic contributions, and he has collaborated with prestigious ensembles including the Houston Grand Opera and Australian Chamber Orchestra. Studied at University of Wisconsin-Madison (BM) with Richard Davis Advanced degrees from Rice University (MM/DMA) under Paul Ellison Recipient of performance diplôme and teaching certificate from François Rabbath's International Institute of Double Bass As a dedicated educator, Dr. Ostlund has previously taught at West Texas A&M University and Shenandoah Conservatory. He plays a leadership role in the International Society of Bassists, serving as Chair of Competitions after multiple director board terms and editorial contributions.

Ignacy Wiśniewskiمشاهده پروفایل

استادیار

• Jazz Composition
• Film and Theater Music
• Vocal Coaching
• +۳ مورد دیگر

Ignacy Wiśniewski is a Doctor of Fine Arts, jazz pianist, composer, and Assistant Professor at the Academy of Music in Gdańsk (Faculty IV - Choral Conducting, Church Music, Artistic Education, Rhythmics and Jazz). He specializes in vocal collaboration as arranger, coach, and songwriter, creating over a dozen musicals performed in major Polish theaters. Academy of Music in Gdańsk (Graduate and Faculty Member) Hochschule fur Musik, Theater und Medien Hannover Academie Musicale de Villecroze His research interests include improvisation as human-machine distinction , cross-genre musical collaboration , and theatrical jazz integration . His 2021 DUOS project explored algorithm-resistant composition through saxophone, double bass, and drum collaborations. Scientific Awards: Honorary Badge of Merit for Polish Culture (2022) Special Award of Pomeranian Voivodeship Marshal (2024) Young Poland Scholarship (2018) Wiśniewski leads the Ignacy Wiśniewski Trio (Jazz Shirim debut 2016) and co-founded the Almost Jazz Group quartet (2012-2017). He has collaborated with directors like Agata Duda-Gracz and received funding through the Minister of Culture's Culture on the Web program.

Malachai Bandyمشاهده پروفایل

استادیار

• Western Esotericism
• 17th-century Occult Philosophy
• Historical Constructs of Musical Meaning
• +۷ مورد دیگر

Malachai Bandy is an Assistant Professor of Music at Pomona College, specializing in Music History and Historical Performance Practice. He is on leave during the 2025-2026 academic year. His expertise spans Western Esotericism, 17th-century Occult Philosophy, and LGBTQIA+ identities in musical expression. As a performer, he plays over twenty historical instruments, including the viola da gamba and Renaissance double-reeds. Ph.D. in Historical Musicology, USC Thornton School of Music (2022) B.Mus. Double Bass Performance and Music History, cum laude, Rice University (2013) His research explores intersections of alchemy, number symbolism, and theological geometry in North-German Baroque music, with a focus on Dieterich Buxtehude. He also investigates musical iconography and its connections to early modern sexuality, particularly in Renaissance visual culture like Titian’s Venus series. Bandy has published in specialized journals and contributed to edited volumes on esotericism in music. His scholarly work has been recognized by prestigious awards, including the Irene Alm Memorial Prize and Ingolf Dahl Award in Musicology. He actively engages in educational outreach through private instruction, workshops, and organizational leadership. Outstanding Doctoral Graduate Award (USC, 2022) Irene Alm Memorial Prize (2019) Ingolf Dahl Award in Musicology (2019) Presser Foundation Graduate Award (2016) Bandy’s performance career includes collaborations with ensembles like The Orpheon Consort, Ars Lyrica Houston, and the Los Angeles Opera, as well as solo work on television scores for Outlander and The Lord of the Rings: The Rings of Power . He is a board member of SoCal Viols, Southern California’s chapter of the Viola da Gamba Society of America.

Fiona M. Palmerمشاهده پروفایل

استاد

• Musicology
• Cultural History of Music
• Conducting Profession
• +۶ مورد دیگر

Fiona M. Palmer is Professor of Music at Maynooth University, Ireland, within the Department of Music (Faculty of Arts and Humanities). She previously served as Head of Department (2007–2014), Director of Research (2017–2021), and Director of the MA in Performance & Musicology programme (2018–2025). A musicologist and performer, she specializes in the cultural history of British music, conducting, and institutional dynamics from the 1780s to 1940s. Education: PhD in Musicology, University of Birmingham (British Academy Scholar) BA (Hons) First Class, Birmingham Conservatoire ABSM (Distinction), Birmingham School of Music LGSM, Guildhall School of Music and Drama PGCHET, Queen’s University Belfast Research Interests: Palmer's work explores socio-economic dimensions of music professions, including career trajectories, institutional power structures, and marketplace dynamics. Her current monograph project analyzes orchestral conducting in Britain (1918–1933). She investigates intersections of nationalism, technology, and artistic authority, with emphasis on conductors, choral societies, and music publishing. Publication Trends: Her scholarship consistently addresses British musical institutions, conductor biographies, and 19th-century performance practices. Recent outputs highlight wartime professionalization, economic influences on orchestras, and Handel's enduring cultural impact. Methodologies blend archival rigor with socio-historical analysis. Awards: Fellow, Royal Historical Society (2023) Special Recognition Award for Scholarship, International Society of Bassists (2019) HonBC, Birmingham Conservatoire (1998) Birmingham Conservatoire Academic Prize (1990) Professional Activities: Palmer directs postgraduate research and advises on curriculum development. She served on the Board of the National Youth Orchestra of Ireland (2007–2022) and committees for the North American British Music Studies Association. External examiner roles include the University of Birmingham, Royal Birmingham Conservatoire, and MTU Cork. Performance & Outreach: An accomplished double bassist and mezzo-soprano, she performed with the City of Birmingham Symphony Orchestra and Ulster Orchestra. She contributes to radio programs (RTÉ, BBC) and adjudicates competitions, promoting public engagement with music history.

David Jonesمشاهده پروفایل

مدرس

• Music Accompaniment
• 19th Century Music
• 20th Century Music
• +۳ مورد دیگر

David Jones is the Head of Accompaniment and a Lecturer in Piano at the Royal Northern College of Music (RNCM). He holds roles as Staff Pianist Co-ordinator, Junior RNCM Tutor, and academic supervisor. His career spans over 25 years, including a PhD on Jeffrey Lewis's music (2011) and extensive editorial work for Cathedral Press. He specializes in 19th-20th century French and British music, with a focus on accompaniment, mélodie, and opera coaching. Education: BMus (First Class Honours, University of Wales, Bangor), PGDip and MusM (RNCM). Research interests include music archiving, collaborative performance practices, and the works of overlooked composers like Jeffrey Lewis and Robin Stevens. He supervises PhD students on topics such as Arnold Cooke, Louise Farrenc, and Gabriel Pierné. Professional Activities: Pianist for Hallé Choir, founder of Altèri chamber choir, ABRSM examiner (2005-2019). Recordings: Over 10 albums featuring Lewis, Stevens, Bingham, and Williamson. Recent releases include Robin Stevens' Chasing Shadows (2023) and Blooms of Dublin (Anthony Burgess project, 2022). Current projects include archiving Jeffrey Lewis's manuscripts and preparing the Anthony Burgess Foundation's Joycean music collections. His teaching includes undergrad electives on French mélodie and 19th-century opera, alongside postgraduate accompaniment coaching.

Marshall Henryمشاهده پروفایل

مدرس

• Music Performance
• Double Bass
• Blues
• +۳ مورد دیگر

Marshall Henry is a Lecturer in Music (Bass) at Hamilton University, where he teaches and mentors students in double bass studies. He is also a member of the Symphoria double bass section, contributing to symphonic and contemporary music performances. D.M.A., Stony Brook University M.M., SUNY Purchase College B.M., Syracuse University With a multifaceted musical career, Henry performs across diverse genres and venues, including Carnegie Hall, Walt Disney Concert Hall, and global blues festivals. His work emphasizes collaboration, such as frequent performances with Malian guitarist Vieux Farka Touré, blending world music traditions with modern performance practices. Henry’s expertise spans symphonic, blues, and contemporary music settings, reflecting his engagement with cross-cultural artistic exchange and innovative musical projects.

Alexandra Scottمشاهده پروفایل

استاد

• Double Bass
• Chamber Music
• Baroque Music
• +۳ مورد دیگر

Professor Alexandra Scott is a renowned double bass educator and performer affiliated with the Institute for Artistic Instrumental Studies at HMTM (Hochschule für Tonkunst München) since 2020. Previously, she taught at the Karlsruhe University of Music (2012–2020) and has conducted masterclasses globally at institutions including the Royal Academy of Music in London, Universidade Federal do Rio de Janeiro, and Universidade de São Paulo. Her career combines academic instruction, orchestral leadership, and chamber music performance. Her research and teaching focus on double bass pedagogy , historical performance practice , and Baroque music , informed by her extensive performance experience as principal double bass with the Bavarian Radio Symphony Orchestra (2007–2020) and NDR Radio Philharmonic Orchestra. She is a founding member of the Baroque ensemble l'Accademia Giocosa. Alexandra Scott’s career includes jury roles at prestigious competitions such as the German Music Competition, Jugend Musiziert, and the Royal Academy of Music Double Bass Competition. She received foundational training at the Yehudi Menuhin School and later studied with esteemed artists including Chi-chi Nwanaku, Duncan McTier, and Rinat Ibragimov.

Dave Morganمشاهده پروفایل

استاد

• Jazz Composition
• Orchestral Composition
• Music Transcription and Arrangement
• +۲ مورد دیگر

Dr. Dave Morgan serves as Professor at the Dana School of Music & University Theatre, Youngstown State University, where he has taught applied bass, composition, and jazz studies since 2001. A renowned composer and double bassist, he maintains an active performance career spanning jazz, classical, and crossover genres with ensembles including The Cleveland Orchestra and Apollo’s Fire. His research focuses on: Jazz and orchestral composition Transcription/arrangement of complex works (notably Frank Zappa) Cross-genre collaborations blending Baroque and jazz traditions Socially engaged multimedia projects through the Nine Lives Initiative Recent creative output like Blue Is More Than A Color (2020) and Made in Youngstown (2019) demonstrates his mastery of large-ensemble writing and commitment to collaborative artistry featuring prominent soloists. These works consistently integrate technical innovation with contemporary thematic exploration. Awards and recognition: Award of Achievement from Northern Ohio Live for Frank Zappa arrangements Supported by Chamber Music America and Knight Foundation grants, Morgan mentors students through YSU jazz ensembles while advancing the Nine Lives Project—a multimedia initiative addressing social issues stemming from the 2015 Charleston Church tragedy. His scholarly contributions include publications on jazz improvisation in the Annual Review of Jazz Studies .

• Composition
• Contemporary Classical Music
• Orchestral Music
• +۳ مورد دیگر

Ståle Kleiberg is a Professor at the Department of Music at the Norwegian University of Science and Technology (NTNU). He is a major Norwegian composer with a considerable international reputation, whose works are widely performed in Norway and abroad, often commissioned by well-established orchestras, ensembles, and performers. His music has been published on eight albums that have received outstanding international reviews. Kleiberg's music is characterized by a highly distinctive form of extended tonality and meticulous attention to coloristic details, particularly evident in his orchestral works such as his first symphony, The Bell Reef , and his Violin Concerto . He has created significant large-scale works in oratorio and opera formats, including Mass for Modern Man (premiered in Nidaros Cathedral and Münchner Dom in 2015), David and Bathsheba (premiered in Nidaros Cathedral in 2008), and Requiem – for the victims of Nazi persecution (performed in Washington National Cathedral on September 11, 2004). His innovative approach, formal command, and technical mastery are particularly apparent in his extensive chamber music oeuvre, with a selection of six chamber works published in 2015 on the album Mezzotints – Chamber Music by Ståle Kleiberg . Kleiberg's Requiem forms the principal work in a trilogy dealing with victims of Nazi persecution, alongside the orchestral work Lamento: Cissi Klein in memoriam and the cello concerto Dopo . His recent compositions demonstrate continued exploration across multiple formats including concertos for various instruments, chamber music, and large-scale vocal works, showing consistent development of his distinctive compositional voice. Grammy nomination for Treble and Bass: Concertos by Ståle Kleiberg Grammy nomination for recording of David and Bathsheba Professor Kleiberg has supervised numerous master's theses at NTNU across diverse areas of music scholarship including composition techniques, music history, and music education. His academic work complements his compositional practice, particularly in areas related to Norwegian music history. His influence extends through both his compositions, which continue to be performed internationally, and through his academic role at NTNU where he shapes musical education in Norway.

Tomas Kutavičiusمشاهده پروفایل

دانشیار

• Jazz piano
• Jazz composition
• Academic music
• +۴ مورد دیگر

Tomas Kutavičius is an Associate Professor at the Jazz Department of Vytautas Magnus University. As both a jazz pianist/composer and a creator of academic music , he bridges improvisational spontaneity with rigorous compositional frameworks. His work spans theater scores , symphonic pieces , and chamber works , often reflecting nature-inspired metaphors and existential themes . His research focuses on the intersections of jazz and classical traditions , improvisation as a creative act , and music as therapy . He emphasizes emotional authenticity and structural purity , drawing parallels between natural rhythms and musical dramaturgy . Kutavičius' compositional trends reveal a shift from jazz ensembles to large-scale symphonic works , with a recurring interest in theatrical collaborations and symbolic motifs . His 2023 solo album Lake epitomizes his improvisational philosophy , while older works like Dieviškas šėlas (2013) showcase his mastery of orchestral dynamics . He teaches jazz improvisation and contemporary composition at Vytautas Magnus University, having previously taught at the M.K. Čiurlionis Art Gymnasium and Vilnius Choral Singing School. His pedagogical approach mirrors his artistic ethos: "shake off dirt to reveal the core" .