جستجوی استاد راهنمای دانشگاهی

Professor Bernardine Evaristo is a Nobel laureate and Booker Prize-winning novelist, poet, and academic at Brunel University in the College of Business, Arts and Social Sciences , Department of English and Creative Writing . Her work redefines African diaspora literature through hybrid forms like verse fiction, blending history, identity, and experimental narrative. She holds a PhD in Creative Writing from Goldsmiths, University of London, and studied at Rose Bruford College. Her research interests span Black British identity , feminist critique , queer diaspora , and reclaiming marginalized histories , evident in novels like Girl, Woman, Other and Mr Loverman . Her 15 most recent publications include Manifesto: On Never Giving Up (2022), Look Again: Feminism (2021), and the Black Britain: Writing Back series (2021–2024). Scientific Awards Booker Prize 2019 Women’s Prize Outstanding Contribution 2025 MBE (2009), OBE (2020) 10 Honorary Doctorates Fellow of Royal Society of Literature Royal Society of Arts Fellow Community Advocacy Founded The Complete Works poetry scheme (2007–2017) Initiated Brunel International African Poetry Prize (2012–2022) Curator of Black Britain: Writing Back series (2021–2024) Literature Mentor for Rolex Mentor & Protege Initiative (2022–2024)

• African Diaspora Literature
• Creative Writing
• Black British Studies
• +۵ مورد دیگر

Alexandra Herlitz is an Associate Professor in Art History and Visual Studies at the Department of Cultural Sciences, University of Gothenburg. She also serves as a museum educator at Gothenburg Museum of Art since 2006. Doctoral degree in Art History (2013), University of Gothenburg Academic training at University of Stuttgart, Heinrich-Heine University Düsseldorf, and University of Hamburg Her research focuses on 19th-century Scandinavian art historiography , artists' colonies , artistic national identity , and transnational art networks between Scandinavia and Germany. She explores these themes through publications, podcast episodes, and archival research. Recent publications highlight Nordic rural artists' communities , gender dynamics in art history , and critical analysis of art forgery . Her work spans from 17th-century Scandinavian art to contemporary feminist perspectives , with particular attention to under-documented networks and alternative historiographies. Herlitz co-hosts the art history podcast Konsthistoriepodden , covering topics from medieval religious art to modernist movements , demonstrating her commitment to public art education and multimedia scholarship .

• Critical historiography
• Scandinavian art history
• Sociology of art
• +۴ مورد دیگر

Raha Sabet Sarvestany is a Post-Doctoral Researcher and Lecturer at the Turku Institute for Advanced Studies (TIAS) within the School of History, Culture, and Arts at University of Turku, Finland. She previously served as a Research Fellow at Oslo University (2020-2022) and at National Chiao Tung University of Taiwan (2018). Her educational background includes: PhD in Women's Studies from the University of Pune, India Dr. Sabet Sarvestany's research spans interdisciplinary fields focusing on gender, religious minorities, migration, and political activism, with particular emphasis on Iran and the Middle East. Her work examines women's agency and resilience within oppressive political systems, especially among religious minorities like the Baha'i community in Iran. She employs qualitative research methods including interviews, analysis of personal narratives, and cultural memory studies to understand political subjectivity and social change. Her research is characterized by a strong commitment to documenting human rights violations while highlighting pathways to social transformation. Her scholarly contributions reveal a consistent focus on marginalized voices, particularly women from religious minority communities in Iran. Through comparative analysis of resistance strategies across different historical periods and political contexts, she documents how women navigate political repression while maintaining dignity and agency. Her work bridges academic research with activist engagement, connecting theoretical frameworks with practical human rights advocacy. Dr. Sabet Sarvestany has supervised MA theses at Oslo University and the Institute for Higher Education in Iran. Her teaching portfolio includes courses on Baha'i Studies, Women's Agency and Movements in the Middle East, Ethnicity and Diversity, Religion and Gender, and Research Methodology at various institutions including Turku University, University of Trento, Oslo University, and educational institutions in Iran and India. Her research is organized around understanding political subjectivity among marginalized communities, with particular attention to how women from religious minorities in Iran exercise agency despite systematic oppression. She maintains an active scholarly presence through publications, conference presentations, and engagement with human rights organizations, positioning herself as a scholar-activist committed to social justice.

• Gender Studies
• Women's Studies
• Iranian Studies
• +۵ مورد دیگر

Madison Mainwaring serves as Assistant Professor of French and Francophone Studies at the University of Notre Dame, specializing in nineteenth-century literature and cultural history across France and North Africa through the lens of performance studies and feminist theory. Education: Ph.D., Yale University M.F.A., Warren Wilson College M.A., École des Hautes Études en Sciences Sociales B.A., Middlebury College Her research interrogates how minority groups appropriate performance for self-representation, challenging cultural hierarchies and methodological orthodoxies. Current projects include Reclaiming the Silences of Dance: Women and Ballet in Nineteenth-Century France , which analyzes female experiences at the Paris Opera through administrative archives and performance artifacts, and Choreographing Empire: Dance and the Maghreb , a transnational study of gender, race, and citizenship in the Afro-European diaspora. Her work consistently centers women's agency in artistic expression and historical narrative construction. Recent publications (2022-2024) reveal thematic continuity in ballet history, gender representation, and transnational cultural exchange, spanning from 19th-century France to contemporary hip-hop. These works demonstrate methodological innovation through interdisciplinary archive analysis and bridge academic scholarship with public discourse via contributions to major media outlets. Scientific Awards: Naomi Schor Award from Nineteenth-Century French Studies Larry Schehr Memorial Award from Nineteenth-Century French Studies MacDowell Fellowship Mary Isabel Sibley Fellowship of Phi Beta Kappa Chateaubriand Fellowship of the French Embassy Marguerite Peyre Prize from Yale University Her research has been supported by prestigious fellowships including the Chateaubriand and MacDowell programs, while her public scholarship in The Atlantic , The New York Times , and France 24 extends academic insights to broader audiences through analyses of figures like Britney Spears and Catherine Deneuve. A collective biography of French New Wave actresses is currently under contract with Public Affairs and Bloomsbury Continuum. No information regarding laboratory facilities, research teams, or student advising was documented in the provided sources.

• 19th-century French Literature
• Francophone Studies
• Performance Studies
• +۵ مورد دیگر

Jonathan Shannon is a Professor in the Department of Anthropology at Hunter College's School of Arts and Sciences, specializing in the anthropology of music, Middle East studies, and cultural displacement. His research spans Syria, Morocco, Spain, and refugee communities in Turkey, Germany, and Sweden. B.A., Stanford University Ph.D., CUNY Graduate Center His research integrates aesthetics, ethnomusicology, and migration studies, focusing on how music reflects cultural identity and political dynamics. Recent work examines Syrian refugees' musical practices, while earlier studies explore al-Andalus' legacy in Mediterranean soundscapes. Key trends in his 15 most recent publications include analyses of cultural diplomacy through music, al-Andalus' nostalgic influence, and the intersection of sound with migration and displacement across the Middle East and Mediterranean. Scientific Awards Guggenheim Fellowship A dedicated mentor, Dr. Shannon emphasizes student inspiration in his teaching and research. His contact details include office location (68th Street North 711) and phone number (212) 772-5452.

• Ethnomusicology
• Middle Eastern Studies
• Mediterranean Studies
• +۵ مورد دیگر

Stephen Hoskins is Professor of Fine Print and Founder of the Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol, based at the Bower Ashton Campus within the College of Arts, Creative Industries and Education. His academic career spans decades of pioneering work bridging traditional printmaking techniques with cutting-edge digital technologies. Hoskins' research philosophy centers on the physical artifact, primarily predicated in print, with a focus on the relationship between technology and making from a practitioner perspective. His primary research areas include the potential of 3D printing and related digital technologies for the arts, and the tactile surface of printed artifacts and its consequences for digital technology. He has developed a unique position of understanding digital and new media technologies while always relating them to physical output and creativity. His publications reveal a consistent focus on the intersection of historical printmaking techniques with contemporary digital fabrication methods, particularly exploring the tactile qualities of printed surfaces, ceramic applications of 3D printing, and the sustainability of art-making practices. The research trajectory shows increasing sophistication in merging 19th century photomechanical processes with 21st century digital technologies. Hoskins has maintained an exceptional record of industry collaboration, working with major partners including Hewlett Packard (for whom he held a sponsored Professorial Chair from 2004 to 2014), Renishaw PLC, Burleigh Pottery, Denby Pottery, Dycem, and Viridis3D. His approach emphasizes interdisciplinary understanding and practical application of research findings. As a practicing printmaker and author of three books including '3D Printing for Artists, Designers and Makers' (Bloomsbury), 'Water based Screenprinting,' and 'Inks,' plus over 40 peer-reviewed papers and three patents, Hoskins has established himself as a leading authority in the field of fine print research and digital fabrication for artists.

• Printmaking
• 3D Printing
• Digital Art Technologies
• +۵ مورد دیگر

Salvador Velazco serves as an Associate Professor of Latin American Cinema and Literature within the Department of Modern Languages and Literatures, specializing in the intersection of film and literary traditions across Latin America. His academic profile demonstrates deep expertise in cinematic and literary analysis, with particular emphasis on Mexican cultural production and historical representation. His educational foundation includes: B.A. from the University of Guadalajara, Mexico M.A. from the University of California, Los Angeles Ph.D. from the University of Michigan Dr. Velazco's research program centers on 21st-century Mexican documentary cinema, exemplified by his book project "The Heirs: Mexican Documentary Cinema of the 21st Century," which examines diverse formal approaches and political dimensions of the genre. His scholarship extends to colonial and contemporary Latin American literature, exploring historiography, ethnicity, and intertextuality in works ranging from indigenous language preservation to revolutionary narratives. Analysis of his recent publications reveals sustained engagement with themes of historical trauma, decolonial resistance, and transnational memory. His work consistently bridges film studies with cultural history, examining how documentaries address state violence, indigenous movements, and diasporic identities while maintaining rigorous attention to cinematic technique and narrative structure. No scientific awards or fellowships are documented in the available sources. While specific details about student advising and research grants remain unreported, Dr. Velazco maintains an active scholarly presence through his extensive publication record and contributions to academic discourse on Latin American cinema and literature. Information regarding laboratory facilities or dedicated research teams is not provided in the source materials.

• Latin American Cinema
• Latin American Literature
• Documentary Film
• +۳ مورد دیگر

James Oles is a Senior Lecturer in the Art Department at Wellesley College, specializing in Latin American art with a focus on modern Mexican art and architecture through museum and academic projects. He also serves as Adjunct Curator of Latin American Art at the Davis Museum. Education: B.A. and Ph.D. in Art History from Yale University; LL.D. from the University of Virginia. His research spans diverse topics including U.S.-Mexican cultural interchange, Mexican surrealism, 1930s political prints, art-deco architecture in Argentina, and Frida Kahlo's contested legacy. Recent curatorial projects include Diego Rivera's America (2022-2023) and the upcoming Mexichrome: Color and Photography in Mexico (2023). He teaches a comprehensive survey of Mexican art from ancient to modern eras and seminars on public art, cinema representation, and exhibition theory. His work emphasizes critical visual analysis and rigorous academic writing, mentoring four students who pursued Ph.D.s in Latin American art. Current initiatives involve advising the Museum of Fine Arts, Houston on a 2025 Frida Kahlo exhibition and advancing his book project Diego Rivera's Heroes .

• Latin American Art
• Modern Mexican Art
• Art History
• +۴ مورد دیگر

Liza Oliver is an Associate Professor of Art History at Wellesley College with affiliation to the South Asia Studies program. She serves as Director of The Pluralism Initiative since 2024. Ph.D. in Art History from Northwestern University (2014) Specializes in 18th-19th century visual cultures of colonialism across Europe, South Asia, and the West Indies Current book project "Famine's Land: Photography, Environment, and Racial Capitalism in Colonial India" Her research examines intersections of colonialism, science, and capitalism through visual analysis. Key themes include: Photographic documentation of colonial famine policies Textile trade's role in global capitalism Visual rhetoric of abolition and slavery Political ecology in imperial contexts Recent publications span topics from colonial cattle competitions to Dutch colonial landscape art , with work appearing in The Art Bulletin , Dutch Crossing , and Seeing Across Cultures in the Early Modern World . She co-edited a textile glossary volume in 2017. Scientific honors include: NEH Summer Stipend (2022) Franklin Research Grant (2022) Mellon Foundation Fellowship (2013) Bourse Chateaubriand (2014) CAA Finalist for Morey Book Award (2021) As educator and activist, she co-teaches The Art of Science seminar with astronomy faculty and founded Fur-Free Massachusetts animal rights non-profit.

• Art History
• Colonialism
• Slavery
• +۵ مورد دیگر

Sabine Dullin is a Professor of History at Sciences Po Paris and a leading historian of modern Russia and the USSR. As head of the History Department since 2017, she specializes in: Political History of the Soviet State Transnational Dimensions of communism Decolonization in Soviet and Russian contexts Climate Change intersections with historical sovereignty Baltic and Eastern European historical relations Her interdisciplinary research explores sovereignty transitions in the Soviet-Russain empire, focusing on substate actors' autonomy during imperial collapse. Current projects examine survival and sovereignty in Yakutia-Sakha , analyzing permafrost melting's historical implications. She co-edits the bilingual journal Monde(s). Histoire, espaces, relations and leads a Columbia World Projects working group on barriers and borders. Key supervision projects include: Rasmi BINOY - Cold War-era Kerala book culture Alexandra KOROLEVA - Soviet academic periphery Isabelle LINAIS - Postwar Central Asian hajj practices Yuqing QIU - Mao's Famine information networks Her recent publications analyze Soviet military structure, border dynamics, and revolutionary transnationalism, with a focus on Asian contexts. She contributes to historical methodology through archival analysis and material culture studies.

• Political History
• History of International Relations
• History of Russia and Eastern Europe
• +۲ مورد دیگر

Dr. Bryan Cameron is a University Associate Professor in Modern Spanish Literature and Culture at the Faculty of Modern and Medieval Languages and Linguistics, University of Cambridge. He serves as Fellow and Director of Studies at Selwyn College, with expertise in Spanish literature, cinema, and cultural studies from the 18th century to the present. Research Focus: Modern Spanish culture, crisis cinema (2008-2018), coloniality/modernity frameworks, feminist theory, and 15-M movement analysis Teaching Areas: Spanish literature, 19th-century novels, cinema, modernity/coloniality, gender studies Contact: Email bsc30@cam.ac.uk Research Projects: His work examines patrilineal crisis in Spanish literature (1870-1890s) and post-crisis Spanish cinema (2008-2018). Recent publications analyze Catalan screen media, neoliberal workplace tensions, and neocolonial continuities in film. Academic Contributions: Editor of special issues on Spanish affect theory, migrant cinema, and visual dissent. His 15 most recent articles span topics from Galdós's political journalism to post-democracy cinematic experiments. Student Supervision: Currently supervising PhD candidates Samantha Edwards and Matthew Doorly in areas related to his research.

• Modern Spanish Literature
• Film Studies
• Cultural Studies
• +۶ مورد دیگر

Dr. Carlos Fonseca serves as Assistant Professor in Postcolonial Latin American Literature and Culture at the University of Cambridge's Faculty of Modern and Medieval Languages and Linguistics. He holds dual college appointments as Fellow of Trinity College and College Lecturer at Newnham College, where he contributes to interdisciplinary dialogues on Latin American cultural production through literature, art, and philosophical frameworks. Education: PhD from Princeton University Fonseca's research centers on Caribbean and Central American literary traditions, postcolonial theoretical frameworks, and avant-garde histories. His work critically examines intersections between art history, philosophy, and literary production, with particular focus on eco-humanities approaches to historical catastrophes and archival practices. He investigates how natural disasters and political ruptures become narrative tropes in Latin American cultural expression, emphasizing postcolonial reimaginings of history and identity. His publications reveal a trajectory from historical analyses of Latin American independence movements to contemporary explorations of forensic aesthetics and colonial legacies. The monograph 'The Literature of Catastrophe' establishes foundational eco-historical frameworks, while novels like 'Austral' expand into posthuman ecologies and ethnographic avant-garde traditions, demonstrating consistent engagement with memory, revolution, and postcolonial futurity. Scientific Awards: National Prize of Culture of Costa Rica (Essay Category) for 'La lucidez del miope' Dr. Fonseca actively supervises graduate research, welcoming MPhil and PhD candidates studying Latin American literature, postcolonial theory, and interdisciplinary cultural analysis. His current projects 'The Buried Archive' and 'At the Brink of Dawn' indicate significant research funding in forensic anthropology and postcolonial visual culture, though specific grant details remain undisclosed. He maintains strong institutional engagement through the Centre of Latin American Studies (CLAS). His scholarly activities extend to collaborative networks including the Cambridge Translation Studies Network and Cambridge Language Sciences, where he contributes to cross-disciplinary initiatives in cultural preservation and linguistic diversity.

• Caribbean and Central American Literature
• Theories of the Postcolonial Imagination
• History of the Avant-Garde
• +۷ مورد دیگر

Rafael Escobedo Romero (b. 1977) is a tenured associate professor of contemporary history at the University of Navarra's Department of History, Art History, and Geography. His academic work focuses on modern Spanish history, religious freedom historiography, and the Great Divergence debate, with particular emphasis on Francoist Spain's international religious dynamics. Academic Interests Religious freedom debates during Francoism Transatlantic Catholic networks Democratic transition mechanisms 18th-century tobacco monopolies Smuggling and early modern economies Recent Research Trends 2023 articles analyze US Catholic influence on Francoist Spain and pro-Franco propaganda in America 2020 publications explore Václav Havel's dissident legacy and tobacco's role in state-building 2012 work examines US foreign policy paradoxes with authoritarian regimes Key Collaborations Co-edited Memory of Nations (2020) with Santiago de Navascués Contributions to Dimensiones europeas de la Europa del sur (2019) Analysis of Catholic/Protestant tensions in A Christian Revolution (2023)

• Modern Spanish History
• History of Religious Freedom
• Freedom of Religion
• +۷ مورد دیگر

Francesca Coin is a Fixed-term researcher in the Department of Systems Engineering and Industrial Technologies (DISTI) at the University of Parma. She teaches courses including Sociology of Work for the Master's Degree in Organizational, Digital and Administrative Innovation in the Public Administration, as well as Work and Society in the Digital Age and Economic Sociology of Work for the Bachelor's degree in Management Engineering. Dr. Coin's research focuses on the sociology of work, particularly examining precarious labor, digital transformations of work, social reproduction, and the impact of neoliberalism on contemporary labor relations. Her work explores how workers navigate changing economic landscapes, with special attention to desertion from undesirable jobs, class recomposition, and the ambivalent relationship between workers and the digital revolution. She investigates how technological changes have reshaped work identities and created new forms of exploitation while simultaneously offering potential avenues for resistance. Her publications span multiple theoretical frameworks including Marxist feminism, post-structuralist analyses of subjectivity, and critical examinations of digital capitalism. Analysis of Coin's recent publications reveals a consistent focus on contemporary labor issues across multiple dimensions. Her work spans theoretical examinations of precarity and neoliberal subjectivity alongside empirical studies of specific sectors like the restaurant industry. A notable trend is her attention to how workers respond to changing conditions—whether through desertion, reorganization, or resistance. Her research bridges sociology, political economy, and cultural studies, creating a multidimensional understanding of work in the 21st century. The temporal progression of her work shows an evolution from broader theoretical frameworks toward more specific case studies while maintaining a critical perspective on power relations in labor contexts. Francesca Coin has mentored numerous students through her teaching roles in Management Engineering programs at the University of Parma. Her courses on the sociology of work, economic sociology, and work in the digital age provide students with critical perspectives on contemporary labor markets and organizational dynamics. While specific grant information is not detailed in the available materials, her extensive publication record across multiple decades suggests sustained research activity supported by institutional and potentially external funding mechanisms. Her methodological approach appears to combine theoretical analysis with empirical investigation, particularly evident in her recent case study of the Italian restaurant industry, and she demonstrates engagement with oral history through her 2024 publication 'The Terkel Method: Work, Social Inquiry and the Art of Astonishing'.

• Sociology of Work
• Digital Labor
• Precarious Labor
• +۳ مورد دیگر

Dr. Jean-Charles Geslot is a Lecturer HDR (Habilitation à Diriger des Recherches) in Contemporary History at the University of Versailles Saint-Quentin-en-Yvelines (UVSQ) , affiliated with the Institute of Cultural and International Studies (IECI) and the Center for the Cultural History of Contemporary Societies (CHCSC) . He has held significant administrative roles including Deputy Director of CHCSC and former Director of the History Department (2014-2016). Specializes in 19th-century cultural history Focus: book history, publishing, and reading practices Explores cultural/educational policies and historical representations Research Trends derived from his 2000-2025 publications include: Detailed analysis of 19th-century French publishing networks Investigations into colonial cultural transfers (e.g., Revue africaine ) Studies on educational reforms and historiographical practices Examinations of political representations in media and museums Development of digital humanities tools for book history Comparative studies of European cultural administrations Academic Collaborations include extensive work with: Dr. Viera Rebolledo-Dhuin on digital prosopography Prof. Jean-Yves Mollier on publishing history Dr. Agnès Sandras on public library systems Dr. Patricia Sorel on cultural policy analysis Key Projects include coordination of the ANR DEF19 - Dictionary of 19th-century French publishers (2014-2019) and subsequent DEF19 2.0 project.

• Cultural History
• History of Publishing
• History of Education
• +۵ مورد دیگر