جست‌وجوی استاد و پژوهشگر

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +۵ مورد دیگر

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Elizabeth McCrackenمشاهده پروفایل

استاد

• Creative Writing
• Fiction
• Short Stories
• +۴ مورد دیگر

Elizabeth McCracken is a Professor in the College of Liberal Arts at the University of Texas at Austin, where she teaches creative writing courses including Advanced Fiction Workshop (CRW 355F), Literature for Writers (E 380F), and Fiction Writing (CRW 325F). She also teaches in the low residency MFA program at Bennington College. McCracken received her M.F.A. from the University of Iowa in 1990. Her academic career has been distinguished by numerous grants and fellowships from prestigious organizations including the Guggenheim Foundation, the National Endowment for the Arts, and the Radcliffe Institute for Advanced Study. Her creative interests focus on Creative Writing , particularly Fiction , Short Stories , and Autobiographical Writing . McCracken's work explores complex human relationships, grief, memory, and the transformative power of storytelling. Her writing is characterized by its emotional depth, wit, keen observation of human nature, and ability to blend the comic with the heartbreaking. McCracken's publications have established her as a significant voice in contemporary American literature. Her work has been widely recognized for its originality and emotional resonance, appearing in prestigious collections such as The Best American Short Stories, The Pushcart Prize, and The O. Henry Prize Stories. Winner of The Story Prize for Thunderstruck & Other Stories (2015) Finalist for the National Book Award for The Giant's House (1996) Named one of the 20 Best Young American Novelists by Granta Recipient of grants from the Guggenheim Foundation, NEA, American Academy in Berlin, and other prestigious organizations As an educator, McCracken has mentored numerous writing students through her positions at the University of Texas and Bennington College. Her teaching emphasizes both technical craft and emotional authenticity, encouraging students to find their unique voices while developing strong writing techniques. Her 2023 novel The Hero of This Book has been named a Top Ten Best Book of the Year by Time and People magazines, further cementing her reputation as one of America's finest contemporary writers.

• directing
• screenwriting
• editing
• +۸ مورد دیگر

Wiebke von Carolsfeld serves as a Professor in Cinema at Concordia University, where she holds a primary academic appointment focused on film production and creative practice within the university's cinema program. Her research and creative practice spans directing, screenwriting, and editing across multiple cinematic formats including feature film, independent film, documentary, and shorts . She demonstrates particular expertise in narrative genres such as drama and comedy , with significant experience in international co-productions that facilitate cross-cultural collaborations. Her creative work extends beyond film into prose and novel writing , reflecting an interdisciplinary approach to storytelling. Professor von Carolsfeld maintains active engagement with the film community through her practice-based research and creative output, though specific advising relationships and grant activities are not detailed in available institutional documentation. She remains a current faculty member contributing to Concordia University's cinematic arts education mission.

Laurie Shannonمشاهده پروفایل

استاد

• Early Modern Literature
• Gender & Sexuality Studies
• Environmental Humanities
• +۵ مورد دیگر

Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.

William Boydمشاهده پروفایل

مدرس

• English Literature
• Screenwriting
• Creative Writing
• +۳ مورد دیگر

William Boyd is an Honorary Fellow of Jesus College, Oxford, and an alumnus who earned a DPhil in English Literature there in 1975. Formerly a Lecturer in English Literature at St. Hilda’s College, Oxford (1980–83), he is renowned as an award-winning author and screenwriter. His works include novels like A Good Man in Africa and Any Human Heart , which have garnered accolades such as the Whitbread Award and BAFTA. Boyd’s screenwriting spans films like Chaplin and adaptations of his own novels, including the BAFTA-winning Any Human Heart (2010). Education : DPhil in English Literature, Jesus College, Oxford (1975). Boyd’s research interests center on creative writing, novel adaptation, and narrative techniques, blending literary excellence with cinematic storytelling. His screen credits include original films and adaptations of literary works, showcasing versatility across mediums. Awards span literature and film, including honorary doctorates from four Scottish universities and the CBE. Literary and cinematic themes in his work explore human psychology, historical contexts, and social dynamics, often with satirical or existential undertones. His contributions to both page and screen have solidified his international reputation.

Andrew J Fleckمشاهده پروفایل

دانشیار

• Early Modern British Literature
• Dutch-English Cultural Relations
• Literary Analysis
• +۳ مورد دیگر

Andrew J Fleck is an Associate Professor in the English and Comparative Literature Department at San José State University, affiliated with the College of Humanities and the Arts. He has been teaching since 2001, specializing in Early Modern British Literature with a focus on Dutch-English cultural relations between 1588-1688. Fleck holds a PhD from Claremont Graduate University (2000). His research explores how Dutch figures influenced English literary and cultural imagination, including studies on John Donne, Thomas Nashe, and early modern drama. He has published widely in journals like Studies in Philology and Journal of British Studies , with a particular emphasis on textual analysis, historical narratives, and cross-cultural exchanges. Fleck’s work spans from examining the role of Dutch language performances in early modern theater to analyzing the representation of national identity in texts like The Shoemaker’s Holiday . His recent publications (2013) include studies on John Donne’s engagement with astronomical themes and global adaptations of Macbeth . He maintains an active presence in academic encyclopedias, contributing entries on Milton’s Dutch connections and Renaissance authors. His scholarship bridges literary analysis with historical context, often highlighting how literature reflects political, religious, and cultural tensions of the period. Fleck’s teaching and research reflect a commitment to interdisciplinary approaches, integrating historical, linguistic, and cultural methodologies.

Andreas Stoehrمشاهده پروفایل

استاد

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

Isabelle Staufferمشاهده پروفایل

استاد

• German literature (early modern period, fin de siècle, contemporary)
• Literary theory
• Cultural studies (gender/queer studies, performativity, postcolonial studies)
• +۶ مورد دیگر

Prof. Dr. Isabelle Stauffer holds the Professorship for Modern German Literature at the Catholic University of Eichstätt-Ingolstadt , where she also serves as Vice Dean of the Faculty of Languages and Literature and Deputy Director of the Center for Religion, Church, and Society in Change (ZRKG) . She co-leads the ZRKG Research Field III on "Religiosity in Contemporary Transformation Processes" and examines intersections of literature with gender/queer studies , postcolonial theory , and cultural history of gallantry . Studied at University of Zurich and Humboldt University Berlin Doctorate (2006) and Habilitation (2015) from Johannes Gutenberg University Mainz Previously held positions at Goethe University Frankfurt, Philipps University Marburg, and Saarland University Her research spans early modern to contemporary German literature , with specializations in intermediality (film, digital media), epistolary culture , and dandyism/fashion history . Current projects include organizing the 2025 IVG congress panel "Figures of Crisis – Crisis of the Figure" and editing the complete works of Aurora von Königsmarck. She has published extensively on topics including: Postcolonial transformations in early modern texts Religious discourse in contemporary literature Intermedia reflexivity in digital age narratives Queer performativity in historical and modern contexts Translation as cultural transfer mechanism Surface aesthetics in cinema and art

Nicholas Mortimerمشاهده پروفایل

مدرس ارشد

• Performance Design
• Labor Studies
• Social Activism through Art
• +۳ مورد دیگر

Nicholas Mortimer is a Senior Lecturer in Design at Goldsmiths, University of London. He holds an MA in Design Interactions (Royal College of Art, 2013) and a BA in Fine Art Sculpture (University of Brighton, 2005). His work focuses on socially engaged design practices, reimagining historical performance traditions to address contemporary labor and societal issues. As co-founder of Post Workers Theatre (PWT), he explores workers’ theatre and creative resistance through collective writing, performance, and design. His research spans topics like gig economy critiques, housing privatization, and community activism, often blending performance, sound, and participatory methods. Education: MA Design Interactions, Royal College of Art, 2013 BA Fine Art Sculpture, University of Brighton, 2005 Research Interests: Performance as social critique Historical folk traditions and modern labor struggles Community-driven design practices Radical pedagogy and participatory methods Key Projects: Post Workers Theatre : Investigates politically engaged performance, addressing labor inequality through updated workers’ theatre forms. Autohoodening : Critiques Amazon labor practices via a reimagined midwinter ritual. Rave of the Ritualesque : Examines rave culture’s potential for collective resistance. Affiliations: Department of Design, Goldsmiths, University of London IASPIS (Swedish Arts Grants Committee) residency collaborations Labs/Teams: Post Workers Theatre collective Collaborations with institutions like Tate Liverpool, Luleå Arts and Crafts Biennale, and the Maidstone Museum

• Latinx Literature
• Spanish-American Literature
• Translation Studies
• +۳ مورد دیگر

Dr. Michele Shaul serves as Professor of Spanish and Chair of the World Languages Department at Queens University of Charlotte, where she also directs the Center for Latino Studies. A dedicated scholar and educator, she co-founded the e-journal Label Me Latina/o and leads community-focused initiatives bridging academia and social outreach. Her academic credentials include: Ph.D. in Spanish-American Literature from the University of North Carolina, Chapel Hill M.A. in Spanish from the University of Florida, Gainesville B.A. with honors in Spanish from the University of Florida, Gainesville Dr. Shaul's research interrogates Latinx identity through literary criticism, translation, and creative writing, emphasizing intersectional experiences of race, gender, and disability within U.S. institutions. Her work actively challenges monolithic narratives while centering marginalized voices in both scholarly and artistic contexts. Analysis of her recent publications (2016-2023) reveals a cohesive trajectory exploring bilingual expression, cultural memory, and systemic inequity. Edited volumes on Latinx literature in Spanish and theater demonstrate scholarly rigor, while creative works like poetry and short stories employ personal narrative to examine reincarnation, hybrid identity, and border-crossing experiences. Her contributions have earned significant recognition: Queens’ 2016 Hunter-Hamilton Love of Teaching Award for pedagogical excellence 2023 Con A de Arte Award from the Latin American Coalition for cultural leadership Through the student/faculty Latino Studies Project, Dr. Shaul mentors researchers documenting Charlotte's Latino community history while collaborating with artists on tolerance-focused initiatives. Her editorial work with international scholars demonstrates sustained commitment to amplifying underrepresented voices across academic and creative domains. Dr. Shaul co-leads the e-journal Label Me Latina/o and directs the Latino Studies Project, fostering collaborative research between students, faculty, and Charlotte's Latino community. Her social outreach partnerships integrate art installations and performance to address diversity through experiential learning and public engagement.

Aida Levy-Hussenمشاهده پروفایل

دانشیار

• African American Literature
• American Literature
• Gender and Sexuality Studies
• +۴ مورد دیگر

Aida Levy-Hussen is an Associate Professor in the Department of English Language and Literature at the University of Michigan's LSA (Literature, Science, and the Arts) College. Her research focuses on African American literature, trauma studies, gender and sexuality studies, and 20th-century American literature. She holds an A.B. from Harvard University (2003) and a Ph.D. from Emory University (2009). Levy-Hussen's work interrogates the intersections of race, memory, and cultural expression. She examines how African American writers engage with historical trauma, particularly slavery's legacies, and explores themes like boredom, affect, and narrative form in contemporary works. Her recent scholarship includes analyses of Ishmael Reed’s postmodern historiography and Spike Lee’s satirical film Bamboozled . She currently teaches courses on African American literature, Toni Morrison, and narrative theory. Her office is located in 3232 Angell Hall, with regular appointment-based office hours. No scientific awards are explicitly mentioned, but her prolific publication record reflects sustained academic impact in literary studies. Levy-Hussen’s writing emphasizes interdisciplinary approaches, blending literary criticism with cultural theory, psychoanalysis, and historical analysis. Her book How to Read African American Literature (2016) provides a transformative framework for interpreting post-civil rights fiction.

Eoghan Smithمشاهده پروفایل

مدرس

• Contemporary Irish Fiction
• Twentieth-Century Irish Literature
• Creative Writing
• +۴ مورد دیگر

Eoghan Smith is a Lecturer in English and Creative Writing at Carlow College, St. Patrick's, where he has taught since 2011. He specializes in modern and contemporary Irish writing, creative writing, and world literature, bringing both scholarly expertise and creative practice to his academic role. As an active contributor to Irish literary studies, Smith bridges academic research with creative production, enriching both fields through his dual perspective. Dr. Smith's academic background includes: PhD in English from Maynooth University (2009), with dissertation 'John Banville: Art, Authenticity and Epic' MA in Anglo-Irish Writing and Drama from University College Dublin (2003) BA (Hons) in English & Philosophy from University College Dublin (2002) Smith's research focuses on twentieth- and twenty-first-century Irish literature, particularly fiction, with specific expertise in contemporary Irish writing, John Banville's work, literary and visual cultures of suburban Ireland, and intersections between philosophy and Irish writing. His scholarship demonstrates how Irish literature has evolved through periods of social and economic transformation, especially examining the post-Celtic Tiger era. As a creative writer himself, he brings practical insight to theoretical concepts, creating a dynamic dialogue between academic study and literary creation. Analysis of Smith's recent publications reveals a consistent engagement with contemporary Irish literary developments, particularly the flourishing post-recession literary scene. His work spans scholarly analysis, book reviews in major publications, and creative fiction, demonstrating his multifaceted contribution to Irish letters. He shows particular interest in how Irish writers navigate identity, authenticity, and social change through innovative literary forms. As chair of the Carlow College Research Hub, Smith has co-organized numerous conferences and symposiums that foster academic exchange. His 2024 appointment as editor for the Irish Literature in English area of the Literary Encyclopedia marks significant recognition of his expertise. Smith regularly peer-reviews for journals in contemporary Irish literary studies and contributes to public discourse through reviews in the Irish Times, Books Ireland, and Literary Review. Smith is also an accomplished novelist with three published works: The Failing Heart (2018), A Provincial Death (2022), and A Mind of Winter (2023). His creative output informs his scholarly perspective, creating a rich interdisciplinary approach to Irish literary studies. His leadership in the Research Hub and editorial work on publications like 'Imagining Irish Suburbia in Literature and Culture' (2018) demonstrates his commitment to advancing scholarship in Irish literary studies.

Isobel Hurstمشاهده پروفایل

مدرس

• Classical Reception Studies
• Victorian Literature
• Women's Writing
• +۳ مورد دیگر

Isobel Hurst is a Lecturer in the Department of English and Creative Writing at Goldsmiths, University of London. Her research specializes in Classical Reception Studies, focusing on the interplay between Greek and Roman literature and 19th-century women's writing. Academic qualifications: D.Phil. (2003), M.Phil. in English Studies (2000), BA in Classics and English (1995) - all from the University of Oxford Her research explores how women writers like Elizabeth Barrett Browning and George Eliot creatively engaged with classical texts to challenge gender norms and societal constraints, particularly through reworkings of Homeric and Virgilian themes. She examines intersections between domesticity and epic traditions, feminist reinterpretations of mythology, and the role of classical education in women's authorship. Recent publications analyze Louise Glück's mythic poetry, Victorian epic traditions, and transatlantic classical dialogues. She supervises PhD students working on topics including Sapphic poetics, prophetic figures in literature, and epic subversions in contemporary forms. Isobel contributes to academic discourse through her involvement with the Decadence Research Centre and Centre for Comparative Literature, bridging classical traditions with modern literary innovations through both teaching and research.

Andrew Huddlestonمشاهده پروفایل

استاد

• Post-Kantian Philosophy
• Nietzsche Studies
• Aesthetics
• +۶ مورد دیگر

Andrew Huddleston is Professor of Philosophy and Director of the Centre for Research in Post-Kantian Philosophy at the University of Warwick. He previously taught at Birkbeck College, University of London and Exeter College, Oxford. He holds a PhD from Princeton University. His research focuses on post-Kantian philosophy (Nietzsche, German Idealism, Romanticism) and intersects with aesthetics, social philosophy, and ethics. His 2019 monograph, Nietzsche on the Decadence and Flourishing of Culture , challenges individualist interpretations of Nietzsche, arguing for a more socially-oriented understanding of cultural flourishing. Current work explores the 'Religion of Art' concept in European thought, examining art's role as a religious substitute in a secular age. Education: BA from Brown University and Pembroke College, Cambridge; PhD from Princeton University (supervised by Alexander Nehamas). Research trends in recent articles emphasize Nietzschean moral psychology (ressentiment), narratives of cultural decadence, and the interplay between aesthetics and existential concerns. His work also engages with Adorno's critical theory and Hegel's philosophy of comedy. Editorial roles include serving as Book Reviews Editor for European Journal of Philosophy , Editorial Board member of British Journal for the History of Philosophy , and area editor for Ergo . He is also Treasurer of the Royal Musical Association Music & Philosophy Study Group. Teaching responsibilities include modules on Nietzsche's Beyond Good and Evil , the 'Religion of Art' in post-Kantian philosophy, and convening the MA in Continental Philosophy.

Susan Hopkinsمشاهده پروفایل

مدرس ارشد

• Curriculum and Pedagogy
• Gender Studies
• Media Studies
• +۵ مورد دیگر

Susan Hopkins is a Senior Lecturer in Education (Curriculum and Pedagogy) and Associate Dean (Learning and Teaching) at the School of Education and Tertiary Access , University of the Sunshine Coast , Queensland, Australia. She earned her PhD from Queensland University of Technology and has also served as a Lecturer in Communication at the University of Southern Queensland. Institution: University of the Sunshine Coast School: School of Education and Tertiary Access Rank: Senior Lecturer Leadership Role: Associate Dean (Learning and Teaching) Her research centers on curriculum and pedagogy , with strong interdisciplinary interests in gender studies, media, cultural studies, and feminist theory . She critically examines representations of women, motherhood, sexuality, and power in film and television, often linking popular narratives to broader social and ethical issues such as animal welfare, digital abuse, and environmentalism. Her work frequently appears in public-facing platforms like The Conversation , where she bridges academic insight with accessible commentary. The trends in her recent articles reflect a consistent focus on popular culture as a site of ideological struggle , particularly how gender, power, and identity are constructed and challenged in media. She analyzes genres ranging from horror and documentary to romantic comedy and animated features, often highlighting feminist and postfeminist themes. Her writing reveals a deep engagement with cinematic history, celebrity culture, and the emotional dimensions of storytelling. Susan Hopkins has not been publicly recognized with scientific awards based on available information. She is actively involved in research supervision, consulting, speaking engagements, and media collaborations . Her institutional roles suggest leadership in academic program development and pedagogical innovation. Though no formal lab or research team is mentioned, her public scholarship indicates an influential voice in education and cultural critique.