Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
Claire Bowern is Professor of Linguistics at Yale University specializing in historical linguistics, language documentation, and Australian Indigenous languages. Her research employs computational phylogenetics to study language evolution and supports language revitalization through digital archives and fieldwork methodologies. Recent publications address: Phylogenetic signal in lexical evolution across language families Digital infrastructure for endangered language documentation (FLEx software analysis) Decolonizing linguistics pedagogy and research practices Her work consistently integrates linguistic, anthropological, and computational approaches to analyze language diversity and change. She contributes to global databases including Grambank and D-PLACE, examining links between linguistic, cultural, and environmental patterns.
Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence
Craig Buckley is an Associate Professor in the Department of the History of Art and affiliated with the Yale School of Architecture. His research bridges modern architecture with visual arts and media, focusing on techniques like montage, collage, and screen-based practices. Education: BA (Trent University), MA (University of Western Ontario), PhD (Princeton University) His work examines how media such as print, film, and digital screens shape architectural culture. Key themes include cinema architecture, media theory, and the intersection of design with socio-political movements like 1968 protests. His recent articles analyze topics such as colonial-era cinema architecture, media façades, and pneumatic structures. He teaches courses on architecture’s relationship with media and print culture, often utilizing Yale’s special collections.
Prof. Dr. Sebastian Conrad holds the Chair of Modern History at Freie Universität Berlin , specializing in Global History , (Post-)colonial History , and Intellectual History . He joined the faculty in 2010 after teaching at European University Institute in Florence and serving as visiting scholar at institutions including NYU Abu Dhabi and The New School, New York. Director of MA "Global History" (FU Berlin/Humboldt University joint program) Director of Graduate School "Global Intellectual History" Principal Investigator, Cluster of Excellence "Temporal Communities" (2024) Research Interests focus on transnational historical frameworks , globalization of historical narratives , and postcolonial historiography . His latest book Die Königin: Nofretetes globale Karriere (2024) analyzes cultural globalization through Nefertiti's iconography, while his current project explores global history of bodily aesthetics and identity formation since the 19th century. Recent Publications include: 2022: "Empire and Nationalism" (American Historical Review) 2021: "Globalizing the Beautiful Body" (Journal of World History) 2020: "Greek in Their Own Way" (American Historical Review) Scientific Honors : Elected member, Berlin-Brandenburg Academy of Sciences and Humanities (2024) Elected member, Academia Europaea (2024) Finalist, German/NDR non-fiction book awards (2024) for Nefertiti study Academic Leadership includes editorial roles at Geschichte und Gesellschaft , Past & Present , and Globalgeschichte book series (Campus Verlag). His work bridges historical analysis with contemporary debates on memory, identity, and global cultural dynamics.
Joey Williams is a Lecturer of Classics and Letters at the University of Oklahoma's Department of Classics and Letters. He specializes in Roman material culture, ancient colonialism, and landscapes of conflict/surveillance. Educated at the University at Buffalo (Ph.D. Mediterranean Archaeology), University of Arizona (M.A. Classical Archaeology), and Hendrix College (B.A. Anthropology/History), he has taught globally in the US, Switzerland, Portugal, and Italy. Ph.D.: Mediterranean Archaeology, University at Buffalo M.A.: Classical Archaeology, University of Arizona B.A.: Anthropology & History, Hendrix College His research focuses on Roman surveillance mechanisms in Portugal's Central Alentejo region, ceramic production, and the socio-cultural role of fish sauce. Active in fieldwork, he co-directs an archaeological excavation in Redondo, Portugal since 2010, and leads projects in Ostia Antica and Lugnano, Italy. His upcoming Ficulle project accepts OU student applications. Recent publications include a 2017 monograph on Roman surveillance and a 2022 chapter analyzing colonial landscapes through tower enclosures. His work intersects archaeology with imperialism studies, emphasizing material evidence of power dynamics. No academic awards are explicitly mentioned. Current projects involve legacy data analysis from Ostia Antica and pottery studies in Lugnano. Teaching includes Latin language courses, classical mythology, and advanced archaeology seminars.
Sho Konishi serves as Director of the Nissan Institute of Japanese Studies and Associate Professor in Modern Japanese History at the University of Oxford, holding dual appointments in the Faculty of History and the Oxford School of Global and Area Studies. His interdisciplinary work bridges Japanese studies with transnational intellectual history, focusing on non-imperial connections between Japan, Russia, and global networks. Undergraduate studies completed as a U.S. military school cadet after extensive coursework in Russia Georgetown University: Philosophy and International Affairs University of Chicago: Ph.D. in History (Theology and History) Postdoctoral fellowship at Harvard University Konishi's research centers on intellectual and cultural history with emphases on transnational encounters, anarchist thought, and the history of science. He investigates non-imperial knowledge production across 19th-20th century Japan, Russia, and Eastern Europe, with particular focus on symbiosis theory, linguistic democracy, and the role of nonverbal communication in epistemology. His work challenges Western-centric modernity narratives through examinations of anarchist natural science and transnational emotional histories. His publications reveal consistent engagement with alternative epistemologies and cross-cultural exchanges, spanning transnational history, the history of science, and cultural studies. Key themes include Japan-Russia intellectual networks, anarchist cooperative movements, and non-imperial frameworks that reposition Japan within global knowledge systems rather than colonial paradigms. ICAS Book Prize 2023 – Humanities for Japan’s Russia: Challenging the East-West Paradigm Konishi contributes to international academic governance as Advisory Board Member for the Esperantic Studies Foundation, External Faculty at the University of Chicago Stevanovich Institute on the Formation of Knowledge, and International Advisory Board Member for Manchester University Press's Anarchist Studies Series. His cultural impact extends to architectural projects like the Venice Biennale's Philippine Pavilion through 'Symbiogenesis: The Art of Bayanihan Architecture'.
Massachusetts Institute of TechnologyUnited States
Noah Nathan is an Associate Professor of Political Science at Massachusetts Institute of Technology , with faculty affiliation at MIT’s Global Diversity Lab . He previously taught at the University of Michigan and earned his PhD in Government from Harvard University (2016) . Research Interests: Political economy of development Comparative political behavior Urban politics State-building Distributive politics and clientelism Political parties African political systems Article Trends: His recent work integrates urban built environments into political behavior analysis, with empirical studies across African cities. Key themes include state-building legacies in inequality, clientelist electoral systems, and architectural impacts on political engagement. Earlier work (2013-2020) focused on ethnic politics, leadership dynamics, and institutional design. Scientific Awards: 2024 William Riker Award for Best Book in Political Economy 2024 African Politics Conference Group Best Book Award 2023 Foreign Affairs Best Books recognition 2015 Heinz I. Eulau Award (APSR) 2024 Political Ties Best Paper Award (APSA) Advising & Grants: He has advised multiple published studies in top journals and secured research funding for field experiments in Ghana. Current work explores vernacular architecture’s political impact and state capture mechanisms. Labs & Teams: Affiliated with MIT’s Global Diversity Lab and collaborative networks across African politics research institutions.
Prof. Dr. Ulrike Freitag is Director of the Leibniz-Zentrum Moderner Orient (Berlin) and holds a special professorship in Islamic Studies at Freie Universität Berlin. Her research focuses on social and cultural history of the Arab world, urban history, and transregional connections in the Indian Ocean. She has directed major projects like 'An Oasis Facing Globalisation: Hegra’s History since the 19th Century' and authored seminal works such as A History of Jeddah . Education: Habilitation (Islamic Studies, 2002, Bonn), PhD (1991, Freiburg), MA (1987, Freiburg). Key research stays include Damascus (1984-85, 1987-90), Yemen, and Southeast Asia. Research Interests: Urban development, migration networks, Ottoman heritage, Saudi state formation, and transregional Islamic dynamics. Current projects explore Jeddah’s urban history and transregional entanglements in the Arabian Peninsula. Engagement: Editorial roles for Journal of Arabian Studies , ZMO Studien , and advisory boards for institutions like the Leibniz Institute of European History. Awarded fellowships from Käthe-Hamburger Kolleg and LUCIS. Supervised over 20 doctoral theses on topics ranging from Ottoman governance to Gulf intellectual history. Publications: Over 150 articles, 8 monographs, and 6 edited volumes. Her work blends archival research with transregional perspectives, emphasizing marginalized voices and material culture. Recent focus on pandemic impacts and Saudi-Iranian geopolitical dynamics.
Robert Wellington serves as Associate Professor and Director of the Centre for Art History & Art Theory at the School of Art & Design, Australian National University (ANU), within the College of Arts & Social Sciences. His academic leadership focuses on advancing art historical research and public engagement through institutional initiatives. His research spans Art History, Early Modern European Art (particularly Louis XIV's France), Museum Studies, Public Humanities, and Cultural Heritage. Wellington investigates transcultural object exchange, royal iconography, and identity construction through material culture, with emphasis on Versailles, medals, and marginalia. His work bridges historical scholarship with contemporary public humanities applications in museums and digital archives. Analysis of his 2020-2024 publications reveals concentrated exploration of Louis XIV's cultural legacy, Versailles' global impact, and the evolving role of humanities institutions. He pioneers digital critical editions while examining how objects shape identity across cultural boundaries, consistently connecting historical practices to modern museum and archival challenges. No scientific awards were documented in the provided materials. As Centre Director, Wellington oversees research programs and institutional partnerships, though specific student advisees and grant details remain unlisted in available sources. His leadership facilitates interdisciplinary projects including the Jean-Benjamin de Laborde digital edition initiative. The Centre for Art History & Art Theory functions as a research hub under Wellington's direction, driving public humanities innovation through the ANU's Art & Design Seminar Series, Visiting Artist Program, and collaborative projects with national collections. Current initiatives focus on digital heritage and community-engaged scholarship within the School of Art & Design framework.
University of California, Los AngelesUnited States
Ali Mousavi is Assistant Professor of Iranian Archaeology in UCLA’s Department of Near Eastern Languages and Cultures and a core faculty member of the Cotsen Institute of Archaeology. A Berkeley PhD and former fellow of the Smithsonian, Maison de l’Orient and Global Heritage Fund, he has directed excavations and UNESCO World-Heritage projects at Pasargadae, Bam, Susa, Sultaniyeh and Turang Tepe and authored prize-winning volumes Ancient Iran from the Air and Persepolis: Discovery and Afterlife of a World Wonder . Education PhD, Near Eastern Studies (Archaeology), University of California, Berkeley (2005) MA, Archaeology, History and Languages of Old World Civilizations, Université Lyon II, France (1997) BA, Archaeology and Art History of Europe and the East Mediterranean, Université Lyon II, France (1996) Research interests span the archaeology and art history of Iran from the Neolithic to the early-20th century, with particular focus on Achaemenid and Sasanian monumental architecture, ancient irrigation (qanats), landscape archaeology, digital heritage, and the modern historiography of Iranian archaeology. His field projects integrate remote sensing, epigraphy, GIS and conservation science to investigate imperial capitals, rock-cut monuments and water-management systems across the Iranian plateau. Across more than 30 peer-reviewed articles and book chapters, Mousavi has re-examined dating criteria for Achaemenid stone monuments, analysed royal inscriptions as visual displays, traced medieval Persian pilgrims’ graffiti at ancient sites, and produced synthetic archaeological surveys of the Sasanian empire and the Central Alborz Iron-Age cultures. The corpus reflects a sustained engagement with primary field data, archival research and critical historiography of 19th- and 20th-century excavations. Selected honours Ehsan Yarshater Book Award (2014) Iranian Ministry of Culture World Book Award (2014) Leon Levy – Shelby White publication grant (2008) UNESCO award for World-Heritage nomination files (2003) Iran Heritage Foundation field-work award (2003) Guitty Azarpay Fellowship, UC Berkeley (2000-2003) IFRI Fellowship, Paris (1998) At UCLA he offers undergraduate courses “Archaeology of Iran” and “Ancient Cities of Iran (4000 BC-AD 1900)” and mentors graduate researchers in the Cotsen Institute. His grants and fellowships from NSF-equivalent European and American agencies underwrite both field seasons and publication of critical archaeological corpora, while his service on Iranian, UNESCO and international heritage boards continues to link scholarly output with heritage-management policy.
Jocelyn Saidenberg is a Lecturer specializing in comparative literature, ancient poetry, and interdisciplinary studies. She holds a doctoral degree in Comparative Literature from the University of California, Berkeley. Her research integrates linguistics, social anthropology, and psychoanalysis to analyze didactic poetry’s transformative potential, as seen in her dissertation Echo Otherwise on Lucretius’s atomic poetics. Her creative work includes multiple poetry collections and essays exploring themes like displacement, existential inquiry, and interdisciplinary art. Key publications span academic interviews and poetry anthologies, with notable works such as kith & kin (2018), Dead Letter (2015), and Shipwreck (2013). Dr. Saidenberg has received prestigious awards including the Frances Jaffer Award and the American Academy of Poets Greenwald Prize (2001). Her creative and critical outputs reflect a sustained engagement with language’s capacity to interrogate human experience across historical and cultural contexts.
Dr. Majdi Faleh is an Academic Fellow/Lecturer in Cultural Heritage at the School of Architecture Design and Built Environment, Nottingham Trent University. He focuses on architectural globalization, migration and heritage, Islamic architecture ethics, and social justice in cities. Previously, he held roles at the University of Bahrain, MIT’s Aga Khan Programme, and multiple Australian institutions. He coordinates the Tunisia ENGAGE Hub Network for Humanitarian Heritage and leads the ARC-funded 'Australian Mosque Today' project. Education: PhD in Architecture and Humanities (University of Western Australia), Master of Architecture (Ball State University). Affiliations: Registered Architect in Tunisia, member of AIA, ICOM, and multiple architectural networks. His research bridges marginalized communities’ heritage with global architectural trends, emphasizing ethical frameworks in design. Notable projects include studies on Tunisian medinas, Dubai’s urbanization, and Australian mosque architecture. His work has been supported by ARC grants, Fulbright, and other international bodies. He has authored/co-authored over 20 peer-reviewed articles and book chapters on topics like public housing challenges for refugees, Islamic architectural ethics, and cultural preservation. Awards include the MIT Aga Khan Fellowship and Fulbright grants. Grants & Projects: Led £400k ARC-funded mosque project, coordinated Tunisia-UK humanitarian heritage networks, and contributed to Melbourne’s African immigrant housing studies. He has taught at universities in Australia, China, and the Middle East, and his practice spans architecture in the US, Tunisia, and France. Fluent in five languages, he engages in international conferences and editorial roles for journals like Journal of Architecture .
University of North Carolina at Chapel HillUnited States
Professor Scott Kirsch (University of North Carolina at Chapel Hill) is a historical geographer examining spatial dimensions of American colonialism in the Philippines (1900-1913). His recent open-access book American Colonial Spaces in the Philippines: Insular Empire (Routledge, 2023) analyzes territorialization, cartography, landscape planning, and infrastructure development under figures like William Howard Taft and Cameron Forbes. Focuses on material and ideological production of colonial spaces Examines intersections of aesthetics, coercion, and governance Highlights American empire-building through Manila waterfront projects and Baguio's 'City Beautiful' planning Research explores spatial policies as tools for extending state control over diverse populations and environments, employing Henri Lefebvre's spatial theories. Scientific Awards: Luce Foundation Award for Open Access publication Collaborations include working with UNC's Carolina Asia Center for open-access dissemination.
Professor D Graham J Shipley is the Professor of Ancient History at the University of Leicester's School of Archaeology and Ancient History since 2002. His research focuses on Hellenistic and Classical antiquity, particularly on political landscapes, environmental studies, and urban planning. He holds a D.Litt. from the University of Oxford (2020) and is a Senior Fellow of the Higher Education Academy (2014). Education: Graduated in Classics from Oxford University. Academic roles include serving on the Oxford Classical Texts Committee and the UK Education Honours Committee. Previously chaired the Council of University Classical Departments and convened the Dorothy Buchan Memorial lectures. Research interests emphasize ancient geography, socio-political structures, and environmental interactions. His work spans studies of Sparta, Greek urban planning, and the cultural impact of Hellenistic expansion. Recent publications examine Pseudo-Skylax's geographical texts and post-Alexandrian political dynamics. Scientific Awards: Senior Fellow of the Higher Education Academy (2014) D.Litt. (Doctor of Letters) from University of Oxford (2020) Advising and Grants: No specific advisees listed, but supervises research in ancient history and archaeology. Active in collaborative projects such as the Laconia Survey. Grants have supported archaeological fieldwork and publication initiatives. Labs/Teams: Collaborates with the Oxford Classical Texts Committee and has led interdisciplinary teams in regional archaeological surveys.
