Christopher Merkner is an Associate Teaching Professor in the Department of English at the University of Colorado Denver's College of Liberal Arts and Sciences. His expertise spans the short story, its historical evolution, compressed fiction, and creative writing pedagogy. Education: MFA from University of Florida, PhD from University of Denver Courses Taught: Narrative Form & Theory, Introduction to Creative Writing, Fiction Workshop, Advanced Fiction Workshop, The American Novel, The American Short Story Awards: Recognized in O. Henry Prize Stories and Best American Mystery Stories anthologies His published work The Rise & Fall of the Scandamerican Domestic has been featured in prestigious literary collections, including the W.W. Norton anthology New Micro .
Elizabeth McCracken is a Professor in the College of Liberal Arts at the University of Texas at Austin, where she teaches creative writing courses including Advanced Fiction Workshop (CRW 355F), Literature for Writers (E 380F), and Fiction Writing (CRW 325F). She also teaches in the low residency MFA program at Bennington College. McCracken received her M.F.A. from the University of Iowa in 1990. Her academic career has been distinguished by numerous grants and fellowships from prestigious organizations including the Guggenheim Foundation, the National Endowment for the Arts, and the Radcliffe Institute for Advanced Study. Her creative interests focus on Creative Writing , particularly Fiction , Short Stories , and Autobiographical Writing . McCracken's work explores complex human relationships, grief, memory, and the transformative power of storytelling. Her writing is characterized by its emotional depth, wit, keen observation of human nature, and ability to blend the comic with the heartbreaking. McCracken's publications have established her as a significant voice in contemporary American literature. Her work has been widely recognized for its originality and emotional resonance, appearing in prestigious collections such as The Best American Short Stories, The Pushcart Prize, and The O. Henry Prize Stories. Winner of The Story Prize for Thunderstruck & Other Stories (2015) Finalist for the National Book Award for The Giant's House (1996) Named one of the 20 Best Young American Novelists by Granta Recipient of grants from the Guggenheim Foundation, NEA, American Academy in Berlin, and other prestigious organizations As an educator, McCracken has mentored numerous writing students through her positions at the University of Texas and Bennington College. Her teaching emphasizes both technical craft and emotional authenticity, encouraging students to find their unique voices while developing strong writing techniques. Her 2023 novel The Hero of This Book has been named a Top Ten Best Book of the Year by Time and People magazines, further cementing her reputation as one of America's finest contemporary writers.
Dr. Luisa Calè is a Professor of Romantic and Nineteenth-Century Literature & Visual Culture and Research Lead at Birkbeck, University of London. She holds degrees from the University of Rome 'La Sapienza' (1993), University of Genoa (1997), and the University of Oxford (M.St. 1998, D.Phil 2002). Her research explores the interplay between literature and visual/material culture, focusing on book history, intermediality, and practices of reading/collecting. Her Leverhulme Trust-funded project 'The Book Unbound' examines how works by Blake, Walpole, and Dickens subverted traditional book formats. Education: PhD in Literary Studies, University of Genoa (1997) D.Phil., University of Oxford (2002) M.St. in English, University of Oxford (1998) Letters Degree, University of Rome (1993) Her research interests include Romantic aesthetics, material texts, and critical disciplinarity. Notable publications include Fuseli’s Milton Gallery (2006) and co-edited volumes like Dante on View (2007). She edits Blake/An Illustrated Quarterly and serves on editorial boards for Word & Image and Romantic Circles Gallery . Recent awards include a Leverhulme Trust Research Fellowship (2019) and a Mercator Fellowship (2018-19). She supervises graduate students in Romantic literature, material culture, and book history.
Robert West is an Associate Professor at EPFL (École polytechnique fédérale de Lausanne) in the School of Computer and Communication Sciences , leading the Data Science Lab (dlab) . His research focuses on Natural Language Processing , Machine Learning , and Computational Social Science , analyzing human-generated data from the web, social media, and online platforms. Education : PhD in Computer Science (2016) - Stanford University MSc in Computer Science (2010) - McGill University BSc in Computer Science (2007) - Technische Universität München Research Interests : West develops algorithms for analyzing large-scale web data, with emphasis on multilingual NLP , social network analysis , and AI ethics . His work bridges machine learning with social science to understand digital human behavior. Scientific Awards : ICWSM’22 Adamic–Glance Distinguished Young Researcher Award Google Faculty Research Award Facebook Research Award Multiple Outstanding Paper Awards at ICWSM and WWW Advising & Grants : He advises 12 PhD students and has secured funding from the Swiss National Science Foundation , Swiss Data Science Center , and industry partners. His lab maintains collaborations with Microsoft Research and CROSS . Labs & Collaborations : West leads the Data Science Lab at EPFL, which focuses on web-scale data analysis , privacy-preserving machine learning , and AI for social good . The lab develops tools like Wikispeedia and Quotebank for public data exploration.
Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence
Beth Piatote is an Associate Professor of English and Comparative Literature at the University of California, Berkeley. She holds a PhD in Modern Thought and Literature from Stanford University and is an enrolled member of the Confederated Tribes of the Colville Reservation (Nez Perce). Her work bridges scholarly and creative realms, focusing on Indigenous literature, law, language revitalization, and cultural studies. Education: PhD in Modern Thought and Literature (Stanford University). Research interests include Native American legal systems, Nez Perce language preservation, global Indigenous literatures, and creative writing. She co-founded and chairs Berkeley’s Designated Emphasis in Indigenous Language Revitalization and directs the Arts Research Center, where she leads the Indigenous Poetics Lab. Her publications include Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (2013) and the short story collection The Beadworkers (2019), which received multiple literary recognitions. Her plays Antíkoni and Tricksters, Unite! explore Indigenous narratives through performance. Awards include MLA honorable mentions, PEN/Bingham Prize longlistings, and a 2020 Playwrights Retreat win. Current projects involve a scholarly monograph on sensory representations of Indigenous law and creative works in poetry and essays.
Andrew Motion is the Homewood Professor of the Arts at Johns Hopkins University’s Krieger School of Arts & Sciences. He previously held the position of Professor of Creative Writing at Royal Holloway, University of London, from which he moved to his current role in 2015. Motion is a celebrated poet, biographer, and essayist, having served as the UK Poet Laureate from 1999 to 2009. He was knighted in 2009 for his contributions to poetry. His research interests span poetry, literary biography, and creative writing. He has authored biographies of prominent figures like Philip Larkin and John Keats, as well as two volumes of autobiography and a collection of essays. Motion co-edited *The Penguin Book of Elegy* with Stephen Regan, reflecting his engagement with elegiac literature. Motion’s publications include recent works such as *New and Selected Poems 1977-2023* (2023) and *Waders* (2024). His earlier notable works include *In the Blood* (2006) and *Sleeping on Islands* (2023). He has co-founded initiatives like the Poetry Archive and Poetry by Heart, demonstrating his commitment to preserving and promoting poetry. No formal advisees or grants are explicitly documented in the provided text.
John Redmond is Professor of English Literature at the University of Liverpool's School of the Arts, specializing in contemporary poetry and creative writing. He holds a D.Phil and is an established poet with three collections published by Carcanet Press. His critical work examines privacy in poetic interpretation and Irish literary traditions. Research intersects creative practice with critical analysis, exploring poetry's relationship with folk drama, online culture, and food (gastro-criticism). Authored the textbook 'How to Write a Poem' and edited James Liddy's Selected Poems. Current projects include a novel and new poetry collection. Regularly participates in literary events including readings at the Anthony Burgess Foundation and Christ Church, Oxford. Chairs the School Extenuating Circumstances Committee and contributes to the Centre for New and International Writing.
Amir Ahmadi Arian is an Iranian-American writer and Assistant Professor in the Department of English, General Literature and Rhetoric at Binghamton University (College of Arts and Sciences). He holds a PhD in Comparative Literature from the University of Queensland, Australia, an MFA in Creative Writing from New York University, and a BSc in Metallurgy Engineering from the University of Tehran, Iran. His research and teaching focus on creative writing, world literature, postcolonial novels, and Persian poetry. He has published two novels, a story collection, and a nonfiction book in Persian, and translated works by E.L. Doctorow, Paul Auster, P.D. James, and Cormac McCarthy into Persian. His English-language publications include fiction in Harper’s , The Paris Review , The New York Times , and other prestigious venues. His debut English novel Then the Fish Swallowed Him (HarperVia/HarperCollins, 2020) received critical acclaim from The New Yorker , Publishers Weekly , and Kirkus Reviews for its political themes and interior portrayal of oppression.
Alan Ritter is an Associate Professor at the School of Interactive Computing , Georgia Institute of Technology, with additional affiliation to the Machine Learning Center . His research focuses on Natural Language Processing , particularly robust models across domains/languages with fewer labels and efficient resource use, plus data-driven dialogue agents for open-topic conversations. Research Interests : Robust NLP models, cross-lingual transfer, resource-efficient learning, dialogue systems, cultural bias measurement, and privacy-aware language models Students : Mentors Ph.D. students in Georgia Tech's ML and CS programs, including Junmo Kang, Yang Chen, and Duong Minh Le. Alumni include Fan Bai (Ph.D. 2023), Yang Chen (Ph.D. 2024), and Andrew Li (M.S. 2024). Awards : NSF CAREER Award, Amazon Research Award, ACL 2024 Best Social Impact Paper, IUI 2009 Best Student Paper. Recent Work : Studies training budget allocation between supervised and preference-based finetuning, cross-lingual information extraction, cultural bias in LLMs, and privacy risk mitigation in social media disclosures. Service : Served as Program Chair for NAACL 2025, Area Chair for multiple top-tier conferences (COLM, EMNLP, ACL, EACL, AAAI). Email : alan.ritter@cc.gatech.edu
Clare Hemmings is a Professor of Feminist Theory at the Department of Gender Studies, London School of Economics and Political Science (LSE), where she has been since 1999. Her work bridges feminist theory, queer studies, and sexuality studies, with a focus on how these fields are institutionalized and narrated. She holds a PhD and has authored seminal works like Why Stories Matter (2011) and Considering Emma Goldman (2018), which explore feminist historiography and political ambivalence. Her research emphasizes interdisciplinary methods, including archival interventions and creative writing to challenge dominant narratives. Hemmings’ research interests include feminist epistemology, queer of color critique, and anarchist thought. She has been active in countering 'anti-gender' movements and is currently developing a project on 'Feminist Knowledge Struggles.' Her work is marked by attention to form, affect, and the intersection of nationalism, feminism, and sexuality. She supervises PhD students Senel Wanniarachchi and Rawda Elaskary and has received the FWSA Book Prize 2012 for Why Stories Matter . Hemmings’ articles span feminist theory, political mobilizations, and affect studies. Her recent work engages with family memory archives and decolonial methodologies. She is a prolific scholar, contributing to journals like Memory Studies , Feminist Studies , and Radical Philosophy . Her interdisciplinary approach integrates literary criticism, sociology, and activism, offering transformative frameworks for feminist praxis.
Aniket (Niki) Kittur is a Professor in the Human-Computer Interaction Institute (HCII) at Carnegie Mellon University's School of Computer Science. His research focuses on AI-augmented cognition, exploring how humans and computational systems can partner to accelerate knowledge acquisition and innovation. With over 100 peer-reviewed publications and 17 best paper awards or honorable mentions, Dr. Kittur has established himself as a leader in human-computer interaction and social computing. Dr. Kittur's research spans multiple interconnected areas focused on enhancing human cognition through technology. His work on crowd-augmented cognition examines how crowds and computation can collectively enhance human intellect. In social computing, he investigates how sociotechnical architectures can motivate and coordinate large groups for complex tasks. His research in data visualization and sensemaking explores how people collect, organize, and make decisions with online information. Most recently, his work has shifted toward LLM-augmented cognition, investigating how humans and large language models can work together in partnership to achieve better decisions and greater creativity than either could alone. Dr. Kittur's publications reveal a consistent trajectory toward increasingly sophisticated human-AI collaboration systems. Early work focused on crowdsourcing complex tasks (CrowdForge, CrowdSynthesis), then evolved to knowledge acceleration systems (Knowledge Accelerator, Fuse), and has recently centered on LLM-integrated cognition (Selenite, InkSpire, BioSpark). His research consistently demonstrates practical impact, with systems influencing products used by millions and receiving coverage in major media outlets including Nature News, The Economist, and The Wall Street Journal. Kavli fellow NSF CAREER award recipient Allen Newell Award for Research Excellence Inductee into the CHI Academy 17 best paper awards or honorable mentions across his publications Dr. Kittur has advised numerous students, including Andrew Kuznetsov, and has secured major research funding from NSF, NIH, Google, Microsoft, Bosch, Toyota, and other organizations. His Skeema browser extension project, which addresses tab overload through innovative project-based organization, has shown remarkable user retention and represents a practical application of his research on knowledge acceleration. His work with industry partners has influenced products used by millions, including Semantic Reader, Google Shopping, and Wikipedia features.
Lindsay Turner is an Associate Professor in the Department of English at Case Western Reserve University. A poet, critic, and translator, her work bridges creative writing, translation theory, and interdisciplinary research. Her prior role as Assistant Professor at the University of Denver’s Department of English and Literary Arts underscores her commitment to literary education. AB in English, Harvard College Masters in cinema studies, Université Paris III Sorbonne-Nouvelle MFA in poetry, New York University PhD in English, University of Virginia Turner’s research spans creative writing , transnational poetry , and gender studies , with a focus on the intersections of literature and labor. Her recent work examines gendered domestic and reproductive labor through poetic forms. Key trends in her publications include experimental translation , queer theory , and postcolonial philosophy . National Translation Awards Best Translated Book Awards French American Foundation recognition She has received grants such as the WPR Creative Grant from Harvard’s Woodberry Poetry Room and multiple French Voices Grants . Her translations have been praised by The New Yorker and The New York Times for their intellectual rigor and stylistic innovation.
Dr. Amber West is a Lecturer in the Writing Programs at UCLA, part of the Humanities Division within UCLA College. She holds a B.A. in Literature & Creative Writing from UC Santa Cruz, an M.F.A. in Creative Writing from NYU, and a Ph.D. in English from the University of Connecticut. Her research interests span poetry and poetics, puppet theater, race and gender studies, performance studies, intersectionality, and service learning. West's scholarly work appears in journals like Journal of Research on Women & Gender and Puppetry International , alongside contributions to edited volumes such as Episodes from a History of Undoing and The Routledge Companion to Puppetry & Material Performance . Her creative works include poetry collections published by Finishing Line Press and The Word Works. She co-founded Alphabet Arts, a bi-coastal artist collective, and created/directed the Puppets & Poets festival in NYC (2011-2015). With nearly two decades of experience, she has taught writing, trained educators, and fundraised for programs in underserved communities, including roles with AmeriCorps VISTA, Brooklyn Public Library, and Girls Write Now.
Megan Valentine is a Professor of Mechanical Engineering at the University of California, Santa Barbara (UCSB), affiliated with the College of Engineering. She leads an interdisciplinary research group focused on biological and bioinspired materials, investigating how forces are generated and transmitted in living systems to design responsive synthetic materials. Her work bridges engineering, physics, chemistry, and biology. Education: PhD in Physics from Harvard University, MS in Physics from the University of Pennsylvania, and BS in Physics from Lehigh University. Affiliations include the California NanoSystems Institute (CNSI), Materials Research Laboratory (MRL), Neuroscience Research Institute, and the Center for Stem Cell Biology and Engineering. Research interests span soft material mechanics, bioengineering, and systems biology, with applications in marine-inspired materials, mechanobiology, and soft robotics. Her lab employs advanced experimental techniques to study biophysical and biochemical mechanisms in living systems and translate them into engineered materials capable of self-healing, movement, and environmental responsiveness. Notable awards include the NSF Early CAREER Award, Fulbright Scholarship, and election as Fellow of the American Physical Society and American Institute for Medical and Biological Engineering. Her contributions emphasize creativity, collaboration, and diversity, with a focus on addressing societal challenges through interdisciplinary innovation.