جستجوی استاد راهنمای دانشگاهی

Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.

• Late Imperial Chinese painting and material culture
• antiquarianism and collecting culture
• Qing history
• +۶ مورد دیگر

Professor Jinhua Chen (PhD, McMaster University, 1997) is a leading scholar in East Asian Buddhism at the University of British Columbia’s Department of Asian Studies, Faculty of Arts. Holding a Canada Research Chair (2001-2011) and inducted into the Royal Society of Canada (2020), his work spans trans-regional Buddhist narratives, monastic institutions, relic veneration, and technological innovations in medieval Asian religions. Key Affiliations: UBC Buddhist Forum (Director), Peter Wall Institute for Advanced Studies (Resident Scholar), and editorial roles in Brill Book Series on East Asian Religions and Studies in Chinese Religions . Research Themes: Combines textual analysis with interdisciplinary methods to explore Buddhist sacred sites, doctrinal transmissions, and church-state dynamics. His projects include From the Ground Up (SSHRC Partnership Grant 2016-2023), examining East Asian religions through multi-media sources, and studies on ruixiang (propitious signs) in medieval Chinese prognostication. Scientific Awards: Royal Society of Canada Fellow, Canada Research Chair, SSHRC Insight Grants, Humboldt Research Fellowship, and Max Planck Institute funding. Publications: Over 30 book chapters and journal articles (2000-2016), including monographs on Fazang, Shingon-Tendai conflicts, and Buddhist sacred geography. Teaching: Courses on Chinese thought, Chan/Zen Buddhism, and Buddhist text interpretation, emphasizing methodological rigor and cross-cultural analysis. Projects: Directed international collaborations on Buddhist manuscripts, palace chapels, and relic cultures, with grants totaling over $4 million CAD.

• East Asian Buddhism
• Buddhist Transmission Narratives
• Church-State Relationships
• +۶ مورد دیگر

Wei-Cheng Lin is Associate Professor of Art History and the College at the University of Chicago , specializing in Chinese art and architecture. He serves as Faculty Director of the Dispersed Chinese Art Digitalization Project , sits on the steering committee of the Center for the Art of East Asia , and acts as Architectural Studies Advisor. His office is located in CWAC 268 with weekly office hours on Wednesdays. Educational background details are not explicitly provided in the text; however, he held an appointment as Assistant Professor of East Asian Art and Architecture at Iowa State University during 2006–2007. Lin’s research interrogates the intersections of visual and material culture in medieval Chinese Buddhist art and architecture and the ritual dimensions of Chinese funerary practices . Current book projects include Performative Architecture of China , which explores how architecture enacts meaning through historical performance, and Necessarily Incomplete: Fragments of Chinese Artifacts , which investigates the active roles of fragmentary artifacts in shaping multivalent cultural significance. Across more than twenty publications, Lin’s scholarship ranges from detailed studies of Mount Wutai and Dunhuang to theoretical inquiries into architectural historiography , materiality , and contemporary Chinese art . His work bridges art history, architectural history, religious studies, and digital humanities. Grants & Digital Initiatives: Faculty Director, Dispersed Chinese Art Digitalization Project (DCADP) — supported by the Cyrus Tang Foundation Manages DCADP publication series, including Beijing Zhihua Temple (2024) and Exhibiting East Asian Art in a Global Context (2025, co-edited with Chelsea Foxwell) Laboratories & Teams: Lin leads collaborative efforts through the Center for the Art of East Asia and the UChicago Center in Beijing , organizing exhibitions, international conferences, and digital humanities workshops that integrate art-historical research with cutting-edge visualization technologies.

• Chinese art history
• Chinese architectural history
• Buddhist art and architecture
• +۷ مورد دیگر

David Germano is Professor of Tibetan and Buddhist Studies at the University of Virginia's College of Arts & Sciences, Department of Religious Studies. He also holds a Clinical Professor appointment in Nursing and serves as Director of multiple centers including the Tibet Center, the Contemplative Sciences Center, and SHANTI (Social Sciences, Humanities, and Arts Network of Technological Initiatives). Since 2000, he has directed the Tibetan and Himalayan Library, establishing himself as a leading figure in Tibetan studies and digital humanities. Germano earned his B.A. from Notre Dame University in 1984 and completed his Ph.D. at the University of Wisconsin in 1992. His academic career at UVA progressed from Assistant Professor (1992-1998), to Associate Professor (1998-2011), and finally to Professor (2011-present). His research focuses on the Nyingma and Bön lineages of Tibetan Buddhism, particularly tantric traditions and Buddhist philosophy from the eighth to fifteenth centuries. He also studies Tibetan history and literature, contemporary Tibet (especially regarding religion, education, and technology), and digital humanities. Germano is particularly interested in engaged scholarship that inserts higher education into a socially transformative role across various sectors. Germano's publications reveal a consistent focus on Tibetan Buddhist traditions, with particular emphasis on Dzogchen (Great Perfection) teachings, visionary movements, and the intersection of traditional practices with contemporary contexts. His work spans religious studies, anthropology, digital humanities, and Tibetan cultural studies, demonstrating interdisciplinary approaches to understanding Tibetan Buddhism and its modern manifestations. As a leader in digital humanities, Germano has pioneered numerous initiatives including the Tibetan and Himalayan Digital Library, the Tibetan Unicode Project, the Tibetan Literary Encyclopedia, and the Tibetan Language Learning Resources initiative. He has also co-directed the UVa-Machik Geotourism Initiative and the Tibetan and Himalayan Historical GIS project, demonstrating his commitment to innovative approaches for preserving and disseminating Tibetan knowledge.

• Tibetan Buddhism
• Bön lineages
• Tantric traditions
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Hsueh-man Shen is the Director of Masters Studies and Ehrenkranz Associate Professor in World Art at New York University’s Institute of Fine Arts. She holds a D.Phil. from Oxford University in Archaeology, an M.A. in Art History from National Taiwan University, and an LL.B. in Law from the same institution. Her research focuses on medieval Chinese art and archaeology, particularly how cross-cultural exchanges shaped artistic practices through translation, replication, and hybridization. She has curated major exhibitions such as Gilded Splendor: Treasures of China’s Liao Empire (2006) and contributed to the Cave Temples of Dunhuang project (2016), emphasizing Silk Road cultural networks. Her current book project explores maritime activities’ impact on Buddhist art during the 10th–14th centuries. Shen’s work bridges art history, archaeology, and material culture studies, addressing topics like relic deposits, shipwrecks, and cross-cultural curatorial practices. She has held prestigious fellowships, including the Leiden University Hulsewé-Waznieski Professorship (2019) and a Wissenschaftskolleg zu Berlin residency (2008–2009). Education: D.Phil., Archaeology, University of Oxford M.A., Art History, National Taiwan University LL.B., Law, National Taiwan University Her research interests include Buddhist art’s transformation across dynasties, the role of replication in devotion, and maritime trade’s influence on cultural boundaries. She teaches courses such as Colors in the Visual Culture of Medieval China and Shipwrecks and the ‘Other’ Silk Road , integrating theoretical and material perspectives. Shen’s awards reflect her global academic contributions, including the EURIAS Senior Fellowship (2018–2019) and Progress 100 Visiting Professorship at Kyushu University (2017). Her publications span exhibition catalogues, monographs like Authentic Replicas: Buddhist Art in Medieval China (2019), and peer-reviewed articles analyzing Silk Road networks, Liao dynasty funerary practices, and cross-cultural material exchanges.

• Medieval Chinese Art and Archaeology
• Cross-Cultural Exchanges
• Buddhist Art
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Robert Sharf is the D.H. Chen Distinguished Professor of Buddhist Studies in the Department of East Asian Languages and Cultures at the University of California, Berkeley . He also serves as Chair of the Numata Center for Buddhist Studies and Head Graduate Advisor for the Group in Buddhist Studies . With a PhD in Buddhist Studies from the University of Michigan (1995), he previously taught at McMaster University (1989-1995) and the University of Michigan (1995-2003). Research Interests: Medieval Chinese Buddhism (especially Chan) Japanese Buddhism Buddhist Art and Archaeology Ritual Studies Buddhist Modernism Philosophical Paradoxes Methodology in Religious Studies Critical Buddhist Discourse Publications & Collaborations: Author of Coming to Terms with Chinese Buddhism: A Reading of the Treasure Store Treatise (2002) Co-editor of Living Images: Japanese Buddhist Icons in Context (2001) Co-author of What Can’t Be Said: Contradiction and Paradox in East Asian Thought (2021) Co-author of How to Lose Yourself: An Ancient Guide to Letting Go (2025) Editor of Chinese translations of his works: Xiafu Chanxue zixuan ji and Xiafu Mijiao Yanjiu zixuan ji (2022) Academic Leadership: Director of the Group in Buddhist Studies Director of Religious Studies Chair of the Center for Buddhist Studies

• Medieval Chinese Buddhism
• Chan Buddhism
• Japanese Buddhism
• +۵ مورد دیگر

Benjamin Brose is a Professor of Buddhist and Chinese Studies at the University of Michigan's Department of Asian Languages and Cultures, serving as Department Chair. He holds affiliations with the Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, and Nam Center for Korean Studies. His research focuses on the history of Chinese Buddhism, particularly medieval and modern periods, with special attention to Chan/Zen traditions, Buddhist relics, and religious exchanges in East Asia. Education: PhD (2009) and MA (2004) from Stanford University; MA (2002) from UC Berkeley; BA (1996) from UC Santa Cruz. Research Interests: Brose explores Buddhist cultural history, including Xuanzang’s legacy, Song dynasty critiques of Buddhism, and the interplay between religion and politics. His recent publications include Embodying Xuanzang (2023) and Xuanzang: China’s Legendary Pilgrim (2021). He has been supported by prestigious fellowships like the Fulbright Foundation and ACLS. Teaching: Courses include 'Zen Buddhism: History, Culture, & Critique' and 'Buddhism and Death'. He advises on graduate research in Buddhist studies and co-leads initiatives like the Buddhist Studies Group at Michigan. Awards/Grants: Recipient of grants from the Alexander von Humboldt Foundation, Robert H. N. Ho Family Foundation, and others. His work bridges historical scholarship with modern religious practices, emphasizing East Asian religious continuity and transformation.

• Buddhist Studies
• Chinese Religions
• Medieval Chinese Buddhism
• +۴ مورد دیگر

Dr. Stephen C. Berkwitz is a Professor and Department Head of Religious Studies at Missouri State University , affiliated with the Reynolds College of Arts, Social Sciences and Humanities. A leading scholar in South Asian religions, he has published extensively on Buddhism , Theravāda traditions , and religion-colonialism intersections since 1999. Education : PhD (1999), MA (1994) in Religious Studies from UC Santa Barbara; BA (1991) in Religion from University of Vermont. His research focuses on Sinhala and Pali literature , Buddhist kingship , and post-colonial religious identity . Recent publications analyze Buddhist relic veneration, colonial-era texts, and interfaith dynamics. He co-edited the Routledge Handbook of Theravāda Buddhism (2022) and translated the Sinhala Thupavamsa . Scientific Awards : Fulbright Senior Scholar Award (2005) Luso-American Foundation Scholarship (2009) Multiple Ruhr-Universität Bochum fellowships (2011, 2017) Wabash Center grants for religious pedagogy (2010, 2015-2017) University Teaching Award (2004) As series editor for Routledge Critical Studies in Buddhism and editorial board member of three journals, Berkwitz actively shapes global Buddhist scholarship. He has conducted fieldwork in Sri Lanka , Germany , and Portugal , with expertise in South Asian manuscript cultures and Buddhist nationalism .

• Buddhist studies
• Theravāda Buddhism
• South Asian religions
• +۵ مورد دیگر

Zhiru Ng is a Professor in the Department of Religious Studies at Pomona College, where she has been a faculty member since 2000. Her research and teaching focus on Chinese Buddhist history, art, and religious practices, particularly the cult of Dizang (Jizo) Bodhisattva and the interplay between texts and images in Buddhist traditions. Her academic background includes a Ph.D. from the University of Arizona, an M.A. from the University of Michigan, Ann Arbor, and a B.A. from the National University of Singapore. Ph.D., University of Arizona M.A., University of Michigan, Ann Arbor B.A., National University of Singapore Dr. Ng's research interests span Chinese Buddhist history, Buddhist art, Dizang Bodhisattva, cross-cultural Buddhist interactions, and modern Taiwanese Buddhism. She explores how Buddhist doctrines are materialized in art and ritual, and how religious diversity is navigated in Chinese intellectual history. Her work bridges textual analysis with visual and material culture, offering deep insights into the lived dimensions of East Asian Buddhism. The trend in her scholarly publications reflects a sustained engagement with medieval Chinese Buddhist cults, scriptural authority, healing practices, and the visual representation of doctrine. Her articles and book chapters examine the evolution of savior bodhisattvas, the integration of Indian Buddhist traditions in China, and the dynamics of religious diversity. She frequently contributes to major academic presses and journals in Buddhist and Asian studies. Her scientific awards and honors include: Outstanding Global Bhikṣunī Award, Taiwan (2016) Outstanding Women in Buddhism Award, Bangkok (2010) Visiting Research Fellow, University of Heidelberg (2012) Senior Fellow, Harvard University Center for the Study of World Religions (2003–04) Chiang Ching-kuo Foundation Scholar Grant (2008–09) Graves Award for Excellence in Teaching (2004–05) Dr. Ng has advised various academic projects and secured research grants from foundations such as the Chiang Ching-kuo Foundation and Harvard’s Center for the Study of World Religions. While no formal lab or research team is mentioned, her collaborative work with institutions like the Kuroda Institute and participation in international research projects indicate active scholarly networks. She teaches courses on East Asian religions, the Lotus Sutra, death and afterlife, and the life of the Buddha through art and text.

• Chinese Buddhist History
• Buddhist Art
• Dizang (Jizo) Bodhisattva
• +۱۱ مورد دیگر

Daniel Boucher is an Associate Professor of Asian Studies at Cornell University's College of Arts and Sciences, specializing in Buddhist studies with a focus on the early development of Mahayana Buddhist movements in India and their transmission to China during the first few centuries CE. Ph.D. in East Asian Literature, University of Pennsylvania (1996) MA in Religious Studies, Indiana University (1989) BA in Religious Studies and Philosophy, Indiana University (1986) His research encompasses Buddhist Middle Indo-Aryan languages, particularly Gandhari Prakrit's role in early Buddhist transmission, and explores translation as a religious genre. He also investigates art historical, epigraphical, and archaeological sources for studying religion, alongside methodological and theoretical frameworks in religious studies. Boucher's publications reflect a multidisciplinary approach to early Mahayana Buddhism, analyzing textual transmission, cultural exchange along Silk Road, and the interplay between language and religious practice. Key themes include manuscript preservation, linguistic adaptation, and the evolution of Buddhist rituals. Selden Memorial Translation Prize He teaches courses on Asian religions and Mahayana Buddhism at Cornell, contributing to academic programs in Asian Studies and Religious Studies.

• Buddhist Studies
• Mahayana Buddhism
• Translation Studies
• +۶ مورد دیگر

David Quinter is an Associate Professor at the University of Alberta, holding a 50/50 joint appointment between the Department of East Asian Studies and the Program in Religious Studies. His primary research focuses on medieval Japanese Buddhism, particularly the Shingon Ritsu movement and its engagement with the Mañjuśrī cult. He examines intersections of narratives, rituals, and material culture in devotional practices, with special attention to outcasts and social welfare in Japanese religion. Teaching areas include East Asian religions, Japanese Buddhism, and methodological approaches to the study of religion. He has taught courses such as 'East Asian Religions,' 'Buddhism in Japanese History,' and 'Lived Religion in Asia.' Quinter's publications include the monograph From Outcasts to Emperors: Shingon Ritsu and the Mañjuśrī Cult in Medieval Japan (Brill, 2015) and numerous articles on topics like Eison's role in religious innovation, Manjusri iconography, and medieval Buddhist material culture. His work bridges textual analysis with material and ritual studies, emphasizing how religious practices shaped social and political dynamics in premodern Japan.

• East Asian Buddhism
• Japanese Religions
• Medieval Japan
• +۶ مورد دیگر

Blain Auer is a full professor in the Section of Slavic and South Asian Languages and Civilizations at the Faculty of Arts, University of Lausanne (UNIL), appointed on February 1, 2013. He previously served as a professor of Islamic studies in the Department of Comparative Religion at Western Michigan University. His academic expertise lies in South Asian Islamology and Urdu, with a focus on pre-modern Islamic history, particularly the Delhi Sultanate. His research centers on Islamic authority, expressed through Quranic interpretation, Hadith, exegesis, and historiography in medieval South Asia. A second major area involves ritual practices, modern pilgrimage, and relics associated with Islamic burial sites. He also investigates the intersections between Sufism and political power, Persianate court cultures, and interreligious encounters between Muslims and Buddhists in Central and South Asia. The thematic trends in his recent publications reveal a sustained scholarly focus on Indo-Islamic political legitimacy, Persian historiography in India, and the intellectual culture of pre-modern Islamic courts. His works often analyze how historical narratives were shaped by religious and political agendas, particularly in the context of Turkic and Afghan rule in South Asia. He has also contributed critical translations and studies of key Persian historical texts from the Delhi Sultanate era. Member, Board of the Medieval Institute, Western Michigan University Member, Center for the Humanities, Western Michigan University Blain Auer received his PhD in 2009 from Harvard University’s Department of Near Eastern Languages and Civilizations. His doctoral training has informed his rigorous textual and historical methodology. He continues to contribute actively to the academic community through publications, editorial work, and participation in scholarly networks focused on Islamic and South Asian studies.

• Islamic Studies
• South Asian Islamology
• Pre-modern South Asian History
• +۱۲ مورد دیگر

Andrew Quintman is an Associate Professor and Chair of the Department of Religion at Wesleyan University, where he also serves as core faculty in the College of East Asian Studies and the Program in Global South Asian Studies. His academic work focuses on Tibetan and Himalayan Buddhism, with particular expertise in Buddhist literature, sacred geography, pilgrimage practices, and visual cultures of the Himalayan region. Quintman's research addresses the intersections of Buddhist literary production, circulation, and reception; the reciprocal influences of textual and visual narratives; and the formation of religious subjectivities and institutional identities. He is particularly known for his work on the biographical tradition surrounding Tibet's famous Buddhist saint Milarepa, as well as his exploration of 'borderland Buddhism' in the Himalayan frontier regions between Tibet and Nepal. His publications demonstrate a consistent focus on the relationship between textual and visual representations of Buddhist narratives, with his recent work examining the monumental murals depicting the Buddha's life at Takden Puntsokling Monastery in Central Tibet. Quintman has pioneered digital approaches to studying religious texts and images, developing innovative tools for synthetic analysis of Buddhist materials in their historical and institutional contexts. Scientific Awards: American Academy of Religion's 2014 Award for Excellence in the Study of Religion in Textual Studies Yale University's 2015 Heyman Prize for outstanding scholarship 2016 Association of Asian Studies' E. Gene Smith Book Prize Honorable Mention Quintman has received significant research support including ACLS-Robert H. N. Ho Family Foundation Fellowships in Buddhist Studies (2015-2017 and 2018-2020). He serves as President of the Board of Directors of the Buddhist Digital Resource Center and is founder and co-editor of the Journal of Tibetan Literature. He previously co-chaired the Tibetan and Himalayan Religions Group of the American Academy of Religion and helped establish the Yale Himalaya Initiative. His current major projects include Buddhism on the Border: The Formation of Religious Tradition on the Frontier of Tibet and Nepal , which examines religious development at Drakar Taso Monastery, and the Life of the Buddha project, which explores the relationship between Buddhist literature, art, and monastic identity at Takden Phuntsokling Monastery through a digital platform for multimodal analysis.

• Buddhist literature and history
• sacred geography and pilgrimage
• visual cultures of the Himalayan region
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Romi Hida is a Professor at Waseda University's Faculty of Letters, Arts and Sciences, School of Humanities and Social Sciences. She also serves as Director of Waseda University Aizu Museum since 2019 and as a Research Fellow at China Academy of Art's China Institute for Visual Studies since 2021. With a PhD in Literature from Waseda University, Professor Hida has established herself as a leading scholar in East Asian art history with particular focus on Buddhist art. Professor Hida earned her graduate degrees from Waseda University, completing her Graduate School studies in the Division of Letters from 1978 to 1987. Her academic journey includes positions at numerous prestigious institutions including Seisen University, Tohoku University of Art and Design, Rikkyo University, and Nihon Bunka University before her long-standing appointment at Waseda University. Professor Hida's research primarily focuses on Art History and Buddhist Art , with special emphasis on Chinese Buddhist sculpture, particularly from the Sui-Tang period and the Sichuan region. Her work examines the transmission of Buddhist art from India through Central Asia to China and Japan, analyzing iconography, stylistic developments, and the relationship between religious texts and visual representations. She has conducted extensive field research on cliff sculptures in Sichuan province, employing advanced 3D measurement techniques to document and analyze these historical artifacts. Her scholarship bridges art history, religious studies, and archaeology, with particular interest in how political power and religious institutions interacted in the creation and veneration of Buddhist images. Professor Hida's extensive publication record demonstrates her expertise in East Asian Buddhist art history, with particular focus on Chinese sculpture from the Sui-Tang period. Her research reveals consistent patterns in the transmission of Buddhist iconography from India through Central Asia to China, with special attention to regional variations in Sichuan province. She has made significant contributions to understanding the relationship between textual sources like Daoxuan's "Collection of the Three Treasures of China" and actual sculptural representations. Her work often examines how political authority intersected with religious practice in the commissioning and veneration of Buddhist images, particularly through analysis of inscriptions and contextual evidence from cliff sculpture sites. Guohua Award (2012.10) for "Research on Buddhist Art in the Early Tang Dynasty" Professor Hida has supervised numerous graduate students at Waseda University and has collaborated extensively with Chinese institutions on joint research projects. She has received multiple competitive research grants from the Japan Society for the Promotion of Science, including projects on "Construction and Implementation of a Deep Learning System for Estimating the Production Date and Region of Buddhist Statues" and "Stylistic analysis of Buddhist sculptures by using Artificial Intelligence and 3D measurement data." Her international collaborations include joint fieldwork with Sichuan University and Chengdu City Research Institute of Archaeology on cliff sculptures in western Sichuan province. As Director of Waseda University Aizu Museum, Professor Hida oversees significant collections related to Japanese art history. Her research has also involved establishing digital archives of Chinese cliff sculptures, creating valuable preservation records of these vulnerable cultural heritage sites. She has been instrumental in developing methodologies for non-contact 3D documentation of Buddhist sculptures, contributing to both scholarly research and conservation efforts.

• Art History
• Buddhist Art
• History of Arts

Francesca TAROCCO is a Full Professor at the Department of Asian and North African Studies, Ca' Foscari University of Venice. She holds key roles as Director's Delegate for Faculty Integration and Director of the Centre's Scientific Committee of the THE NEW INSTITUTE: Centre for Environmental Humanities (NICHE). Her research focuses on modern Chinese Buddhism, urban studies, environmental humanities, and cultural practices. She is affiliated with the Research Institute for Digital and Cultural Heritage and the Research Institute for International Studies. Her work bridges Buddhism, art, and modernity, exploring themes like ethical practices, urban environments, and material culture. Notable research areas include Buddhist ethics, Chinese cultural history, and the intersection of religion with contemporary art and urbanization. In environmental humanities, she leads initiatives at NICHE, addressing ecological and cultural sustainability. Her interdisciplinary approach spans philosophy, art history, and sociology. Awards: None explicitly listed. Advising and Grants: No specific details provided. She contributes to institutional leadership and research coordination. Labs/Teams: Director of NICHE and active in university research institutes.

• Buddhism
• Chinese Culture
• Environmental Humanities
• +۷ مورد دیگر