Amanda Phillips is an Associate Professor at Georgetown University, affiliated with the Departments of English, Film and Media Studies, Women’s and Gender Studies, and American Studies. Their research focuses on feminist and queer theory in digital media, with a particular emphasis on critical game studies and digital humanities. Selected publications include Gamer Trouble: Feminist Confrontations in Digital Culture and co-editing the Queer/Trans/Digital book series. Their scholarship appears in journals such as ROMchip , Feminist Media Histories , and Games and Culture . Research Interests: Digital media and gender politics Queer theory in gaming contexts Decolonial and anti-racist digital humanities Critical analysis of game mechanics Digital labor and precarity Affective histories of gaming Scientific Awards: Mellon/ACLS Dissertation Completion Fellow Academic Leadership: Former chair of the American Studies Association Digital Humanities Caucus Co-founder of the #transformDH Collective Editorial work on special issues of Game Studies and Antares: Letras e Humanidades Previous Institutions: IMMERSe Postdoctoral Fellow at University of California, Davis Ph.D. recipient from University of California, Santa Barbara with emphasis in Feminist Studies
Justin Russell Greene serves as an Advanced Instructor in the Department of English within Virginia Tech's College of Liberal Arts and Human Sciences. With over 15 years of teaching experience across multiple institutions, he currently teaches courses in film, literature, and writing at Virginia Tech, where he has been employed since 2019. His academic journey spans various teaching positions at Virginia Tech, Hampden-Sydney College, Virginia Commonwealth University, and several community colleges. Greene earned his BA, MA, and PhD in English and Media, Art, and Text from Virginia Commonwealth University. His educational background reflects his interdisciplinary approach that bridges traditional literary studies with contemporary media and cultural analysis. He has also completed professional development certifications in Anti-Racist Teaching and Foundations of Online Teaching at Virginia Tech. His research focuses on the intersections of cinema, media, and cultural studies, with particular attention to authorship, celebrity, and gender performance. Greene examines how authors and celebrities construct their identities across various media platforms, exploring topics ranging from Quentin Tarantino's cinematic masculinity to Roxane Gay's digital presence. His work often analyzes the performative aspects of identity in contemporary culture, particularly through fashion, social media, and visual storytelling. Greene's scholarly output demonstrates a consistent focus on authorial identity construction across media platforms. His publications reveal a trajectory from examining literary authors' fashion choices to analyzing digital performances of identity on social media, and more recently to cinematic studies of directors like Quentin Tarantino and Jordan Peele. The evolution of his work reflects broader cultural shifts toward digital and visual media while maintaining a consistent theoretical framework centered on performance and identity construction. Joyce Gentry Smoot Award (2025) for Excellence in Teaching by an Instructor As an educator, Greene has served as a reader on graduate student capstones and has been actively involved in curriculum development and pedagogical innovation. He has participated in numerous professional development activities focused on writing instruction, anti-racist pedagogy, and the integration of AI in teaching. His teaching philosophy emphasizes building student confidence in writing abilities, recognizing diverse student backgrounds, and providing individualized feedback to help students develop their unique voices. Greene is currently working on projects examining Jordan Peele's Nope (2022) regarding point-of-view and gore, as well as speculative adaptations in contemporary US media. His research interests continue to evolve with cultural trends while maintaining his core focus on performance, identity, and media representation.
Caterina Stefania Romeo is an Associate Professor in the Department of Modern Literature and Culture at Sapienza University of Rome's Faculty of Letters and Philosophy. She teaches courses including Introduction to Literary Criticism, Gender, Race, and Mobilities: Narratives and Counternarratives, and Literature, Migration, Inequality. Her office is located on the 4th floor of the Faculty of Letters and Philosophy in Studio B. Dr. Romeo specializes in Postcolonial Studies, Gender Studies, Migration Studies, and Race and Ethnicity Studies, with particular focus on Italian literature and transnational perspectives. Her research explores the intersections of race, gender, and postcoloniality in contemporary Italian contexts, examining how these dynamics shape national identity, urban spaces, and literary production. She has made significant contributions to understanding postcolonial Italian literature, Black Italian experiences, and intersectional approaches to cultural studies. Her scholarly work demonstrates consistent engagement with contemporary issues in Italian society, particularly regarding migration, race relations, and gender dynamics. She has developed innovative frameworks for analyzing how postcolonial perspectives reshape understandings of Italian national identity and cultural production. Premio nazionale di divulgazione scientifica (2014) - finalista John Fante Prize (2009) for La pelle che separa di Kym Ragusa Acerbi Special Prize for Women's Writing (2008) for Vertigo di Louise DeSalvo American Italian Historical Association Award for best doctoral thesis in Italian American Studies (2000) Dr. Romeo has supervised numerous doctoral students including Christina Maraboutaki, Giulia Fabbri, Valentina Quaresima, Barbara De Vivo, Emily Marogi, and Karisma Wilson. She has received multiple research grants including Transliteratures Fellowship, Princeton-Pettoranello Foundation Dissertation Grants, and various post-doctoral fellowships. Her work demonstrates sustained engagement with both theoretical frameworks and practical applications in postcolonial, gender, and migration studies. She is actively involved in organizing academic events, conferences, and seminars focused on postcolonial studies, gender studies, and migration. Dr. Romeo has collaborated extensively with international scholars and institutions, reflecting her transnational approach to research and teaching.
Mark Lance is a Professor in the Philosophy Department at Georgetown University and co-founded the Program on Justice and Peace , where he also holds a professorial appointment. His academic career includes a three-year post-doctoral fellowship at Syracuse University after earning his Ph.D. at the University of Pittsburgh and a B.A. from the Ohio State University . Education Ph.D., University of Pittsburgh B.A., Ohio State University Lance's research spans Philosophy of Language , Epistemology , and Metaphysics , with a focus on Normative Pragmatics , Anarchist Theory , and Social Justice Activism . He collaborates with Rebecca Kukla on projects examining intersubjective norms, such as in his work ‘Yo!’ and ‘Lo!’: The Pragmatic Topography of the Space of Reasons (Harvard University Press, 2009), and engages with Wilfrid Sellars ' legacy in works like Placing in a Space of Norms (2008). His recent Google Scholar publications (2024–2020) highlight intersections of Gender Ethics , Mutual Aid , and Pragmatic Normativity . For instance, Telling Gender (2023) bridges linguistic pragmatics and ethical ascription, while Anarchist Responses to a Pandemic (2020) analyzes collective action during crises. The Truth Telling Project further reflects his commitment to anti-racist organizing and education. notable works include: Leave the Gun, Take the Cannoli (2013) on second-person normative calls. The Grammar of Meaning (2002), a foundational text on linguistic normativity. Defending Moral Particularism (2006), challenging theoretical ethical frameworks.
Laura A. Meek is an Assistant Professor in the Department of Anthropology at the University of British Columbia Okanagan , specializing in Medical Anthropology , Decolonial Science and Technology Studies , and East African research . She holds affiliations with interdisciplinary networks like the UBC-O Science and Technology Studies Collective and co-directs the Storying Otherwise: Creative Ethnographic Writing Hub . PhD, MA in Anthropology (University of California, Davis) MA in Women’s Studies (George Washington University) Honors BA in Comparative Human Development (University of Chicago) Her research examines counterfeit pharmaceuticals and bodily epistemologies in Tanzania, framed through feminist , decolonial , and anti-racist lenses . She investigates leprosy elimination campaigns and fugitive science practices across Africa and Hong Kong, with recent work focusing on creative ethnographic prose and critical disability studies . Her publications span high-impact journals like Social Science & Medicine and Medical Anthropology Quarterly , addressing themes of radical uncertainty and world-making practices . Laura’s 15 most recent articles (2021–2025) analyze: pharmaceutical counterfeits in East Africa, the temporal politics of leprosy , anti-colonial global health , and creative writing as research . Her work bridges Indian Ocean connections and STS frameworks to critique neocolonial health governance. 2025 Collaborative Research Mobility Award 2024 Wenner-Gren Workshop Grant 2023 MAE–MAT Early Career Paper Award 2021 Society for Humanistic Anthropology Creative Ethnographic Prose Prize 2018 Wenner-Gren Dissertation Grant 2013 NSF Doctoral Dissertation Grant She supervises M.A. and Ph.D. students in UBC-O’s Interdisciplinary Graduate Studies programs, particularly in global health , African politics , and STS . Her professional service includes co-chairing the 2026 Cascadia Medical Anthropology Seminar and serving on the American Anthropological Association Nominations Committee .
Dr. Lauren Hammond serves as Lecturer in Teacher Education at the Institute for Education, Teaching and Leadership within the Moray House School of Education and Sport at the University of Edinburgh, a position she assumed in August 2022 after eight years at IOE, UCL's Faculty of Education and Society. Her academic career bridges secondary school teaching in London and Singapore with higher education expertise in geography teacher education, curriculum development, and doctoral supervision. Her educational background includes a PhD in Geography Education from University College London (2020), an MA in Geography Education from the Institute of Education (2009), a PGCE in Secondary Geography from the University of Bristol (2006), and a BA (Hons) in Geography from King's College London (2004). This foundation supports her interdisciplinary research at the intersection of children's geographies, geography education, and geographies of education. Dr. Hammond's research centers on children's rights, urban educational spaces (particularly London), and empowering young people through geography. She employs participatory methods including storytelling and mapping with youth, investigating how educational spaces reproduce social injustices and how geographical concepts illuminate educational processes. Her work critically examines geography's construction in schools and universities while exploring teacher education for complex socio-political contexts. Her recent publications reveal strong thematic continuity in children's geographies and geography education, with growing emphasis on race, climate change, and pandemic research ethics. Key trends include participatory methodologies, urban justice frameworks, and critical analyses of teacher development in volatile educational landscapes. Dr. Hammond holds significant professional recognition including: Fellow of the Royal Geographical Society (FRGS) Senior Fellow of the Higher Education Academy (SFHEA) She actively supervises postgraduate students and has secured competitive research funding including UCL's Centre for Teachers and Teaching Research grant (£3,500) for race and educational spaces (2023), an IOE Early Career Impact Fellowship (£1,000) on children's urban rights (2021), and seed funding for PGCE mentoring evaluation (£8,317.50, 2017). Her collaborative approach extends to organizing major conferences and leading cross-institutional networks. As deputy secretary of the RGS's Geography and Education Research Group and membership officer of the Geographies of Children, Youth and Families Research Group, she actively shapes research communities. Her leadership extends to the Geography Education Research Collective and Geographical Association's special interest groups, fostering national and international scholarly collaboration.
Nicholas Ng-A-Fook is a Full Professor in the Faculty of Education at the University of Ottawa, where he has served as former Associate Dean of Graduate Studies and Director of Teacher Education and Indigenous Teacher Education Programs. His work is deeply engaged with the Truth and Reconciliation Commission's 94 Calls to Action, working in partnership with Indigenous communities and school boards to disrupt colonialism, systemic racisms, and inequalities in educational curricula. Dr. Ng-A-Fook's educational background includes a Ph.D. in Curriculum and Instruction from Louisiana State University (2006), an M.A. in Education (Multicultural Education) from York University (2001), a Graduate Diploma in Education (Secondary Science and History) from the University of Western Sydney (1998), and a B.A. in Classical Studies from the University of Ottawa (1996). His research interests span Curriculum Studies, History of Education (particularly oral history), Life-writing research (autobiography and narrative inquiry), Critical Youth Studies (focusing on first-generation immigrant and Indigenous youth), Community-based research, and Contemporary perspectives in philosophy, science and technology including AI, genomic education, and anti-racist science education. Dr. Ng-A-Fook approaches his work as a curriculum theorist who draws on life writing research methodologies to co-create culturally responsive, relevant, and relational curriculum with educators. Dr. Ng-A-Fook's publications reveal a strong focus on reconciliation education, decolonizing curriculum, and addressing systemic racism in educational contexts. His work increasingly engages with digital technologies and artificial intelligence from a critical, decolonial perspective, examining how these technologies intersect with historical and ongoing colonial structures. His research shows a clear evolution toward more interdisciplinary work connecting curriculum studies with Indigenous knowledge systems, technology studies, and social justice movements. Among his notable honors are the 2024 Coutts Prize, the Ted T. Aoki Distinguished Service Award (2018), and the R.W.B. Jackson Award for an outstanding article in the Canadian Journal of Education. He also serves as Director of the EdCan Network and was Past-President of the Canadian Society for the Study of Education. As a supervisor, Dr. Ng-A-Fook currently mentors several graduate students including Melissa Daoust, Lisa Ambaye, Bahareh Samsamiardekani, and Madelaine McCracken. He created the FooknConversation podcast to address educational challenges with colleagues, community activists, artists, education leaders, teachers, and politicians, and maintains the Canadian Curriculum Theory Project website as a resource for his research.
Associate Professor Helen Adam is a leading academic in the School of Education at Edith Cowan University (ECU), specializing in culturally responsive pedagogy and the role of children’s literature in fostering equity and inclusion. She holds a PhD in Early Years Education (2019) and has extensive experience in primary education and literacy research. Her career includes roles as a teacher, researcher, and leader in teacher education, particularly in addressing systemic inequities through literature. She is Board President of the Primary English Teaching Association of Australia (PETAA) and actively contributes to national and international educational initiatives. Research interests focus on diverse children’s literature, social-emotional development, and dismantling prejudice through books. Notable projects include a Churchill Fellowship (2022) exploring global practices in children’s literature and equity-driven education. Her work has been recognized with awards such as the 2023 Churchill Fellowship and multiple ECU research accolades. Helen supervises postgraduate research in literacy and diversity, including projects on postmodern picturebooks and culturally diverse family representation. She collaborates with institutions like ECU’s Kurongkurl Katitjin Centre for Indigenous Education, emphasizing allyship and support for marginalized groups.
Gerald Voorhees is an Associate Professor and Chair of Communication Arts at the University of Waterloo. He holds a Ph.D. from The University of Iowa (2008) and a B.S. in Speech Communication from the University of Texas at Austin, where he was a Senior Fellow in the Honors Program of the College of Communication. His research explores games and new media as platforms for identity and cultural construction, with a focus on public discourse around gaming and rhetorics of race and ethnicity. Dr. Voorhees has held significant academic roles, including Vice-President of the Canadian Game Studies Association and former membership on the Executive Board of the Digital Games Research Association. He previously taught at Oregon State University and developed the Game and Interactive Media Design track at High Point University. His teaching spans communication theory, media studies, and game design, with courses such as DAC 204 (Game Design) and COMMST 430 (Communication and Social Justice). His research integrates critical theory with digital media analysis, examining topics like gender representation in games, neoliberal masculinity in esports, and racial dynamics in gaming cultures. He has co-edited influential volumes such as Masculinities in Play (2018) and Feminisms in Play (2018), contributing to foundational discussions in game studies. His recent work addresses intersectional feminism in gaming and the cultural implications of shooter game genres. Dr. Voorhees actively engages with professional organizations and academic publishing, serving as co-editor of the Approaches to Game Studies book series (Bloomsbury) and managing editor of the Gender in Play trilogy (Palgrave Macmillan). His scholarship bridges theoretical frameworks with empirical analysis, shaping interdisciplinary dialogue on digital media's societal impact.
Liv T. Davila is an Associate Professor at the University of Illinois at Urbana-Champaign, with appointments across the College of Education, Center for Global Studies, and European Union Center. Her research focuses on language learning, identity formation, and equity for immigrant and refugee students, particularly in K-12 settings. Education: PhD in Education (University of North Carolina at Chapel Hill), MEd in TESL (University of North Carolina at Charlotte), MA in Comparative Education (University of Minnesota), BA in Anthropology/French (Grinnell College) Her work employs qualitative methods, including ethnography and discourse analysis, to examine multilingual learners’ experiences, teacher education practices, and global migration’s impact on schools. She has received the Outstanding Graduate Teaching Award (2020) and led research on language access during the pandemic. Recent publications highlight co-teaching dynamics, refugee youth resilience, and translanguaging in preschools. She advocates for pedagogies that affirm students’ identities through home languages and multicultural approaches. Scientific Awards: Outstanding Graduate Teaching Award, College of Education (2020)
Keith Obadike is a Professor in the Department of Art at Cornell University's College of Architecture, Art, and Planning (AAP), where he also serves as Director of Undergraduate Studies. He is an acclaimed interdisciplinary artist and composer, known for his collaborative work with Mendi Obadike, which spans sound art, digital media, public installations, performance, and internet-based projects. His artistic and academic work critically engages with technology, race, history, and identity. Obadike earned a B.A. in Visual Art from North Carolina Central University and an M.F.A. in Sound Design from Yale University. Prior to joining Cornell, he taught at William Paterson University and held visiting positions at Princeton University, Columbia University, Northwestern University, and the Art Institute of Chicago. His research and creative practice focus on sound art, digital media, public art, performance, and collaborative practice , with strong interdisciplinary connections to Afrofuturism, data sonification, and social justice. He explores how sound and technology mediate racial identity, memory, and liberation, notably through the concept of acousmatic blackness , which he and Mendi developed to describe the racial perception of sound when its source is unseen. Obadike’s selected works include large-scale public sound installations such as Blues Speaker (for James Baldwin) , Free/Phase , Compass Song (Times Square Arts), and GuideStar (Space Needle, Seattle). His projects often use data sonification, archival research, and mythic storytelling, blending historical inquiry with futuristic vision. Notable series include the Opera-Masquerades , Americana Suites , and Numbers Station works, which transform databases of violence into sonic experiences. His honors include: Rockefeller New Media Arts Fellowship (2004) Louis Comfort Tiffany Biennial Award (2015) New York Foundation for the Arts Fellowship in Fiction New Music USA Creator Development Fund (2022) Obadike has received commissions and support from institutions such as the Vera List Center, Harlem Stage, Times Square Arts, the American Composers Orchestra, and the Cornell Mui Ho Center for Cities. He has exhibited and performed at The New Museum, The Whitney Museum of American Art, MoMA, and The Studio Museum in Harlem. His writings and publications include contributions to Studies into Darkness (2022), and artist books such as Four Electric Ghosts and Big House / Disclosure (both 2014). He has also released albums like Crosstalk (2008) and created internet artworks such as Blackness for Sale (2001) and The Interaction of Coloreds (2002), which are foundational in new media and critical race art. While specific advisees are not listed, his role as Director of Undergraduate Studies and Professor indicates active mentorship. His work is deeply collaborative, often co-created with Mendi Obadike, and supported by interdisciplinary teams and institutions.
Sume Ndumbe-Eyoh is an Assistant Professor at the Dalla Lana School of Public Health, University of Toronto, and Director of the Black Health Education Collaborative (BHEC). Her work focuses on health equity, structural racism, and critical race theory in public health. She holds a Master of Health Sciences in Health Promotion and Global Health from the University of Toronto. Her research examines anti-Black racism, knowledge translation, and health disparities in Black communities. Key research areas: Health equity, Critical Race Theory, Black health, structural determinants Major projects: Reimagining Black Health in Canada (PI), Defining Black Health Competencies (CIHR-funded) Publications: 8+ peer-reviewed articles on equity frameworks, racism, and pandemic responses (2015–2023) Community engagement: Co-led EGAP data governance framework, developed BHEC storytelling resources Education leadership: Teaches African/Black Practicum Preparation course Her work bridges academic research and policy advocacy through Another World Lab and national collaborations.
Dr. Abeera Khan is a Lecturer at the Department of Anthropology and Sociology at SOAS University of London . Their work intersects queer theory, feminist critique, and postcolonial analysis, focusing on subjectivation processes in Muslim-majority communities and secularism debates. PhD in Anthropology from SOAS Research interests include: Queer Muslim Identity Formation Methodologies of Hope in Crisis Essentialism and Epistemological Violence Abolitionist Pedagogies Gender in Postcolonial Contexts
Chiara Bacigalupa is a Professor and Faculty Associate Dean of the School of Education at Sonoma State University (SSU). Since 2007, she has served as a Professor in the Department of Early Childhood Studies and as Department Chair since 2012. Ph.D. in Curriculum and Instruction with emphasis in Early Childhood Education, University of Minnesota M.A. in Educational Psychology with emphasis in Early Childhood Education, California State University Northridge B.A. in Philosophy, University of California Santa Cruz Her research focuses on digital technology use in early childhood, moral development, storytelling, and critical thinking. She explores intersections of social justice in childhood education policy and communication. Her publications highlight trends in child development through technology (2005), family collaboration via photo collages (2016), and anti-racist pedagogical practices (2016). Work spans qualitative studies on childcare perceptions (2007) to critical analyses of aggression in children's narratives (2009).
Barbara Zocal Da Silva is an Assistant Clinical Professor in the Department of Spanish and Portuguese at the University of Maryland. She specializes in translation studies, decolonial feminisms, and Blackness in Latin America. She coordinates curricula and anti-racist initiatives for the Portuguese Minor Program, co-leads the SPAP Center for Translation and Interpreting, and serves on the ARHU Academic Planning Advisory Committee (APAC). Dr. Da Silva holds a Ph.D. in Spanish/Translation Studies from the University of São Paulo (2022), focusing on the reception of Hispanic-American women’s works in Brazil through decolonial lenses. Her research bridges translation, race, gender, and postcolonial theory. Recent projects include translating Capoeira Angola masters’ oral histories and co-editing scholarly works on women authors in translation. She actively participates in professional development initiatives like the ADVANCE Program for Women in Leadership and organizes cultural events such as UMD’s first Carnaval Celebration. Key contributions include translating bell hooks’ Talking Back , Venezuelan poetry collections, and graphic novels from Spain and Peru. Her work emphasizes humanitarian translation practices, anti-racist pedagogy, and fostering inclusive academic spaces for minoritized groups. Education: Ph.D. in Spanish/Translation Studies (University of São Paulo, 2022) Leadership Roles: PTK Symposium Committee member, Deputy Portuguese Director (Spring 2024), and APAC Representative Notable Initiatives: Carnaval Celebration organizer, anti-racist curriculum development, and project coordinator for the Portuguese Minor Program
