جست‌وجوی استاد و پژوهشگر

Anantha Chandrakasanمشاهده پروفایل

استاد

• Energy-Efficient Circuits
• Integrated Systems
• AI Hardware Security
• +۳ مورد دیگر

Anantha Chandrakasan is the Vannevar Bush Professor of Electrical Engineering and Computer Science at MIT, serving as Dean of the MIT School of Engineering and Chief Innovation and Strategy Officer. His research focuses on energy-efficient integrated circuits, medical devices, and AI hardware security. He leads the MIT Energy-Efficient Circuits and Systems Group, developing systems for biomedical applications, wireless communication, and quantum computing. He holds appointments at MIT's Microsystems Technology Laboratories and has contributed to collaborations like the MIT-Takeda Program in AI-driven healthcare and a partnership with GlobalFoundries for energy-efficient AI chips. His work spans implantable drug delivery systems, conformable ultrasound patches, and secure edge computing architectures. Chandrakasan's innovations include ultra-low-power circuits for IoT devices, cryptographic processors for post-quantum security, and AI accelerators for edge applications. He emphasizes interdisciplinary research bridging electrical engineering with biomedical and quantum fields, supported by leadership roles in MIT's strategic initiatives. His contributions to energy-efficient computing have led to advancements in wearable health monitors, batteryless sensors, and secure communication protocols for medical devices. Ongoing projects include THz integrated systems and AI-enhanced analog circuit design optimization.

Richard M. Sternمشاهده پروفایل

استاد

• Speech Recognition
• Audio Signal Processing
• Music Information Retrieval
• +۳ مورد دیگر

Richard M. Stern is a Professor of Electrical and Computer Engineering at Carnegie Mellon University (CMU), holding courtesy appointments in the Language Technologies Institute and Department of Computer Science, and serving as an Artist Lecturer in the School of Music since 2007. His interdisciplinary work bridges engineering and music technology through the School of Music's programs. Education: Ph.D. in Electrical Engineering from Massachusetts Institute of Technology (MIT), 1976 Professor Stern's research spans sound, speech, hearing, and music, with core emphases on robust speech processing in variable acoustic environments, music information retrieval, automated accompaniment, and foundational contributions to binaural perception theory. His work integrates psychoacoustic principles with machine learning to address challenges in speech recognition and human-robot interaction. Recent publications (2022-2025) reveal intensified focus on deep learning for speech enhancement in reverberant/noisy conditions, human-robot interaction scenarios, and music tagging—highlighting innovations in beamforming, source separation, and temporal modulation modeling. Awards and Honors: Fellow of the IEEE Fellow of the Acoustical Society of America Fellow of the International Speech Communication Association (ISCA) ISCA Distinguished Lecturer Allen Newell Award for Research Excellence (1992) Lutron Award for Teaching Excellence (2018) Professor Stern has advised numerous graduate students in speech and audio research, though specific names are unlisted in source materials. His grant portfolio includes significant National Science Foundation and industry-funded projects in speech technology, with leadership roles in initiatives like Interspeech 2006. He actively collaborates with CMU's Language Technologies Institute and Music and Technology program. He maintains strong ties to CMU's interdisciplinary ecosystem through the Language Technologies Institute and School of Music's Music and Technology program, contributing to research that merges acoustic engineering with musical applications.

Kyojin Chooمشاهده پروفایل

استادیار

• Charge-domain circuits
• Sensor interfaces
• Energy converters
• +۴ مورد دیگر

Kyojin Choo is a Tenure Track Assistant Professor at the Swiss Federal Institute of Technology Lausanne (EPFL) in the School of Engineering , affiliated with the Mixed-Signal Integrated Circuits Lab (MSIC-LAB). He also holds teaching roles in Microengineering and Electrical and Electronics Engineering at EPFL. B.S. and M.S. in Electrical Engineering from Seoul National University (2007, 2009) Ph.D. in Electrical Engineering from the University of Michigan (2018) His research focuses on charge-domain analog/mixed-signal circuits , low-power sensor interfaces , and compact ADCs for IoT, wearables, and millimeter-scale systems. He has pioneered charge-injection cell techniques for energy-efficient circuits in energy management, sensor front-ends, and communication. His work emphasizes reducing power consumption to nanowatt levels while enabling ultra-compact designs. His recent publications highlight advancements in compact SAR ADCs , low-power MEMS accelerometers , millimeter-scale imaging systems , and ultra-low-power timing generators . His research integrates charge-domain circuit design with sensor interface optimization , energy harvesting , and high-speed link architectures . He holds over 20 US patents and has taught courses in Microengineering and Electrical Engineering at EPFL. His group (MSIC-LAB) addresses challenges in battery-free sensor design, power-constrained system scaling, and commercialization of wearables with unconventional form factors.

Kwantae Kimمشاهده پروفایل

استادیار

• Power-Efficient Analog/Mixed-Signal Integrated Circuits
• Biomedical Sensor Systems
• Neuromorphic Sensor ICs
• +۳ مورد دیگر

Kwantae Kim is an Assistant Professor at the Department of Electronics and Nanoengineering within Aalto University's School of Electrical Engineering . He leads the Tiny Systems and Circuits (TSirc) Group , focusing on power-efficient analog/mixed-signal ICs for biomedical and neuromorphic sensor systems. IEEE Senior Member (2025) Collaborates with institutions across Europe, Asia, and America Specializes in ultra-low-power AI-embedded IoT platforms His research emphasizes Tiny, Sensory, Intelligent, and Wireless IoT systems through: Development of energy-efficient IC architectures Democratizing access to advanced chip design Hardware-software co-design for edge computing Recent publications highlight innovations in: Spoken-language-understanding SoCs Temporal-sparsity-aware keyword spotting Open-source silicon frameworks Awards include: 2025 IEEE Senior Member 2023 Best Poster Award (AICAS) 2019 Samsung HumanTech Silver Award Research partnerships span: Prof. Tobi Delbruck (UZH/ETH Zurich) Prof. Hoi-Jun Yoo (KAIST) Prof. Shih-Chii Liu (UZH) Prof. Sohmyung Ha (NYU Abu Dhabi)

• Audio Engineering
• Music Production
• Analog Audio Electronics
• +۴ مورد دیگر

Michael Stucker serves as Associate Professor of Music in Music Production: Audio Engineering and Chair of the Music Industry Department at Indiana University's Jacobs School of Music. His academic credentials include: B.S. in Recording Arts, Indiana University (2016) A.S. in Audio Technology, Indiana University (2016) Stucker's professional expertise spans audio engineering, music production, and technical design. He developed and teaches a comprehensive sequence of electronics courses including an online Certificate in Analog Audio Electronics, alongside mixing and digital production curricula. His applied research manifests through active industry engagement as a technical engineer and equipment designer for artists including John Mellencamp, The Fray, and producer/engineer Warren Huart (Aerosmith, James Blunt). His recording engineering work extends across television (NBC's Third Watch), PBS, theatrical productions, and diverse music genres. Additional major collaborations include the Beaux Arts Trio, T-Bone Burnett, Howie Day, Eddie Kramer, Over the Rhine, Tori Amos, Robert Mirabal, Blast!, Don Gehman, David Thoener, and Superchunk. No scientific awards are documented in the provided text. While serving as department chair and developing multiple courses, the text provides no specifics regarding graduate student advising or research grant activities. There is no mention of dedicated research laboratories or collaborative teams in the available information.

Ian C. Bruceمشاهده پروفایل

استاد

• Auditory modeling
• Hearing aids
• Cochlear implants
• +۴ مورد دیگر

Dr. Ian Bruce is a Professor in the Department of Electrical and Computer Engineering at McMaster University, Hamilton, ON, Canada. He has been with the department since 2002, conducting interdisciplinary research that bridges electrical engineering with auditory neuroscience. His work has significant implications for hearing technologies and auditory rehabilitation. Education: B.E. (electrical and electronic) from The University of Melbourne (1991) Ph.D. from the Department of Otolaryngology, The University of Melbourne Dr. Bruce's research program focuses on auditory modeling, hearing aids, cochlear implants, tinnitus, neural coding of speech, and digital speech processing. His work centers on understanding the physiological mechanisms of auditory processing and applying this knowledge to develop improved hearing technologies. He has pioneered computational models of the auditory periphery that accurately predict speech intelligibility for hearing-impaired listeners, directly informing hearing aid and cochlear implant design. Analysis of Dr. Bruce's recent publications (2019-2025) reveals a consistent focus on cochlear implants and auditory nerve modeling, with increasing integration of machine learning techniques. His work demonstrates a sophisticated balance between physiological accuracy and computational efficiency, with recent papers exploring WaveNet-based approximations of cochlear models and DNN-based auditory processing. A significant portion of his research examines the relationship between neural responses and perceptual outcomes in hearing-impaired individuals, particularly regarding temporal processing and speech understanding. Scientific Awards and Recognitions: Fellow of the Acoustical Society of America Member of the Association for Research in Otolaryngology Registered Professional Engineer in Ontario Associate Editor of the Journal of the Acoustical Society of America Dr. Bruce has mentored numerous graduate students through various capstone design projects across multiple engineering disciplines including biomedical, electrical, mechanical, and software engineering. His teaching portfolio includes specialized courses in biomedical signals and systems, cellular bioelectricity, models of the neuron, and advanced signal processing. He has consistently supervised M.Eng. projects and independent studies, demonstrating commitment to training the next generation of engineers in auditory technology development. Dr. Bruce's research is conducted within McMaster University's interdisciplinary biomedical engineering framework, collaborating with clinicians and researchers in otolaryngology and audiology. His laboratory work focuses on developing and validating computational models that simulate auditory nerve responses to both natural and prosthetic stimulation, with direct applications to improving cochlear implant performance and hearing aid algorithms for real-world listening environments.

• Machine Learning
• Computer Vision
• Signal Processing
• +۶ مورد دیگر

Dongwook Kim is affiliated with the Korea Advanced Institute of Science & Technology (KAIST) as a faculty member in the Department of Business and Technology Management under the College of Business. His research spans multiple domains including machine learning, robotics, signal processing, and biomedical engineering. Key contributions in Computer Vision (CNN-based semantic segmentation, 3D point cloud analysis) Significant work in Hardware Design (energy-efficient processors, neuromorphic computing) Interdisciplinary expertise in Medical Imaging (bone age assessment, retinal biomarkers) and Cybersecurity (attack detection, network analytics) Publications since 2015 demonstrate sustained innovation in AI applications , Signal Processing , and Smart City Governance . His work often integrates theoretical advances with practical implementations in real-world systems. No scientific awards or student mentorship details are explicitly documented in the provided records.

• Digital Signal Processing
• Machine Learning
• Audio Technology
• +۸ مورد دیگر

Prof. Vesa Välimäki is an Audio Signal Processing Professor at Aalto University's School of Electrical Engineering, leading the Audio Signal Processing Research Group within the Aalto Acoustics Lab. He also serves as Vice Dean for Research and Head of the Doctoral Programme at the university. His research focuses on digital signal processing, machine learning, and their applications in audio, acoustics, and music technology, particularly in artificial reverberation, audio filter design, and virtual analog modeling. He has pioneered techniques like velvet noise for reverberation synthesis and contributed to open-source tools like FLAMO. His academic accolades include IEEE, AES, and AAIA Fellowships, along with multiple best paper awards at venues like DAFx and ICASSP. He has advised numerous students, including recipients of prestigious awards like the Huawei Master's Thesis Award. Prof. Välimäki has held editorial roles at the Journal of the Audio Engineering Society and organized major conferences such as SMC-17. His work extends to applied projects like acoustic optimization for early childhood education facilities and immersive audio in virtual reality (e.g., the 'Space Walk' project). Key Projects: NordicSMC (Nordic University Hub for Sound and Music Computing), Aalto Acoustics Lab, FLAMO library Grants: NordForsk funding (2018–2023), Foundation for Aalto University Science and Technology His research spans both theoretical advancements (e.g., diffusion models for audio restoration) and practical implementations (e.g., real-time equalizers, headphone compensation systems). He collaborates internationally, contributing to acoustic measurement techniques and noise reduction strategies for diverse environments.

Anomadarshi Baruaمشاهده پروفایل

استادیار

• System Design and Security
• Healthcare Assistive Systems
• Industrial Control Systems (ICS)
• +۵ مورد دیگر

Anomadarshi Barua is an Assistant Professor in the Department of Cyber Security Engineering at George Mason University, leading the System Design and Security research group. His work spans hardware-software co-design for securing cyber-physical systems (CPS), robotics, and sensors. Prior Affiliation: PhD from University of California, Irvine (2023) Industry Experience: Intel Corporation, Solidigm, Nordic Semiconductor, IDEAS Research Themes: Focuses on multimodal system security (audio, visual, electromagnetic data), analog-digital signal integrity, and quantum-inspired defenses in CPS. Key applications include healthcare systems, smart grids, and industrial control systems (ICS). Recent ACSAC 2024 paper acceptance Best Paper Award at ACSAC 2022 NSF panel reviewer (2024) Labs & Collaborations: Collaborates with University of Louisville on robotics and works on Commonwealth-funded UG research (2024). Publications in ACM CCS, USENIX, CHES, and IEEE Transactions (TDSC, TIFS).

Rachel Devorah Wood Romeمشاهده پروفایل

استادیار

• Electronic Music
• Creative Coding
• Live Coding
• +۱۲ مورد دیگر

Rachel Devorah Wood Rome is an Assistant Professor in the Electronic Production and Design (EPD) department at Berklee College of Music, where she teaches creative coding, live coding, and music technology. Her work bridges electronic music, improvisation, and critical theory, with a focus on sonic cyberfeminism, archival practices, and the social meanings of sound and space. Ph.D. in Music Composition and Computer Technologies, University of Virginia (2018) M.L.I.S., San José State University (2017) M.A. in Music Composition, Mills College (2013) B.Mus. in Horn Performance, CUNY Queens College (2007) Her research explores superhuman prolongation, opaque complexity, and the re-signification of archaic tools in sonic media. She values machines for their patience and memory, and her creative practice emphasizes critical agency in technology design and use. She performs under the name 'mehetabel' when using archival materials in improvised electronic music. The most recent publications and performances reflect a deep engagement with AI and music, live coding, feminist media theory, and spatialized sound. Her works often involve real-time data processing, generative systems, and collaborative improvisation, situating sound within broader social, political, and technological contexts. Ruth Anderson Installation Prize (IAWM) New Music USA Grant Fellowships from MIT OpenDocLab, Adrian Piper Foundation, Ina GRM, New Museum, and Jefferson Scholars Foundation Residencies at EMS Stockholm, STEIM Amsterdam, MassMoCA, and Cove Park Rome advises emerging artists in electronic music and creative coding, many of whom have gone on to establish their own practices. She is also active in academic service, including curriculum development, faculty governance, and labor organizing as a Councilor for the Berklee Faculty Union. She leads initiatives in DEI, sound design, and coding pedagogy within the EPD department. She has been involved in interdisciplinary collaborations with artists, technologists, and institutions worldwide, presenting work in galleries, festivals, and academic conferences across North America, Europe, and Asia. Her leadership extends to nonprofit arts organizations, where she has served as Executive Director and grantwriter.

• Human-Computer Interaction
• Haptic Technology
• Electrostatic Actuation
• +۳ مورد دیگر

Craig Shultz is an Assistant Professor in the Department of Electrical and Computer Engineering at the University of Illinois Urbana-Champaign (UIUC), where he joined in January 2024. He is affiliated with the College of Engineering and conducts research through the Interactive Display Lab, which he founded upon joining UIUC. Prior to his academic position, Shultz co-founded Fluid Reality and served as VP of Research and Development at Tanvas, where he developed electroadhesive touchscreens based on his research at Northwestern University. Dr. Shultz's educational background includes: Ph.D. in Mechanical Engineering from Northwestern University (2017) M.S. in Mechanical Engineering from Northwestern University (2015) B.S. in Electrical Engineering from the University of Tulsa (2011) Shultz's research focuses on advancing human-computer interaction through innovative haptic technologies. His work centers on developing tactile interfaces that leverage electrostatic actuation and novel input/output devices to create immersive user experiences. His primary research areas include: Human-Computer Interaction - Exploring contemporary use cases and building novel input and output devices Electrostatic Actuation - Modeling and characterization of moderate to high voltage electrostatic actuators Haptic Technology - Designing and evaluating tactile interaction devices Interactive Embedded Systems - Creating systems that respond to human touch in sophisticated ways Shultz's research has demonstrated how haptic technologies can enhance user experiences across various domains including virtual reality, mobile devices, and interactive displays. His work aims to elevate haptic rendering to the sophistication level of graphics and audio systems through practical hardware and software solutions. Dr. Shultz has received numerous prestigious awards for his research contributions: IEEE Robotics and Automation Society Technical Committee on Haptics Early Career Award (2025) TCH Early Career Award at World Haptics 2025 Sony Faculty Innovation Award for Finger Mounted Haptic Displays (2025) Multiple Best Paper awards at premier ACM and IEEE conferences (2014-2022) As an educator and mentor, Shultz has advised multiple graduate students in the Interactive Display Lab, including Jung-Hwan (the lab's inaugural member), Seung Heon, and Yanjun (his first PhD student). His research has attracted significant attention, being featured in major media outlets including NBC Nightly News, TechCrunch, and Engadget. Shultz teaches courses such as ECE 210 (Analog Signal Processing), ECE 211 (Analog Circuits & Systems), ECE 445 (Senior Design Project Lab), ECE 598 CS (Interactive Haptic Systems), and ME 470 ZJ3 (Senior Design Project). The Interactive Display Lab, housed in room 3038 of the Electrical and Computer Engineering building at UIUC, is equipped with electronics assembly and debugging equipment, a prototyping lab, optical bench, student offices, and a photo and VR studio. The lab benefits from access to departmental mechanical, electrical, and clean room fabrication facilities. Current research directions include developing fast interactive soft buttons (DynaButtons), high-resolution haptic gloves (Fluid Reality), and flat panel haptics with embedded electroosmotic pumps.

Maralie Armstrong Rialمشاهده پروفایل

استادیار مدعو

• Intermedia Art
• Sound Art
• Performance Art
• +۳ مورد دیگر

Maralie Armstrong Rial is an Adjunct Assistant Professor in the Department of Modern Culture and Media at Brown University, and also serves as a Critic in Digital + Media and Lecturer in the Film/Animation/Video Department at Rhode Island School of Design (RISD). Her practice spans intermedia art, performance, sound, and video, focusing on the refraction of self through media analogous to light/sound through water. She performs solo as VALISE and collaboratively as Humanbeast with Eli V Manuscript. Education BFA in Sculpture, Kansas City Art Institute MFA in Digital + Media, Rhode Island School of Design Research & Practice Her work integrates hydrophone recordings of industrial-impacted waterways (e.g., Blackstone Valley, East Rivers) to explore ecological memory and sonic legacies. Notable projects include AURA , an immersive soundwork documenting environmental soundscapes across seasons, set for release via Spectral Affect. She frequently performs in spatial audio formats, such as the 10.2-channel surround concert with RISD’s Studio for Research in Sound and Technology (SRST). Collaborations & Exhibitions Humanbeast: 10-year anniversary performance at Fourth World Festival VALISE performances at Pioneer Works, Lump Gallery, and Issue Project Room Residencies including Wedding Cake House and SRST spatial audio projects Labs & Affiliations Affiliated with RISD’s Studio for Research in Sound and Technology (SRST), focusing on experimental spatial audio and interdisciplinary sound practices.

Fernando Lopez-Lezcanoمشاهده پروفایل

مدرس

• Computer Music
• Spatial Audio
• 3D Sound Diffusion
• +۶ مورد دیگر

Fernando Lopez-Lezcano is a Lecturer at Stanford University's Center for Computer Research in Music and Acoustics (CCRMA) where he has been working since 1993. His work combines music composition, electronic engineering, and programming with a focus on spatial audio and sound diffusion technologies. He was the Edgar Varese Guest Professor at TU Berlin during the Summer of 2008 and is the 2014 winner of Stanford's Marsh O'Neill Award for Exceptional and Enduring Support of Stanford University's Research Enterprise. Lopez-Lezcano's research interests center on computer music, spatial audio technologies, and sound diffusion systems. He has pioneered work in High Order Ambisonics (HOA), developing novel decoders and reverberation architectures for immersive sound environments. His work on the SpHEAR Project has created innovative 3D-printed soundfield microphone arrays, while his development of the GRAIL (Giant Radial Array for Immersive Listening) has revolutionized concert speaker arrays for HDLAs (High Density Loudspeaker Arrays). He has also created numerous open-source tools and software environments for spatial sound composition and diffusion. His recent creative output demonstrates a consistent exploration of 3D sound spatialization, modular synthesis, and interdisciplinary collaborations. Across his compositions, he frequently integrates custom-built hardware like his modular synthesizers (including the famous 'El Dinosaurio' built in 1980-81) with sophisticated software environments written in SuperCollider. His work often bridges acoustic and electronic sound sources, creating rich spatial experiences that explore the relationship between technology and artistic expression. Among his notable achievements is the 2014 Marsh O'Neill Award, recognizing his exceptional support of Stanford's research enterprise. This prestigious award was inspired by Marsh O'Neill, Associate Director of the W.W. Hansen Laboratories, and honors outstanding staff members who support faculty research activities. Lopez-Lezcano has mentored numerous students in the development of musical instruments and performance systems, most notably the 'Ensemble AnaLocos' (Analógicos Locos or 'Crazy Analogs') which created the 'Noise Toaster' synthesizers. He has also developed important infrastructure for CCRMA including 'Planet CCRMA,' a collection of open-source audio software for Linux. His teaching includes the 'Sound in Space' course (Music 222), which covers historical background, techniques, and theory on the use of space in music composition and diffusion. He directs the CCRMA Stage concerts and has been instrumental in developing CCRMA's spatial audio infrastructure, including the GRAIL system used in Bing Concert Hall. His work with the SpHEAR Project has advanced 3D sound recording techniques, while his collaborations with performers like Michiko Theurer (violin) and Chris Chafe (celletto) have produced innovative interdisciplinary performances.

Mark F. Bockoمشاهده پروفایل

استاد

• Superconducting Digital Electronics
• Quantum Computing
• Digital Signal Processing
• +۴ مورد دیگر

Mark F. Bocko is a Professor of Electrical and Computer Engineering and Physics at the University of Rochester, serving as Chair of the Department of Computer and Electrical Engineering since 2004. He holds a BA from Colgate University and advanced degrees (MS/PhD) in Physics from the University of Rochester. His research spans superconducting digital electronics, quantum computing, music signal processing, and smart sensor systems. Notable awards include the Excellence in Undergraduate Teaching Award (1991, 2002) and Professor of the Year (2002). His research groups focus on high-frequency digital signal processing using Josephson junctions, quantum coherence in superconducting circuits, and applications in music technology such as internet-based real-time musical collaboration. Collaborations include work with the Eastman School of Music and local industries on sensor networks and wireless technologies. Key contributions include developing GHz-rate analog-to-digital converters, quantum bit control systems, and music encoding algorithms. His NSF-funded projects explore internet2 applications for musical interaction and physical modeling in music systems.

William Luceyمشاهده پروفایل

دانشیار

• Music Production
• Songwriting
• Audio Engineering
• +۶ مورد دیگر

William Lucey is an Associate Professor in the Music Production and Engineering (MP&E) and Songwriting departments at Berklee College of Music, a leading institution in contemporary music education. His academic role is deeply informed by his extensive professional career as a performer, songwriter, and producer. His research and creative interests center on music production, songwriting craft, audio engineering, and the integration of analog and digital technologies in music. He emphasizes practical, real-world applications in his teaching, drawing from decades of experience in the music industry. The body of his recent work—including songs like Home , Haunt Me Again , and All I Want for Christmas is a Christmas No. 1 —demonstrates a broad range across genres such as Americana, pop, rock, electronic, and folk. His production style is hands-on, spanning songwriting, arrangement, performance, engineering, and mixing. He frequently collaborates with emerging and established artists, often playing multiple instruments and overseeing full production. Meteor Award Ireland for Best Hope for the Future Boston Music Awards for Best New Act and Best Vocalist World Peace Award for Best International Act As an educator and mentor, Lucey has taught songwriting and production at Berklee for over 25 years, guiding countless students in developing their artistic voices. He also engages in professional projects that serve as living case studies for his pedagogy. His studio practice blends analog warmth with digital precision, reflecting his philosophy of marrying the best of both worlds. While no formal lab or research team is mentioned, his production house functions as a creative hub for collaboration with session musicians and artists worldwide.