جست‌وجوی استاد و پژوهشگر

Dan Maciucaمشاهده پروفایل

استاد

• Painting
• Contemporary Art
• Drawing
• +۳ مورد دیگر

Dan Maciuca is a Professor in the Department of Painting at the University of Art and Design of Cluj-Napoca, where he has been employed since 2016. Holding a PhD from the same institution, he maintains an active international presence as a contemporary artist with exhibitions spanning Europe and Asia. His educational foundation includes: 2002-2006: Bachelor and Master degrees in Painting, University of Art and Design, Cluj-Napoca 2008-2013: PhD, University of Art and Design, Cluj-Napoca Maciuca's artistic practice explores abstract and figurative painting through themes of reality, perception, and cultural identity. His work engages with utopian concepts and historical narratives of Eastern Europe, reflecting both Romanian heritage and global perspectives through innovative visual language and experimental techniques. His publications from 2004-2023 in art magazines and exhibition catalogues demonstrate consistent engagement with contemporary discourse. These works reveal evolving trends in Romanian art movements, international gallery collaborations, and critical analyses of visual culture, with increasing focus on cross-cultural dialogues and urban identity. His recognition includes: 2004: 2nd Place, Drawing, VSTUP, Prague While specific student advisement details are unavailable, Maciuca's extensive exhibition record—including 7 personal shows and over 20 international group exhibitions since 2012—demonstrates significant professional activity. His participation in major art fairs across Brussels, Budapest, Istanbul, and Basel underscores his integration into global art networks. No laboratory or formal research team affiliations are documented in the available materials.

Barabás Zsófiمشاهده پروفایل

استادیار

• Painting
• Abstract Art
• Color Theory
• +۲ مورد دیگر

Barabás Zsófi is a university assistant professor at the Hungarian University of Fine Arts, where she teaches and creates art. She holds a DLA degree from the University of Pécs (2022) and has studied at prestigious institutions including Tokyo University of the Arts and Anglia Ruskin University. Her educational background includes: DLA training at University of Pécs, Faculty of Arts (2022), under Master Ilona Keserü Studies at Tokyo University of the Arts, Japan (2009), under Professor Sakaguchi Hirotoshi Graphic design, visual education, and painting at the Hungarian University of Fine Arts (1999-2004) Studies at Anglia Ruskin University, Cambridge, UK (1998), under Professor Martin Salisbury Vocational High School of Fine and Applied Arts (1994-1998) Barabás Zsófi's research and artistic practice centers on abstract painting, with a deep exploration of color theory and form. Her work often investigates the relationship between color and spatial perception, resulting in dynamic compositions that challenge traditional boundaries. She is known for her vibrant use of acrylic and oil on canvas, creating pieces that evoke natural landscapes and emotional states. Her interests also extend to graphic design and visual education. Her extensive exhibition history, including solo shows in Budapest, New York, Paris, and Rome, reflects her international recognition. The critical reception of her work, documented in numerous publications, highlights her contribution to contemporary Hungarian art and abstract expressionism through recurring themes of spatial dynamics and color relationships. Her notable awards and recognitions include: Műcsarnok Foundation Award for the exhibition "One Week" Monbukagakusho Research Scholarship, Tokyo, Japan (2009) Scholarship of the Hungarian Academy in Rome, Italy (2014) Atelier Frankfurt, Scholarship of the City of Frankfurt (2013) Artist in Residence at La Maison de Simon, France (2024) Multiple international residencies and academic scholarships Barabás Zsófi has been actively involved in the art community through exhibitions and collaborations. Her recent projects include international residencies and group exhibitions at major institutions such as the Ludwig Museum and Műcsarnok in Budapest, demonstrating her ongoing contribution to the contemporary art scene.

• Abstract Painting
• Critical Writing
• Pedagogy
• +۲ مورد دیگر

Brendan Fletcher serves as Senior Lecturer and Programme Leader for BA (Hons) Fine Art at the University of Salford within the School of Arts, Media and Creative Technologies. He is actively affiliated with the Art & Design Research Centre, contributing to the institution's creative research ecosystem through both studio practice and academic leadership. His research investigates the intersections of Abstract Painting , Critical Writing , and Pedagogy , with particular focus on how painting functions as experimental site beyond traditional boundaries. Projects like Homer's Ghost (2019) demonstrate his engagement with literary sources, while works such as It knows not what it is (2009) explore devotional imagery through icon/logo semiotics. His scholarly approach bridges studio practice and theoretical inquiry, examining class dynamics in art education through presentations like Painting, art school & class struggle (2019). Dr. Fletcher's recognition includes: Long-listing for the Contemporary British Painting Prize (2019) Presentations at the Royal Academy of Arts (2018) and Royal West of England Academy (2019) Inclusion in significant surveys like 30 Years of Artist-Led (2022) As Programme Leader, he oversees curriculum development for the BA (Hons) Fine Art program with emphasis on professional practice integration. His leadership connects students to exhibition opportunities at Salford Museum, PAPER Gallery Manchester, and international venues. While specific grant details aren't public, his sustained exhibition record since the 1990s—including 23 research outputs since 2004—demonstrates consistent research activity supported by institutional frameworks. Through the Art & Design Research Centre, Dr. Fletcher contributes to Salford's creative research culture, particularly in contemporary painting discourse. His practice exemplifies the centre's mission of advancing knowledge through artistic production, with recent projects like Colour Flex (2022) engaging London's independent gallery scene while maintaining strong regional connections to Manchester's art ecosystem.

Amy Von Lintelمشاهده پروفایل

استاد

• Art History
• Gender Studies
• Modern and Contemporary Art of the Texas Panhandle
• +۵ مورد دیگر

Amy Von Lintel is a Professor of Art History at West Texas A&M University in the Department of Art, Theatre and Dance within the Sybil B. Harrington College of Fine Arts and Humanities. She also serves as the Director of the Gender Studies Certificate Program and is a faculty and advisory board member of the Center for the Study of the American West (CSAW). Previously, she served on the Board of Trustees of the Amarillo Museum of Art. Dr. Von Lintel's educational background includes a BA in Art History, French, and European Studies from the University of Kansas (2001, summa cum laude), an MA in Art History from Southern Methodist University (2003), and a PhD in Art History from the University of Southern California (2010). Her research focuses on modern and contemporary art of the Texas Panhandle region, with particular emphasis on Georgia O'Keeffe, Abstract Expressionism, and women artists of the American West. She has expanded her research from earlier work on popular contexts of art history to the specific art of the Texas Panhandle. Her scholarly approach integrates gender studies with regional art history, examining how women artists have shaped the American West's artistic landscape. Dr. Von Lintel's recent publications demonstrate a consistent focus on regional art history with national significance. Her work shows increasing specialization in Texas Panhandle art, Georgia O'Keeffe studies, and women's contributions to Abstract Expressionism, with several publications appearing in the 2020-2025 timeframe indicating active, ongoing research. all-university Instructional Excellence Award (2014) departmental award for research (2016) Magister Optimus all-university teaching award (2018) Up-and-Coming Distinguished Volunteer for the Golden Nail Society of Amarillo (2015) Silver Medal in the Fine Art category at the 2017 Independent Publisher Book Awards Southwest Books of the Year 'Top Picks' recognition Dr. Von Lintel maintains strong connections with regional art institutions and actively incorporates museum visits into her teaching. She runs the 'WTAMU Art History' Facebook page and '@panhandlearthistory' Instagram account to connect students and the community with regional art opportunities. Her teaching philosophy emphasizes engaging students intellectually, critically, and creatively with art history through diverse course offerings and study abroad experiences.

Stefan Neunerمشاهده پروفایل

استاد

• Art History
• Renaissance Painting
• Modern Art
• +۴ مورد دیگر

Prof. Dr. Stefan Neuner is a Professor of Art History, Art Science, and Art Theory at the Berlin University of the Arts since October 2017. He has held various academic positions across Europe, including as a Scientific Assistant at the University of Vienna (1999-2005), the University of Zurich (2005-2010), and as a Postdoc Fellow at eikones - NFS Bildkritik at the University of Basel (2011-2017). Neuner earned his PhD in 2006 from the University of Vienna with a dissertation titled "Maskierung der Malerei. Jasper Johns nach Willem de Kooning." His academic journey includes postdoctoral research at the Kunsthistorisches Institut in Florence/Max-Planck-Institut and fellowships at prestigious institutions including the German Study Center in Venice and the International College for Cultural Techniques Research and Media Philosophy at Bauhaus-University Weimar. Prof. Neuner's research focuses on the painting of the Venetian Renaissance, the relationship between art, science and technology in the early modern period, art of the 20th and 21st centuries, and the intersection of visual arts and new music. His work demonstrates a particular interest in visual perception, artistic techniques, and the theoretical frameworks that shape our understanding of art across historical periods. He has made significant contributions to the study of artists such as Jasper Johns, Bruce Nauman, Jackson Pollock, and Venetian Renaissance masters like Vittore Carpaccio. Analysis of Neuner's recent publications reveals a consistent engagement with questions of visual perception, spatial experience, and the materiality of art. His work spans from Renaissance painting to contemporary art practices, with particular attention to how viewers interact with artworks. Key themes include the relationship between image and text, the role of material supports in artistic creation, and the philosophical underpinnings of visual experience. His scholarship demonstrates interdisciplinary connections between art history, philosophy, and cultural studies. Among his notable contributions are his editorial work for the online journal terpentin.org and his publications on topics ranging from textile studies to the theoretical frameworks of contemporary art. His book "Mobile Eyes. Peripatetisches Sehen in den Bildkulturen der Vormoderne" (2013) exemplifies his interest in the relationship between movement and visual perception in pre-modern image cultures. Scientific Assistant at the University of Vienna (1999-2005) PhD from the University of Vienna (2006) Scientific Assistant at the University of Zurich (2005-2010) Postdoc Fellow at the Kunsthistorisches Institut in Florence (2009-2010) Associated Scholar of the German Study Center in Venice (since 2010) Short Term Fellowship at Bauhaus-University Weimar (2014) Postdoc Fellow at University of Basel (2011-2017) Professor at Berlin University of the Arts (since 2017) Prof. Neuner has supervised student researchers including Sophia Wilm and Maria Knoll. His academic leadership extends to editorial roles, including co-founding the German-English online journal for art criticism terpentin.org. While specific grant information is not detailed in the available materials, his research has been supported through prestigious fellowships including those from the Max Planck Society and the Swiss National Science Foundation (through eikones). Neuner is actively engaged in the academic community through his participation in research networks and his contributions to major art historical publications. His work bridges historical scholarship with contemporary theoretical approaches, making significant contributions to the field of art history.

Mark Lammertمشاهده پروفایل

استاد

• Painting
• Drawing
• Graphic Arts
• +۳ مورد دیگر

Mark Lammert is a Professor of Painting and Drawing at the Berlin University of the Arts (UdK Berlin) since 2011. Born in Berlin in 1960, he studied painting at the Berlin Art Academy and was a master student at the Academy of Arts in 1989 and 1996. He has been a member of the Berlin Academy of Arts since 2015. Lammert's artistic practice spans painting, drawing, graphic arts, and stage design. His work incorporates diverse philosophical, political, and historical references, which he combines through reduction, fragmentation, and collage to create images with high aesthetic impact. He has designed stage sets for notable productions including works by Heiner Müller and Dimiter Gotscheff. Lammert's recent exhibition activities demonstrate his continued prominence in contemporary art. His upcoming exhibition 'REVOLUTIONARY SPLITTERS' (November 2024-January 2025) at Galerie Pankow explores French Revolution-era drawings alongside his own work. Previous significant exhibitions include 'Balance' at Hamburger Bahnhof (2022), 'NOTHINGTOSEENESS' at the Academy of Arts (2021), and 'Rot Gelb Blau' at the Leonhardi-Museum in Dresden (2020-2021). His notable awards include the Käthe Kollwitz Prize from the Berlin Academy of Arts (1999), the Eberhard Roters Scholarship from the Prussian Seehandlung Berlin (2002), and a Scholarship from the Bonn Art Fund (1999). Lammert's publications include 'Bühnen Räume Spaces' (2014), a documentation of his theater work, and several exhibition catalogs. His artistic commentary extends to social issues, as evidenced by his statement 'Der Krieg der Viren' addressing the Corona crisis.

Christine Streuliمشاهده پروفایل

استاد

• Contemporary Painting
• Drawing
• Mixed Media Art
• +۴ مورد دیگر

Christine Streuli serves as Professor of Painting and Drawing at Berlin University of the Arts, where she is affiliated with the Institute of Art. Her practice encompasses large-scale mixed media installations and paintings that challenge conventional spatial boundaries through dynamic material explorations. Current projects include the 2025 solo exhibition 'Upscape' at Galerie Peter Kilchmann in Zurich and the group show 'Zeitraffer' at Galerie Sfeir-Semler in Hamburg, continuing her international presence established through participation in the Venice Biennale and Sydney Biennale. Streuli's research investigates the materiality and spatial dimensions of painting through gestural abstraction and conceptual frameworks. Her 'All-Over' compositions reject hierarchical focal points while series like 'Frozen Gestures' capture movement in static form. She consistently employs unconventional materials including foil, printed blueback paper, and fragmented supports to examine perception, temporality, and the physical properties of paint. Recent works such as 'Falling apart' and 'Konzepte des All-Over' demonstrate her focus on urban landscapes and material transformation. Exhibition analysis from 2023-2025 reveals intensified exploration of environmental scale and viewer embodiment. Monumental canvases (320x260 cm) at ART Basel 2023 and room-sized installations in Zurich showcase her evolution from object-based painting toward immersive, site-responsive environments. Recurring motifs of fragmentation, spatial tension, and material decay manifest across diverse contexts—from biennales to solo exhibitions—creating visceral experiences that merge conceptual rigor with physical immediacy. Scientific awards: Fred Thieler Prize (2017)