جستجوی استاد راهنمای دانشگاهی

Bart J. Hengeveldمشاهده پروفایل

استادیار

• Internet of Things (IoT) Interaction Design
• Sound Design
• Tangible Interaction
• +۳ مورد دیگر

Bart J. Hengeveld is an Assistant Professor at Eindhoven University of Technology (TU/e), affiliated with the Industrial Design department within the Faculty of Industrial Design. He leads the Future Everyday research cluster, focusing on the intersection of sound design and IoT systems. His work explores how embedded technologies can communicate through sound and tangible interaction in ways that enhance human experience. Education: BSc/MSc in Industrial Design Engineering, Delft University of Technology (2003) PhD in Industrial Design, TU/e (2011), with concurrent training in double bass at Codarts Conservatory Research Interests: Acoustic communication in IoT systems Tangible interaction design Social implications of ubiquitous computing Sound as a medium for human-technology interaction Recent Research Trends: Focus on multimodal interfaces combining sound/light/haptics Studies on sound design for healthcare and smart living environments Investigations into ethical and inclusive IoT soundscapes Awards: Two Teacher of the Year awards at TU/e, reflecting his commitment to pedagogical excellence. Advising & Projects: Supervised 113 student projects including interactive installations like 'Naktis' and 'Sonostapp' Leading the €1.5M 'Role of Sound in Hybrid Work Environments' project (2023–2026) Organized TEI 2016 conference and serves on its steering committee Teams/Labs: Core member of TU/e's Future Everyday cluster, collaborating with multidisciplinary teams on embodied interaction research.

Ryo Ikeshiroمشاهده پروفایل

استادیار

• Sound Art
• Sonification
• Computational Creativity
• +۳ مورد دیگر

Ryo Ikeshiro is an Assistant Professor at the School of Creative Media, City University of Hong Kong, and co-director of the spatial audio art/research unit SoundLab. His work bridges sound art, computational creativity, and cultural studies through immersive installations, algorithmic audio-visual systems, and sonification techniques. PhD in Creative Practice (Goldsmiths, University of London) MPhil in Music (University of Cambridge) BMus (King's College London) Ikeshiro's research interrogates the materiality of sound through: Multichannel Ambisonics and directional audio Neural network-driven temporal dislocation Sonification of climate data and historical soundscapes Machine learning for artistic interpretation Interplay of identity and technology East Asian ideophonic traditions His 2010-2024 publications and installations reveal cross-disciplinary engagement with: Fractal mathematics in audiovisual art Algorithmic composition systems Interactive installation technologies Sonic cartography Historical memory in sound Collaborative research frameworks SoundLab, which he co-directs, develops spatial audio research at the intersection of: Technical innovation Cultural representation Experimental pedagogy Public engagement International artistic exchange Practice-based research

• Architectural Design
• Digital Fabrication
• Robotics in Wood Construction
• +۵ مورد دیگر

AnnaLisa Meyboom is an Associate Professor at the University of British Columbia’s School of Architecture and Landscape Architecture (SALA). As Director of the Transportation Infrastructure and Public Space Lab (TIPSlab), she bridges engineering and architecture through research on digital fabrication, autonomous vehicles, and responsive environments. Engineering from University of Waterloo Architecture from University of British Columbia Her research explores: Digital Wood Fabrication: Robotic construction techniques for large-scale timber structures. Autonomous Urbanism: Reimagining city layouts for self-driving vehicles. Responsive Architecture: Integrating technology into adaptive building systems. While her publications span from 2000 to 2022, recent works focus on infrastructure’s cultural value and future mobility systems. She has taught at institutions globally and led design-build initiatives across Canada. Co-founder of TIPSlab Featured speaker at international conferences Combines engineering rigor with architectural creativity

Chris Sollarsمشاهده پروفایل

دانشیار

• Sculpture
• Video Art
• Installation Art
• +۳ مورد دیگر

Chris Sollars is an Associate Professor in the Department of Studio Art at Dartmouth College, specializing in multidisciplinary art and music that critiques societal issues through absurd public interventions. His work combines sculpture, video, installation, and performance, often repurposing urban detritus to create thought-provoking commentary. Sollars holds a BFA from Rhode Island School of Design and an MFA from Bard College's Milton Avery Graduate School. His research focuses on transforming discarded materials into installations that challenge perceptions of waste, environment, and human interaction. Notable techniques include site-specific performances documented through multimedia formats, and instrument construction addressing ecological anxieties through sound. Recent projects include the Wyoming Wind series (2022), which explores landscape acoustics through amplified natural phenomena, and Ice House: For Cooler Futures (2022), a climate-focused installation using frozen artifacts. He has received prestigious awards including the 2013 Guggenheim Fellowship and multiple residency grants. Sollars teaches courses like On Earth: Art The Anthropocene and AV Installation Art , emphasizing interdisciplinary approaches to contemporary art practice. His studio at 667 Shotwell St serves as a creative hub for experimental art production.

Carolyn Boweمشاهده پروفایل

مدرس

• Environmental Communication
• Data Visualization
• Cartographic Narratives
• +۴ مورد دیگر

Carolyn Bowe is a Lecturer and Course Leader for the Foundation degree and BA(hons) Graphic Media Communication at University Centre Calderdale College, affiliated with the University of York's School of Arts and Creative Technologies. Her interdisciplinary research explores ecological connections through cartography, interactive media, and design, focusing on sustainability and human-environment relationships. She holds a PhD from the University of York, where her thesis proposed visual strategies to enhance environmental stewardship. Education background includes studies at Newcastle College of Art and Bradford School of Art, emphasizing graphic design and emerging technologies. Her practice combines traditional and digital methods, including AR/AV installations, to communicate ecological themes. Notable exhibitions include a 2023 solo installation at Dean Clough's Crossley Gallery and collaborations with organizations like National Geographic and West Yorkshire Police. Bowe actively engages in community initiatives, founding the Local Wildlife Area at Littlemoor Park and serving as its Secretary. She has also served as an External Examiner for the BA (Hons) Graphic Design program at the University of Sunderland.

Chooc Ly Tanمشاهده پروفایل

مدرس

• Fine Art
• Sculpture
• Performance Art
• +۷ مورد دیگر

Dr. Chooc Ly Tan is a Lecturer in the Department of Art at Goldsmiths, University of London. As a multidisciplinary artist, DJ, and cultural producer, their practice spans moving image installations, experimental sound compositions, and curatorial projects that interrogate the intersections of physics, politics, and music through the lens of Afro-Asian diasporic experience. Academic Background: MFA in Fine Art, Goldsmiths University of London (2011) BA in Fine Art (Hons) in 3D (Sculpture), Central Saint Martins (2006) Research Interests: Chooc Ly Tan's work critically examines power imbalances through sound and video media, with particular focus on: Voguing and diasporic rhythms Subversion of scientific systems Postcolonial urban climates Decentralized cultural production Queer and feminist club cultures Experimental sonic practices Recent Research Trends: Their 2023-2025 projects include immersive sonic installations, urban speculative fiction works, and decolonial music production. The artist employs a methodology that combines field recordings, algorithmic composition, and theoretical frameworks from critical race studies. Scientific Awards: 2024 Art Council England Project Grant 2024 Fluxus Art Projects Grant 2023 The Yard Theatre Residency 2020 DYCP award from Arts Council England 2011 Startpoint Prize nomination Curatorial Work: Directing the ongoing DÉCALÉ project since 2018, which includes international collaborations across London, Berlin, and Accra. Recent exhibitions explore syncopation as a political metaphor through sound, theory, and performance.

Philip Jacksonمشاهده پروفایل

استاد

• Machine Audition
• Audio-Visual Machine Learning
• Spatial Audio
• +۹ مورد دیگر

Philip Jackson is a Professor in Machine Audition at the University of Surrey's Centre for Vision, Speech and Signal Processing (CVSSP) within the School of Computer Science and Electronic Engineering. His research focuses on audio-visual machine learning, spatial audio technologies, object-based media production, and responsible AI applications. He has over 200 publications and an h-index of 30, contributing to projects like Nephthys, BALTHASAR, and SAVEE. He served as an associate editor for Computer Speech and Language and reviewer for major journals like IEEE/ACM Transactions on Audio, Speech and Language Processing. Key research interests include sound localization, audio-visual tracking, reverberation modeling, and ethical implications of AI in media. His work spans datasets such as Tragic Talkers, SurrRoom, and ForecasterFlexOBM, advancing immersive audio-visual systems and personalized media experiences. Notable projects include spatial audio reproduction for VR, parametric room acoustics, and citizen council research on algorithmic transparency. He has advised over 20 PhD/Master’s students and collaborates with industry on applications like the Catalan Pavilion's Venice Biennale installation. His grants include UK postdoctoral fellowships and leadership in EU-funded initiatives like UDRC2 and QESTRAL.

Brygg Ullmerمشاهده پروفایل

استاد

• Tangible User Interfaces
• Human-Computer Interaction
• Computational Genomics
• +۷ مورد دیگر

Brygg Ullmer is a Professor at Clemson University's School of Computing and Chair of the Human-Centered Computing Division. He leads the Tangible Visualization group, focusing on Tangible User Interfaces (TUIs) Computational Genomics Interactive Computational STEAM Rapid Physical/Electronic Prototyping Computationally-Mediated Art and Design His work bridges physical and digital domains, with applications in K-12 education, high-performance computing, and culturally-rooted design. Research trends from his 15 most recent articles show a focus on Generative AI for cyberphysical systems Shape-changing interfaces Token+Constraint interaction models Genomics data visualization Hybrid tangible-gestural interfaces Multi-display collaboration These span both theoretical and applied work in computer science, biology, and design. Ullmer has held significant roles including Postdoctoral work at Zuse Institute Berlin Associate Professor at Louisiana State University (CCT & Computer Science) Visiting Lecturer at Hong Kong Polytechnic University Contributions to IBM Systems Journal and special editions of Springer's Personal and Ubiquitous Computing He has also co-edited journal special issues and served on conference committees. His scientific contributions include co-invented U.S. patents (6164541, 6263507, 6259441) related to Invisible hyperlinking Audiovisual data browsing Digital video time-shifting These patents reflect early innovations in tangible interface technology that have influenced modern interactive systems.

Ron Wrightمشاهده پروفایل

مدرس ارشد

• Sound Art
• Psycho-Geography
• Experimental Narrative
• +۳ مورد دیگر

Ron Wright is a Senior Lecturer in Sound Art Design at Sheffield Hallam University, affiliated with the Art and Design Research Centre and Culture and Creativity Research Institute. His work explores psycho-geography, sonic heritage, and experimental sound narratives, focusing on the interplay between environment and human consciousness. He teaches sound theory and practice across media disciplines, designing an MA in Sound Design. Notable projects include the award-winning film Jelly Dolly , the Sci-Art exhibition Hylo , and the immersive Rift collaboration with Neil Webb. His research investigates urban soundscapes and Sheffield's industrial heritage, culminating in publications like Sonic Heritage, Identity and Music-making in Sheffield . Wright has exhibited globally, from Kunstmuseum Thun to Vienna's Replugged venue, and his work often bridges sound art with interdisciplinary practices. Recent collaborations include the Burning Pool project exploring post-industrial Sheffield and talks on the city's musical legacy.

Damien Roachمشاهده پروفایل

مدرس

• Fine Art
• Design & Creative Direction
• Publishing
• +۷ مورد دیگر

Damien Roach is an Associate Lecturer in MA Illustration and Visual Media at the London College of Communication (part of the University of the Arts London). His practice spans Fine Art, Design, Publishing, sound/music, and AudioVisual projects. He is pursuing a PhD in 'Acid Realism' at the Royal College of Art (2023–2026), funded by LAHP/AHRC, focusing on AI, Machine Vision, and Nonhuman Planetary Perspectives. Recent projects include immersive performances at London's ICA and Tate Modern, AV installations at Sonic Acts (Amsterdam), and collaborations with institutions like the Bergen Centre for Electronic Arts and the Sandberg Instituut. His work explores technology's intersection with art, culture, and environment. Key engagements include a 2025 audiovisual installation 'Grounding' curated by Beth Greenacre, a 2024 lecture series on curating digital cultures, and a 2023 symposium on environmental art and technology. His research and exhibitions often address posthumanism, digital identity, and interdisciplinary practices. No formal awards are listed, but his extensive exhibition history and academic engagement highlight his contributions to contemporary art discourse. His PhD research and cross-disciplinary projects underscore his focus on emerging technologies and nonhuman perspectives in art.

• Electroacoustic music
• Composition
• Live performance with electronics
• +۶ مورد دیگر

Simon Emmerson is a Professor in Music, Technology & Innovation at De Montfort University’s Leicester Media School , with a career spanning nearly five decades. He founded the Electroacoustic Music Association of Great Britain (EMAS) and served on Sonic Arts Network/Sound and Music boards. His DAAD Edgard Varese Visiting Professorship at TU Berlin and Silver Jubilee Visiting Professorship at Western Australian Academy of Performing Arts highlight his global influence. Current research student supervisor at DMU Co-PI on AHRC-funded project New Multimedia Tools for Electroacoustic Music Analysis Editorial Board member for Organised Sound , Radical Musicology , and Journal of Sonic Studies His research focuses on electroacoustic music’s live performance practices, spatial composition, gender dynamics in electronic music institutions, and machine-human listening symbiosis. He pioneered ‘concert installation’ formats like Aeolian , where looping structures create non-linear temporal experiences. Key publications include foundational texts The Language of Electroacoustic Music (1986), Living Electronic Music (2007), and The Routledge Research Companion to Electronic Music (2018). His AHRC-supported project (2010-2013) produced innovative analysis tools for hybrid genres. Scientific contributions: 2019 Oxford Handbook chapter on imagination in performance 2018 ICLI collaboration on crossadaptive processing 2016 EMAS institutional history analysis 2015 Organised Sound article on machine listening 2007 Living Electronic Music monograph As composer, he has created over 50 electroacoustic works performed at festivals in Paris, Berlin, Lisbon, and Birmingham. His advising includes supervising PhD/Masters students at DMU, though specific names aren’t listed. He maintains active performance presence with concerts in 2020 celebrating his 70th birthday.

João Martinho Mouraمشاهده پروفایل

مدرس

• Digital Art
• Computer Music
• Computational Aesthetics
• +۳ مورد دیگر

João Martinho Moura is a media artist and researcher affiliated with the University of Minho as an invited lecturer since 2010 in the Master Program in Technology and Digital Arts. He also lectures at IPCA (Polytechnic Institute of Cavado and Ave) since 2015. His work spans digital art, computer music, and computational aesthetics, with a focus on real-time visualization and interactive artifacts. Education: Degree in Technology and Information Systems, University of Minho (2006) Master's in Technology and Digital Arts, University of Minho (2012) Ph.D. in Science and Technology of the Arts (ongoing), School of Arts, Universidade Católica Portuguesa Research Interests: João Martinho Moura's research lies at the intersection of art and technology. He explores real-time visualization, computational aesthetics, and the representation of the body in digital media. His creative work often features monochromatic visual abstractions and minimalist lines, resulting in interactive audiovisual installations that engage with themes of art and science. Scientific Awards: Semibreve Award (2012) He is a member of the artistic cooperative AUAUFEIOMAU and a founding member of the Artech-International Association. Currently, he conducts research at engageLab, a laboratory focused on arts and technology.

John Kiselicaمشاهده پروفایل

مدرس ارشد

• Theatre Technology
• Lighting Design
• Sound Design
• +۳ مورد دیگر

John Kiselica serves as Senior Lecturer and Assistant Technical Director for Lighting and Sound within the Department of Theatre and Dance at the University of South Carolina's McCausland College of Arts and Sciences. Based in Longstreet 207, he teaches lighting and sound design while overseeing technical production elements for the department. He earned a Bachelor of Fine Arts in Design & Technology with emphasis in Lighting & Sound Design from West Virginia University. His professional foundation combines academic training with extensive industry experience. Kiselica's expertise centers on theatrical production technology, with specialization in lighting/sound systems, digital AV networking (including Dante ® Level 3 Certification), and automated rigging solutions. His work bridges academic instruction with professional theater practice through ongoing freelance design and consultation nationwide. His career includes significant commercial theater projects: serving as head electrician for the national tour of Buddy: The Buddy Holly Story , stage technician contracts with Royal Caribbean International, and installation of Electronic Theatre Controls' Prodigy Hoists automated rigging systems. This practical experience directly informs his instructional approach in theatrical technology.

Suzie Silverمشاهده پروفایل

استاد

• Queer Performance Art
• Video Art
• Digital Collage
• +۵ مورد دیگر

Suzie Silver is a Professor of Art at Carnegie Mellon University's School of Art, renowned for over two decades of queer performance and video art. Her work merges digital collage, camp aesthetics, and science fiction to challenge social boundaries and reimagine desire. Educated at UC San Diego in the 1980s under figures like Eleanor Antin, she emerged from Chicago’s 1990s performance scene. Key affiliations: School of Art (Carnegie Mellon University), Institute of Extraterrestrial Sexuality Research focuses on queer futurism, extraterrestrial sexualities, and gender fluidity through projects like Strange Attractors and Trans-Q Television . Collaborations with Hilary Harp and Eric Moe emphasize interdisciplinary experimentation with digital media and live performance. Her work has been exhibited globally at institutions including the Whitney Museum, Documenta, and London Film Festival. Current projects include Fairy Fantastic! —a queer folk tale series for gender nonconforming children—and Trans-Q TV , a variety show blending theory and camp. Notable collaborations: AV Lodge (interactive media), Institute of Extraterrestrial Sexuality

Tess Clancyمشاهده پروفایل

پژوهشگر ارشد

• Architectural History
• Monument Studies
• Political Power Structures in Architecture
• +۴ مورد دیگر

Tess Clancy is the 2024-2026 Architecture Design Fellow at the University of Michigan's Taubman College of Architecture and Urban Planning. Based between the US and Rome, Italy, she teaches architectural design and representation courses across multiple semesters including ARCH 259, ARCH 412, ARCH 506, and ARCH 516. Her academic background includes an MArch from Cornell AAP and a BFA from Bryn Mawr College in Growth and Structure of Cities. Clancy's research focuses on the intersection of architectural history, memory of place, and political power structures, particularly examining public monuments and architecture's capacity to both reinforce and subvert embedded power dynamics. Her work critically engages with Confederate monuments and white supremacy in the American landscape, exploring how architectural interventions can reveal and dismantle structures of racism. She has developed a significant body of work analyzing how monuments function as political tools and how architectural representation can expose hidden power structures. Her notable publications include 'Racializing Public Space: Monuments to Racism as Obstructions to Freedom' (Cornell Journal of Architecture, 2020) and 'Augmenting Monuments,' a counter-catalog of architectural interventions for communities dealing with Confederate monuments. Her master's thesis 'Eroding the Confederacy: Revealing and Dismantling White Supremacy on Richmond's Monument Ave' won the prestigious Ruth Bentley and Richmond Harold Shreve Award. Ruth Bentley and Richmond Harold Shreve Award for best M.Arch thesis Robert James Eidlitz travel fellowship (2023) to fund 'Architectures Against Fascism' Clancy has taught studios and visual representation courses at Cornell AAP and PSU's Stuckeman School, and has professional experience with New York firm New Affiliates and Rome-based Labics. Her ongoing projects include 'A People's Monument for Rome: Memories of Infrastructure and Self-built Urbanism in Italy's Capital City' and 'Architectures Against Fascism,' reflecting her commitment to exploring architecture's role in political and social contexts across different cultural landscapes.