جستجوی استاد راهنمای دانشگاهی

Joshua Reiman is an Associate Professor and Gary Ambrose Sculpture Program Chair at the Maine College of Art & Design. He holds an MFA from Syracuse University and a BFA from the Kansas City Art Institute. His work spans sculpture, film, video, and interdisciplinary projects, emphasizing spatial practices and neospatial theory. Reiman’s research explores themes like mortality, environmental consciousness, and cultural conflict, often blending materiality with conceptual depth. He is the author of *Strange Devices*, a seminal text on contemporary sculpture practices. Reiman’s exhibitions include institutions such as Bildmuseet (Sweden), Reykjavik Art Museum (Iceland), and the Albright-Knox Art Gallery (USA). His films and installations have addressed topics ranging from oceanic longevity to energy extraction’s ecological impact. As an educator, he advocates for transdisciplinary learning, fostering inclusive studio environments and critical dialogue. His teaching philosophy integrates historical context with practical skills, emphasizing community engagement and diverse perspectives. Reiman’s work often incorporates found objects, public collaboration, and interdisciplinary methods. Notable projects include *Time Washes Over Us* (2022), a film examining mortality through marine life, and *Iron Garden* (2014), a public art project documenting industrial plant succession. His writings for *Sculpture Magazine* further cement his role as a theorist in contemporary spatial practices. Reiman resides in Portland, Maine, with his family, continuing to challenge boundaries between art, space, and societal critique.

• Sculpture
• Film
• Video Art
• +۵ مورد دیگر

Adam Carroll serves as an Adjunct Professor and Graduate Student in the M.S. in Non-Fiction/Documentary program at Indiana University's Kelley School of Business, where he works as a Video Producer for Jellison Studios specializing in internal video projects. His dual role bridges academic instruction with hands-on media production within the business school environment. Carroll earned his undergraduate degree in Film Editing from Indiana University's Department of Communication and Culture in 2005, prior to the establishment of The Media School. This foundational training in film editing techniques has shaped his professional trajectory in media production. His research focuses on documentary and non-fiction filmmaking with specialized expertise in 16mm and Super-8 film production, narrative video editing, and film theory. A distinctive area of investigation examines race relations during the Great Migration era through documentary lens. Carroll maintains a broad appreciation for all cinematic forms, arguing that both critically acclaimed works like Citizen Kane and cult phenomena like The Room hold artistic value without contradiction. Prior to his current position, Carroll worked as a Producer/Director with WTIU and PBS in public broadcasting. At Indiana University, he contributes to Jellison Studios' creative ecosystem, producing video content that supports the Kelley School of Business's educational and communication initiatives while engaging with The Media School's academic community through events like Common Ground Leadership.

• Documentary Film
• Non-Fiction Film
• Film Editing
• +۴ مورد دیگر

Susanne Schwibs serves as a Senior Lecturer at The Media School, Indiana University Bloomington, where she teaches documentary, experimental, and 16mm filmmaking courses including T583 Introduction to Documentary Practice and P468/C660 Advanced Collaborative Workshop—Double Exposure. Her creative practice focuses on documentary and nonfiction film, with works distributed nationally via PBS, Netflix, and public television. Her research centers on visual storytelling through 16mm & super-8 film, experimental art techniques, and experiential learning models. She emphasizes collaborative production processes, particularly in documentary editing and community-based narratives that explore cultural identity and social themes. This approach integrates technical film craft with pedagogical innovation. Her filmography demonstrates consistent engagement with American cultural institutions—from sports (blind baseball) to arts education (harp competitions, Nutcracker ballet) and historical preservation (covered bridges). Recent works like the 2023 documentary Thunder Rolls! reflect her commitment to underrepresented communities while maintaining rigorous artistic standards. Her contributions have been recognized through: Multiple Regional Emmy Awards CINE Golden Eagle Awards Schwibs actively bridges academia and creative practice through the Double Exposure project, where Media School students collaborate with Jacobs School of Music composers to produce films with live musical scores. This initiative exemplifies her philosophy of integrating filmmaking education with real-world artistic partnerships and public exhibition at IU Cinema. Her works maintain national distribution reach while addressing niche subjects—from feminist art history (No Compromise: Lessons in Feminist Art with Judy Chicago) to prairie ecology (Wilderness Plots), demonstrating versatility across documentary subgenres and sustained relevance in media scholarship.

• Documentary Filmmaking
• Experimental Film
• Visual Storytelling
• +۳ مورد دیگر

Hogan Seidel is an Adjunct Professor in the Department of Communications at Simmons University. Based in Boston, their creative work intersects eco-praxis, identity, and liberation, focusing on experimental moving image and analog photographic processes using formats like Super 8, 16mm, and 35mm film, as well as medium and large format photography. Techniques employed include photochemical abstraction, botanical collage, cyanotype, optical printing, found footage, and in-camera editing. Education: BFA in Media Art from Emerson College MFA in Media Art from Emerson College M.Ed in Arts Education from Harvard University Research interests include developing eco-conscious black-and-white photographic developers from locally foraged and invasive plant materials. They experiment with non-toxic, sustainable alternatives to traditional darkroom chemistry, exploring tonal possibilities while emphasizing environmental ethics and place-based practice. Their teaching covers Latin American and African Diaspora history courses and graduate-level feminist methodologies and public history. Other roles and affiliations: Co-editor of Analog Cookbook (UNC Press), a biannual publication on analog filmmaking and photography. Current studio resident at the Boston Center for the Arts until 2028, with past residencies at MASS MoCA, Vermont Studio Center, and Walkaway House. Their creative research is supported by the Massachusetts Cultural Council, United States Artists, and Collective Futures Fund.

• Eco-praxis
• Identity in Art
• Liberation in Creative Practice
• +۴ مورد دیگر

Cindy Stillwell is a Professor and Program Director of the MFA in Science & Natural History Filmmaking at Montana State University's School of Film & Photography within the College of Arts & Architecture. She is also affiliated with the Ivan Doig Center for the Study of the Lands and Peoples of the North American West and was previously a member of the University Film and Video Association from 2005 to 2023. Professor Stillwell earned her M.F.A. in Film from New York University in 1996 and her B.F.A. in Photography from the University of Georgia in 1991. Her work focuses on human and nonhuman relationships within the natural world, with particular attention to flora and fauna. She specializes in analog filmmaking techniques including hand processing super 8 and 16mm film, cameraless motion picture processes using cyanotype animation, and eco-processing techniques that utilize plant-based developers foraged on-site. Her recent creative output shows a strong trend toward environmental observation through alternative film processes, with numerous works exploring botanical subjects through hand-processed film techniques. She has created a distinctive body of work that bridges documentary, experimental, and personal essay forms, often incorporating mixed media approaches that blend film, photography, and painting. Emmy Award Nomination (2016) E. B. Craney Broadcasting Award (2016) Best Experimental Documentary, BZN International Film Festival (2021) Multiple artist residencies at MacDowell Colony, Ucross Foundation, and Helene Wurlitzer Foundation Selections at Sundance Film Festival, Museum of Modern Art, and international festivals worldwide Professor Stillwell actively mentors students through the MFA program she directs and maintains an active production schedule with numerous current projects including the 'Forget Me Not' series of flower films and 'Mojave Dreams,' an experimental documentary about Joshua Trees in the Mojave desert. Her work with Hybrid Media, LLC demonstrates her commitment to both artistic practice and practical film production. She leads the 'Forget Me Not' project, which involves growing a 'developers garden' of plants used to create eco-friendly film developers, and continues to explore the intersection of art, science, and environmental observation through her filmmaking practice.

• Experimental Filmmaking
• Analog Film Processes
• Environmental Film Studies
• +۶ مورد دیگر