Sigrun Heinzelmann

Sigrun Heinzelmann serves as Professor of Music Analysis in the Department of Composition & Music Theory at Mozarteum University Salzburg, specializing in analytical methodologies applied to diverse musical repertoires. Her academic profile combines rigorous theoretical scholarship with practical performance insights.

Her educational trajectory includes:

• PhD in Music Theory (2008), City University of New York, Graduate Center; Dissertation: "Sonata Form in Ravel's Pre-War Chamber Music" under William Rothstein
• Master of Music in Music Theory and Chamber Music Performance (1998), University of Massachusetts, Amherst; Thesis: "Cyclic Pitch-Class Collections in the Music of Maurice Ravel" under Gary S. Karpinski
• German State Diploma in Piano and Piano Pedagogy (1989), Musikhochschule Stuttgart with Fernande Kaeser

Heinzelmann's research centers on Schenkerian analytical techniques applied to Maurice Ravel's compositions, examining motive transformation processes and structural prolongation. Her work extends to medieval music theory through investigations of John Hothby's solmization systems, while consistently exploring the practical application of analytical insights for performers. This dual focus bridges historical music theory with contemporary performance practice across eras from Renaissance to modernism.

Her publication history reveals a sustained scholarly engagement with Ravel's structural innovations, evolving toward broader theoretical frameworks including Schenker's pedagogical legacy and cross-historical analytical methodologies. The trajectory demonstrates increasing methodological sophistication while maintaining core interests in tonal organization and analytical applicability.

Since 1997, she has delivered numerous lectures at international conferences across North America and Europe, establishing herself as a significant voice in music theoretical discourse through both written scholarship and academic presentations.