Marek Przywarty

Marek Przywarty serves as an Adjunct Professor at the Feliks Nowowiejski Academy of Music in Bydgoszcz, teaching harpsichord as his primary subject alongside basso continuo and chamber music. He concurrently teaches organ at the Artur Rubinstein State Complex of Music Schools in Bydgoszcz and holds positions as organist and choir conductor at the Parish of Our Lady of Mount Carmel, while performing as harpsichordist for the early music ensemble Ensemble Inégalité.

His academic foundation includes:

• Graduation from Artur Rubinstein State Music School Complex (organ and piano)
• Organ studies under Professors Radosław Marzec and Piotr Grajter
• Harpsichord studies under Professor Urszula Bartkiewicz
• Ongoing doctoral studies in harpsichord performance at Feliks Nowowiejski Academy

Przywarty's research centers on Baroque-era performance practices, specializing in harpsichord repertoire through participation in master classes with internationally recognized artists including Elżbieta Stefańska, Christine Schornsheim, and Olivier Latry. His work bridges historical authenticity with contemporary pedagogy in early music education.

His artistic contributions have been recognized through:

• Competition honors at national organ events (2009, 2012)
• Nakło County Starost's Award for cultural promotion (2013)
• Mayor of Bydgoszcz Scholarship for artistic creation (2018)

As an educator, Przywarty mentors students across multiple institutions while maintaining an active performance schedule. His 2018 debut album La Variété with Ensemble Inégalité demonstrates his commitment to expanding early music repertoire through collaborations with ensembles like Capella Bydgostiensis and the Pomeranian Philharmonic Symphony Orchestra.

Przywarty's artistic leadership extends through Ensemble Inégalité, featuring baroque violinists Irena Filuś and Natalia Tyrańska with cellist Weronika Kulpa. His 2019 performance of Górecki's harpsichord concerto at Kroměříž Archbishop's Palace under Tomáš Netopila exemplifies his engagement with both historical and contemporary orchestral works.