Ken Eisenstein

Ken Eisenstein is an Assistant Professor in the English Department at Bucknell University, where he directs the Film/Media Studies Program. His specialization focuses on the history and interpretation of American avant-garde film, particularly from the late 1960s and 1970s, featuring artists like Hollis Frampton and Ernie Gehr.

Dr. Eisenstein's academic credentials include:

• Ph.D. in Cinema and Media Studies from the University of Chicago
• M.F.A. in Filmmaking from the School of the Art Institute of Chicago
• B.A. in English from Cornell University

His research examines American avant-garde cinema through Structural Film, film aesthetics, and intermedia relationships. Current projects analyze Hollis Frampton's archival practices, Brakhage's editing techniques, and connections between avant-garde film and visual arts like painting. He actively engages with film archives including Anthology Film Archives and the Harvard Film Archive.

Eisenstein's publications reveal deep expertise in American experimental cinema, with recurring focus on Frampton, Gehr, and Snow. His scholarship consistently explores material film practices, found footage methodologies, and the historical context of 1960s-70s avant-garde movements, demonstrating how structural techniques intersect with artistic innovation and archival preservation.