Justin Trudeau

Justin Trudeau is an Associate Professor in the Department of Communication Studies at the University of North Texas, where he contributes to the College of Arts and Sciences. His work bridges performance studies, literary theory, and cultural criticism, with a strong emphasis on performative writing and adaptation. He actively participates in scholarly communities through editorial roles in Text and Performance Quarterly and Liminalities, and through engagement with the National Communication Association's Performance Studies Division.

Research Interests: Trudeau's research centers on performance genealogy, cultural literary history, and the intersection of theory and practice in performative writing. His work explores experimental literary techniques, the performance of identity, and critical examinations of whiteness in American literature and culture. He investigates how performance can serve as a vehicle for survival, healing, and social critique, particularly through adaptation and staging of literary texts.

The recent publications and performances reflect a consistent engagement with American avant-garde traditions, Beat literature (especially Jack Kerouac), and the performative dimensions of cultural icons and racial identity. His work spans peer-reviewed journal articles and staged productions, demonstrating a commitment to both scholarly and creative modes of inquiry.

Scientific Awards:

• Junior Faculty Summer Research Fellowship ($5,000, 2007)

Advising and Grants: While specific students are not listed, Trudeau’s extensive publication and production record suggests active mentorship in performance studies and creative research. He has secured internal research funding and contributes to academic discourse through editorial leadership and peer-reviewed creative works. His involvement in national scholarly organizations highlights his commitment to advancing the field.

Labs and Teams: Trudeau collaborates on performance projects and serves on editorial boards, indicating participation in research teams and scholarly collectives focused on performance studies and literary adaptation. His work often involves collaborative directing and interdisciplinary approaches to staging literary and cultural texts.