معرفی
PD Dr. Juliane Pöche serves as a Research Fellow at the Institute for Historical Musicology within the Faculty of Humanities at the University of Hamburg. She has maintained continuous affiliation since 2014, progressing from research assistant roles to currently leading her own DFG-funded project on 17th-century digital music editions since 2023.
Her academic foundation includes a Bachelor's in Musicology and Art History from TU Dresden and a Master's in Historical Musicology from the University of Hamburg. She completed her doctorate in 2018 on Thomas Selle's Hamburg compositions, which received the Karl H. Ditze-Preis in 2019, and habilitated in July 2024 with a study on ballet music aesthetics between 1750–1900.
Dr. Pöche's research centers on 17th-century music history and cultural-historical music analysis, with specialized expertise in 19th-century ballet music, musical aesthetics, and digital music edition methodologies. Her interdisciplinary approach bridges historical musicology with dance studies and digital humanities, particularly examining compositional practices in early modern metropolises and the relationship between music and choreography.
Her major recognitions include:
- Karl H. Ditze-Preis for doctoral dissertation (2019)
- Gerda Henkel Stiftung Research Fellowship for 19th-century music-choreography project (2022)
She has secured significant research funding through multiple DFG projects, including "Thomas Selle – Opera omnia" (2015–2022) and currently co-leads (with Prof. Dr. Ivana Rentsch) the DFG project "Digital Music Edition: Open Work Shape in the 17th Century" (2023–present). Her 2022–2023 guest researcher position at the University of Basel was supported by the Gerda Henkel fellowship.
Dr. Pöche contributes to the Arbeitsstelle "Musik und Diktatur" (Workplace "Music and Dictatorship") at the Institute, participating in interdisciplinary teams focused on historical musicology, digital editions, and cultural contexts of musical works.
