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Jennifer Wild serves as Assistant Professor in the Department of Cinema and Media Studies within the Division of the Humanities at the University of Chicago. Her scholarly work establishes significant connections between early cinema and avant-garde art movements, particularly focusing on the transformative period in Paris between 1900-1923. Wild's research demonstrates how cinematic horizontality—the expanded cultural presence of film through projection, stardom, and distribution—reshaped modernist artistic practices across multiple disciplines.
Wild's research centers on the intricate relationships between early cinema and avant-garde movements including Cubism, Dada, and abstraction. Her work examines how canonical modern artists responded to the phenomenology of cinema through concepts like projection horizontality, film stardom, and distribution networks. She investigates how figures such as Picasso, Duchamp, and Picabia incorporated cinematic principles into their artistic practices well before creating actual films, revealing cinema's profound influence on the development of modern art forms. Wild's interdisciplinary methodology bridges film studies, art history, and cultural theory to reconstruct the sensory and ideological landscape of early 20th-century Paris.
Analysis of Wild's publication history reveals consistent scholarly engagement with the intersections of cinema and modern art across multiple decades. Her work demonstrates chronological progression from foundational studies of specific artists (Picasso, Duchamp) toward broader theoretical frameworks examining cinematic horizontality, reception phenomenology, and the material conditions of early film culture. The recurring focus on French avant-garde movements, Chaplin's cultural impact, and the theoretical implications of early film exhibition patterns establishes Wild as a leading scholar in redefining how cinema shaped modernist artistic production before the advent of artist-made films.
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