معرفی
Jay Bregman is an academic and musician affiliated with the University of Maine’s School of Performing Arts. He served as Professor of History from 1975 to 2015, specializing in Late Antiquity, Hellenic Neoplatonism, and Religious Syncretism, with a focus on their influence on 19th and 20th-century America. Currently, he teaches Jazz History and serves as an Instructor in Jazz. His professional activities include writing, publishing, and presenting at international conferences, such as a 2018 seminar at the University of Oxford on Pagan-Christian conflict in 5th-century Alexandria.
Education & Background: Bregman studied at the Manhattan School of Music and received private jazz instruction from Lennie Tristano, John La Porta, and Don Stratton. He earned the Most Improved Player award in the 1989 Jazz in July program at UMass-Amherst under Yusef Lateef. His music career includes performances with Don Stratton’s group, UMaine student combos, and his own ensemble, “Swingmatism,” featuring UM Jazz Program Director Dan Barrett.
Research & Publications: Bregman’s work bridges jazz studies and historical analysis. Key publications include Charlie Parker and the American Soundscape (1997) and Lennie Tristano (1990). He is co-authoring a new article with Dan Barrett on Charlie Parker’s role in the birth of Bop. His research integrates musicology with historical trends in American culture.
Awards & Recognition:
- Most Improved Player award (1989)
Advising & Collaborations: While no formal advisees are listed, Bregman collaborates with Dan Barrett on scholarly projects and directs student jazz ensembles. No grants are explicitly mentioned in the text.
Labs/Teams: Leads the jazz ensemble “Swingmatism” and mentors UMaine student combos, emphasizing practical performance and improvisation.
