معرفی
Dr. Frankie Price is an Associate Professor at Berklee College of Music, where he is affiliated with the Department of Music Production and Engineering (MP&E) and Songwriting. He also teaches at the University of New Hampshire and has previously taught at Saint Anselm College. His academic and professional work bridges music education, technology, production, and performance.
Educational Background:
- Doctor of Musical Arts (DMA), Music Education, Boston University (2020)
- Master of Music (MM), Music Education, Boston University (2011)
- Professional Diploma, Music, University of West London (2018)
- Bachelor of Music (BM), Music Production and Engineering, Berklee College of Music (2006)
- Bachelor of Arts (BA), Biology, West Virginia University (1997)
Dr. Price's research and teaching focus on modern music education, particularly in online environments. His interests include music technology, curriculum design, songwriting, audio engineering, and guitar performance. He has developed undergraduate and graduate courses and created a national music education program for Jordan. He is the author of the forthcoming book Curriculum Design for Today’s Online Music Educator (2025), which reflects his expertise in digital pedagogy.
His work in music education and technology is supported by active engagement in scholarly and professional communities. He is a member of the Audio Engineering Society (AES), College Music Society, Society for Information Technology and Teacher Education (SITE), American Educational Research Association, and other pedagogical collectives.
Scientific and Professional Awards:
- Berklee Achievement Scholarship
- Don Puluse Award for Outstanding Musicianship
- Statement of Accomplishment – Songwriting (Berklee)
- Winner, Dunlop's Band of the Week Contest
Dr. Price advises on music curriculum development and has led initiatives in online music education. He has not received mention of specific grants in the text, but his international program development for Jordan indicates significant project leadership. His professional experience includes extensive work in live sound and studio engineering with major artists such as Dream Theater, Roberta Flack, and numerous high-profile acts like The Rolling Stones and Taylor Swift during his stage management and crew roles.
He is associated with the Music Production and Engineering faculty at Berklee and contributes to initiatives such as the Wadhams Production Scholars and Visiting Artists programs. His teaching philosophy integrates real-world experience with academic rigor, shaping the next generation of music professionals.
