Emiliano Morreale

Emiliano Morreale is a Full Professor at Sapienza University of Rome, where he teaches in the Department of Modern Literature and Culture within the Faculty of Humanities. His academic career spans multiple prestigious Italian institutions, having previously served as a Permanent Researcher at both the University of Turin (2011-2015) and Sapienza University of Rome (2015-2020) before his promotion to Professor. His teaching portfolio includes courses such as Theories and Languages of Cinema, History of Cinema, Literature and Cinema, Italian Cinema Forms and Models, and Cinematic Language.

Dr. Morreale earned his undergraduate degree from the University of Pisa (1996/1997) and completed his PhD at the University of Teramo in 2009. His scholarly trajectory demonstrates a consistent focus on Italian cinematic culture, evolving from early research on individual filmmakers to broader cultural and historical analyses of Italian cinema.

Morreale's research interests center on Italian cinema history with particular emphasis on popular genres, cultural history, melodrama, and nostalgia. His work explores the intersection of cinema with literature, regional Italian identities, and social history. He has made significant contributions to understanding mafia movies, neorealism, and the relationship between Italian cinema and national identity formation. His research demonstrates how cinematic representations reflect and shape cultural memory, particularly regarding southern Italy and post-war Italian society.

His extensive publication record reveals a consistent focus on Italian film history, with particular attention to genre studies, director analyses, and the relationship between cinema and broader cultural phenomena. Morreale's work spans from early cinema to contemporary productions, with a distinctive focus on how Italian cinema has represented social change, regional identities, and historical memory. His recent publications increasingly examine gender representation, transnational reception, and the evolving landscape of Italian cinema in the digital age.

• Premio 'Maurizio Grande' miglior libro di cinema dell'anno (2006) for 'Mario Soldati. Le carriere di un libertino'
• Premio 'Lo straniero' (2006) for 'Mario Soldati. Le carriere di un libertino'
• Premio speciale 'Efebo d'oro' miglior libro di cinema dell'anno (2009) for 'L'invenzione della nostalgia'
• Premio 'Domenico Meccoli' miglior libro di cinema dell'anno (2015) for 'Il cinema di Claudio Gora'
• Premio 'Diego Fabbri' dell'Ente dello spettacolo per il miglior libro di cinema dell'anno (2015) for 'Racconti di cinema' (with Mariapaola Pierini)

Morreale has secured significant research funding through national and international projects, including the PRIN-funded 'CinCit (International Circulation of Italian Cinema)' and 'F-ACTOR. Forme dell'attorialità mediale contemporanea.' He has directed numerous academic conferences focusing on Italian cinema, including events dedicated to The Leopard, Pietro Germi, neorealism, and Mario Soldati. His institutional leadership extends to serving on editorial boards for major film journals and directing publication series such as 'Quaderni della Cineteca Nazionale.' His research supervision has fostered numerous scholarly collaborations and contributed significantly to the field of Italian film studies.

Beyond his university responsibilities, Morreale has held significant roles in Italy's cultural institutions, notably serving as Conservatore at the Cineteca Nazionale (2013-2016). His work bridges academic scholarship with cultural preservation, demonstrating commitment to both theoretical analysis and practical engagement with film heritage. His involvement with the 'Il cinema ritrovato' festival programming committee further illustrates his dedication to film preservation and historical contextualization.