معرفی
Elisabeth Schellekens Dammann is a **Professor** and Chair of Aesthetics at the **Department of Philosophy** of **Uppsala University**, Sweden. Her work bridges philosophical inquiry into art, ethics, and cultural heritage. She holds positions as both a faculty member and researcher, actively contributing to academic discourse through numerous publications and editorships.
Her research focuses on **aesthetic experience**, **artistic morality**, and **cultural heritage ethics**, with notable works exploring the intersection of aesthetics with moral and intellectual pursuits. Recent publications include the 2024 article *Thinking the Aesthetic: Towards a Noetic Conception of Aesthetic Experience* and *What Do We Owe Beautiful Objects?*, advocating for ethical obligations toward aesthetic values.
Key themes in her work include **aesthetic judgment**, **moral psychology**, and **historical vs. aesthetic value in artifacts**. She frequently collaborates with institutions like Bloomsbury Academic and Oxford University Press, co-editing volumes such as *Aesthetics, Philosophy and Martin Creed* (2022). Her contributions span journals like *Journal of Aesthetics and Art Criticism* and *British Journal of Aesthetics*.
- **Areas of Expertise**: Aesthetics, Art Philosophy, Ethics in Art, Cultural Heritage.
- **Recent Projects**: Exploration of noetic conceptions of aesthetic experience, ethical obligations to art, and retroactive aesthetic judgments.
