Donald Matthew Smith

Donald Matthew Smith is a Senior Adjunct Professor in the Film Program at California College of the Arts (CCA), where he contributes his extensive professional experience in cinematography, photography, and visual storytelling. His academic affiliation is with the College of Art, within the Film Program department.

Educational Background:

• BFA in Photography, Art Institute of Chicago
• MFA in Photography, University of Arizona

Mr. Smith's research and creative interests span film, cinematography, historical photographic techniques, visual effects, and digital media. His work integrates artistic practice with technical innovation, evident in his development of iPhone applications and photographic artist books. His early career as a freelance photographer and continued engagement with archival and contemporary practices inform his pedagogy and creative output.

Though no formal list of publications is provided, his creative projects reflect a strong interdisciplinary focus on visual narrative, media arts, and experimental photography. His professional credits include collaborations with renowned directors such as Francis Ford Coppola on films like Bram Stoker’s Dracula and Jack, as well as independent features showcased at Sundance.

Mr. Smith's work has been recognized through collection and exhibition by prominent institutions including The Museum of Modern Art (New York), The Museum of Contemporary Art (Chicago), and Franklin Furnace Archive (New York), underscoring his impact in the visual arts community.

He has advised and mentored students through his teaching role, though specific advisees are not listed. His professional engagements include work with Colossal Pictures and direction of commercial projects for various advertising directors. He maintains a creative practice through Indelible Pictures and an online gallery, supporting ongoing artistic and educational endeavors.

Mr. Smith is associated with creative labs and teams including Colossal Pictures and has contributed to title sequences and visual effects for major film productions. His work bridges academic instruction and industry practice, enriching the educational experience at CCA.