معرفی
Claudia Molitor is a composer, artist, and performer at City St George's, University of London, where she is affiliated with the Department of Music and Sound Arts within the College of Arts and Sciences. Her work bridges music, sound art, video, and fine art, with a strong focus on interdisciplinary and collaborative practices.
- University: City St George's, University of London
- School: College of Arts and Sciences
- Department: Department of Music and Sound Arts
- Email: claudia.molitor@citystgeorges.ac.uk
Her research explores composition as a cultural and technological practice, particularly through the lens of expanded notation, the phenomenology of listening, and collaborative creation. Her artistic inquiry often engages with philosophical concepts such as Timothy Morton’s 'hyperobject,' challenging traditional notions of authorship and the musical work.
The breadth of her recent publications and compositions reveals a sustained engagement with themes of perception, environment, embodiment, and materiality. Projects like Sonorama, The Singing Bridge, and MELT demonstrate her interest in site-specific sound installations, acoustic ecology, and the interplay between sound and space. Her work frequently integrates technology, historical reconstruction (e.g., Walking with Partch), and sensory experience.
Notable scientific contributions include peer-reviewed articles such as 'Composition as Hyperobject' and 'Curating experience: Composition as cultural technology – a conversation,' reflecting her theoretical depth and engagement with contemporary art discourse.
She has been actively involved in mentoring and collaborative research, though specific student names are not listed. Her artistic projects often involve partnerships with institutions like Tate Britain, NMC Recordings, and the British Library, indicating significant grant and project funding, though specific grants are not detailed.
Her creative output is exhibited and performed internationally, including at festivals such as Wien Modern, hcmf//, Spor, BBC Proms, and Sonica, as well as venues like Somerset House and the Onassis Cultural Centre. These engagements suggest leadership in collaborative artistic teams and labs focused on experimental sound and interdisciplinary research.
