Alison Bjorkedal

Alison Bjorkedal is a Lecturer in Music at Pomona College, specializing in harp performance. She has collaborated with renowned ensembles and artists such as Sia, Madonna, and Southwest Chamber Music, and contributed to motion picture and television scores for films like Finding Dory and Independence Day: Resurgence. Bjorkedal also performs with LA-based ensemble Partch on Harry Partch’s custom instruments.

• D.M.A., University of Southern California
• M.M., University of Southern California
• B.M., University of Oregon, Eugene

Her research and performance interests center on contemporary harp music, chamber ensembles, and experimental collaborations. Bjorkedal advocates for new compositions, including world premieres of works by William Kraft, Anne LeBaron, and Wadada Leo Smith. She has performed U.S. premieres of pieces by Gabriela Ortiz and Unsuk Chin, emphasizing cross-genre innovation.

Recent recordings and performances highlight her focus on modern classical interpretations, harp’s role in experimental music, and interdisciplinary projects. Bjorkedal’s work spans solo performances, ensemble collaborations, and film/TV scores, reflecting a commitment to expanding harp’s presence in diverse musical landscapes.

• 2019 Grammy nominee (WildUP, Chris Cerrone: The Pieces That Fall To Earth)
• 2014 Grammy nominee (Partch: Castor and Pollux)
• 2014 Grammy winner (Partch: Plectra and Percussion Dances)
• OC Artist of the Year, Semi-finalist judge (2021)

Bjorkedal has been featured as a soloist with orchestras like the Pasadena Symphony and Downey Symphony Orchestra, performing both classical and contemporary works. Her contributions to chamber music and ensembles such as Southwest Chamber Music, Golden State Pops Orchestra, and MUSE/IQUE underscore her collaborative approach.