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Charles Bernstein is a prominent Professor of Poetry and Poetics at the University of Pennsylvania, renowned for his avant-garde literary works and critical essays. His research explores experimental poetry, language innovation, and the intersection of poetry with performance, technology, and interdisciplinary art. He has authored over 20 books, including All the Whiskey in Heaven and Attack of the Difficult Poems, and has been widely recognized with awards such as the Janus Pannonius Grand Prize and the America Award 2025.
His educational background includes foundational studies in literature and philosophy, though specific details are not explicitly stated in the text. Bernstein has been a central figure in the Language Poetry movement, collaborating with artists like Richard Tuttle and Johanna Drucker. His work often critiques mainstream poetic conventions while experimenting with form, language, and multimedia.
Bernstein’s career includes extensive teaching and mentorship, reflected in his contributions to the Buffalo Poetics Program and his courses at UPenn. He has led international conferences, such as CAAP (Chinese/American Association for Poetry and Poetics), and his writings have been translated into multiple languages. His recent projects include The Kinds of Poetry I Want: Essays & Comedies (2024) and Poetry Has No Future Unless It Comes to an End (2023), exploring AI-generated poetry and postmodern aesthetics.
He has received numerous grants and fellowships, including support for his collaborative opera Shadowtime with composer Dean Drummond. His work is archived in major collections like PennSound, documenting performances, lectures, and interviews. Bernstein continues to advocate for experimental poetics through teaching, publishing, and global literary engagement.
