Burkhard Krüger

Dr. Burkhard Krüger serves as Scientific Service staff and Assistant to the Director at the Institute of Art History, Braunschweig University of Art, a position held continuously since October 2015. Previously, he worked as a Research Associate and Program Coordinator for Art History degree programs from 2010 to 2015.

Education:

• Doctorate (PhD) in Art History, Humboldt University of Berlin (2018). Thesis: "Paper Ghosts of America" – Henri Cartier-Bresson, Susan Sontag and the US photobook.
• Master of Arts in Art History, Sociology, and Modern History, HBK Braunschweig and TU Braunschweig (2009). Thesis: "The Passion of Kanye West: The Construction of African-American Masculinity in the Photographs of David LaChapelle".

His research centers on photography's evolution across historical and digital contexts, with emphasis on photobook theory, visual archives, and identity construction in media. Key investigations include meme phenomena in contemporary culture, abstract photographic practices, graffiti documentation, and AI's impact on historical representation. His interdisciplinary approach bridges art history with media theory, cultural studies, and digital humanities to examine how visual technologies shape societal narratives.

Publication analysis reveals a clear trajectory from photobook historiography (2021) through digital archive studies (2015) toward current AI-art intersections (2024), demonstrating consistent engagement with technology's transformative role in visual culture. Recurring themes include materiality of photographic media, crisis points in art historical methodology, and cross-media adaptations in popular culture.

Scientific awards: None documented in available sources.

Advising and grants: No student supervision records or research funding details are indicated in the provided materials, though his program coordination role involved curriculum management for Art History degrees.

Project leadership includes the longitudinal "BS Graffiti" exhibition series (2019-2023) documenting urban art, the AI-history exhibition "Alles Kunst" (2024), and the crisis theory symposium "Kunstwissenschaft in der Krise" (2022), developed through sustained collaborations with Elena Korowin, Salomé Voegelin, and interdisciplinary teams at HBK Braunschweig.