معرفی
Brian Warwick is an Associate Professor at Berklee College of Music and Vermont State University Lyndon, where he teaches in the Music Production and Engineering (MP&E) department. With over two decades of professional experience, he brings real-world expertise to the classroom, mentoring future entertainment professionals in practical audio engineering and music production techniques.
- Bachelor of Music (BM), Music Production and Engineering, Berklee College of Music (2003)
- Master of Science (MS), Global Entertainment & Music Business, Full Sail University, Florida (2012)
Warwick's research and teaching interests emphasize audio engineering, music production, sound design, and music technology. He is known for designing innovative courses on topics such as pitch-correction software and the life and work of 'Weird Al' Yankovic. His pedagogical approach focuses on connecting theory with industry practice, ensuring students are globally competitive.
His professional credits include engineering work on eight Grammy-winning albums, nine nominations, and 15 RIAA-certified platinum and gold records. Notably, he engineered Michael Bublé's Christmas album and 'Weird Al' Yankovic's Grammy-winning Mandatory Fun, the first comedy album to reach No. 1 on the Billboard 200 in over 50 years. He has also worked on Emmy-nominated scores for Outlander and Black Sails.
- Grammy Award for Best Comedy Album (2015, 'Weird Al' Yankovic – Mandatory Fun)
- Maverick Movie Award for Best Sound Design and Editing (Scream of the Bikini)
- Avid Pro Tools Professional Certified Instructor (ACI)
Warwick is actively involved in professional development and industry engagement. He is a member of the Producers and Engineers Wing of the Recording Academy, the Audio Engineering Society (AES), and the Hollywood Sapphire Group. He also runs a mixing studio in the White Mountains of New Hampshire and is a member of the avant-garde electronic music trio F-MIRO. His advisory focus is on bridging academic training with real-world music industry demands, and he has contributed to the development of the music production major at the Los Angeles Recording School.
