Asha Schechter

Asha Schechter is an Adjunct Assistant Professor in the Humanities and Sciences, where they teach courses in the history of photography, including HHIS-270-01 and HHIS-271-01. Based in Los Angeles, Schechter is an active contemporary artist whose work explores the intersections of media, consumer culture, domesticity, and digital materiality.

Their research and artistic practice delve into how objects, images, and spaces reflect and shape subjectivity in the digital age. Themes of banality, taste, and technological mediation recur across their projects, such as The Bucket, a drone-captured video examining architectural form and image transmission, and Coffee Scene, which juxtaposes barista performance with 3D modeling. Exhibitions like Velvety, Re-Surface, and Inner Dims further investigate the materiality of digital surfaces and the cultural life of everyday objects.

Schechter’s work has been exhibited widely, including at Jenny’s (Los Angeles), Fulcrum Press, Sifang Art Museum, and Shane Campbell Gallery. Collaborations, such as the two-person show with Larry Johnson, engage with queer signification, graphic design, and media archaeology. Their installations often incorporate large-scale vinyl stickers, found objects, and digital interventions that challenge the boundaries between high and low culture.

While no scientific awards or peer-reviewed articles are mentioned, Schechter’s artistic output is critically engaged and widely recognized in contemporary art circles, with coverage in Artforum, Hyperallergic, Frieze, and Flash Art. They maintain an active online presence through their Tumblr blog, where they share projects and exhibition updates.

Schechter has no listed advisees or formal students in the provided texts. Their affiliation with a specific university is not named, though their teaching role is confirmed. There is no mention of labs or research teams, but their practice is deeply interdisciplinary, merging artistic production with theoretical inquiry into media and consumerism.