Adam Hollowell is an Adjunct Assistant Professor in the Program in Education at Duke University, where he also serves as Senior Research Associate at the Samuel DuBois Cook Center on Social Equity and Director of the Inequality Studies Minor. His teaching spans ethics, inequality studies, and history across Duke’s Kenan Institute for Ethics, Sanford School of Public Policy, and Department of History. Hollowell holds a Ph.D. from the University of Edinburgh (2009). His research focuses on inequality, higher education, public policy, and ethics, with notable work on pandemic impacts, telemedicine in education, and reproductive health access during crises. In Inequality Studies , Hollowell emphasizes understanding policies to drive social change, as highlighted in recent media coverage. His publications explore topics like student behavior shifts during the pandemic, telemedicine adoption in universities, and James Baldwin’s ethical challenges. He is a finalist for the Judith Deckers Prize (2024). Professionally, Hollowell leads projects such as Bass Connections on college contraception access and Story+ initiatives. His work bridges academia and public engagement, addressing systemic inequities through interdisciplinary approaches.
University of Illinois Urbana-ChampaignUnited States
Salvatore Callesano is an Assistant Professor of Hispanic Linguistics at the University of Illinois Urbana-Champaign (UIUC), affiliated with the Department of Spanish and Portuguese and the College of Liberal Arts & Sciences. His research focuses on sociolinguistics, particularly bilingual communities in the U.S., language perception, and digital media representations of bilingualism. He employs both quantitative and qualitative methods to investigate how language variation interacts with identity, media, and social structures. Dr. Callesano collaborates on Project 16 of the Asociación de Lingüística y Filología de América Latina, addressing linguistic aspects of Latin American diaspora communities. His work bridges traditional sociolinguistic inquiry with modern digital practices, analyzing how social media shapes perceptions of language use among Latinx populations. Recent research highlights include studies on code-switching in Miami's linguistic landscape, dialect perception, and the role of media in mediating language attitudes. His publications span peer-reviewed articles and book reviews, emphasizing empirical rigor and interdisciplinary connections between language, culture, and society.
Nathan Martin is an Associate Professor of Music Theory at the University of Michigan, School of Music, Theatre & Dance. He joined in 2015 after postdoctoral fellowships at Columbia, Harvard, Katholieke Universiteit Leuven, Hochschule für Musik Freiburg, and Yale. He holds a PhD from McGill University’s Schulich School of Music (2009). His research focuses on the history of music theory and musical form analysis, particularly the works of Jean-Philippe Rameau and their reception among Enlightenment thinkers like Jean-Jacques Rousseau. He integrates intellectual history with practical analytical methods, emphasizing both contextual and emic perspectives. Recent interests include adapting empirical social science and linguistics methods to study musical form. Key publications include articles on Rameau’s harmonic concepts, Rousseau’s musical writings, and global music theory history. His 2014 article on Rameau’s supposition/suspension theories earned the Society for Music Theory’s Outstanding Publication Award. He co-edited Formal Functions in Perspective (2015) and served as co-editor of Music Theory & Analysis until 2019. Professional highlights include the Edward T. Cone Membership at the Institute for Advanced Study (2018–2019) and a 2023 visiting researcher role at the Max Planck Institute for Empirical Aesthetics. His work bridges historical analysis with contemporary empirical approaches, fostering interdisciplinary dialogue in music theory.
Gyu Tag Lee is a Professor in the International Studies Department at George Mason University Korea, specializing in Cultural Studies with a focus on K-Pop, media criticism, and the globalization of culture. He holds a PhD in Cultural Studies from George Mason University (2013), an MA in Communication from Seoul National University, and a BA in English Language and Literature from the same institution. Having completed three years of military service in the Republic of Korea Air Force, he has been teaching at George Mason University Korea since 2014. His research interests span Cultural Studies, Media Criticism, Popular Music, K-Pop and Hallyu, Globalization of Culture, and Music Industry studies. Professor Lee is particularly recognized for his expertise on K-Pop's global expansion, cultural appropriation issues within the industry, and the relationship between Korean cultural identity and global pop music markets. His extensive publications reflect a consistent focus on K-Pop's evolution, from its historical roots to contemporary challenges and future directions. His work examines the tension between local Korean identity and global appeal, the role of digital platforms in fan engagement, and the cultural politics surrounding K-Pop's international success. Professor Lee's research demonstrates how K-Pop functions as both a cultural product and economic phenomenon with significant implications for understanding transnational cultural flows. As a respected commentator in the field, he serves on the selection committee for the Korean Music Awards and has been featured in numerous international media outlets including Wall Street Journal, South China Morning Post, Netflix's documentary Explained, and major Korean broadcasters such as KBS, MBC, and SBS. His insights on cultural appropriation in K-Pop have been particularly influential in shaping discussions about cultural sensitivity and global cultural exchange. Professor Lee teaches courses including Media Criticism, Globalization and Culture, K-Pop, Hallyu, and Korean Society, and Korean Popular Culture in a Global World, bringing his scholarly expertise directly into the classroom to educate the next generation of cultural critics and analysts.
Takako Fujioka is an Associate Professor of Music at Stanford University, affiliated with the Center for Computer Research in Music and Acoustics (CCRMA). Her research focuses on the neural mechanisms underlying auditory perception, auditory-motor coupling, and music-supported therapy for neurorehabilitation. She holds a Ph.D. in Physiology from the Graduate University for Advanced Studies, Japan, and M.Sc./B.Eng. degrees in Electrical Engineering from Waseda University. Her work combines neurophysiological techniques such as MEG and EEG to study brain plasticity in development, aging, and stroke recovery. Notable contributions include investigating how music influences motor and cognitive recovery in stroke patients, as well as exploring the neural basis of musical perception through rhythmic synchronization and pitch discrimination studies. Supported by awards from the Canadian Institutes of Health Research during her postdoctoral work at the Rotman Research Institute, her research bridges clinical neuroscience and music cognition. Dr. Fujioka’s expertise spans auditory neuroscience, neurorehabilitation, and technology-assisted music therapy. She has pioneered studies on tactile mapping for cochlear implant users and networked music performance systems, emphasizing cross-modal perception and human-technology interaction. Her findings contribute to both theoretical understanding of auditory processing and practical applications in medical and educational settings. Awards: Canadian Institutes of Health Research Awards (postdoctoral phase) Labs/Teams: CCRMA, Stanford Music Perception Laboratory, Rotman Research Institute collaborations Key Themes: Neuroplasticity, Music-Mediated Rehabilitation, Auditory-Motor Integration, Multisensory Processing Her recent work examines aging-related changes in binaural hearing and the role of beta/gamma oscillations in rhythmic processing. She advocates for translational research that connects neural mechanisms with real-world therapeutic interventions.
Michaela D.E. Meyer is a Professor in the Department of Communication Studies at Christopher Newport University (CNU), specializing in critical media studies, LGBTQ+ issues, and television/film analysis. Her research bridges interpersonal communication, gender and sexuality studies, and emerging adulthood narratives. Ph.D. in Communication, Ohio University M.S. in Journalism, Ohio University Ph.B. in International Studies, Miami University Her research focuses on intersectional representation in media , LGBTQ+ narratives , and relational aggression in film . She employs narrative and autoethnographic methods to critique political ideologies in popular culture, such as neoliberalism in Fixer Upper and feminist critiques in Glee and Shondaland . Michaela’s recent articles explore themes like disability discourses in Korean television , feminist film auteur theory , and nostalgia in streaming reboots . These works highlight identity politics , gender representation , and media’s role in social discourse . Paul Boaze Prize, Ohio University (2025) Outstanding Panel Award in Sexuality and Gender Identity, Central States Communication Association (2025) Faculty Excellence Award in Undergraduate Research Mentorship, CNU (2025) James W. Chesebro Award for Scholarly Distinction, Sexual Orientation and Gender Identity Caucus of CSCA (2021) She has mentored undergraduate research and contributed to critical media pedagogy , with grants and service awards reflecting her commitment to diversity and inclusion in academia. Her full scholarship and honors are detailed in the scientific_awards section.
Otto Maduro is a Venezuelan-born Professor of World Christianity & Latin American Christianity at Drew University (Madison, New Jersey) since 1992. He chairs the Division of Church & Society in the Theological School and co-leads the Hispanic Institute of Theology and Hispanic D.Min. Program. Married to Dr. Nancy Noguera, they share a passion for social justice, music, and intercultural dialogue. His research focuses on liberation theology, social justice, and the intersection of religion with marginalized communities. Education: PhD (1977), MA (1975), and MA (1973) in Philosophy/Sociology of Religion from the Université Catholique de Louvain (Belgium), all summa cum laude. Licentiate in Philosophy from Universidad Central de Venezuela (1968). Research Interests: Liberation theology, social justice, ecological ethics, epistemological critiques, religious resistance, and LGBTQ+ rights. His work emphasizes global South perspectives, particularly Latin America’s socio-religious dynamics. Grants & Awards: Henry Luce III Fellowship (2006), Ford Foundation grants (2000–2002), Will Herberg Award (1997), and international recognition for his book Marxismo y Religión (1977). Professional Contributions: Associate editor of Concilium , Journal of Hispanic/Latino Theology , and others. Served on editorial boards of leading journals and as council member of PARAL, SSSR, and ACHTUS. Current Projects: Researching Pentecostal congregations among Latina/o immigrants in Newark and directing the Hispanic Summer Program in Religion & Theology.
Professor Mari Yoshihara is a bilingual scholar and writer affiliated with the University of Hawaii as a Core Faculty member. She serves as Editor of American Quarterly , the journal of the American Studies Association, and collaborates with international scholars. Her research focuses on U.S. cultural history, U.S.-Asian relations, Asian American studies, gender studies, and literary studies. She holds a BA from the University of Tokyo and a PhD from Brown University. Her work bridges academic and popular audiences, with notable publications including Embracing the East (2003), Musicians from a Different Shore (2007), and Dearest Lenny (2019). She also writes extensively in Japanese on topics ranging from graduate education to contemporary American culture. Her interdisciplinary approach combines historical analysis, ethnography, and personal narratives to explore cultural exchanges, identity, and music. Professor Yoshihara actively engages with classical music as an amateur pianist, participating in prestigious competitions like the Van Cliburn International Piano Competition. Her writings and fieldwork on music competitions highlight themes of civic engagement and cultural significance. Her blog and website further showcase her interests in U.S. affairs, classical music, and cross-cultural relationships.
Kwok Pui-lan is the Dean’s Professor of Systematic Theology at the Candler School of Theology, Emory University. Her work bridges postcolonial and feminist theological frameworks with contemporary social justice issues. She is a prominent author of works including Postcolonial Politics and Theology , Occupy Religion , and Introducing Asian Feminist Theology . Her research focuses on globalization, gender, peacebuilding, and the intersection of theology with race, power, and pedagogy. Dr. Kwok actively contributes to academic discourse through her blog (http://kwokpuilan.blogspot.com) and writings for the Wabash Center, addressing themes such as embodied teaching in digital spaces, anti-racism in academia, and theology’s role in responding to societal crises. Her scholarship emphasizes critical reflection on religious education and the ethical implications of emerging technologies. Her teaching philosophy integrates collaborative learning, arts-based methods, and embodied practices to foster transformative education. She has explored topics like machine learning’s impact on religious imagination and the role of spirituality in pandemic-era learning environments. Dr. Kwok’s work consistently interrogates systems of power and oppression, advocating for marginalized voices in theological discourse. Her contributions to the field include reimagining pedagogical approaches to address contemporary challenges in religious education and social justice advocacy.
University of California, Los AngelesUnited States
Barbara Fuchs is a Professor in the Department of English at the University of California, Los Angeles, specializing in early modern European literature across Spanish, English, French, and Italian traditions from the 15th to 17th centuries. Her work emphasizes transnational contexts, theater and performance studies, and cultural production within imperial frameworks, with significant contributions to Mediterranean and transatlantic studies. Education Ph.D. in Comparative Literature, Stanford University (1997) B.A./M.A. in Comparative Literature (English, French, Spanish), summa cum laude, Yale University (1992) Research Interests Professor Fuchs' scholarship centers on transnationalism in early modern literature, examining how theater and performance negotiated imperial identities across Mediterranean and transatlantic contexts. Her work critically engages with race and religion in the early modern world, picaresque traditions, and Cervantes studies, revealing how cultural encounters shaped literary production. She bridges historical analysis with contemporary relevance through public humanities initiatives focused on classical Hispanic theater. Publication Trends Her recent publications demonstrate interdisciplinary innovation, merging literary analysis with performance studies and material culture. Recurring themes include transnational exchange mechanisms, racial formation processes, and textual materiality, while recent work addresses pandemic-era digital performance and modern adaptations of classical works. This trajectory highlights her commitment to connecting historical scholarship with current social and artistic practices. Scientific Awards Premio Ñ from the Instituto Cervantes (inaugural award) for promotion of Spanish language and culture Advising and Leadership Professor Fuchs mentors undergraduate and graduate students in early modern studies, translation, and performance. She leads the UCLA "Diversifying the Classics" initiative and LA Escena festival, securing institutional support for these collaborative projects. Her editorial leadership includes serving as articles editor for Renaissance Quarterly and co-editing the Norton Anthology of World Literature , demonstrating field-wide influence. Projects and Teams She directs the "Diversifying the Classics" initiative, which collaborates with theater professionals to adapt Hispanic classical works for contemporary Los Angeles audiences, and founded LA Escena—the biennial festival of Hispanic classical theater. These projects unite scholars, artists, and communities to explore historical texts through modern performance lenses, emphasizing accessibility and cultural relevance.
Xiaomei Chen is a Professor of Chinese Literature at the University of California, Davis, affiliated with the Comparative Literature, Performance Studies, Cultural Studies, and CATS (Cinematic and Technological Studies) programs. Her research focuses on modern Chinese literature, theater, cultural studies, and performance studies, with a particular emphasis on revolutionary propaganda, postsocialist cultural reconfigurations, and diasporic narratives. Education: She holds a Ph.D. in Comparative Literature from Indiana University, an M.A. in English Literature from Brigham Young University, and a B.A. in English (equivalent) from Beijing Institute of Foreign Languages. Research Interests : Modern Chinese literature and drama Revolutionary theater and propaganda Women’s literature and feminist critique Cross-cultural performance and comparative literature Postsocialist cultural studies Publications include seminal works such as Staging Chinese Revolution: Theater, Film and the Afterlives of Propaganda (2016), Occidentalism: A Theory of Counter-discourse in Post-Mao China (1995), and edited volumes on modern Chinese drama and cultural studies. Her articles critically examine themes like revolutionary narratives, diasporic identities, and the intersection of theater with political discourse. She has taught courses on modern Chinese literature, film, and drama in English translation, emphasizing cultural analysis and transnational perspectives. Her work bridges historical and contemporary studies, offering insights into China’s evolving cultural landscape.
Jack Martínez Arias is an Assistant Professor of Hispanic Studies at Hamilton College , specializing in Indigenous and Andean Studies . His work critically examines the intersections of extractive industries , cultural production , and environmental impacts in Peruvian and Bolivian contexts. Education: Ph.D. from Northwestern University, B.A. from Universidad Nacional Mayor de San Marcos. His research explores how literature , film , and cultural narratives reflect and resist extractivism , colonialism , and environmental degradation . He also investigates transculturación in Andean traditions and the role of science fiction as a tool for cultural resistance . Martínez Arias’ publications focus on Andean modernity , mining fictions , and ecocritical responses to extractive practices. His recent journal contributions span Latin American literature , film studies , and popular culture , emphasizing historical memory and social justice . Additional roles include serving on the Latin American Studies Committee and advising the Spanish Club . He is a member of the Latin American Studies Association and has taught courses on Hispanic cinema , Indigenous migration , and Spanish immersion .
Bal Krishna Sharma is Associate Professor of Applied Linguistics at the University of Idaho's College of Letters, Arts and Social Sciences, with affiliate status at the Habib Institute for Asian Studies. His scholarship examines language globalization across education, tourism, and digital media contexts. Education credentials: Ph.D. in Second Language Studies, University of Hawaii at Manoa (2016) M.A. in Second Language Studies, University of Hawaii at Manoa (2011) M.Ed. in English Education, Tribhuvan University (2004) B.Ed. in English Education, Tribhuvan University (2001) Research explores: Neoliberal influences on language education Intercultural communication in tourism Translingual practices in digital spaces Multilingual policy in South Asia Recent publications analyze linguistic landscapes in pandemic communication, multilingual STEM education, and social media discourse in Nepal. His work integrates sociolinguistic theory with critical analysis of globalization. Teaches courses including Sociolinguistics, Intercultural Communication, and History of the English Language.
Ardis Butterfield is the Marie Borroff Professor of English at Yale University, with courtesy appointments in the departments of French and Music. She specializes in medieval French and English literatures (13th–15th centuries), focusing on lyric poetry, word-music relationships, and linguistic identity. Born in Pakistan and educated in India and England, she holds degrees from Trinity College, Cambridge (PhD, M.A.) and the University of Bristol (M.A.). Her research explores medieval manuscripts as sites of intellectual and social practice, emphasizing cross-disciplinary approaches. Notable works include The Familiar Enemy: Chaucer, Language and the Nation in the Hundred Years War (2009) and Poetry and Music in Medieval France (2002). She has held Leverhulme Research Fellowships and visiting roles at institutions like the University of Virginia and All Souls College, Oxford. Education: PhD and BA, Trinity College, Cambridge M.A., University of Bristol Research interests include medieval lyric theory, Chaucerian nationalism, bilingualism, and the materiality of manuscripts. Current projects involve a new Norton edition of medieval English lyrics and a book on medieval song titled Medieval Songlines . Awards: 2010 Society for French Studies R.H. Gapper Prize Choice Outstanding Academic Title (2010) Leverhulme Fellowships (2003–04, 2008–11) Leadership roles include President of the New Chaucer Society (2016–18) and co-founder of the monograph series Oxford Studies in Medieval Literature and Culture . She sits on the Executive Board of the International Network for the Study of Lyric (INSL).
Jessica Glazier is an Assistant Professor in the Frances L. Hiatt School of Psychology at Clark University, Worcester, MA. She completed her Ph.D. and M.S. in Psychological Science at the University of Washington (2022 and 2019, respectively) and a B.A. in Psychology & Music from Albion College (2015). Her research focuses on challenging societal norms about social categories like gender, race, and sexual orientation, emphasizing inclusivity for marginalized groups such as transgender, multiracial, and asexual individuals. She employs methods from social, developmental, cognitive psychology, and interdisciplinary approaches like feminist and LGBT studies. Research Interests Exploring how social categorization affects perceptions and experiences of individuals who defy traditional norms Examining consequences of gender/racial essentialism on prejudice and discrimination Investigating gender development in youth, including transgender and cisgender children Addressing statistical methodology limitations in psychological science Recent Research Trends Her 2024 work highlights challenges in LGBTIQ+ research inclusivity and examines gender attitudes across diverse children. Recent projects (2023–2024) emphasize statistical frameworks for meaningful inference, intersectionality in harassment perceptions, and the role of adult beliefs in shaping children’s identity autonomy. Earlier studies (2019–2022) established foundational insights into gender categorization mechanisms and transgender children’s developmental similarities to cisgender peers. Teaching & Mentoring Teaches Advanced Social Psychology (PHD) and Statistics (undergraduate), prioritizing student learning through dedicated skill-building sessions. Mentored research assistants (e.g., Liza Moore, Martina Khurana) and supervised Elizabeth Abel’s honors project on race and gender essentialism. Actively supports early-career researchers via peer mentoring programs. Labs & Collaborations Conducts research within Clark University’s Frances L. Hiatt School of Psychology lab environments, collaborating with institutions like Northeastern University and international teams on child development and social categorization projects.
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