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Bliss Cua Lim is a Professor at the Cinema Studies Institute, University of Toronto, specializing in Philippine cinema, film archiving, and queer theory. She is the author of The Archival Afterlives of Philippine Cinema (2024) and Translating Time: Cinema, the Fantastic, and Temporal Critique (2009), which was a John Hope Franklin Book Prize recipient. Education: PhD in Cinema Studies, New York University; BA in English, University of the Philippines, Diliman Her research explores intersections of cinema, folklore, and political histories, with a focus on archival fragility, transnational horror genres, and camp aesthetics in Southeast Asian media. Recent work analyzes the crisis of state-run film archives and the role of folklore in queer transmedia storytelling. Key trends in her publications include: Queering the Filipinx Zombie Movie (2025) and Cosmopolitan Animisms (2022), which examine genre hybridity and postcolonial spectralities. Her 2013 writings on Philippine archival advocacy and 2015 essays on queer aswang narratives highlight institutional and cultural challenges in media preservation. Scientific Awards: Selected John Hope Franklin Book Prize (2009) Lim serves on the Editorial Collective of Camera Obscura and the Advisory Board of Plaridel: A Philippine Journal of Communication . Her teaching includes courses on Queer Asian Cinemas, Sound and Animation, and Film Cultures II.

• Philippine Cinema
• Film Archiving
• Queer Theory
• +7 more

Julie Rak is the HM Tory Chair and Professor in the Department of English and Film Studies at the University of Alberta. She holds a BA and PhD from McMaster University and an MA from Carleton University. Her research focuses on auto/biography, life writing, and nonfiction in North America, with specialties in gender, Canadian literature, and publishing studies. She has authored or co-edited numerous books, including False Summit: Gender in Mountaineering Nonfiction (2021) and The Routledge Introduction to Auto/biography in Canada (2023). Rak’s academic roles include interim Chair of the EFS Department (2023–2024) and leadership in the Stories of Change research group. She has received prestigious awards such as the J. Gordin Kaplan Award (2023) and the Killam Annual Professorship (2017–2018). Her research explores marginalized narratives, including Inuit literature and digital life writing, with a commitment to inclusivity and community engagement. Her teaching spans undergraduate and graduate courses on autobiography, gender theory, and Canadian literature. She actively supervises research projects and supports student initiatives like the Roger Smith Undergraduate Research Award. Rak’s work bridges academic rigor with public scholarship, with over 90 media engagements. Education: PhD in English, McMaster University MA in Canadian Studies, Carleton University BA in English, McMaster University Grants & Projects: SSHRC Insight Grant for Government Agents, Literary Agents: Inuit Books and Government Intervention, 1968–1985 Leadership in the Stories of Change initiative Awards & Honors: Fellow of the Royal Society of Canada (2022) Henry Marshall Tory Chair (2019–2025) 2024 Visiting Professor at Merton College, Oxford

• Life Writing
• Autobiography
• Diaries and Journals
• +9 more

Lana Wells is an Associate Professor at the University of Calgary's Faculty of Social Work and holds the Brenda Strafford Chair in the Prevention of Domestic Violence. As Founder/Director of Shift: Primary Prevention Research Hub and Research Fellow at the School of Public Policy, she specializes in preventing gender-based violence through systems change, policy innovation, and community engagement. Key research areas: Gender equity, Indigenous sovereignty, AI ethics for social work, and male allyship in violence prevention Led over $11M in research funding and 22.5M+ in prevention initiatives 2023 Killam Professor Award recipient Recent publications focus on AI applications for violence prevention, gamification in male engagement, and rural/small-town violence reduction strategies. Her work spans interdisciplinary collaborations with public health agencies, Indigenous communities, and international organizations. Major projects: Alberta's Primary Prevention Playbook, Strong Women's Circle with Indigenous communities, ConnectED Parents virtual intervention Active in policy advisory roles for governments and NGOs Scientific awards include: 2023 Killam Annual Professor Award 2022 Queen Elizabeth II Platinum Jubilee Medal 2019 Alberta Inspiration Award 2015 & 2013 Carthy Foundation Leadership Awards 2012 School of Public Policy Fellowship As a graduate supervisor in Social Work and Public Policy, she develops prevention workforce capacity through Shifttolearn.com. Current initiatives include data-driven dashboards for real-time violence prevention and cultural transformation in male-dominated institutions.

• Gender-Based Violence Prevention
• Social Policy and Legislation
• Systems Change and Organizational Culture
• +5 more

Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).

• Migration Studies
• Cinema and Media Studies
• World Cinema
• +5 more

Golshan Golriz is an Assistant Professor of Sociology at Queen’s University, Canada. She holds a BA in Women and Gender Studies from York University, an MA from the Women and Gender Studies Institute at the University of Toronto, and a PhD in Sociology from McGill University. Her work focuses on structural inequalities affecting Queer and Trans Black Indigenous and People of Colour (QTBIPOC), combining feminist and social scientific methods with intersectional frameworks. Current research includes LGBTQ religious activism, identity-centric social movements, and cancel culture’s relationship with structural inequality. Education: BA: York University (Women and Gender Studies + Sexualities Studies certificate) MA: University of Toronto (Women and Gender Studies Institute) PhD: McGill University (Sociology) Research Interests: Structural inequalities & QTBIPOC communities Queer/Trans Muslim marginalization Racism, capitalism, and Middle Eastern sexuality representations Social movements and comparative historical methods Current Projects: Co-edited volume on LGBTQ religious activism Comparative study of identity-centric movements Critical analysis of cancel culture mechanisms Lab/Team: Research emphasizes interdisciplinary collaboration, integrating qualitative methods with activism-focused research.

• Gender Studies
• Sexuality Studies
• Race and Ethnicity
• +5 more

Wendy Gay Pearson serves as Associate Professor in the Department of Gender, Sexuality, and Women's Studies at Western University. Her academic work spans multiple interdisciplinary fields with a particular focus on identity, citizenship, and belonging through the lenses of gender and sexuality. Professor Pearson's research interests encompass gender and sexuality studies, queer theory, feminist theory, critical race theory, and cultural studies. She approaches these topics through postmodernist and postcolonial theoretical frameworks, with emerging intersectional approaches to race, ethnicity, and diaspora. Her work specifically investigates these issues within science fiction, Canadian literature and film, and Indigenous film, examining connections between seemingly disparate areas such as analyzing Eden Robinson's Monkey Beach through both science fiction and Indigenous studies perspectives. Professor Pearson's scholarly output demonstrates a clear trajectory toward increasingly intersectional analyses, particularly in the most recent publications that bridge Indigenous studies with gender and sexuality frameworks. Her work consistently explores how science fiction functions as a space for imagining alternative gender and sexual possibilities, while simultaneously examining how Canadian cultural production engages with queer identities. The publications reveal a growing emphasis on Indigenous perspectives in film and literature, with multiple forthcoming 2024 contributions to the Routledge Handbook of Indigenous Film . As evidenced by her extensive editorial work including The Routledge Companion to Gender and Science Fiction (2023) and Reverse Shots: Indigenous Film and Media in an International Context (2014), Professor Pearson has established herself as a significant contributor to scholarly conversations at the intersection of gender studies and speculative fiction. Her book Zero Patience (2011) with Susan Knabe demonstrates long-standing engagement with queer cinema. Professor Pearson's academic supervision extends across multiple disciplines, reflecting her interdisciplinary approach. Her work has been supported through various academic channels that enable her to explore connections between Indigenous film, queer Canadian culture, and science fiction, though specific grant details are not provided in the available information. Her research methodology combines close textual analysis with theoretical frameworks from queer studies, feminist theory, and critical race theory, creating innovative approaches to understanding how cultural texts negotiate complex identity formations. This integrative approach is particularly evident in her examination of works by authors like Hiromi Goto, Nalo Hopkinson, and Larissa Lai, where she simultaneously considers sexuality, gender, race, and science fiction elements.

• Gender and sexuality studies
• Queer theory
• Feminist theory
• +9 more

Tania Islas Weinstein is an Assistant Professor of Political Science at McGill University’s Department of Political Science. Her work bridges art, politics, and aesthetics, particularly in the context of Mexico’s democratic transitions and socio-cultural dynamics. She holds a PhD from the University of Chicago and has held academic appointments at institutions including the University of Colorado Denver and the University of Chicago. Education: PhD in Political Science, University of Chicago (2019) MA in Political Science, University of Chicago (2011) BA in Political Science and International Relations, Centro de Investigación y Docencia Económicas (CIDE), Mexico (2007) Research focuses on how art shapes political imaginaries, with a current book project analyzing Mexico’s cultural policies post-autocratic rule. Key themes include nationalism, racial justice, and the intersection of art with state violence. She co-edited Beyond Mestizaje: Contemporary Debates on Race in Mexico (2024) and has published in Journal of Latin American Studies and Signs . Awards include a FQRSC Team Grant for governance research in Latin America and fellowships from the University of Chicago and CONACyT. She actively collaborates with artists, such as on Sun Ra’s poetry translation, and teaches courses on art politics, qualitative methods, and anti-racism in Latin America.

• Art
• Aesthetics
• Democratic Theory
• +7 more

Dr. Jennifer Jenson serves as Professor of Digital Languages, Literacies, and Cultures within the Department of Language and Literacy Education at the University of British Columbia's Faculty of Education. She joined UBC in January 2019 after 18 years at York University, where she directed the Institute for Research on Digital Learning. Her academic leadership extends to co-editing Loading: The Journal of the Canadian Game Studies Association and past presidency of the Canadian Game Studies Association. Dr. Jenson holds a Ph.D. from Simon Fraser University. Her research program critically examines digital games, literacies, and pedagogical practices through lenses of gender, equity, and decolonization. She has conducted longitudinal studies on gender and digital gameplay, developed educational games through the Play:CES lab, and authored influential reports for the Ontario Ministry of Education including “21st Century Skills, Technologies and Learning”. Her publication trajectory (2015-2023) reveals consistent focus on regendering game cultures, multimodal learning frameworks, and computational literacy in youth media engagement. Work spans critical analysis of “The Entrepreneurial Gamer” concept to contemporary digital literacies in multimodal contexts, emphasizing how game-based learning can disrupt exclusionary practices while advancing inclusive education. No scientific awards were explicitly documented in the source materials. Dr. Jenson maintains active graduate supervision, currently advising doctoral candidates like Laura Brass researching immigrant women language teachers’ identities. Her sustained research funding includes leadership of the international SSHRC Partnership Grant “Re-Figuring Innovation in Games” (2015-2021) and SSHRC Insight Grant “Think, Design, Play” (2014-2020), with collaborations spanning school boards, technology companies, and global institutions like SRI International and Nottingham University. She co-founded the CFI-funded Play:CES lab where teams developed educational games including “Contagion” and “Epidemic: Self-Care for Crisis”, and currently leads the Re-Figuring Innovation in Games (ReFiG) collective – an international consortium of scholars, community organizers, and industry partners dedicated to transforming game culture through equity-centered innovation.

• Digital Games
• Digital Literacies
• Multiliteracy and Multimodality
• +5 more

Stephen Brown is a Full Professor at the School of Political Studies , part of the Faculty of Social Sciences at the University of Ottawa . His research focuses on democracy, democratization, conflict, foreign aid, and LGBT rights, particularly in Sub-Saharan Africa and Mongolia. He also analyzes Canadian foreign aid policies under recent governments. Email: brown@uottawa.ca Office: 613-562-5800 (1896) Languages: English, French, Spanish, Portuguese His work bridges international development, political science, and human rights, examining how foreign aid intersects with democratic ownership, gender equality, and conflict resolution. Recent publications highlight tensions between donor priorities and local contexts, as well as Canada's evolving role in global development. Key trends in his 15 most recent articles (2025–2020) include: Canadian foreign aid policy under Harper and Trudeau governments LGBTQI+ rights advocacy in Africa and Asia Impact of global crises (e.g., COVID-19) on development cooperation Political economy of extractive industries in developing economies Debates on aid effectiveness, policy coherence, and donor alignment Transitional justice and electoral conflict management in post-crisis states

• Africa
• Corporate Social Responsibility
• Democracy and Democratization
• +12 more

Cait McKinney is an Associate Professor at the School of Communication, Simon Fraser University (SFU). Their research explores queer communities' use of computing technologies, media history, and activist media, with a focus on how LGBTQ+ movements engage with information systems. McKinney is also a practicing artist, collaborating with Hazel Meyer on queer archival interventions. PhD and MA in Communication and Culture, York University BA Hons in English Literature and Critical Studies in Sexuality, University of British Columbia McKinney’s scholarly work includes the award-winning book Information Activism: A Queer History of Lesbian Media Technologies (Duke University Press, 2020) and the forthcoming The Sex Lives of Data (2025). Recent artistic activations include exhibitions at Glasgow International Art Biennial (2018) and The Mitchell Art Gallery (2024). They were honored with SFU’s 2021 Gertrude J. Robinson Award for exceptional scholarship.

• Queer Studies
• Media History
• Activist Media
• +2 more

Laura Spitz is Dean and Professor at the University of Calgary Faculty of Law, with a concurrent Visiting Professorship at Université Paris 1 Panthéon-Sorbonne Law School. Her academic and professional journey spans multiple institutions, including Seattle University, University of New Mexico, Cornell University, and Thompson Rivers University. Educational Background: JSD, Cornell University JD, University of British Columbia BA, University of Toronto Spitz's research interrogates the legal construction of borders and identities, blending contracts, commercial law, and critical analyses of personhood in corporate and environmental contexts. Her work explores the limits of subject-object dichotomies in law and society. Notable awards include multiple Graduation Hooding Professor distinctions at the University of New Mexico and Colorado Law School, alongside teaching accolades. She contributes to constitutional pluralism debates and has co-authored influential works on legal personhood. A nonpracticing member of the Law Society of British Columbia, Spitz serves as a legal expert in contracts and business law, with experience in First Nations economic development and nonprofit law. She has advised on Supreme Court cases and held leadership roles in global engagement and international affairs.

• Contracts
• Commercial Law
• Business Law
• +5 more

Simon Stern is a Professor at the University of Toronto Faculty of Law, where he has taught since 2007, holding progressively senior positions from Assistant to full Professor since 2019. He serves as Chair in Innovation Law (2020-present) and Director of the Center for Innovation Law & Policy (2012-present). His research bridges legal doctrines with literary/intellectual history, focusing on legal fictions, the "reasonable man" standard, and intersections between law and sexuality. Ph.D. in English (UC Berkeley), J.D. (Yale), B.A. in English (Yale, magna cum laude) Editor-in-Chief of Yale Journal of Law & Humanities during law school Research interests include: law and literature, legal history, sexuality and the law, criminal law, and intellectual property. His work examines narrative techniques in legal reasoning, evidentiary standards, and historical evolution of legal concepts through literary frameworks. Recent publications analyze legal fictions, reasonable person standard evolution, and 19th-century tort law narratives. He co-edits Oxford University Press' Law and Literature series and the New Rambler Review. 2012 SLS Partnership Award for student advocacy 2023-2026 President of academic organization Serves on SSHRC Insight Grants Committee and multiple editorial boards

• Law and Literature
• Legal History
• Legal Theory
• +4 more

Margaret Robinson is an Associate Professor at Dalhousie University, holding dual appointments in the Department of English and Department of Sociology and Social Anthropology within the Faculty of Arts and Social Sciences. She is a bisexual two-spirit scholar from Eski'kewaq, Nova Scotia, and a member of the Lennox Island First Nation. Her interdisciplinary work bridges Indigenous studies, queer theory, and intersectional feminism, with a focus on decolonizing methodologies and Indigenous oral traditions. Robinson’s research explores representation of Indigenous peoples and sexual/gender minorities in creative works, including fanfiction and popular culture. She holds a Tier 2 Canada Research Chair in Reconciliation, Gender, & Identity (2019-2023) and leads the Mi’kmaw Cultural Research Lab funded by the Canadian Foundation for Innovation (2021-2024). Her education includes a BA from Saint Mary’s University and MA/PhD from the University of Toronto. Key research areas include Indigenous New Wave literature, Mi’kmaw spirituality, and Two-Spirit feminism. Recent grants focus on reconciliation frameworks and LGBTQ2S+ health equity. She has published widely on topics like queer mental health, animal personhood in Mi’kmaw cosmology, and decolonizing pedagogies.

• Indigenous Studies
• Queer Theory
• Gender Studies
• +3 more

Samantha King is a Professor in the Department of Kinesiology and Health Studies at Queen's University. She holds a PhD from the University of Illinois at Urbana-Champaign. Her interdisciplinary research integrates feminist, queer, and critical race theories to examine the intersections of health, sport, and the body. She leads the King Research Group, based in KINE 206J & 301V offices. King's research interests span topics such as drug cultures, food politics, and the sociology of sport. Her influential work includes the book Pink Ribbons, Inc: Breast Cancer and the Politics of Philanthropy , adapted into an NFB documentary. She explores themes like pharmaceutical use in professional sports, the ecological dimensions of embodiment, and multispecies approaches to sport studies. Her recent publications analyze racial capitalism in NFL pain management, pandemic-era human-animal relations, and the sociological implications of whey protein consumption. She has co-edited volumes on food ethics and bodily embodiment, reflecting her commitment to interdisciplinary dialogue. Her work bridges cultural studies, sociology, and health studies, addressing contemporary issues in sport, medicine, and everyday life. King’s academic contributions include over 30 peer-reviewed articles and edited collections. She has received international attention for critiquing corporate philanthropy in health activism and challenging normative frameworks in sport studies. Her current projects explore multispecies methodologies and the political economies of meat production.

• Cultural Studies
• Sociology
• Health Studies
• +5 more

Dr. Karen Cochrane is an Assistant Professor at the University of Waterloo, specializing in Human-Computer Interaction (HCI) with a focus on wearable and tangible computing for mental health and accessibility. Her research integrates soma design, autoethnography, and design fiction to address the needs of underrepresented communities, particularly those with disabilities. Key projects include developing assistive technologies for queer/crip identities, accessible gaming wearables, and tactile interfaces for sensory exploration. She explores embodied experiences through multidisciplinary approaches, blending traditional craft practices with modern computational tools. Her work prioritizes participatory design methodologies, collaborating with occupational therapists, disabled communities, and neurodivergent individuals to co-create inclusive technologies. Recent innovations include VARitouch (a haptic feedback device), Breathing Scarf (for emotional regulation), and adaptive switches for children with motor disabilities. Her research extends into sensory narratives, exploring how fabric and data can articulate bodily experiences through projects like Sensory Data Dialogues and Queer/Crip Body Mapping. While no formal grants or awards are listed, her publications reflect a strong focus on ethical technology, accessibility, and embodied interaction. Current projects emphasize the intersection of wearable tech with identity expression, mindfulness practices, and neuromotor rehabilitation. She actively designs prototypes that bridge clinical needs with creative technology solutions, though specific lab affiliations or team collaborations are not detailed in available texts.

• Human-Computer Interaction (HCI)
• Mental Health Technologies
• Accessibility
• +6 more