Sasha Welland is an Adjunct Associate Professor in the Department of Anthropology at the University of Washington, affiliated with Gender, Women & Sexuality Studies; China Studies; Comparative History of Ideas; and graduate certificate programs in Cinema & Media Studies and Public Scholarship. Her research focuses on Asian American studies, East Asian ethnography, feminism, visual culture, and sociocultural anthropology. Welland’s scholarship bridges historical and contemporary analyses. Her book Experimental Beijing (2018) explores Chinese contemporary art as a site of cultural negotiation around gender, globalization, and post-socialist transformations. Her earlier work A Thousand Miles of Dreams (2006) traces the transnational lives of two 20 th -century Chinese women activists. She contributes to Journal of Visual Culture and has published in Signs and Yishu . An engaged public scholar, Welland has curated feminist art exhibitions in Beijing, Shanghai, and Hong Kong, blending academic research with cultural practice. Her work interrogates intersections of gender, space, and global flows in East Asian contexts.
Kenneth Pomeranz is the University Professor of Modern Chinese History at the University of Chicago in the Department of East Asian Languages and Civilizations (EALC). Previously taught at the University of California, Irvine , his research spans late Imperial and twentieth-century China , comparative world history , and global economic systems . Research Focus: Reciprocal influences between state, society, and economy; origins of the world economy through mutual regional influences; comparative studies of labor, family organization, and economic history. Current Projects: A history of Chinese political economy from the seventeenth century to the present; a book titled Why Is China So Big? exploring China's political unity despite its vast size. Scientific Awards and Fellowships: John K. Fairbank Prize (twice) World History Association Book Prize (shared) Guggenheim Fellowship American Academy of Arts and Sciences Fellow Publications: Key works include The Great Divergence , The Making of a Hinterland , and The World that Trade Created . His articles address topics such as labor-intensive industrialization, global environmental history, and Qing state-building.
Janet Chen is Professor of History and East Asian Studies at Princeton University, serving as Director of the East Asian Studies Program. Based in 302 Dickinson Hall, she maintains regular office hours on Thursdays from 9:30 am to 11:30 am and is contactable via jychen@princeton.edu. Her academic credentials include: Ph.D. in History, Yale University M. Phil in History, Yale University M.A. in History, Yale University B.A. in History and Asian Studies with highest honors, Williams College Chen specializes in twentieth-century Chinese social and urban history, examining marginalized populations during periods of war and revolution. Her research explores intersections of poverty, state formation, and cultural identity, with current work focused on Mandarin language standardization in China and Taiwan. This scholarship bridges historical analysis with sociological frameworks to understand how ordinary people navigate systemic upheaval. Her publication 'Guilty of Indigence: The Urban Poor in China, 1900-1953' (2012) exemplifies her methodological approach, revealing how destitution became criminalized amid political transformation. Collectively, her work demonstrates consistent focus on urban marginality, state-society relations, and historical memory in modern East Asia, establishing her as a significant voice in social history methodologies.
Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.
Anup Grewal is an Assistant Professor at the University of Toronto Scarborough (UTSC) within the Department of Historical and Cultural Studies and affiliated with the Tri-Campus Graduate Department of History at the University of Toronto. She teaches courses in History, Women’s Studies, and Global Asia Studies, integrating interdisciplinary perspectives into her pedagogy and research. Education: PhD in East Asian Languages and Civilizations, University of Chicago (2012) MA in History, Trent University BA in History, McGill University Her research focuses on modern Chinese cultural history, gender studies, and transnational leftist movements. She explores intersections of literature, film, and political activism, particularly examining Chinese women's roles in leftist movements of the 1920s-30s. Additional projects include comparative analyses of socialism in Indian and Chinese literature, and studies of minority films in contemporary China. Prior to her current position, she held roles as a Lecturer in Chinese and Comparative Literature at King’s College London (2013–15) and a Postdoctoral Fellow at Leiden University (2012–13).
Joan Judge is a Professor of History at York University in Toronto, Canada, specializing in cultural history of modern China with focuses on knowledge cultures, print culture, and women’s history. She holds a PhD from Columbia University and additional degrees from the University of Alberta and the Institut d’Études Politiques de Paris. Education: PhD, Columbia University MA, Columbia University MA, Institut d’Études Politiques de Paris BA, University of Alberta Research Interests: Judge’s work examines print culture in comparative perspective, Chinese women’s history, and reading practices in modern China. Her scholarship bridges transnational and local contexts, exploring how media like periodicals shaped gender roles and political discourse during transformative periods such as the late Qing dynasty and the early 20th century. Awards: 2021 Guggenheim Fellow Member of the Royal Society of Canada Grants & Leadership: Her current SSHRC-funded project, The Politics of Common Reading , analyzes vernacular knowledge in China from 1894–1954. She serves on the advisory boards of the British Inter-university China Centre and Journal of the History of Ideas in East Asia , and chairs roles in professional associations like the Canadian Association for the Study of Book Culture. Labs/Teams: Collaborates with global networks through her editorial work on collections such as Women and the Periodical Press in China’s Global Twentieth Century and Beyond Exemplar Tales .
London School of Economics and Political Science (LSE)United Kingdom
John T. Sidel Summary Professor John T. Sidel is the Sir Patrick Gillam Chair in International and Comparative Politics at the London School of Economics and Political Science (LSE), holding joint appointments in the Government and International Relations Departments. He is also Director of the Saw Swee Hock Southeast Asia Centre. His career spans over three decades of research on Southeast Asia, with a focus on the Philippines, Indonesia, and Vietnam. Education B.A. and M.A. in Political Science from Yale University Ph.D. in Government from Cornell University Research Interests Sidel specializes in Southeast Asian politics, including local power dynamics, comparative historical sociology, Islam in politics, reform advocacy campaigns, and infrastructure politics. Key themes include: Local Politics: Analysis of political bossism, dynasties, and subnational governance in the Philippines and beyond. Comparative History: Long-term patterns of state-building, nationalism, and colonial legacies in Southeast Asia. Islam & Politics: Study of religious violence, political mobilization, and transnational Islam in Indonesia. Reform Advocacy: Advising development initiatives like the Philippines' Coalitions for Change program. Infrastructure Politics: Urban transport reforms and their socio-political implications in Metro Manila. Key Publications Major works include Republicanism, Communism, Islam: Cosmopolitan Origins of Revolution in Southeast Asia (2021), Riots, Pogroms, Jihad (2006), and Capital, Coercion, and Crime (1999). His recent research explores transport policy reforms and the political economy of development in the Philippines. Teaching Sidel teaches courses on Southeast Asian politics, comparative historical sociology, and Islam in world politics at LSE. Notable courses include GV4D3 (Local Power in Globalization) and IR461 (Islam in International Relations). Public Engagement He advises international organizations such as The Asia Foundation and UNHCR, contributing reports on Indonesia's refugee policies and Philippine development initiatives. Active in public lectures and podcasts, he promotes Southeast Asian studies through platforms like the LSE's 'Dialogues on Southeast Asia' series.
Madeleine Zelin serves as the Dean Lung Professor of Chinese Studies and History East Asia coordinator within Columbia University's Department of East Asian Languages & Cultures, maintaining active office hours and scholarly engagement. Her academic foundation includes: BA: Cornell University (1970) PhD: University of California, Berkeley (1979) Professor Zelin pioneers research in Modern Chinese Legal and Economic History , challenging conventional narratives about imperial China's economic restrictions through rigorous analysis of legal frameworks, merchant institutions, and customary business practices. Her iconoclastic approach reveals unexpected continuities between law, culture, and market dynamics in early modern China, particularly through case studies of industrial communities like Zigong. Her publications demonstrate sustained scholarly evolution from eighteenth-century fiscal systems to twentieth-century bankruptcy reforms, consistently emphasizing China's indigenous economic development models within global comparative contexts. Award recognition includes: Fairbank Prize (American Historical Association) Alan Sharlin Memorial Award (Social Science History Association) Humanities Prize of the International Conference on Asian Studies (ICAS) She actively cultivates next-generation scholarship as co-director of the AAS New Directions Workshop: Economic History of Asia and founding board member of the International Society for Chinese Law and History, while currently finalizing a book on China's earliest company and bankruptcy law reforms.
Timothy Cheek is a Professor at the University of British Columbia with dual appointments in the School of Public Policy and Global Affairs and the Department of History. He holds the prestigious Louis Cha Chair in Chinese Research and serves as Co-Director of the Centre for Chinese Research at the Institute of Asian Research (IAR). Having joined UBC in 2002, Professor Cheek is a leading scholar of modern Chinese history with expertise in Chinese intellectual history and the Chinese Communist Party. Professor Cheek's educational background includes: Ph.D. in History and East Asian Languages from Harvard University (1986) M.A. in History from The University of Virginia (1980) B.A. in Asian Studies (Honours) from Australian National University (1978) His research focuses on three interconnected areas of modern Chinese history: the history of the Chinese Communist Party within China's twentieth-century revolutionary context; contemporary Chinese thought and society, particularly the role of intellectuals in public life; and Mao Zedong studies. Professor Cheek leads the "Revisiting the Revolution" collaborative translation project, bringing Chinese scholarship on revolutionary history to English-speaking audiences. He is also working on a major project mapping Chinese statecraft from the Ming Dynasty to the present. Professor Cheek's scholarly output reveals consistent engagement with Chinese intellectual history and political development. His recent work shows increasing focus on contemporary China under Xi Jinping, examining ideological governance and the reassertion of party control. He maintains strong interest in the historical roots of current political developments, particularly through the lens of Mao-era political practices and their legacy. Among his notable recognitions: Fellow of the Royal Society of Canada (RSC) in the Academy of Arts and Humanities (2023) Professor Cheek actively supervises graduate students, co-mentoring MA and PhD candidates in modern Chinese history with Dr. Jeremy Brown of Simon Fraser University. His research has been supported by multiple SSHRC grants, including a major 2014-2019 project on "Reading and Writing the Chinese Dream" examining public intellectuals in contemporary China. As Co-Director of the Centre for Chinese Research at UBC's Institute of Asian Research, Professor Cheek leads one of Canada's premier institutions for China studies, facilitating research collaborations between Canadian and Chinese scholars and supporting the "Revisiting the Revolution" translation project that brings Chinese historical scholarship to international audiences.
Christopher A. Reed is an Associate Professor at The Ohio State University’s Department of History, specializing in modern Chinese history (18th-20th centuries) with a focus on print culture, media, and state power. He holds a PhD from UC Berkeley and has taught at institutions including Reed College, University of Oklahoma, and University of San Francisco. Education: PhD, UC Berkeley C Phil, UC Berkeley M Phil, University of Glasgow BA (Jt Hons), McGill University Research Interests: Modern Chinese media and print culture Historical intersections of technology, business, and politics Comparative empires and state power dynamics Maoist propaganda art and textual influence Historical publishing practices in East Asia His work notably includes Gutenberg in Shanghai (2004), awarded the ICAS Humanities Book Prize, and co-edited volumes like From Woodblocks to the Internet (2010). Recent publications analyze Maoist-era art, Chiang Kai-shek’s China’s Destiny , and KMT propaganda. Awards: ICAS Humanities Book Prize (2003–05) Three Fulbright Awards Hulsewe-Wasniewski Lecturer (Leiden University, 2006) Editorial Roles: Chief Editor, Twentieth-Century China (2004–2009) Editorial Board Member, Book History (Asia section) Editorial Board Member, Studies on Asia He has held visiting roles at Victoria University (New Zealand) and delivered lectures at institutions including the National Library of New Zealand. His research spans over 5 years lived in China/Taiwan, with fieldwork across Asia, Europe, and the South Pacific.
Dr. Xin Fan is a Teaching Professor in Modern Chinese History at the University of Cambridge's Faculty of Asian and Middle Eastern Studies (AMES). He also serves as a Fellow and Director of Studies at Lucy Cavendish College and Director of Studies at Robinson College. A global historian, Fan specializes in intellectual history, historiography, and worldviews of twentieth-century China. His research explores the intersections between foreign knowledge, nationalism, and knowledge production in non-Western contexts. He co-edits the SAGE Handbook of Interpreting Chinese History and has authored major works like Global History in China (2024) and World History and National Identity in China (2021). His current projects include studies on emotions and nationalism, as well as the global rise of higher education. Fan has taught at universities in Europe and the U.S., focusing on courses about Chinese cultural and historical contexts. His work bridges global and national perspectives, emphasizing how political consciousness shapes historical narratives. Education & Career: Fan has studied and worked in China, the U.S., Germany, and the UK. While formal academic credentials are not detailed, his career trajectory reflects extensive international scholarly engagement. Research Interests: Fan’s expertise spans intellectual history, nationalism, global historiography, and the sociology of knowledge. He examines how cultural and political conditions influence knowledge production in China, particularly regarding world history, emotional politics, and cross-cultural reception of antiquity. His work challenges Eurocentric frameworks and explores non-Western historiographical traditions. Publications: Fan has authored monographs, co-edited volumes, and published widely in journals such as Global Intellectual History and Contributions to the History of Concepts . His book reviews appear in prominent journals like Journal of Asian Studies and Frontiers of History in China . Teaching & Leadership: Fan teaches undergraduate courses on Chinese history and culture at AMES. He directs studies at two Cambridge colleges, fostering academic mentorship in Asian and Middle Eastern Studies.
Dr. Apala Das is a Research Fellow at Bilkent University, specializing in 20th-century global anglophone literatures, modernist poetry and poetics, and postsecularism studies. Her academic work bridges postcolonial theory, South Asian literatures, and political theology within transnational frameworks. Her educational background includes a PhD from the University of Toronto, completed in 2024. Dr. Das's research centers on modernist asceticism as a critical lens for examining literary experiments by figures like Rabindranath Tagore, Hilda Doolittle, Aurobindo Ghose, and May Sinclair. She investigates how these writers negotiated ascetical ideals within colonial and postcolonial contexts, connecting literary form to biopolitics, secular citizenship, and ethno-nationalist ideologies. Her approach synthesizes postcolonial ethics, comparative literature, and political theology to analyze transnational modernist aesthetics. Her publications from 2018-2024 reveal consistent engagement with mobility, hybridity, and spiritual dimensions across literary traditions. Early work analyzed mobility in ethnography and Romantic-era travel, evolving toward contemporary meta-minimalist fiction and systematic studies of asceticism in global modernism. Dr. Das has received significant recognition for her scholarship: Ontario Graduate Scholarship (awarded twice) Chancellor Jackman Junior Fellowship from the Jackman Humanities Institute, University of Toronto Khashu Award for Tagore Studies from the Institute for South Asia Studies, UC Berkeley As a recent PhD graduate, she has not yet taken on formal graduate advising roles. Her research has been supported by competitive doctoral grants including the Ontario Graduate Scholarships and Chancellor Jackman Junior Fellowship, with current work funded through the Bilkent University/British Institute at Ankara Joint Fellowship. Dr. Das is actively developing her book manuscript "Modernist Asceticisms: Discipline, Form, and the Postsecular in the Transnational Twentieth Century" while participating in academic initiatives like the 2024 book launch for "Mind and Embodiment in Late Victorian Literature".
Yi Gu is an Associate Professor of modern and contemporary art and visual culture at the University of Toronto Scarborough (UTSC), with cross-appointments in the Department of Arts, Culture and Media and the Department of East Asian Studies. Her scholarly work centers on Asian visual culture, particularly China's artistic and photographic history from the early twentieth century to the present. Her research interests include cold war visual culture, post-socialist art, Chinese photography history, contemporary photography in Asia, mass art and amateurism, and visual methodologies across disciplines. Gu's work is driven by examining the political ambitions and social functions of art, as well as the politics of aesthetics. Her recent research has focused on aesthetic capitalism and digital surveillance in China, leading to studies of the Digital Countryside initiative and CCP aesthetics anchored in agrarian imaginary. Gu's publications reveal a consistent engagement with visual epistemology, particularly how Chinese artists and photographers have negotiated modernity, nation-building, and transnational influences. Her work spans from early twentieth-century open-air painting practices to contemporary digital visual culture, demonstrating how visual practices serve as critical sites for understanding China's social and political transformations. As co-editor of the open-access academic journal Trans Asia Photography and convening member of the research project 'Alternative Collections and Digital Humanities: Twentieth-Century Chinese Art and Visual Culture,' Gu actively contributes to expanding the field of Asian visual studies through collaborative scholarly initiatives. At UTSC, Gu teaches undergraduate courses on modern and contemporary Asian art, lens-based media in Asia, public art, and art and digital culture. Her scholarly approach combines art historical methods with visual culture studies, media theory, and cross-disciplinary perspectives to examine how visual practices shape and are shaped by political and social contexts in China and beyond.
Dr. Tani Barlow is the George & Nancy Rupp Professor of Humanities and Professor of History at Rice University, affiliated with the Chao Center for Asian Studies and the Center for the Study of Women, Gender, and Sexuality. A leading scholar in Modern Chinese intellectual history, her work bridges gender studies, media culture, and transnational feminism. She co-founded the Chinese Commercial Advertising Archive and edits the acclaimed journal positions: asia critique . Her research examines late 19th to early 20th century China through lenses of consumer culture, feminist theory, and cultural ephemera. Notable books include In the Event of Women (2018) and The Question of Women in Chinese Feminism (2004). Barlow holds visiting professorships at Tsinghua University, Hitotsubashi University, and the University of Bologna. She has directed major projects like the Rockefeller Foundation's Critical Asian Studies initiative and the Luce Foundation’s Ephemera Project. Her articles span journals like Boundary 2 and differences , analyzing topics from advertising art to Marxist sociology. Her recent work explores digital humanities applications in historical research and the intersections of capitalism with gendered identities in China. Barlow mentors advanced graduate students specializing in modern Chinese history with technical skills in data analysis and cultural theory. Her interdisciplinary approach integrates visual studies, political economy, and feminist critique to reframe understandings of China’s modernization processes.
Geraint Thomas is a historian of twentieth-century Britain, serving as a College Lecturer and Fellow at Peterhouse, University of Cambridge. His academic focus includes political culture, post-war reconstruction, and Celtic history. He holds a PhD from the University of Cambridge and previously held positions at Oxford, Cambridge, and York. His research explores popular conservatism under the National Government (1930s) and post-war reconstruction politics (1916-1922). He also examines Celtic societies' integration within Anglo-world contexts. Teaching includes courses on modern British and Irish history, twentieth-century global history, and historical methodology. He supervises PhD candidates researching topics like post-war reconstruction legacies, Labour’s working class, and British Chinese communities' political activism. His key publications include *Popular Conservatism and the Culture of National Government in Inter-War Britain* (2020) and co-edited volumes like *Brave New World* (2011). Current research investigates reconstruction politics post-World War I. No scientific awards are explicitly mentioned, but his work is AHRC-funded for select students. He advises on British political history from 1870, specializing in the British state, political leadership, and Celtic politics. His academic network includes collaborations with institutions like the Institute of Historical Research.
