Jacob Eyferth is an Associate Professor at the University of Chicago, jointly appointed in the Department of East Asian Languages and Civilizations, the Department of History, and the College. His research focuses on the social and cultural history of twentieth-century China, particularly rural communities, gender dynamics, and the intersection of technology and everyday life. Key research themes include the impact of industrialization, collectivization, and revolution on non-elite populations, with an emphasis on rural women's labor and cultural resistance. His current project explores cotton production, clothing, and gender during China's socialist era. Eating Rice from Bamboo Roots (2009) How China Works (2006) Rural Development in Transitional China (2004) He received the 2011 Joseph Levenson Prize for his first book. Eyferth has taught courses on topics such as class inequality, everyday life under socialism, and revolutionary China, and has held postdoctoral fellowships at Oxford, Harvard, and Rutgers.
Sigrid Schmalzer is a Professor of History at the University of Massachusetts Amherst, specializing in the history of science and modern China. She holds a Ph.D. in History and Science Studies from the University of California, San Diego (2004). Her research bridges the social, cultural, and political dimensions of science in China, with a focus on the intersections of agriculture, activism, and revolutionary movements. Schmalzer is the author of *Red Revolution, Green Revolution: Scientific Farming in Socialist China* (2016), winner of the Joseph Levenson Book Prize, and *The People's Peking Man: Popular Science and Human Identity in Twentieth-Century China* (2008), recipient of the Allan Sharlin Award. Her current projects include a book on agricultural heritage in the People’s Republic of China and leadership roles in organizations like the Critical China Scholars and Science for the People. She co-edits the *Activist Studies of Science and Technology* series for UMass Press, emphasizing socially engaged scholarship. Schmalzer also serves as Co-President of the MSP faculty union at UMass Amherst. Research interests span the history of science activism, transnational movements, and the legacy of Maoist science. Notable awards include the Freeman Book Award (2018) for her children’s book *Moth and Wasp, Soil and Ocean*, which integrates science education with historical narratives. Her work often critiques capitalist and authoritarian structures while advocating for science as a tool for justice and sustainability. Recent publications explore themes like agroecology, science policy, and the global dimensions of China’s scientific history. She teaches courses on modern China, science in society, and radical science movements, blending interdisciplinary approaches to engage students in critical analysis of historical and contemporary issues.
Sasha Welland is an Adjunct Associate Professor in the Department of Anthropology at the University of Washington, affiliated with Gender, Women & Sexuality Studies; China Studies; Comparative History of Ideas; and graduate certificate programs in Cinema & Media Studies and Public Scholarship. Her research focuses on Asian American studies, East Asian ethnography, feminism, visual culture, and sociocultural anthropology. Welland’s scholarship bridges historical and contemporary analyses. Her book Experimental Beijing (2018) explores Chinese contemporary art as a site of cultural negotiation around gender, globalization, and post-socialist transformations. Her earlier work A Thousand Miles of Dreams (2006) traces the transnational lives of two 20 th -century Chinese women activists. She contributes to Journal of Visual Culture and has published in Signs and Yishu . An engaged public scholar, Welland has curated feminist art exhibitions in Beijing, Shanghai, and Hong Kong, blending academic research with cultural practice. Her work interrogates intersections of gender, space, and global flows in East Asian contexts.
Kenneth Pomeranz is the University Professor of Modern Chinese History at the University of Chicago in the Department of East Asian Languages and Civilizations (EALC). Previously taught at the University of California, Irvine , his research spans late Imperial and twentieth-century China , comparative world history , and global economic systems . Research Focus: Reciprocal influences between state, society, and economy; origins of the world economy through mutual regional influences; comparative studies of labor, family organization, and economic history. Current Projects: A history of Chinese political economy from the seventeenth century to the present; a book titled Why Is China So Big? exploring China's political unity despite its vast size. Scientific Awards and Fellowships: John K. Fairbank Prize (twice) World History Association Book Prize (shared) Guggenheim Fellowship American Academy of Arts and Sciences Fellow Publications: Key works include The Great Divergence , The Making of a Hinterland , and The World that Trade Created . His articles address topics such as labor-intensive industrialization, global environmental history, and Qing state-building.
Janet Chen is Professor of History and East Asian Studies at Princeton University, serving as Director of the East Asian Studies Program. Based in 302 Dickinson Hall, she maintains regular office hours on Thursdays from 9:30 am to 11:30 am and is contactable via jychen@princeton.edu. Her academic credentials include: Ph.D. in History, Yale University M. Phil in History, Yale University M.A. in History, Yale University B.A. in History and Asian Studies with highest honors, Williams College Chen specializes in twentieth-century Chinese social and urban history, examining marginalized populations during periods of war and revolution. Her research explores intersections of poverty, state formation, and cultural identity, with current work focused on Mandarin language standardization in China and Taiwan. This scholarship bridges historical analysis with sociological frameworks to understand how ordinary people navigate systemic upheaval. Her publication 'Guilty of Indigence: The Urban Poor in China, 1900-1953' (2012) exemplifies her methodological approach, revealing how destitution became criminalized amid political transformation. Collectively, her work demonstrates consistent focus on urban marginality, state-society relations, and historical memory in modern East Asia, establishing her as a significant voice in social history methodologies.
Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.
Anup Grewal is an Assistant Professor at the University of Toronto Scarborough (UTSC) within the Department of Historical and Cultural Studies and affiliated with the Tri-Campus Graduate Department of History at the University of Toronto. She teaches courses in History, Women’s Studies, and Global Asia Studies, integrating interdisciplinary perspectives into her pedagogy and research. Education: PhD in East Asian Languages and Civilizations, University of Chicago (2012) MA in History, Trent University BA in History, McGill University Her research focuses on modern Chinese cultural history, gender studies, and transnational leftist movements. She explores intersections of literature, film, and political activism, particularly examining Chinese women's roles in leftist movements of the 1920s-30s. Additional projects include comparative analyses of socialism in Indian and Chinese literature, and studies of minority films in contemporary China. Prior to her current position, she held roles as a Lecturer in Chinese and Comparative Literature at King’s College London (2013–15) and a Postdoctoral Fellow at Leiden University (2012–13).
Joan Judge is a Professor of History at York University in Toronto, Canada, specializing in cultural history of modern China with focuses on knowledge cultures, print culture, and women’s history. She holds a PhD from Columbia University and additional degrees from the University of Alberta and the Institut d’Études Politiques de Paris. Education: PhD, Columbia University MA, Columbia University MA, Institut d’Études Politiques de Paris BA, University of Alberta Research Interests: Judge’s work examines print culture in comparative perspective, Chinese women’s history, and reading practices in modern China. Her scholarship bridges transnational and local contexts, exploring how media like periodicals shaped gender roles and political discourse during transformative periods such as the late Qing dynasty and the early 20th century. Awards: 2021 Guggenheim Fellow Member of the Royal Society of Canada Grants & Leadership: Her current SSHRC-funded project, The Politics of Common Reading , analyzes vernacular knowledge in China from 1894–1954. She serves on the advisory boards of the British Inter-university China Centre and Journal of the History of Ideas in East Asia , and chairs roles in professional associations like the Canadian Association for the Study of Book Culture. Labs/Teams: Collaborates with global networks through her editorial work on collections such as Women and the Periodical Press in China’s Global Twentieth Century and Beyond Exemplar Tales .
Madeleine Zelin serves as the Dean Lung Professor of Chinese Studies and History East Asia coordinator within Columbia University's Department of East Asian Languages & Cultures, maintaining active office hours and scholarly engagement. Her academic foundation includes: BA: Cornell University (1970) PhD: University of California, Berkeley (1979) Professor Zelin pioneers research in Modern Chinese Legal and Economic History , challenging conventional narratives about imperial China's economic restrictions through rigorous analysis of legal frameworks, merchant institutions, and customary business practices. Her iconoclastic approach reveals unexpected continuities between law, culture, and market dynamics in early modern China, particularly through case studies of industrial communities like Zigong. Her publications demonstrate sustained scholarly evolution from eighteenth-century fiscal systems to twentieth-century bankruptcy reforms, consistently emphasizing China's indigenous economic development models within global comparative contexts. Award recognition includes: Fairbank Prize (American Historical Association) Alan Sharlin Memorial Award (Social Science History Association) Humanities Prize of the International Conference on Asian Studies (ICAS) She actively cultivates next-generation scholarship as co-director of the AAS New Directions Workshop: Economic History of Asia and founding board member of the International Society for Chinese Law and History, while currently finalizing a book on China's earliest company and bankruptcy law reforms.
Timothy Cheek is a Professor at the University of British Columbia with dual appointments in the School of Public Policy and Global Affairs and the Department of History. He holds the prestigious Louis Cha Chair in Chinese Research and serves as Co-Director of the Centre for Chinese Research at the Institute of Asian Research (IAR). Having joined UBC in 2002, Professor Cheek is a leading scholar of modern Chinese history with expertise in Chinese intellectual history and the Chinese Communist Party. Professor Cheek's educational background includes: Ph.D. in History and East Asian Languages from Harvard University (1986) M.A. in History from The University of Virginia (1980) B.A. in Asian Studies (Honours) from Australian National University (1978) His research focuses on three interconnected areas of modern Chinese history: the history of the Chinese Communist Party within China's twentieth-century revolutionary context; contemporary Chinese thought and society, particularly the role of intellectuals in public life; and Mao Zedong studies. Professor Cheek leads the "Revisiting the Revolution" collaborative translation project, bringing Chinese scholarship on revolutionary history to English-speaking audiences. He is also working on a major project mapping Chinese statecraft from the Ming Dynasty to the present. Professor Cheek's scholarly output reveals consistent engagement with Chinese intellectual history and political development. His recent work shows increasing focus on contemporary China under Xi Jinping, examining ideological governance and the reassertion of party control. He maintains strong interest in the historical roots of current political developments, particularly through the lens of Mao-era political practices and their legacy. Among his notable recognitions: Fellow of the Royal Society of Canada (RSC) in the Academy of Arts and Humanities (2023) Professor Cheek actively supervises graduate students, co-mentoring MA and PhD candidates in modern Chinese history with Dr. Jeremy Brown of Simon Fraser University. His research has been supported by multiple SSHRC grants, including a major 2014-2019 project on "Reading and Writing the Chinese Dream" examining public intellectuals in contemporary China. As Co-Director of the Centre for Chinese Research at UBC's Institute of Asian Research, Professor Cheek leads one of Canada's premier institutions for China studies, facilitating research collaborations between Canadian and Chinese scholars and supporting the "Revisiting the Revolution" translation project that brings Chinese historical scholarship to international audiences.
Christopher A. Reed is an Associate Professor at The Ohio State University’s Department of History, specializing in modern Chinese history (18th-20th centuries) with a focus on print culture, media, and state power. He holds a PhD from UC Berkeley and has taught at institutions including Reed College, University of Oklahoma, and University of San Francisco. Education: PhD, UC Berkeley C Phil, UC Berkeley M Phil, University of Glasgow BA (Jt Hons), McGill University Research Interests: Modern Chinese media and print culture Historical intersections of technology, business, and politics Comparative empires and state power dynamics Maoist propaganda art and textual influence Historical publishing practices in East Asia His work notably includes Gutenberg in Shanghai (2004), awarded the ICAS Humanities Book Prize, and co-edited volumes like From Woodblocks to the Internet (2010). Recent publications analyze Maoist-era art, Chiang Kai-shek’s China’s Destiny , and KMT propaganda. Awards: ICAS Humanities Book Prize (2003–05) Three Fulbright Awards Hulsewe-Wasniewski Lecturer (Leiden University, 2006) Editorial Roles: Chief Editor, Twentieth-Century China (2004–2009) Editorial Board Member, Book History (Asia section) Editorial Board Member, Studies on Asia He has held visiting roles at Victoria University (New Zealand) and delivered lectures at institutions including the National Library of New Zealand. His research spans over 5 years lived in China/Taiwan, with fieldwork across Asia, Europe, and the South Pacific.
Dr. Xin Fan is a Teaching Professor in Modern Chinese History at the University of Cambridge's Faculty of Asian and Middle Eastern Studies (AMES). He also serves as a Fellow and Director of Studies at Lucy Cavendish College and Director of Studies at Robinson College. A global historian, Fan specializes in intellectual history, historiography, and worldviews of twentieth-century China. His research explores the intersections between foreign knowledge, nationalism, and knowledge production in non-Western contexts. He co-edits the SAGE Handbook of Interpreting Chinese History and has authored major works like Global History in China (2024) and World History and National Identity in China (2021). His current projects include studies on emotions and nationalism, as well as the global rise of higher education. Fan has taught at universities in Europe and the U.S., focusing on courses about Chinese cultural and historical contexts. His work bridges global and national perspectives, emphasizing how political consciousness shapes historical narratives. Education & Career: Fan has studied and worked in China, the U.S., Germany, and the UK. While formal academic credentials are not detailed, his career trajectory reflects extensive international scholarly engagement. Research Interests: Fan’s expertise spans intellectual history, nationalism, global historiography, and the sociology of knowledge. He examines how cultural and political conditions influence knowledge production in China, particularly regarding world history, emotional politics, and cross-cultural reception of antiquity. His work challenges Eurocentric frameworks and explores non-Western historiographical traditions. Publications: Fan has authored monographs, co-edited volumes, and published widely in journals such as Global Intellectual History and Contributions to the History of Concepts . His book reviews appear in prominent journals like Journal of Asian Studies and Frontiers of History in China . Teaching & Leadership: Fan teaches undergraduate courses on Chinese history and culture at AMES. He directs studies at two Cambridge colleges, fostering academic mentorship in Asian and Middle Eastern Studies.
Yi Gu is an Associate Professor of modern and contemporary art and visual culture at the University of Toronto Scarborough (UTSC), with cross-appointments in the Department of Arts, Culture and Media and the Department of East Asian Studies. Her scholarly work centers on Asian visual culture, particularly China's artistic and photographic history from the early twentieth century to the present. Her research interests include cold war visual culture, post-socialist art, Chinese photography history, contemporary photography in Asia, mass art and amateurism, and visual methodologies across disciplines. Gu's work is driven by examining the political ambitions and social functions of art, as well as the politics of aesthetics. Her recent research has focused on aesthetic capitalism and digital surveillance in China, leading to studies of the Digital Countryside initiative and CCP aesthetics anchored in agrarian imaginary. Gu's publications reveal a consistent engagement with visual epistemology, particularly how Chinese artists and photographers have negotiated modernity, nation-building, and transnational influences. Her work spans from early twentieth-century open-air painting practices to contemporary digital visual culture, demonstrating how visual practices serve as critical sites for understanding China's social and political transformations. As co-editor of the open-access academic journal Trans Asia Photography and convening member of the research project 'Alternative Collections and Digital Humanities: Twentieth-Century Chinese Art and Visual Culture,' Gu actively contributes to expanding the field of Asian visual studies through collaborative scholarly initiatives. At UTSC, Gu teaches undergraduate courses on modern and contemporary Asian art, lens-based media in Asia, public art, and art and digital culture. Her scholarly approach combines art historical methods with visual culture studies, media theory, and cross-disciplinary perspectives to examine how visual practices shape and are shaped by political and social contexts in China and beyond.
Dr. Tani Barlow is the George & Nancy Rupp Professor of Humanities and Professor of History at Rice University, affiliated with the Chao Center for Asian Studies and the Center for the Study of Women, Gender, and Sexuality. A leading scholar in Modern Chinese intellectual history, her work bridges gender studies, media culture, and transnational feminism. She co-founded the Chinese Commercial Advertising Archive and edits the acclaimed journal positions: asia critique . Her research examines late 19th to early 20th century China through lenses of consumer culture, feminist theory, and cultural ephemera. Notable books include In the Event of Women (2018) and The Question of Women in Chinese Feminism (2004). Barlow holds visiting professorships at Tsinghua University, Hitotsubashi University, and the University of Bologna. She has directed major projects like the Rockefeller Foundation's Critical Asian Studies initiative and the Luce Foundation’s Ephemera Project. Her articles span journals like Boundary 2 and differences , analyzing topics from advertising art to Marxist sociology. Her recent work explores digital humanities applications in historical research and the intersections of capitalism with gendered identities in China. Barlow mentors advanced graduate students specializing in modern Chinese history with technical skills in data analysis and cultural theory. Her interdisciplinary approach integrates visual studies, political economy, and feminist critique to reframe understandings of China’s modernization processes.
David Der-Wei Wang serves as Edward C. Henderson Professor of Chinese Literature and Comparative Literature at Harvard University, holding dual appointments in the Department of East Asian Languages and Civilizations. He directs the CCK Foundation Inter-University Center for Sinological Studies and holds prestigious Academician positions at both Academia Sinica and the American Academy of Arts and Sciences. His distinguished career includes prior faculty roles at National Taiwan University (1982-1986) and Columbia University (1990-2004), with continuous Harvard affiliation since 1986. His academic credentials include: B.A. in Foreign Languages and Literature, National Taiwan University M.A. in Comparative Literature, University of Wisconsin-Madison (1978) Ph.D. in Comparative Literature, University of Wisconsin-Madison (1982) Wang's research pioneers interdisciplinary approaches to Modern and Contemporary Chinese/Sinophone Literature, Late Qing fiction, and colonial Taiwanese studies. His work critically examines historical trauma , cultural identity formation , and transnational literary networks , particularly through the lens of political upheaval and diasporic experiences. Special attention is given to mid-20th century Chinese intellectuals navigating ideological crises, with methodologies blending comparative literary theory and historical analysis. His eight major publications (1997-2020) reveal consistent thematic evolution toward global frameworks for Chinese literary studies. Early works like Fin-de-Siècle Splendor established foundations in Late Qing modernities, while later volumes including A New Literary History of Modern China and Why Fiction Matters expand into transnational Sinophone networks and contemporary sociopolitical relevance. The corpus demonstrates increasing emphasis on diasporic perspectives and decolonizing methodologies across Chinese literary historiography. Wang's scholarly recognition includes: Academician, Academia Sinica Academician, American Academy of Arts and Sciences Changjiang Scholar Award (2008) Humanitas Visiting Professorship at CRASSH, Cambridge (2013-14) As Director of the CCK Foundation Inter-University Center for Sinological Studies, Wang coordinates international research initiatives connecting North American and Taiwanese institutions. This leadership role facilitates collaborative projects in digital humanities and comparative Sinology, supporting emerging scholars through cross-institutional fellowships and academic exchanges focused on reimagining Chinese studies through global perspectives.
