Find Academic Supervisors

Urszula KrygerView profile

Professor

• Classical Vocal Performance
• Art Song Interpretation
• Opera
• +3 more

Professor Urszula Kryger, Ph.D., serves as Dean of the Faculty of Vocal and Acting Studies at the G. and K. Bacewicz Academy of Music in Łódź since the 2012/2013 academic year, following her tenure as Head of the Vocal Studies Department (2008-2012). A distinguished mezzo-soprano, she has maintained an international performance career while advancing vocal pedagogy through master classes and competition juries. Her educational background includes dual degrees from the Academy of Music in Łódź: Instrumental Studies in Piano (1988) and Vocal Studies in Acting (1992), supplemented by advanced vocal training under Andrzej Orłowicz in Copenhagen. This foundation informs her holistic approach to vocal artistry. Kryger's research focuses on Classical Vocal Performance with specialization in Art Song Interpretation and Polish Musicology . Her scholarly work centers on authentic performance practices of Chopin, Szymanowski, and Moniuszko, emphasizing textual nuance and historical context in art song. She investigates chamber music collaborations as interdisciplinary laboratories for vocal expression, with particular attention to the interplay between text, timbre, and emotional authenticity. Her publication trajectory reveals deep engagement with Polish musical heritage , progressing from foundational recordings of Russian repertoire to definitive interpretations of Szymanowski and Żeleński. The consistent Fryderyk Award recognition demonstrates scholarly impact in preserving and reinterpreting national musical identity through rigorous vocal scholarship. 2001 Fryderyk Award for 'Russian Duets' (DUX) 2002 Fryderyk Award for 'Moniuszko's Songs' and 'Karłowicz/Szymanowski's Songs' 2004 Fryderyk Award for 'K. Szymanowski's Songs' (Channel Classics) 2006 Karol Szymanowski Foundation Award 2012 Fryderyk Award for 'Żeleński - Pieśni' As an educator, Kryger mentors through master classes across Europe and serves on international competition juries. Her academic leadership includes departmental administration and shaping curriculum for vocal performance programs. Collaborative projects with ensembles like the Tokyo String Quartet and Petersen Quartet demonstrate her commitment to interdisciplinary artistic research. Kryger maintains active performance partnerships with distinguished musicians including Hartmut Höll, Charles Spencer, and Pascal Rogé, while conducting research through recording projects that serve as both artistic output and pedagogical resources for vocal students.

Ed HughesView profile

Professor

• Composition
• Music Technology
• Historical Music Studies
• +4 more

Ed Hughes is a Professor of Composition in Music at the University of Sussex's School of Media, Arts and Humanities. His roles include Head of Music (2013-2018), Deputy Head of School, and Associate Dean for Education. He holds a BA from Cambridge University (1987-1990), an MPhil (Cambridge), and a PhD in Composition from Southampton (2000-2004). His research focuses on composition techniques, music technology, and interdisciplinary projects like Syncphonia, a notation system aiding ensemble performance. Notable works include operas like States of Innocence (2024) and orchestral pieces inspired by landscape, such as Music for the South Downs (2022). He has received grants from AHRC, Arts Council England, and the South Downs National Park Authority. Hughes has supervised numerous PhD students in composition and music technology. His awards include the British Composer Award (2014) and commissions from Brighton Festival and the Mahogany Opera Group. Collaborations with psychologists and educators highlight his commitment to music education and accessibility.

Alla VoskoboynikovaView profile

Academic

• Piano Performance
• Keyboard Studies
• Chamber Music
• +3 more

Alla Voskoboynikova is an Associate Teaching Professor of Music and Director of Keyboard Studies at the University of Missouri-St. Louis (UMSL). She holds a Bachelor’s in Piano Performance from Voronezh Music College (Russia) and a Master’s from Moscow’s Gnessins Academy of Music. Her career includes solo performances at Carnegie Hall and collaborative work with the St. Louis Symphony Orchestra and Union Avenue Opera Company. She has organized cultural exchange concerts in Russia and directs UMSL’s Summer Keyboard Camp. Education: Voronezh Music College (BA, 199?), Gnessins Academy (MA, 1996) Research focuses on piano pedagogy, chamber music collaboration, and Russian/Ukrainian musical heritage. Notable projects include Shostakovich’s 100th-anniversary recitals and Mendelssohn bicentennial performances. She actively mentors students in competitions and international tours. Recent performances include collaborations with Arianna String Quartet, Stella Markou, and Christine Brewer. Her pedagogical approach emphasizes cultural exchange and interdisciplinary artistry, with students performing at major St. Louis venues like Touhill Performing Arts Center.

• Chamber Music
• Violin Performance
• Classical Music
• +1 more

Rainer Schmidt is a Universitätsprofessor (Professor) of Violin and Chamber Music at the Mozarteum University's Strings Department and Institute for Chamber Music. He has been teaching chamber music there since 1988 and assumed a concurrent professorship in violin and chamber music at the Basel Music Academy in October 2007. His musical training included studies with Atila Aydintan in Hanover and Dorothy Delay in Cincinnati, alongside mentorship from Walter Levin, Ivry Gitlis, Tatjana Grindenko, and Nicolaus Harnoncourt. Professionally, he joined the renowned Hagen Quartet in 1987 and co-founded the Ravinia Piano Trio in 1989, performing internationally. His career bridges performance excellence in string ensembles with academic leadership in classical music pedagogy. No scientific awards or grants are explicitly listed in the provided text, though his ensemble performances and academic roles reflect significant contributions to the field.

Peter TuiteView profile

Professor

• Classical Piano Performance
• 18th-Century Music
• Chamber Music
• +3 more

Peter Tuite is a Full Titled Professor and Head of the Keyboard Faculty at the Royal Irish Academy of Music (RIAM), one of Europe’s leading music institutions. He holds dual appointments, previously serving as Head of Piano and Keyboard Instruments at Trinity Laban Conservatoire of Music and Dance in London (2015–2018). His academic roles are complemented by extensive international performance and curation work. Education includes Trinity College Dublin, University of Oxford, and a Fulbright Scholarship at Johns Hopkins University’s Peabody Institute. He is renowned for his specialization in 18th-century keyboard works, particularly Haydn and Bach, and has pioneered innovative recordings such as the Goldberg Variations (2020) and the Art of Fugue project (2025). As a concerto soloist, he collaborates with renowned conductors like Andrei Boreyko and orchestras across Europe and the U.S. Research interests span performance practice, musicology, and interdisciplinary projects blending music with literature. He co-founded the New Lights Festival (2018), a London-based platform for contemporary music innovation, and launched the New Lights Forum for artist-intellectual dialogues. His recent hybrid works merge poetry with ancient instruments, including a 2023 piece premiered in London. Awards: Glenn Gould Bach Fellowship (2020), Loubser Fellowship (2020), Lead Curator of PLF Projects (2022), Poetry Commendation (2015). Grants & Projects: Digital exhibition space development (PLF Projects, 2024), Weimar Bach exhibitions (2021), international masterclasses in 15+ countries. Labs/Teams: Leads the RIAM Keyboard Faculty, collaborates with the Vanbrugh String Quartet and artists like Hakan Hardenberger.

Danilo PérezView profile

Professor

• Global Jazz
• Music Composition
• Panamanian Folk Music
• +7 more

Danilo Pérez is a Grammy Award-winning Panamanian pianist, composer, and educator, currently serving as the Founder and Artistic Director of the Berklee Global Jazz Institute at Berklee College of Music in Boston. He is also the Artistic Director of the Panama Jazz Festival and holds the prestigious title of UNESCO Artist for Peace and Cultural Ambassador for Panama. Educational Background: National Conservatory of Panama (Classical Piano) Berklee College of Music (Jazz Composition) Bachelor’s Degree in Electronics, Panama Danilo Pérez’s research and artistic interests center on Global Jazz , a genre he pioneered by fusing Panamanian roots, Latin American folk music, West African rhythms, and European impressionism. His work transcends music, promoting it as a multidimensional bridge for community, democracy, and social change. He emphasizes values such as listening, compromise, and discipline in his teaching, viewing music as a tool for personal and societal transformation. His recent artistic works, including albums like Lumen (2024), Crisálida (2022), and Children of the Light (2015), reflect a consistent trend of spiritual depth, cross-cultural collaboration, and narrative composition. These works explore themes of identity, history, and human connection, often commissioned by major institutions like Carnegie Hall and the Banff Centre. His compositions range from intimate piano trios to large orchestral and chamber pieces, demonstrating a mastery of both improvisational jazz and structured composition. Scientific and Artistic Awards: Grammy Award (2006, 2019) United States Artists Fellowship (2018) Smithsonian Latino Center’s Legacy Award (2009) Gloria Career Achievement Award (2015) Boston Music Awards (1999, 2000) UNESCO Artist for Peace (2012) Former UNICEF Goodwill Ambassador Danilo Pérez has been a dedicated mentor and educator, advising and influencing generations of jazz musicians through his leadership at the Berklee Global Jazz Institute and the Panama Jazz Festival. His work has been supported by major commissions from Lincoln Center, Carnegie Hall, and the Detroit Jazz Festival, among others. He has not received traditional research grants but has secured significant artistic funding through fellowships and institutional commissions. His leadership extends to founding the Danilo Pérez Foundation, which provides music education for youth in Panama. Labs and Teams: Pérez leads the Berklee Global Jazz Institute , a dynamic educational and performance lab that fosters innovation in jazz. He also directs the Panama Jazz Festival , a major international event and educational platform. His primary performance ensembles include the Danilo Pérez Trio , the Children of the Light (with John Patitucci and Brian Blade), and the Global Messengers , all of which serve as living laboratories for his global jazz philosophy.

• Music Education
• Cello Performance
• Chamber Music
• +3 more

Peter J. Thomas is an Adjunct Assistant Professor of Cello at Carthage College and a multi-genre musician actively involved in performance, education, and community engagement. He has performed globally with ensembles like the 414 Quartet, Present Music, and the Carthage Trio, and co-founded MusiConnect, a pandemic-era music initiative recognized in 2021. University of Minnesota-Twin Cities Cleveland Institute of Music His research interests span Cello Performance , Music Education , Chamber Music , and Music Technology , emphasizing innovative use of electric cello and collaborative projects across classical, indie-rock, and educational settings. Best Acoustic Musician (Shepherd Express, 2021) String Player of the Year (WAMI, 2012, 2015) Educator Award for Certificate of Excellence in Studio Music (Civic Music Milwaukee, 2018) Song of the Year (WAMI, 2019) As an educator, Peter teaches at Carthage College, maintains a private cello studio, and instructs at summer festivals like CLAZZ (Italy) and the American Suzuki Institute. He has conducted master classes at institutions including the University of Minnesota-Twin Cities, Lawrence University, and UW-Stevens Point, while his students have earned significant accolades and scholarships.

James EhnesView profile

Teaching Professor

• Violin Performance
• Classical Music
• Chamber Music
• +3 more

James Ehnes serves as Professor of Practice in Violin at Indiana University's Jacobs School of Music within the Strings Department, maintaining an active international performance career while mentoring students. His position reflects his dual commitment to artistic excellence and music education at one of North America's premier conservatories. Ehnes earned his Bachelor of Music from The Juilliard School in 1997 under Sally Thomas, receiving the Peter Mennin Prize for Outstanding Achievement and Leadership in Music. His early training began at age five with protégé status under Canadian violinist Francis Chaplin by age nine, leading to his orchestral debut with L'Orchestre symphonique de Montréal at age 13. As a performer, Ehnes specializes in violin repertoire spanning Baroque to contemporary works, with particular mastery of Bach, Beethoven, Brahms, Schumann, and Ysaÿe. His artistic approach integrates technical precision with profound musical interpretation, evident in both solo recitals and collaborative chamber music. He leads the Ehnes Quartet and serves as Artistic Director of the Seattle Chamber Music Society, emphasizing innovative programming and artist development. Ehnes' exceptional contributions to music are recognized through multiple prestigious honors: Two Grammy Awards and three Gramophone Awards for recording excellence Eleven Juno Awards celebrating Canadian musical achievement 2021 Gramophone Artist of the Year designation Membership in the Order of Canada and Order of Manitoba Fellowship in the Royal Society of Canada Honorary Fellowship at the Royal Academy of Music His pandemic-era "Recitals from Home" series demonstrated adaptability in audience engagement, featuring acclaimed recordings of Bach and Ysaÿe sonatas performed on the "Marsick" Stradivarius of 1715. Current artistic partnerships include residencies with Canada's National Arts Centre and Artis–Naples, alongside regular appearances with leading orchestras worldwide including the Royal Concertgebouw, London Symphony, and Philadelphia Orchestra.

John SupkoView profile

Associate Professor

• Generative Art
• Electronic Music
• Artificial Intelligence in Music
• +3 more

John Supko is an Associate Professor of Music and Theater Studies at Duke University's Trinity College of Arts & Sciences. He also serves as Core Faculty in Innovation & Entrepreneurship and previously held roles like Interim Director of the PhD Program in Computational Media, Arts & Culture. Educated at Indiana University (B.Mus., 2002), Princeton University (M.F.A., 2005; Ph.D., 2009), he specializes in generative music that blends human creativity with algorithmic processes. His research explores intersections of chance, traditional notation, and real-time score generation. Notable projects include s_traits (a generative environment based on Bill Seaman’s text) and USINE (a 24-hour work combining ensemble and algorithmic electronics). His work has been hailed as 'spellbindingly beautiful' and 'hypnotic' for its fusion of sound, text, and technology. Recent artistic works include Time Becomes Again (2024) and Crossed Shadows (2024), emphasizing algorithmic innovation. Awards include the Hunt Family Publication Award (2013) and the Leo Kaplan Award (2008). Teaching spans composition, generative media, and arts entrepreneurship, reflecting his commitment to interdisciplinary creativity. Supko’s collaborations extend to computational media and experimental performance, with works exhibited globally. His lab focuses on using technology to disrupt conventional musical frameworks, advocating for 'exuberant rule-breaking' in artistic exploration.

Eva D. SzekelyView profile

Professor

• Violin Performance
• Chamber Music
• Contemporary Music
• +3 more

Eva D. Szekely is a Professor of Violin and String Area Coordinator at the University of Missouri School of Music, part of the College of Arts and Science. She holds the Catherine P. Middlebush Chair in Fine Arts (2000-2005) and directs International Programs. Her roles include 1st violinist of the Esterhazy Quartet and Artist Teacher of the Year (Missouri ASTA). Education: MS in Violin Performance from The Juilliard School Research & Performance: A renowned soloist and chamber musician, Szekely has performed globally in North America, Europe, and Brazil. She premieres contemporary works by composers like James Willey and Roberto Escobar, and her recordings appear on CRI, New World, and Albany Records. She prioritizes international collaboration, reflected in her festival engagements and MU’s International Engagement Award. Awards: 1999 Governor’s Medal of Honor in the Arts (Brazil) MU’s International Engagement Award Teaching & Impact: Her students excel in competitions and careers as performers/educators. She teaches at MU and guest-lectures at Berklee College of Music, emphasizing pedagogy and performance excellence. Labs/Teams: Leads the Esterhazy Quartet and coordinates string programs, fostering collaborative musical innovation.

Carlos GuedesView profile

Associate Professor

• Music Composition
• Sound Design
• Computational Music
• +7 more

Carlos Guedes is Associate Professor of Music at New York University Abu Dhabi (NYUAD) , affiliated with the Arts and Humanities division and the Music department. He also holds affiliated positions as Associate Professor in Computer Engineering at NYUAD and in Music Technology at NYU Steinhardt, reflecting his interdisciplinary profile. University: New York University Abu Dhabi School: Arts and Humanities Department: Music Rank: Associate Professor Emails: cag204@nyu.edu, menosmuitomais@gmail.com He holds a BM from the Polytechnic of Porto, School of Music and Performing Arts, and an MA and PhD from New York University. His research and artistic work span music composition, sound design, computational music, and cultural preservation, with a focus on the Gulf, East Africa, and South India. His primary research interests include: Analysis and preservation of music Automatic music generation Interactive music systems Generative computational technologies Audiovisual ethnography Immersive experiences and VR in music He is a founding member of the Music and Sound Cultures (MaSC) research group at NYUAD, which develops hybrid computational-humanistic methodologies and tools such as VR environments and games for cultural enculturation. His recent projects include a faculty research grant from the Sheikh Saud bin Saqr Al Qasimi Foundation to document the musical traditions of the Shihuh tribe in Ras Al Khaimah. As a composer, Guedes has over 80 international premieres, with work presented at major venues and festivals including Expo ’98, Expo 2020, Ars Electronica, ICMC, SIGGRAPH, and the Beijing Modern Music Festival. His compositions often blend industrial, carnatic, and Western erudite traditions with computational technologies. Notable recent works include the Time Poetries cycle for percussion and electronics, composed during his 2021–2022 residency with Drumming GP . His recent artistic output shows a strong trend toward electronic and computational music, with themes exploring space, time, cultural identity, and human-machine interaction. Albums such as Shadows & Reflections (2021) and Becoming Space (2021) reflect collaborative, improvisatory, and ambient tendencies, while pieces like Phobia robotica (2020) and Far Out (ISS Edition) (2024) explore robotic and cosmic themes. He has been actively involved in teaching a wide range of courses across disciplines, including: Music: Music Theory, Individual Instruction, Capstone Seminars, Computational Approaches to Music Computer Science: Capstone Project in CS Interdisciplinary: Immersive Experiences, Multidisciplinary Artistic Collaborations, Audiovisual Ethnography He mentors students in music capstone projects and computational media, and co-advises research in hybrid artistic-technical domains. He leads and participates in research labs and teams such as: Music and Sound Cultures (MaSC) Research Group – focused on computational ethnomusicology and cultural preservation Immersive Experiences Lab – exploring VR, AR, and sensory technologies in artistic contexts Interactive Media and Sound Computing – developing new instruments and performance systems

Mark DresserView profile

Professor

• Contemporary Music
• Jazz
• Free Improvisation
• +7 more

Mark Dresser is Professor of Music at the University of California, San Diego (UCSD), where he has been a faculty member since 2004. He earned both his B.A. and M.A. from UCSD, studying under Professor Bertram Turetzky. He has also taught at Princeton University, the New School University, and Hampshire College. Education: B.A., University of California, San Diego M.A., University of California, San Diego Fulbright Fellow, Italy (1983), studying with Maestro Franco Petracchi Mark Dresser is a Grammy-nominated bassist, composer, and innovator in contemporary music. His research focuses on expanding the sonic possibilities of the double bass through extended techniques, unconventional amplification, and interdisciplinary collaboration. He has authored a chapter in ARCANA and articles in The Strad on multiphonics and harmonics. His artistic work spans solo performance, ensemble leadership (e.g., Trio M, Arcado String Trio), and telematic music projects like Deep Tones for Peace . He is deeply engaged in improvisation, silent film scoring, and collaborative composition across media. His recent articles and recordings reflect a sustained exploration in avant-garde jazz, experimental composition, and telematic performance. Themes include extended instrumental techniques, interdisciplinary art, and innovative ensemble dynamics. His works blend jazz, classical, and free improvisation traditions into a unique sonic language. Scientific and Artistic Awards: Doris Duke Impact Award (2015) Shifting Foundation Award (2015) Fulbright Fellowship (1983) Two New York Foundation for the Arts Grants Meet the Composer Commissions Fellowships: MacDowell Colony, Civitella Ranieri, Bellagio, Akrai Mark Dresser has advised numerous emerging musicians and has been involved in significant research grants supporting telematic performance and interdisciplinary projects. He curates performance series and educational initiatives, including the Virtual Tour: A Reduced-Carbon Footprint Concert Series. He serves on the boards of the International Society of Bassists, the International Society of Improvised Music, and the Deep Listening Institute, contributing to the advancement of experimental music and improvisational practices. He leads and collaborates with several ensembles, including Trio M (with Myra Melford and Matt Wilson), Mauger (with Rudresh Mahanthappa and Gerry Hemingway), and a septet performing his original compositions. His UCSD-based research lab and performance groups focus on telematic music, real-time networked performance, and sonic experimentation with the double bass.

David RileyView profile

Professor

• Collaborative Piano
• Chamber Music Performance
• Classical Music Interpretation
• +3 more

David Riley is a Professor and Director of Piano Accompanying and Chamber Music at the University of Oregon School of Music and Dance since 2004. He specializes in Keyboard Performance , Piano Accompanying , and Chamber Music collaboration. Education: Doctorate (DMA) from Eastman School of Music Master's from Cleveland Institute of Music Bachelor's from Ithaca College His research and performance focus includes: Contemporary Collaborative Techniques Historical Chamber Repertoire Keyboard-Pedagogy Innovation Performance highlights: Merkin Hall with New York Philharmonic Chamber Players Carnegie Hall recitals Oregon Bach Festival collaborations International tours in Germany, Canada, and France Award recognitions: 2008 Canadian Independent Music Awards 'Favorite Classical CD' 2007 Silver Wave Film Festival 'Best Music' 2004 East Coast Music Award 'Best Classical Recording' He actively mentors graduate students in Collaborative Piano and provides graduate assistantships in studio accompanying and opera. The Eugene location offers unique access to coastal environments, hiking, and skiing alongside academic pursuits.

Jacob ShawView profile

Professor

• Cello Performance
• Music Education
• Mental Health in Elite Classical Music Training
• +3 more

Jacob Shaw is Professor of Cello at the Royal Northern College of Music and Visiting International Chair of Cello at the Royal Welsh College of Music and Drama. An internationally acclaimed British cellist with a career spanning nearly two decades across five continents, he has performed at major concert venues including Carnegie Hall, Berlin Konzerthaus, and Royal Albert Hall. Based in Denmark for over 15 years, he balances his academic roles with leadership of the innovative Scandinavian Cello School. Shaw's research interests focus on transformative approaches to music education, particularly through his groundbreaking work at the Scandinavian Cello School (SCS) , which he founded in 2016. His research spans three key areas: Biodiversity and Sustainability in Performing Arts (2022-2025), Mental Health within Elite Classical Music Training (2016-2024), and the MERITAcubed European partnership project (2025-2029). The SCS represents a holistic approach to music education that combines world-class training with mental wellness practices, sustainable living, and community engagement. His recent publications reveal a consistent focus on innovative approaches to cello performance and music education. The 2024 Strad article 'The Road to Vienna' and corresponding recording explore performance preparation, while the 2021 New York Times feature highlighted his unique 'Musical Farm' concept that went viral with 2.1 billion views. His work increasingly emphasizes the integration of sustainability practices, mental wellness, and community engagement within classical music training. His scientific recognition includes the Danish National Radio Firesoul Award for his mental health work in music education, along with numerous competition prizes during his performing career. Additional honors stem from the viral success of SCS, which has been featured in major global media outlets. Shaw has secured substantial research funding including support from the Danish Arts Council, Augustinus Foundation, W. Demant Foundation, Greenland Resources, and most significantly a €2.8 million grant from Creative Europe. His advisory work extends through SCS Consultancy, serving industry leaders like Deutsche Grammophon and business clients including Ernst & Young and McKinsey & Company. In 2022, he served as Director of Culture for the UNESCO World Heritage Site of Stevns Klint. The Scandinavian Cello School operates from a historic 1800s farm near the UNESCO World Heritage site of Stevns Klint in Denmark, welcoming approximately 150 guests annually. The school has gained international recognition for its unique ethos that achieves a healthy work-life balance alongside world-class music training. Outreach concerts, outdoor experiences, and collective living form part of their philosophy to create more balanced and ultimately better musicians. The school has succeeded in bringing classical music to new audiences in untraditional surroundings, challenging and strengthening both international and Danish musical talents.

Lotta WennäkoskiView profile

Professor

• Music Composition
• Contemporary Music
• Orchestration
• +3 more

Lotta Wennäkoski, a Finnish composer born in 1970, is renowned for her transparent timbres and innovative orchestration techniques. Her work spans orchestral, chamber, and vocal genres, with commissions from prestigious institutions like the BBC and Savonlinna Opera Festival. Current Artist Professor (2022-2026) by The Arts Promotion Centre Finland. Gramophone Award winner (2023) for Sigla recording. Her compositions emphasize economy of means and originality, blending drive, energy, and humor. Recent works include violin concertos, string quartets, and a recorder concerto for Lucie Horsch, highlighting collaborations with global orchestras and soloists. Key trends in her compositions include exploration of Nordic themes, dynamic instrumental contrasts, and integration of ecological motifs in chamber works. The Gramophone Award-winning Sigla exemplifies her mastery in harp concerto writing. Scientific Awards: Finland’s State Prize of Music (2020) Gramophone Award 2023 (Contemporary Music Category) Lotta Wennäkoski maintains active international commissions, including collaborations with the Danish String Quartet, BBC Symphony Orchestra, and Royal Concertgebouw Orchestra. Her recordings with Ondine have further solidified her reputation as a leading contemporary composer.