Find Academic Supervisors

Robert WhiteView profile

Associate Professor

• Trumpet Performance
• Music Education
• Orchestral Music
• +3 more

Dr. Robert White is an Associate Professor of Trumpet and Assistant Director at the Irving S. Gilmore School of Music, Western Michigan University. His roles include teaching, performing, and leading ensembles such as the Western Brass Quintet and Detroit Chamber Winds and Strings. He holds a Doctor of Music from Indiana University's Jacobs School of Music (2007), Master of Music (1998), and Bachelor of Music Education (1995) from Western Michigan University. Active internationally, White performs with orchestras like the Detroit Symphony, Grand Rapids Symphony, and Michigan Opera Theatre. His career spans orchestral, chamber, commercial, and solo engagements, including appearances at Carnegie Hall and collaborations with renowned artists such as Wayne Shorter and The Who. He has taught at multiple institutions, including Bowling Green State University and Grand Valley State University, and led residencies at the Boston University Tanglewood Institute and Eastern Music Festival. His artistic contributions include commissions, recordings, and educational outreach. White’s teaching emphasizes trumpet performance and literature, with a focus on ensemble dynamics and contemporary music practices.

Eric WoodView profile

Associate Professor

• Music Composition
• Vocal Music
• Opera
• +3 more

Dr. Eric Wood is an Associate Professor of Practice in the Department of Theory and Composition at the Conservatory of Music, University of Pacific. He has been a faculty member since 1998, teaching courses in Music History, Music Theory, and offering applied composition lessons. His teaching includes first-year written theory (Diatonic and Chromatic Harmony) and advanced courses like Advanced Analysis and Counterpoint. Education: Bachelor of Music and Master of Music in Composition, University of Oregon Doctoral of Musical Arts in Composition, Boston University Research & Compositions: Dr. Wood specializes in vocal music, including song cycles based on works by Shakespeare, Kenneth Patchen, e.e. cummings, and Pablo Neruda. Larger works include the opera Movieland Chatroom , the cantata O Golden Child , and symphonic wind ensemble pieces like The Wedding Procession of the Rag Doll and the Broom Handle and Who Was In It . Recent compositions include Quartet for clarinet, piano, cello, and percussion, and Planting Trees , a string quartet and tenor setting of Wendell Berry’s poetry. Awards: Most Inspirational Professor (Conservatory student vote, 3 times) Advising & Grants: No specific grants or student advising lists provided, though his role as a composition instructor likely involves mentoring students in creative projects. Labs/Teams: No formal labs or interdisciplinary teams mentioned in available text.

Yuchen LiuView profile

Lecturer

• Music Performance
• Orchestral Studies
• Double Bass
• +3 more

Yuchen Liu is a Lecturer in Double Bass at the San Francisco Conservatory of Music and a professional double bassist performing extensively across the San Francisco Bay Area with ensembles including the San Francisco Symphony, Oakland Symphony, Berkeley Symphony, and Stockton Symphony. Completed Artist Diploma in Orchestra Studies at Academy Orchestra Master of Music (M.M.) at San Francisco Conservatory of Music Bachelor in Music Performance at National University of Singapore, Yong Siew Toh Conservatory of Music Professional training at Central Conservatory of Music in Beijing As a performer, she has participated in international festivals like Contrabass Kaleidoscope 2013 in Berlin (soloist) and toured globally with major productions. Her teaching focuses on music education through the San Francisco Symphony’s Music and Mentors Program, engaging middle/high school students in public schools. Scientific Awards Selected for 'Phantom of the Opera' world tour 2014 Soloist performance at Contrabass Kaleidoscope Festival 2013

Sarah AlmetusView profile

Lecturer

• Music Education
• Violin Performance
• Suzuki Pedagogy
• +2 more

Sarah Almetus is a Lecturer in Music Education at the Conservatory of Music, University of the Pacific, where she has been since fall 2020. She holds a Bachelor of Music (BM) in violin performance from Biola University and a Master of Music (MM) in violin performance with a Suzuki Pedagogy emphasis from East Carolina University. Her teaching career includes roles at the Omaha Conservatory of Music Summer Institute (2015–2017), the Hochstein School of Music in Rochester, NY (2006–2016), where she co-founded the East String Quartet, and as a private instructor founding string programs in Houston, TX elementary schools. She actively performs with the Stockton Symphony, Sacramento Philharmonic and Opera, and Modesto Symphony Orchestra. Currently, she maintains an active violin studio in Davis, California. Almetus' professional expertise spans Suzuki Method pedagogy, orchestral performance, and string education program development. Her career highlights include collaborative work with ensembles like Ossia (Eastman School of Music) and contributions to music education through institutional and community initiatives.

Selim GöncüView profile

Research Fellow

• Music Composition
• Electroacoustic Music
• Contemporary Classical Music
• +3 more

Selim Göncü is a Postdoctoral Fellow in Music Composition at the University of Missouri, affiliated with the School of Music under the College of Arts and Science. He currently contributes to the artistic board of the Ninth Planet New Music Ensemble and serves as a director for sfSound. From 2017 to 2019, he was Composer-in-Residence with Ensemble Échappé, a New York-based new music ensemble. Selim earned his doctoral degree in composition from the University of California, Berkeley, and graduated from the University of Music and Performing Arts Graz with the highest distinction. His primary mentors include Franck Bedrossian, Clemens Gadenstätter, Reinhard Febel, and Edmund Campion. His research interests revolve around balancing contrasting musical elements, such as raw gestures with transparent textures, elegant timbres with abrupt impulses, and mechanically repetitive loops with freely flowing improvisations. He integrates electronic components into his works, exploring interdisciplinary intersections between composition and technology. 2021 Fromm Commissioning Award MacDowell Fellowships (2019 and 2022) Salvatore Martirano Composition Award Ettelson Composer’s Award California Prize Nicola de Lorenzo Prize in Composition His professional contributions extend beyond composition to mentorship and leadership. He has received grants such as a Fromm Music Foundation commission for a synthesizer concerto, set to be performed by the Ninth Planet Ensemble. Upcoming projects include a string quartet and electronics piece with the JACK Quartet and a quintet for Splinter Reeds. Selim’s works are regularly performed by acclaimed ensembles like Ensemble InterContemporain and L’Instant Donné, in festivals such as Wittener Tage für neue Kammermusik and Firenze Suona Contemporanea. His creative process emphasizes experimentation with sound, structure, and electronic media, positioning him as a leading figure in contemporary music innovation.

Eli LaraView profile

Associate Professor

• Cello Performance
• Chamber Music
• Contemporary Music
• +3 more

Eli Lara is an Associate Professor of Cello at the University of Missouri School of Music, part of the College of Arts and Science. She holds a DMA from The Juilliard School, an MM from Yale School of Music, and a BA in molecular biophysics and biochemistry from Yale University. Her research focuses on classical and contemporary music performance, including studies of Erwin Schulhoff’s string quartet manuscripts in Prague and Vienna. She is a member of the Esterhazy String Quartet and Khemia Ensemble, specializing in contemporary and multimedia performances. Dr. Lara’s career includes performances across North America, Europe, Asia, and South America, with highlights at venues like New York’s Alice Tully Hall and London’s Wigmore Hall. She co-founded Trio Séléné, whose 2018 album on Summit Records features works by Fauré, Zemlinsky, and Fernando Buide. She actively promotes contemporary music through premieres at festivals such as Mizzou International Composers Festival and National Sawdust. Awarded the Richard F. French Prize for her Schulhoff research and a C.V. Starr Doctoral Fellowship, Lara has taught at the University of Missouri and Austin Peay State University. Her performance credits include roles with the Gateway Chamber Orchestra, Nashville Opera Orchestra, and KC Lyric Opera, alongside studio recordings for artists like Willie Nelson and video game soundtracks for EA and Oculus Rift. Lara’s professional affiliations include the Odyssey Chamber Music Series and Birdfoot, Kneisel Hall, and Sarasota festivals. She balances academic leadership, ensemble performance, and interdisciplinary collaborations in music and multimedia.

• Music
• Cello Performance
• Orchestral Music
• +1 more

Jonathan R. Gerhardt serves as an Adjunct Instructor in the Department of Music at Newcomb College, Tulane University, specializing in cello instruction. He concurrently holds the prestigious position of Cello Principal with the Louisiana Philharmonic Orchestra, demonstrating dual expertise in academic pedagogy and professional orchestral performance. His educational foundation includes a Master of Music (M.Mus.) degree from the New England Conservatory of Music, a globally recognized institution for classical training. This advanced degree underpins his technical proficiency and interpretative depth in string performance. Mr. Gerhardt's professional focus centers on cello performance within classical and orchestral contexts, with particular emphasis on chamber music and symphonic repertoire. His work bridges rigorous academic instruction with active professional engagement, enriching both the university's music program and New Orleans' cultural landscape through performance excellence and mentorship. As Cello Principal of the Louisiana Philharmonic Orchestra—a musician-governed ensemble renowned for community integration and innovative programming—he contributes significantly to regional arts through concert seasons, educational outreach, and collaborative community projects that extend classical music beyond traditional venues.

• Musical Composition
• British Classical Music (Post-1900)
• Chamber Music
• +3 more

Prof Peter Fribbins is a Professor and ACI Director of New Partnership Development at Middlesex University's School of Arts (Faculty of Arts and Creative Industries). He leads in musical composition, British classical music post-1900, and arts leadership. His roles include Artistic Director of the London Chamber Music Society and co-director of Fenlandia, a festival celebrating East Anglian fen culture. Research focuses on musical composition, chamber music, and historical reinterpretation (e.g., Agnes Zimmermann’s work). Teaching areas include composition, music aesthetics, and event management. His works are performed globally by orchestras like the Royal Philharmonic and Royal Scottish National Orchestra, with over ten commercial recordings. Publications span concertos, chamber pieces, and analytical works like Zemlinsky’s String Quartets: A Composer’s View . His recent works (2022–2024) explore regional landscapes (e.g., The Fens ) and folk traditions. Leadership roles include Middlesex University’s Faculty of Arts & Creative Industries team.

Nathan CookView profile

Associate Professor

• Early Music Performance
• Chamber Music
• Works of Living Composers
• +3 more

Dr. Nathan Cook is an Associate Professor of Chamber Music at the School of Music, Memorial University of Newfoundland. He is a cellist and educator, active in early music performance and contemporary compositions. His affiliations include the Trinitas Chamber Ensemble (co-founded with Dr. Michelle Cheramy), the Atlantic String Quartet, and the Newfoundland Symphony Orchestra. He holds degrees from Grinnell College (B.A. Chemistry), Colgate University (M.A.T.), and Rice University (M.M. and D.M.A. in Music). B.A. Chemistry, Grinnell College M.A.T., Colgate University M.M. and D.M.A., Rice University His research focuses on revitalizing early music and promoting living composers, including co-commissioning works by Clifford Crawley, Andrew Staniland, and others. He has performed widely across Canada and the U.S., featured on CBC Radio and NPR stations. No articles listed in provided text. Scientific awards section remains empty. Teaching and advising roles are central to his career, though specific grants or student lists are not detailed here. He has collaborated with guest artists nationally and internationally through the Hot Earth Ensemble and Trinitas Chamber Ensemble.

Nathan DeardenView profile

Lecturer

• Music Composition
• Social Commentary in Music
• Parody in Music
• +3 more

Nathan Dearden is a Lecturer in Composition at the Department of Music, Royal Holloway, University of London. He is an award-winning Welsh composer, conductor, and educator, recognized for his hauntingly beautiful works that blend concert music with mixed media. His music has been performed by renowned ensembles including the London Philharmonic Orchestra, Welsh National Opera, and BBC National Orchestra of Wales. Dearden holds a PhD in Music as Commentary from Royal Holloway and an MMus (Distinction) from Cardiff University. His research explores parody in music and its role as social commentary, focusing on decontextualized borrowed materials and societal reflection. Notable works include collaborations with the National Youth Choir of Wales and the Choir of Royal Holloway. Dearden has received prestigious awards such as the 2022 Making Music UK 'Best Music Creator' and the inaugural Acapela Composer Award. As a conductor, he specializes in 20th/21st-century repertoire, leading groups like CHROMA and the New Music Collective at Royal Holloway. His current projects include a Passion setting with immersive digital storytelling and collaborations with tenor Nicky Spence and cellist Guy Johnston. He serves as Lead Composition Tutor at the Guildhall School of Music and Drama, Trustee of Classical Remix, and Board Member of the Welsh Music Guild. Key educational milestones include a Young Composer-in-Residence role with the National Youth Orchestra of Wales and a Magnum Opus Residency with Britten Sinfonia. His music has been broadcast on BBC Radio 3, RTÉ lyric FM, and released on NMC Recordings and Delphian.

Shan DengView profile

Senior Lecturer

• Music Performance
• Musicology
• Ethnomusicology
• +3 more

Shan Deng is a Senior Lecturer in Music at the University of Tasmania's School of Creative Arts and Media, where she has served as Head of the Keyboard Department since 2001. She holds dual Masters of Music degrees from Manhattan School of Music (USA) and Griffith University (Australia), and a Bachelor of Music (Honours) from Griffith University. A renowned concert pianist, she has performed globally with prestigious orchestras like the Queensland Philharmonic and Australian Symphony Orchestras, and has released three CDs: Shan Deng Plays Chopin , Shan Deng Live , and Conversations (featuring pipa collaboration). Her research focuses on musicology and ethnomusicology, with particular emphasis on adapting Chinese folk songs into new Australian compositions. Notable achievements include: 2014: Australian Council for the Arts International Pathway Grant for a China concert tour featuring the world premiere of Maria Grenfell's Choro . 2016: Arts Tasmania grant supporting performances in China, America, and Canada. 2017: Representation of Australia at the Bowling Green New Music Festival (USA) with Tasmanian-composed works. 2019: Study of Argentine tango music funded by Arts Tasmania. Awards include Churchill and Fulbright Fellowships, the Sydney International Piano Competition's Best Australian Pianist Prize, and the Australian Big Ben Award. She regularly adjudicates national competitions and teaches at the Tasmanian Conservatorium.

Margaret MillerView profile

Senior Lecturer

• Music Education
• Classical Music Performance
• Chamber Music
• +2 more

Margaret Miller is a retired Senior Lecturer of Music and former Coordinator of the Graduate String Quartet Program at Colorado State University (CSU), affiliated with the School of Music, Theatre, and Dance within the College of Liberal Arts. She teaches viola, chamber music literature, and coaches ensembles. She also served on the faculty of the LEAP Institute for the Arts, a multidisciplinary program focusing on post-graduation career readiness for musicians. Before joining CSU in 2004, Miller was violist of the da Vinci Quartet (1986–2004), a residency ensemble at the University of Denver and Colorado College. The quartet won prestigious awards, including prizes at the Naumberg and Shostakovich competitions, and recorded American composers’ works for Naxos. Miller’s teaching excellence has been recognized by the Colorado Chapter of the American String Teachers Association and the Colorado Springs Youth Symphony. Her professional engagements include masterclasses at institutions like the University of Missouri and Kansas State University, and clinics on viola performance and career strategies at conferences such as the Primrose Festival. She continues to advocate for innovative music education and community outreach through performance and pedagogy.

Kate Bevan-BakerView profile

Lecturer

• Irish Music
• Celtic Music Performance
• Fiddle Studies
• +4 more

Kate Bevan-Baker is a Lecturer in Fiddle & Violin at Concordia University's School of Irish Studies, specializing in Irish and Celtic music performance and ethnomusicology. She maintains an active dual career as both an academic and professional musician. Education: PhD in Irish Music (Concordia University, Social Sciences and Humanities Research Council Doctoral Scholar) Graduate Certificate in University Teaching MMus in Violin Performance (McGill University) BMus in Violin Performance (Memorial University) Her research centers on Irish musical traditions with fieldwork focused on Prince Edward Island, examining cultural transmission and performance practices. She bridges classical violin training with Celtic fiddling traditions, exploring interdisciplinary connections between ethnomusicology, performance studies, and music education. Her pedagogical approach emphasizes experiential learning through diverse musical styles including Celtic, jazz, and classical repertoires. Scientific Awards: Concordia University Doctoral Thesis Defense Award (2018) Rhona Richman Kenneally Award for top PhD paper at Canadian Association for Irish Studies conference (2018) Memorial University Concerto Competition winner (2009) ECMA nomination with The Dardanelles Kate mentors students across diverse age groups and skill levels, from absolute beginners to advanced musicians. Her teaching philosophy creates inclusive environments that welcome non-traditional students, with testimonials highlighting her ability to make complex musical concepts accessible. She balances academic work with active performance grants supporting her ensembles' international tours and recordings. She co-founded multiple ensembles including Birds on a Wire (string quartet pushing genre boundaries), The Dardanelles (ECMA-nominated traditional band), and currently performs with Solstice, Bùmarang, and Archetype Trad. Her vocal work includes Adleisia choir, evolving from Concerto Della Donna under Iwan Edwards' direction.

• Cello Performance
• Orchestral Music

Elizabeth Browne serves as Adjunct Cello Instructor at Trevecca Nazarene University's School of Music and Worship Arts. She holds bachelor's degrees in both cello and voice performance from Boston University College of Fine Arts and a master's in cello performance from San Francisco Conservatory of Music. With over 20 years of orchestral experience, Browne has performed with ensembles including the Nashville Symphony, San Francisco Conservatory Orchestra, and Music City Hit-Makers Orchestra. Her pedagogical approach bridges professional performance experience with academic instruction. Based in Nashville, Tennessee, she contributes to developing string pedagogy within higher education settings.

• Music Education
• Violin Performance
• Performance Psychology
• +3 more

Sherry Francis Merideth is an adjunct professor of strings at Trevecca Nazarene University's School of Music and Worship Arts. She holds a B.M. magna cum laude in violin performance and music education from DePaul University and an M.M. in violin performance from Belmont University, with current doctoral studies in performance psychology. Education: B.M. (DePaul University), M.M. (Belmont University), Doctoral studies in performance psychology Her research focuses on mental health support for musicians and performance excellence, highlighted by a 2023 lecture at the ASTA National String Summit. She actively performs with ensembles like the Trans-Siberian Orchestra and Gaither Homecoming Videos. Teaching roles include Lipscomb Academy and her private studio in Brentwood, plus leadership as string specialist and orchestra director at the W.O. Smith Summer Music Resident Camp. She adjudicates concerto competitions for Belmont University and W.O. Smith Music School. Professional workshops cover Effective Practice Techniques, Audition Prep, and Bow Strokes methodology.