Find Academic Supervisors

Sarah Creem-RegehrView profile

Professor

• Spatial Cognition
• Virtual Reality
• Multisensory Perception
• +2 more

Sarah Creem-Regehr is Professor and Chair of Cognition and Neural Science at the University of Utah's Department of Psychology. She directs the Vision, Audition, Action in Space & Time (VAAST) laboratory, researching human spatial perception and navigation in real, virtual, and augmented environments. Her research examines: Navigation in Extended Realities (XR) Perception of spatial gist during locomotion Multisensory cue integration for navigation Spatial cognition in low vision populations Depth and affordance perception in XR Creem-Regehr's publications demonstrate consistent methodological innovation in eye tracking, motion capture, and VR/AR technologies for studying spatial behavior. Recent work focuses on perceptual calibration across realities, accessibility solutions for visual impairments, and user-centered navigation systems. She currently advises six graduate students and serves as Editor-in-Chief of Cognitive Research: Principles and Implications. Her laboratory develops novel paradigms for studying spatial cognition through immersive technologies.

• Multimedia Networking
• Telecommunications
• Edge Computing
• +3 more

Prof. Gabriel-Miro Muntean is a Professor at the School of Electronic Engineering, Dublin City University (DCU), Ireland. He holds a Ph.D. (2003) from DCU and B.Eng./M.Sc. degrees in Software Engineering from Politehnica University of Timisoara, Romania. He co-directs the DCU Performance Engineering Laboratory and is a Principal Investigator with Insight and Lero National Research Centres. His research focuses on multimedia networking, wireless/energy-aware communications, and technology-enhanced learning. Education: B.Eng. Software Engineering (Politehnica University of Timisoara, 1996) M.Sc. Software Engineering (Politehnica University of Timisoara, 1997) Ph.D. Electronic Engineering (DCU, 2003) Research Interests: Quality-oriented adaptive multimedia streaming Energy-efficient networking Personalized learning technologies 5G/6G network architectures Edge computing optimization Publications & Grants: Over 450 papers, 4 books, and 26 book chapters (H-index=53) EU Horizon 2020 projects: Coordinator of NEWTON, Lead in TRACTION Awards: IEEE Fellow (202X) IEEE Broadcast Technology Society Fellow Advising & Labs: Supervised 25 PhD students and 15 postdocs Co-director of DCU Performance Engineering Lab

Pavel ZahorikView profile

Associate Professor

• Auditory Perception
• Spatial Hearing
• Sound Localization
• +5 more

Pavel Zahorik is an Associate Professor & Heuser Hearing Research Endowed Chair at the University of Louisville's Department of Psychological and Brain Sciences. His research focuses on auditory perception, particularly spatial hearing, sound localization, and the role of reverberation in speech understanding. Zahorik leads the Zahorik Auditory Perception Laboratory (ZAPlab), which explores human auditory performance in complex acoustic environments using advanced virtual auditory space (VAS) technology. Education: PhD in 1998 from the University of Wisconsin. Research Interests: Auditory distance perception, multisensory integration, effects of reverberation on speech intelligibility, and virtual auditory display validation. Key findings include perceptual adaptation to room acoustics and the role of binaural cues in spatial hearing. Collaborations: Heuser Hearing Institute, Sonova, and University of Louisville Health Sciences. Facilities: State-of-the-art anechoic chambers and sound field testing facilities funded by AFOSR and KY DEPSCoR. Teaching: Courses include PSYC 646/AUDI 648: Hearing Science I and PSYC 611: Advanced Statistics II. Students advised include PhD candidates like Ann Holmes and former students such as Greg Ellis and Paul Anderson. The lab's work has been published in journals like Journal of Neuroscience and Frontiers in Auditory Cognitive Neuroscience . ZAPlab's research bridges basic science and clinical applications, addressing hearing aid technology and hearing impairment challenges.

• Computational Design
• Digital Fabrication
• Architectural Acoustics
• +3 more

Jane Burry is an Adjunct Professor at Swinburne University of Technology’s School of Design and Architecture. Her research integrates mathematics, computing, and digital fabrication in architectural design, with emphasis on sensory environments, sustainable materials, and computational methods. Recent publications explore olfactory design’s impact on human emotions (2025), chain mail structures in architecture (2024), and functionally graded biochar composites for carbon sequestration (2023). Her work bridges theoretical inquiry with practical applications in sustainable construction and human-centered design. Burry received the ACADIA Teaching Award (2020) and Robots in Architecture Pioneers Award (2016). She supervises doctoral candidates in computational design and sustainable materials, and leads projects on biochar cementitious composites and spatial analytics. As former Dean of Design, she emphasizes interdisciplinary pedagogy and industry engagement.

Roy ShilkrotView profile

Part-Time Lecturer

• Machine Learning
• Computer Vision
• Human-Computer Interaction
• +1 more

Dr. Roy Shilkrot combines roles as Part-time Lecturer in Computer Science at Tufts University with industry leadership as Chief Scientist at Tulip Interfaces. His multifaceted career spans academia, entrepreneurship, and industrial R&D. Research focuses on human-computer interaction , computer vision , and applied machine learning , with significant contributions to assistive technologies and document analysis systems. Notable projects include FingerReader (tactile reading aid) and human-robot interaction platforms. Honored with the IEEE-ICRA 2006 Best Vision Paper Award, he holds 70+ publications and multiple patents. Professional experience includes founding Way2Vat, advising tech companies, and serving as Research Affiliate at MIT Media Lab. Recent publications (2019-2023) cluster around: Document analysis and information extraction using deep learning Accessibility technologies for visually impaired users Human-robot interaction and industrial applications Marketplace systems for supply chain optimization

• Visual Perception
• Cognitive Psychology
• Neuroscience
• +3 more

Ulrich Ansorge is a Professor in the Faculty of Psychology at the University of Vienna, affiliated with the Department of Cognition, Emotion, and Methods in Psychology. His research focuses on visual perception, attention mechanisms, and the neurophysiological underpinnings of cognitive processes. He leads projects such as 'Audio-tactile short-term memory' and 'Culture- and Language-specific Grounding,' exploring cross-modal memory and linguistic influences on perception. His work contributes to UN Sustainable Development Goals related to mental health and well-being. Key interests include attentional capture, electrophysiological markers of cognitive control, and the impact of interventions like Hatha yoga on stress and executive function. Ansorge has published over 250 peer-reviewed articles, with recent studies investigating rhythmic stimulation effects and visual search dynamics. He collaborates internationally, contributing to journals like Frontiers in Psychology and Attention, Perception & Psychophysics .

Zach LaytonView profile

Assistant Professor

• Music Composition
• Electroacoustic Music
• Experimental Music
• +3 more

Zach Layton is an Assistant Professor of Music Production at Ramapo College of New Jersey since 2017, affiliated with the School of Contemporary Arts. His roles include teaching courses such as Music Production Technology, Recording Arts, and Electronic and Computer Music. He holds a Ph.D. from Rensselaer Polytechnic Institute, M.F.A. from Bard College, and additional degrees from NYU and Oberlin Conservatory. Research interests span electroacoustic composition, spectral music, and visual music, with a focus on interdisciplinary projects blending sound, technology, and performance. Notable works include orchestral pieces like expanded field and installations at venues like EMPAC and the Guggenheim. Layton has received prestigious awards including the MacDowell Fellowship and Foundation for Contemporary Arts grant. Advising and grants include collaborations with institutions like the Guggenheim and MoMA/PS1. His curatorial work includes founding Darmstadt: Classics of the Avant Garde and curating at ISSUE Project Room. Layton’s creative output spans albums on Bandcamp and visual art series like photograms and Sonic X-Ray prints.

Heather SzatmaryView profile

Professor

• Art Education
• Contemporary Art
• Foundation Studies
• +3 more

Heather Szatmary is a Professor of Foundation Studies at the Savannah College of Art and Design (SCAD), where she has served since 1997. Her roles include Advanced Placement exam reader, faculty adviser to SCAD Hillel (since 2001), and former Design Coordinator (2003–2007). She holds an M.F.A. in Fibers from SCAD and a B.S. in Architectural Studies from the University of Texas at Austin. Her research focuses on foundational art education, experimental art practices, and the integration of humor into pedagogy and exhibition design. Szatmary’s work spans installations, mixed-media pieces, and collaborative exhibitions that explore themes like urban space, consumer culture, and artistic process documentation. She actively participates in organizations such as the College Art Association (CAA), Southeastern College Art Conference (SECAC), and Foundations in Art: Theory and Education (FATE). Notable exhibitions include the 2018 Small Works at Gutstein Gallery and the 2017 Positive Space podcast episode. Her 2013 Masterpieces by Mail earned an honorable mention. Szatmary has chaired panels on topics like 'Humor in Art' and 'Out of Control' at SECAC, reflecting her commitment to innovative educational and artistic discourse. Her advising and organizational contributions extend beyond SCAD, including leadership roles in FATE and curatorial work for faculty exhibitions. While no specific grants are listed, her sustained institutional engagement underscores her influence in art education and contemporary practice.

Joe SackstederView profile

Assistant Professor

• Creative Writing
• Fiction
• Aesthetics
• +4 more

Joe Sacksteder is an Assistant Professor of English and Creative Writing at Sweet Briar College, specializing in multi-genre and experimental writing. He holds a PhD in English Literature and Creative Writing from the University of Utah, where he served as Managing Editor of Quarterly West . His work spans novels, short stories, creative nonfiction, poetry, and audiovisual art, often blending genres and interrogating themes like identity, culture, and artistic process. Education: B.A. (St. John’s University), M.A. (Eastern Michigan University), Ph.D. (University of Utah). His research interests include fiction aesthetics, genre hybridity, and experimental narrative forms. He teaches courses such as Scary Stories , Writing About Music , and The Love Story . Publications include the novel Driftless Quintet (2019), short story collection Make/Shift (2017, award-winning), and audio album Fugitive Traces (2017). He has received the 2017 Linda Bruckheimer Series and 2018 Nicholas Schaffner Award. His recent novel Hack House (2025) explores experimental horror. Professional roles include Director of Creative Writing at Interlochen Center for the Arts and contributions to journals like Salt Hill , Ninth Letter , and Denver Quarterly . His interdisciplinary work bridges literature, music, and visual arts, exemplified by Fugitive Traces , a collage of Werner Herzog’s film commentary with music.

John KestonView profile

Professor

• Electroacoustic Music
• Generative Art
• Interactive Installations
• +3 more

John Keston is Professor of Digital Media Arts at the University of St Thomas and Senior Clinical Faculty in Emerging Media. His transdisciplinary practice integrates music technology, software development, and improvisation to create interactive performances and installations. His research explores algorithmic composition through custom instruments like the Audiovisual Grain Machine (AVGM) and PreenFM2 Patch Degrader. Recent projects include generative graphic scores that enable collaborative interpretation between humans and algorithmic systems. Keston's work has been featured at international venues including SEAMUS, NIME, Moogfest, and Walker Art Center, examining how technology mediates creative expression.

Blair KaneshiroView profile

Adjunct Professor

• Computer Music
• Acoustics
• Audio Signal Processing
• +2 more

Blair Kaneshiro serves as an Adjunct Professor at Stanford University, affiliated with the Center for Computer Research in Music and Acoustics (CCRMA), a pioneering interdisciplinary research facility focused on audio technology and musical applications. His research spans core areas of computer music and acoustics, with emphasis on: Audio signal processing algorithms Digital synthesis techniques Spatial audio systems Human-computer interaction in musical contexts Real-time audio software development Acoustic modeling for virtual environments No scientific awards, student advisement records, or publication history were documented in the source material.

Peter HarrisonView profile

Assistant Professor

• Computational Music Psychology
• Music Cognition
• Empirical Musicology
• +3 more

Peter Harrison is Assistant Professor in Music & Science at the University of Cambridge Faculty of Music, where he directs the Centre for Music and Science and serves as Director of Undergraduate Studies. His research develops computational models of music perception using behavioral experiments and data science approaches. Research investigates music cognition, empirical performance studies, individual differences in musical processing, and computational analysis of musical structure. Current projects examine cultural evolution of music, rhythm perception across societies, and computational models of harmony. Developed open-source tools like psychTestR for behavioral experiments. Teaching includes undergraduate and MPhil courses in Music & Science, covering foundations of acoustics, timbre perception, cross-cultural music cognition, and scientific methodology. Supervises PhD students researching jazz improvisation, cultural transmission, and emotional responses to music.

Stewart BlackwoodView profile

Assistant Professor

• Sound Design
• Music Composition
• Immersive Audio Technologies
• +3 more

Stewart Blackwood is an Assistant Professor of Composition and Sound Design at Carnegie Mellon University’s College of Fine Arts. Holding an MFA in Theatrical Sound Design and Technology from UC San Diego, his expertise spans spatial/immersive audio, creative coding, and experimental sound design. He previously worked as an Audio Experience Engineer at Boomcloud360, developing spectral analysis tools and spatial audio technologies. Education: MFA in Theatrical Sound Design and Technology, UC San Diego His work integrates video game engines, live coding, and interactivity in performance, blending digital synthesis, field recordings, and effect processing to evoke emotional tonalities. Productions like Winter's Tale (Island Shakespeare Festival) and El Coquí Espectacular (Cleveland Play House) highlight his innovative use of atmospheric soundscapes and bespoke software (Max/MSP, Pure Data, JUCE SDK). He has collaborated on projects such as Slow No Wake (2024) with Nathan Geronimo, focusing on organic audio-visual interactions inspired by Lake Erie, and Catharsis (Maelstrom Collaborative Arts, 2023), a dance piece exploring love and loss through music. Contact: stewart.b.blackwood@gmail.com

Richard SternView profile

Professor

• Robust Speech Recognition
• Auditory Perception
• Signal Processing
• +2 more

Professor Richard Stern holds joint appointments in Electrical and Computer Engineering, Computer Science, and Biomedical Engineering at Carnegie Mellon University. His research bridges auditory perception with speech technology, particularly in developing noise-robust speech recognition systems. His PNCC algorithm revolutionized feature extraction for speech recognition in noisy environments. Research emphases include: Auditory-inspired signal processing Robust automatic speech recognition Computational models of binaural hearing Music information retrieval Biomedical applications of audio analysis Recent work demonstrates growing interest in human-robot interaction and respiratory monitoring applications. Publications increasingly incorporate deep learning while maintaining foundations in auditory physiology. Honors include the IEEE Signal Processing Society 2019 Best Paper Award for PNCC research. Current projects investigate neural audio processing models and online learning for sound event detection.

Adrian MooreView profile

Professor

• Electroacoustic Music Composition
• Acousmatic Tradition
• Sound Diffusion
• +4 more

Professor Adrian Moore is a composer of electroacoustic music, specializing in sound diffusion over multi-channel systems. He holds the title of Professor of Electroacoustic Music Composition at the University of Sheffield's Department of Music, within the School of Languages, Arts and Societies. His work focuses on the acousmatic tradition, signal processing, and human-computer interaction in music. Moore is a core member of the University of Sheffield Sound Studios (USSS), fostering collaborative research and creative projects. His research explores compositional methods such as the 'Theory of Opposites' and the integration of version control systems into composition workflows. Moore's music has been commissioned by prestigious institutions like the Groupe de Recherches Musicales (GRM) and the Arts Council of England. His publications include the textbook Sonic Art: An Introduction to Electroacoustic Music Composition (Routledge, 2016) and numerous journal articles on composition theory, performance practice, and spatial audio. He actively supervises PhD and MPhil students in electroacoustic composition, sound spatialization, and software design. Affiliations: University of Sheffield Sound Studios (USSS), Director of Student Engagement and Welfare, Director of Undergraduate Studies. Education: Not explicitly stated in text, but implied through academic role and publications. Labs/Teams: USSS and associated research groups focusing on acousmatic music and sound diffusion. Moore’s recent work includes exploring 'fractured acousmatic' performance practices, merging fixed media with live interpretation, and developing tools for compositional version control. His compositions and research emphasize cross-modal engagement and innovative spatial techniques.