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Ramsey McGlazer is an Associate Professor specializing in twentieth-century European and Latin American literature, film, and critical theory. His research engages with poetry, politics-aesthetics intersections, critical carceral studies, and feminist/queer/psychoanalytic frameworks. He holds a Ph.D. in Comparative Literature and Critical Theory from UC Berkeley (2015) and previously taught at the University of St Andrews and Brown University’s Pembroke Center. McGlazer’s work interrogates modernist critiques of progress, radical psychiatry movements, and the interplay between aesthetic practices and institutional critique. His acclaimed monograph Old Schools: Modernism, Education, and the Critique of Progress (2020) won the American Association for Italian Studies First Book Prize. Current projects include The Clinic and its Double , exploring mid-century radical psychiatry and avant-garde art. He serves as Senior Editor of Critical Times and Coeditor of Italian Culture , and has translated key works like Rita Segato’s The War Against Women . McGlazer’s writing appears in venues such as Los Angeles Review of Books and n+1 . Research interests span Surrealist provocations, Brazilian artist Lygia Clark’s propositions, and transnational feminist solidarities. His scholarship bridges literary analysis with critical engagements in carceral studies, postcolonial theory, and decolonial thought.

• Twentieth-century literature
• Film studies
• Critical theory
• +9 more

Lindsay Turner is an Associate Professor in the Department of English at Case Western Reserve University. A poet, critic, and translator, her work bridges creative writing, translation theory, and interdisciplinary research. Her prior role as Assistant Professor at the University of Denver’s Department of English and Literary Arts underscores her commitment to literary education. AB in English, Harvard College Masters in cinema studies, Université Paris III Sorbonne-Nouvelle MFA in poetry, New York University PhD in English, University of Virginia Turner’s research spans creative writing , transnational poetry , and gender studies , with a focus on the intersections of literature and labor. Her recent work examines gendered domestic and reproductive labor through poetic forms. Key trends in her publications include experimental translation , queer theory , and postcolonial philosophy . National Translation Awards Best Translated Book Awards French American Foundation recognition She has received grants such as the WPR Creative Grant from Harvard’s Woodberry Poetry Room and multiple French Voices Grants . Her translations have been praised by The New Yorker and The New York Times for their intellectual rigor and stylistic innovation.

• Creative Writing
• Poetry
• Literary Translation
• +4 more

Michael Mejia is an Associate Professor in the Department of English at the University of Utah, where he teaches creative writing. He is also Editor-in-Chief of Western Humanities Review and co-founding editor of Ninebark Press . Mejia is the author of the novels TOKYO and Forgetfulness , with his work appearing in journals like AGNI , DIAGRAM , and Seneca Review . His creative practice bridges fiction, nonfiction, and visual media, interrogating narrative form and socio-cultural dynamics.

• Creative Writing
• Experimental Literature
• Hybrid Writing Forms
• +5 more

Max Cavitch is an Associate Professor of English at the University of Pennsylvania's School of Arts & Sciences, specializing in American literature, psychoanalytic studies, and cinema. He joined Penn in 1999 after earning his B.A. from Yale and Ph.D. from Rutgers. His research spans 19th- and 20th-century literature, African American studies, and interdisciplinary fields like animal studies and gender theory. Cavitch has authored influential works such as *American Elegy* (2007) and co-edited volumes on Whitman and early American studies. He directs Penn's Psychoanalytic Studies program and edits the blog *Psyche on Campus*, honored with the 2022 American Psychoanalytic Association's Excellence in Journalism Award. His teaching includes courses on psychoanalysis, autobiography, and American poetry. Cavitch has held fellowships from the Fulbright Foundation, Newcombe Foundation, and others. His recent projects explore world autobiography, psychoanalysis in academia, and the history of 'ashes' as a conceptual and material symbol. Award-winning scholar and educator, Cavitch's work bridges literary criticism with clinical theory, media studies, and transnational frameworks. He advises doctoral students in American literature and affiliated programs, maintaining active collaborations with institutions like the McNeil Center for Early American Studies and the Psychoanalytic Center of Philadelphia.

• 19th-Century American Literature
• 20th-Century American Literature
• African American Studies
• +7 more

Charles Athanasopoulos is an Assistant Professor of African American and African Studies & English at The Ohio State University. His research focuses on intersections of Black rhetorics, media, and culture, with expertise in The Black Radical Tradition, Rhetorical Theory, and Cultural Critique. He earned his Ph.D. in Rhetoric & Communication from the University of Pittsburgh. His work analyzes racial progress, public symbols, and post/Ferguson America through lenses of iconoclasm and critical race theory. Education: Ph.D., Rhetoric & Communication, University of Pittsburgh. Research interests span Black American and Diasporic Cinema, Afro-Caribbean and Greek-Roma identity critiques. He has published in venues like Lateral: The Journal of the Cultural Studies Association and Western Journal of Communication. His 2024 book Black Iconoclasm explores dismantling racial symbols in public discourse. Recent articles address Fanonian thought, anti-racist campus rhetoric, and transnational Blackness studies. His publications critically engage with visual activism, film analysis, and decolonial theories. Current projects include studies on sonic rhetorics in Black women’s music and global race discourses in Mediterranean contexts.

• The Black Radical Tradition
• Rhetorical Theory
• Cultural Critique
• +3 more

Bernadka Dubicka is a Clinical Professor and Honorary Clinical Chair in the Division of Neuroscience at the University of Manchester. She holds dual roles as a research lead at Pennine Care NHS Foundation Trust and as the child and adolescent mental health research lead for Health Innovation Manchester. She is the Editor-in-Chief of the Journal of Child and Adolescent Mental Health and previously served as Chair of the Child and Adolescent Faculty at the Royal College of Psychiatrists (2017–2021). Her academic qualifications include a BSc in Psychology and MBBs from University College London, followed by FRCPsych accreditation in child psychiatry. She earned a gold medal for her MD thesis on behavioral disorder implications in depression. Dubicka’s research focuses on adolescent depression, mood disorders, and brief interventions, including the IMPACT and STADIA trials evaluating psychological treatments and standardized diagnostic assessments. Her work also addresses technology’s role in youth mental health and the eco-crisis’s mental health impacts. Education: BSc Psychology, University College London MBBs, University of London MD Thesis (Gold Medal), University College London FRCPsych, Royal College of Psychiatrists Her research spans depression treatment efficacy, behavioral activation, and cross-national studies on pediatric bipolar disorder. She collaborates internationally and has led over 49 publications. Awards include a gold medal for her thesis and recognition as an RCPsych Fellow. Her work also emphasizes policy advocacy, such as addressing digital rights for children and mental health responses to climate change (e.g., COP26 contributions). She trains clinicians in brief psychosocial interventions and behavioral activation through academic programs and national courses. Grants & Funding: Co-investigator on the £1.1M HTA-funded STADIA trial evaluating remote mental health assessments. Principal investigator on the IMPACT trial, one of the largest adolescent depression trials globally. Labs/Teams: Collaborations include the University of Cambridge (IMPACT trial), University of Nottingham (STADIA), and international taskforces on treatment-resistant depression.

• Mood Disorders
• Adolescent Mental Health
• Depression Treatment
• +3 more

Dr. Doyle D. Calhoun serves as University Assistant Professor of Francophone Postcolonial Studies within the Department of French at the Faculty of Modern and Medieval Languages and Linguistics, University of Cambridge, where he is also a Fellow of Peterhouse College. His scholarly profile spans African and Caribbean literary studies, cinema analysis, and historical sociolinguistics with a focus on resistance narratives. His educational trajectory includes a Ph.D. in French from Yale University (2022), an M.A. in Linguistics from KU Leuven, and undergraduate studies in Linguistics and French Literature at Boston College. Additional academic development occurred through residencies at Fondation Camargo (Cassis) and Bibliothèque Marmottan (Paris). Calhoun’s research centers on Francophone postcolonial resistance, particularly suicidal acts against French colonialism as documented in The Suicide Archive (2024). His work excavates silenced histories of Atlantic slavery, abolition movements, and Négritude philosophy through literary and cinematic archives, emphasizing Senegalese and Caribbean contexts. He explores how contemporary writers reconstruct erased narratives of enslaved resistance through transmedia practices. His recent publications reveal a methodological convergence between literary analysis, historical recovery, and decolonial theory. Articles frequently address archival silences in colonial documentation while examining how contemporary artists reimagine resistance through linguistic innovation, cinematic storytelling, and embodied protest. Key thematic clusters include the weaponization of silence, subversive uses of missionary linguistics, and the politics of memory in postcolonial contexts. 2024 Malcolm Bowie Prize (Society for French Studies) 2024 William R. Parker Prize (Modern Language Association) 2021 Ralph Cohen Prize (New Literary History) 2016 Vivien Law Prize (Henry Sweet Society) Calhoun actively mentors graduate students in African/Caribbean literatures and cinema studies, with current projects including Africa after 1848 and Florence . His grant history features academic residencies at Fondation Camargo and Bibliothèque Marmottan, alongside a 2021 scholarship from the latter institution. Public engagement includes the 2025 La Noire de... film symposium and contributions to Los Angeles Review of Books and Salon . He contributes to the Cambridge Language Collective and Polyglossia Magazine while organizing events through Peterhouse. His 2025 podcast appearances on Stegi Radio and New Books Network demonstrate active knowledge dissemination beyond traditional academic channels.

• Francophone Postcolonial Studies
• African Literature
• Caribbean Literature
• +5 more

Ruben Gallo is the Walter S. Carpenter, Jr., Professor in Language, Literature, and Civilization of Spain at Princeton University. He serves as Professor in the Department of Spanish and Portuguese Languages and Cultures and has directed the Program in Latin American Studies since 2008. His academic credentials include a B.A. in English from Yale University and a Ph.D. in Comparative Literature from Columbia University. Professor Gallo specializes in Latin American Studies with interdisciplinary research spanning: Twentieth-century cultural movements Avant-garde literature and art Psychoanalytic theory (particularly Freudian studies) Transatlantic intellectual history His endowed professorship recognizes significant contributions to Hispanic studies. Current institutional roles include program leadership and teaching graduate/undergraduate courses on modern cultural theory.

• Latin American Studies
• Twentieth-Century Culture
• Avant-Garde
• +1 more

Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities at Harvard University. His work spans colonial and postcolonial theory, cultural change, cosmopolitanism, and human rights within aesthetic contexts. He has been a pivotal figure in the Department of Comparative Literature since its inception as a graduate program in 1904. Education BA (1970) - University of Bombay MPhil/MA/DPhil (1990) - Christ Church, Oxford Bhabha's research focuses on cultural hybridity , ambivalence in colonial discourse , and postcolonial ethics . His theoretical frameworks analyze authors like Joseph Conrad, Walter Benjamin, and Toni Morrison through lenses of identity, power, and globalization. While his recent works On Art and A Global Measure await publication, his seminal texts like The Location of Culture (1994) and Framing Fanon (2005) remain foundational in postcolonial studies. These works explore sub-fields including: Transnational memory frameworks Psychoanalytic colonial critique Decolonizing discourse Visual culture in postcolonialism Temporal suspensions in cultural production Global trauma narratives

• Colonial and Postcolonial Theory
• Cultural Change and Power
• Cosmopolitanism
• +2 more

Prof. Nurten BİRLİK is a faculty member at the Middle East Technical University (METU), affiliated with the Department of Foreign Language Education under the Faculty of Education. She holds a Professor academic rank and maintains an active affiliation as of the last update in April 2022. Her educational background includes a B.A., M.A., and Ph.D. in English Language and Literature from Hacettepe University (1992, 1995, 2000), followed by a postdoctoral fellowship at Mary Immaculate College, University of Limerick (2004-2005). Research interests focus on literary analysis across multiple traditions and theories: British Modernist Poetry , Romantic Poetry , Contemporary Literary Theory , Lacanian Criticism , Ecocriticism , and the study of Modern Turkish Novel and Poetry . These areas reflect her expertise in both comparative literature and critical theory. While no recent articles are listed in the provided materials, her research trends suggest ongoing engagement with interdisciplinary literary studies, poststructuralist theory, and cultural analysis through the lens of environmental criticism and psychoanalytic frameworks. No scientific awards or grants are explicitly mentioned in the profile. She has not listed formal advisees in the provided information, though her role as a professor likely involves teaching and mentoring responsibilities. Affiliated with the Department of Foreign Language Education, her work contributes to language pedagogy and literature curriculum development in higher education contexts.

• British Modernist Poetry
• Romantic Poetry
• Contemporary Literary Theory
• +4 more

Mark de Rond is Professor of Organisational Ethnography at Cambridge Judge Business School and Fellow of Darwin College, University of Cambridge. His work focuses on immersive ethnographic studies of human behavior in extreme contexts including war zones, high-stakes sports, and controversial social movements, revealing how individuals navigate challenging circumstances through compromise and sensemaking. His educational background includes a DPhil from the University of Oxford alongside advanced degrees in management and economics, photojournalism, documentary photography, biography, creative nonfiction, and prose fiction. This multidisciplinary training informs his unconventional methodological approach. De Rond's research centers on extreme context ethnography, examining how pressure-cooker environments expose fundamental organizational dynamics. His work spans military medicine (Camp Bastion fieldwork), elite sports (Cambridge Boat Race), Amazon river expeditions, and controversial practices like paedophile hunting. Key contributions explore negotiation, conflict resolution, serendipity, institutional persistence, and the emotional toll of fieldwork, often employing innovative methods like enactive ethnography and linguistic analysis of digital communities. His recent publications reveal a growing focus on digital vigilantism and the societal implications of extreme practices, with increasing interdisciplinary reach across organizational studies, criminology, medical anthropology, and sociology. The work demonstrates methodological creativity through linguistic analysis of Facebook groups, embodiment studies in extreme environments, and dream-based reflexive techniques. Scientific recognition includes: BEST ARTICLE AWARD FOR 2016 Favorite MBA Professor honors from Poets & Quants (2021, 2022) Guinness World Record for first unsupported Amazon row De Rond advises MBA students and delivers executive education to top law firms (Slaughter and May, Allen & Overy), professional services (McKinsey, KPMG), corporations (Sky, BT, Diageo), and NGOs (UNICEF, NHS). His negotiation training from Harvard Law School informs both academic work and university mediation practice. Current research involves collaborative teams studying paedophile hunting (featured in Sundance-nominated documentary Predators ) and high-performance sports organizations, with fieldwork requiring deep immersion in challenging environments. His research methodology involves embedded collaboration with diverse teams including medical personnel in conflict zones, elite rowers, and controversial activist groups, often pushing methodological boundaries through photojournalism and creative nonfiction approaches.

• Organisational Ethnography
• Extreme Context Research
• Negotiation and Mediation
• +4 more

Dr Francis Maravillas is a Senior Lecturer and Programme Leader of the BA (Hons) Art Histories and Curatorial Practices: Asia and the World at LASALLE College of the Arts, Singapore. His academic work bridges art historical research, curatorial practice, and interdisciplinary teaching with a focus on contemporary Asian art contexts. His educational background includes a PhD in Humanities and Social Sciences from the University of Technology Sydney and a First Class Honours BA in Politics from Macquarie University, Australia. Maravillas' research centers on modern and contemporary Asian art, with particular expertise in curatorial practices, exhibition histories, and socially engaged/performatory art forms. His current projects investigate the aesthetics and politics of food in contemporary Asian art, examining how food functions in performance, installation, and community-based practices within post-colonial and global contexts. This research explores intersections between alimentary practices, political economies of survival, and post-colonial histories across Asia. His publication record reveals consistent engagement with Southeast Asian contemporary art worlds, food-art practices, and diasporic visual cultures. Key projects include the co-edited World Art special issue on Southeast Asian art publics (2020) and the forthcoming Routledge anthology 'Tastes of Justice' (2025), which examines food, art, and justice politics in Asian-Australian contexts. Maravillas has secured significant research funding including a SGD 20,000 LASALLE College of the Arts grant for 'Tastes of Justice' (2024) and an AUD 49,526 Creative Australia grant for related art, performance, and symposia activities in Sydney and Singapore (2024). He actively collaborates internationally through co-curated exhibitions like 'Bruised Food: A Living Laboratory' (2019) and the symposium 'Shifting Grounds, New Horizons' (2022), demonstrating commitment to building transnational networks in contemporary Southeast Asian art.

• Contemporary Asian Art
• Curatorial Practices
• Exhibition Histories
• +4 more

Joanna Pawlik is an Associate Professor and Head of the Department of Art History at the University of Sussex, within the School of Media, Arts and Humanities. Her research focuses on modern art and literature, emphasizing transnationalism, avant-gardism, and protest movements. She has been funded by prestigious grants like the Leverhulme Trust and the AHRC. Her 2021 monograph Remade in America , awarded the MSA First Book Prize, examines Surrealism's role in American activism post-1940. Current research explores fascist iconography in American art (1945–1980), funded by a Leverhulme Fellowship. Education: PhD in Art History, University of Sussex (2003–2008) MA in Art History, York University, Canada (2021–2022) BA Hons in Art History, University of East Anglia (2018–2021) Research Interests: Her work investigates surrealism's transnational legacies, anti-fascist art, feminist/queer methodologies, and postwar American visual culture. She examines how surrealist principles intersect with race, gender, class, and activism in movements like the Beat Generation and Black Arts Movement. Grants & Awards: Leverhulme Research Fellowship (2020–2022) Leverhulme Trust Grant 'Radical America: Afterlives' (2016) MSA First Book Prize (2021) Professional Activities: Co-director of the SAVAnT Doctoral School promoting interdisciplinary American visual studies. Supervises PhD projects on postwar American art, anti-fascism, and feminist/queer art history. Engages in public scholarship through interviews and exhibitions.

• Modern Art
• Avant-Gardism
• Surrealism
• +7 more

Martin Hägglund is the Birgit Baldwin Professor of Comparative Literature and Humanities at Yale University, with a secondary appointment in the Department of Philosophy. He holds a Ph.D. in Comparative Literature from Cornell University (2011) and Philosophy from Leipzig University (expected 2026). His work bridges Post-Kantian philosophy, critical theory, and modernist literature, with notable books including This Life: Secular Faith and Spiritual Freedom (2019), which won the René Wellek Prize, and Dying for Time: Proust, Woolf, Nabokov (2012). Research focuses on temporality, mortality, and freedom, engaging thinkers like Heidegger, Marx, and Hegel. His writing explores secular ethics, political Marxism, and the interplay between philosophy and literature. Hägglund has held global appointments, including at Sorbonne University and invited professorships in Bonn and Cornell. Awards include the Guggenheim Fellowship (2018) and Myrdal Grand Prize (2024). Publications span over 60 articles and essays, addressing topics from Kierkegaard’s existentialism to Knausgaard’s secular confession. His current projects include The Mortality of the Soul and I Care, Therefore I Am . Teaching emphasizes Heideggerian thought, narrative temporality, and literary theory. Awards and fellowships include Harvard Society of Fellows membership (2009–2012), Berlin Prize (2024), and multiple honorary distinctions. His interdisciplinary approach unites philosophy, literature, and political theory, influencing debates on secularism, capitalism, and freedom’s material conditions.

• Post-Kantian philosophy
• Phenomenology & Hermeneutics
• Marx & Critical Theory
• +6 more

Olivia Khoo is Professor of Film and Screen Studies and Head of Film, Screen and Culture in the Faculty of Arts at Monash University. She is a leading scholar in Asian Australian and Asian cinema studies, with extensive contributions to media diversity, gender and sexuality in media, and streaming technologies. She is actively involved in national research leadership, including roles in the Australian Research Council College of Experts and the Screen Diversity and Inclusion Network. PhD in Cultural Studies – University of Melbourne LL.B. (Hons) – University of New South Wales B.A. (Hons) in English Literature – University of Western Australia Graduate Certificate in Higher Education – Monash University Her research centers on screen media diversity, streaming platforms, and transnational Asian and Asian Australian cinema. She explores how gender, sexuality, and race intersect in media representation, with a strong focus on diasporic identities and cultural citizenship. Her work bridges cultural studies, legal frameworks, and media industry practices to advocate for inclusive screen ecosystems. The recent publications reflect a sustained engagement with streaming technologies, racial representation, leadership in Asian Australian communities, and policy development for media diversity. Her work spans academic monographs, journal articles, and influential policy reports, demonstrating both theoretical depth and real-world impact in shaping equitable media landscapes. Special Commendation for the Dean’s Award for Postgraduate Research Supervision (2022) Three-time nominee, Monash Graduate Association Supervisor of the Year Award Founding Series Editor, Gender, Sexualities and Cultures in Asia (Springer) Founding Associate Editor, Studies in World Cinema: A Critical Journal (Brill) Olivia has supervised 18 PhD and MA students to completion and has led major research projects, including two ARC Discovery Projects. She is currently leading interdisciplinary collaborations across Law, Business, and Arts at Monash, particularly on the Incentivising Australian Screen Diversity report. She also co-founded the Asian Australian Studies Research Network and has held fellowships at the Asia Research Institute (NUS) and the University of California Humanities Research Institute. She leads the Film, Screen and Culture program at Monash and is central to initiatives like the Streaming Industries & Genres Network. Her collaborative projects involve national and international institutions, focusing on media flows between Australia and East Asia, and the transformation of cultural identity through digital platforms.

• Film, Television and Digital Media
• Screen Diversity and Streaming Platforms
• Gender, Sexuality and Media
• +9 more