Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence
Dimiter Angelov serves as the Dumbarton Oaks Professor of Byzantine History at Harvard University, holding a faculty position in the Department of History within the Faculty of Arts and Sciences. He chairs Harvard's Ph.D. Program in Byzantine Studies and teaches graduate and undergraduate courses spanning Byzantine, medieval eastern Mediterranean, and medieval Balkan history. His academic credentials include: Ph.D., Harvard University Professor Angelov specializes in the intellectual and political history of the Byzantine Empire after the tenth century, with focused interests in empire and imperialism, political thought and rhetoric, biography, geographical imagination, and the Fourth Crusade's impact. Current research encompasses a comprehensive history of Byzantine political thought examining virtue and tyranny from the fifth to fifteenth centuries, alongside collaborative analysis of Eustathios of Thessaloniki's twelfth-century geographical anthology. His scholarly output features three major monographs exploring Byzantine political ideology, court ceremonies, and imperial biography. These works demonstrate consistent engagement with thirteenth and fourteenth century institutional transformations, particularly how Byzantine elites navigated governance challenges through classical intellectual traditions in the post-Crusade era. No scientific awards are documented in the provided materials. He actively supervises graduate students pursuing research in Byzantine and medieval Balkan/eastern Mediterranean history. The source texts do not reference specific grants, funding sources, laboratory facilities, or research teams.
Rutgers, The State University of New JerseyUnited States
Emily C. Bartels is a Professor of English at Rutgers University specializing in early modern literature and culture, with particular expertise in Shakespearean and non-Shakespearean drama. She has served as director, and is now dean, of the Middlebury Bread Loaf School of English since 2010, a summer Master's program designed for K-12 English teachers. Professor Bartels received her BA from Yale University and both her MA and PhD from Harvard University. Her academic background positioned her to become a leading scholar in Renaissance literature studies. Her research examines questions of race, cross-cultural relations, gender, genre, and performance in early modern English drama. Professor Bartels is renowned for her groundbreaking work on Shakespeare's Othello and Christopher Marlowe's plays, analyzing how these texts represent cultural and racial difference. She has significantly contributed to postcolonial approaches to early modern literature, revealing how English drama engaged with global encounters and representations of the 'other' during the Renaissance period. Her scholarship demonstrates how early modern writers both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Professor Bartels' publications reveal a consistent scholarly trajectory examining racial and cultural representation in early modern England. Her work spans from detailed analyses of specific plays like Hamlet and Julius Caesar to broader studies of how England conceptualized Africa and non-Christian cultures during the Renaissance. A recurring theme throughout her career is the analysis of how early English drama both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Roma Gill Prize for Best Work on Christopher Marlowe (1993-94) for Spectacles of Strangeness: Imperialism, Alienation, and Marlowe Board of Trustees Fellowship for Scholarly Excellence (1993) School of Arts and Sciences Award for Distinguished Contributors to Undergraduate Education (2008 & 1993) Warren I. Susman Award for Excellence in Teaching (2008) Solmsen Fellowship at the Institute of Research in the Humanities, University of Wisconsin (1995) Black Atlantic Project fellowship from the Rutgers Center for Historical Analysis Professor Bartels has demonstrated exceptional commitment to both research and teaching excellence. She has developed innovative courses exploring the intersections of literature, history, and cultural studies, including undergraduate seminars on Othello and Hamlet, and graduate courses on Shakespeare Page and Stage. Her administrative role as dean of the Middlebury Bread Loaf School of English demonstrates her commitment to education beyond traditional university settings. Her fellowships from prestigious institutions indicate successful grant acquisition throughout her distinguished career. Professor Bartels has been actively involved with the Shakespeare Association of America and has collaborated with international scholars like Emma Smith of the University of Oxford. Her work has positioned her at the forefront of conversations about early modern literature, race studies, and postcolonial approaches to Renaissance drama, influencing how scholars understand the intersections of literature, race, and cultural identity in the early modern period.
Wen-hsin Yeh is a Professor and Richard H. and Laurie C. Morrison Chair Professor of History at the University of California, Berkeley. A Distinguished Professor, her work focuses on East Asia with specialization in late imperial and modern China, Taiwan, and Maritime East Asia. BA, National Taiwan University PhD, University of California, Berkeley Her research explores the interplay of culture, politics, and economics in China’s historical development. Key areas include ideological movements, urban transformation, and regional dynamics during the late Qing and Republican eras. Yeh’s publications span theoretical and empirical analyses of modern Chinese history. The 2008 monograph Shanghai Splendor investigates economic sentiments and urban modernity, while Provincial Passages (1996) examines cultural geography and early communist movements. Her 1994 China Quarterly article on Zhejiang radicals highlights regional intellectual networks during the May Fourth Movement. Earlier work like The Alienated Academy (1990) dissects academic culture under Republican governance.
Emilio Sauri is a Professor in the Department of English at the University of Massachusetts Boston. His expertise spans American literature, Latin American literature, critical theory, and photography, with a focus on literature’s relationship to the global economy from the 19th to 21st centuries. PhD, University of Illinois at Chicago BA, Northwestern University Sauri's research examines literature and visual art in the context of globalization, capitalism, and cultural theory. He is currently working on a monograph titled *Imperial Decay: Literature, Autonomy and the End of Modernization in the Americas* (under contract with Northwestern University Press). His prior editorial work includes co-editing *Literature and the Global Contemporary* (Palgrave, 2017) and *Literary Materialisms* (Palgrave, 2013), alongside a special issue of *nonsite* on Latin American literature and theory. His recent publications explore intersections of literature with global capitalism, materialism, and postmodernism, often analyzing Latin American and U.S. texts. Notable topics include the labor of the novel, economic value in contemporary Mexican fiction, and critiques of modernization in Bolaño’s works. Fulbright Fellow, University of São Paulo, Brazil, 2018 Sauri has served on the Executive Committee of the Faculty Staff Union (2018–2020) and co-founded the Literary Theory Reading Group. He has taught courses such as *Post-1945 American Literature*, *Literature and the Political Imagination*, and graduate seminars on literary theory and critical methods.
Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.
Christopher P. Atwood is a Professor of Mongolian and Chinese Frontier and Ethnic History and Department Chair of East Asian Languages and Civilizations at the University of Pennsylvania. He holds a PhD from Indiana University's Central Eurasian Studies Department. His research focuses on the interplay of culture, political power, and historiography in Mongol and Inner Asian contexts. Atwood's work spans topics such as Mongol nationalism, Yuan dynasty historiography, and the socio-economic history of nomadic societies. Education: AB from Harvard University (1986), PhD from Indiana University (1994). He previously taught at Indiana University for two decades, serving in administrative roles. His affiliations include visiting scholar positions at institutions like the Institute for Advanced Study (Princeton) and Peking University. Research interests include environmental history (e.g., marmot-human relations), political dynamics (e.g., Mongol empires and comparative imperial formations), and literary studies (e.g., Mongolian poetry and textual canonization). He has authored works like the Encyclopedia of Mongolia and the Mongol Empire and collaborates on projects such as the Sources of Mongolian Tradition . Teaching includes courses on Inner Asian civilizations, the Mongol Empire, and the Secret History of the Mongols . He emphasizes interdisciplinary approaches, blending philology, environmental history, and cultural analysis to reconstruct nomadic and steppe societies.
Prof. Dr. Olena Palko is a historian specializing in Eastern Europe, the Soviet Union, and Ukraine. She holds the SNSF Professorship at the University of Basel's Department of History, focusing on East European History. Her research emphasizes Soviet minority policies, cultural politics, and national identity formation in interwar Ukraine. She is a leading scholar with notable works including Making Ukraine Soviet (2021), awarded the 2023 Alexander Nove Prize. Her current SNF-funded project, Red Tower of Babel , examines Soviet minority experiments in Ukraine. Education: PhD from University of East Anglia (2017); Kandydat nauk from National Academy of Sciences of Ukraine (2013). Research Interests: Soviet nationality policy, minority history, Ukrainian twentieth-century history, transnational border dynamics. Her work bridges archival analysis with transnational perspectives, addressing contested borderlands between Poland and the USSR. Key publications include co-edited volumes like Making Ukraine (2022) and Ukraine's Many Faces (2023). She actively contributes to academic governance roles, including co-convening the BASEES Study Group for Minority History and serving on the Scientific Advisory Council of the Council of Europe's history observatory.
Andrew Connor is a Senior Lecturer in Archaeology and Ancient History at Monash University. He specializes in Ptolemaic and Roman Egypt, papyrology, and the social and religious history of ancient Egyptian communities. His research focuses on Egyptian temples during the Roman period, ancient economic practices, and the editing and publication of documentary papyri. Connor has particular expertise in the Fayum depression and Dakhleh Oasis regions. Connor's publications demonstrate a consistent focus on Egyptian religious institutions, economic systems, and textual evidence from archaeological sites. His recent work includes publications on temple administration, Greek papyri, and digital archaeology. He has received multiple teaching awards including the Faculty Citation for Outstanding Contribution to Student Learning (2017), Faculty Citation for Overseas Programs (2018), and Vice Chancellor's Citation for Outstanding Contribution to Student Learning (2018). Connor teaches courses on Greek and Roman history, archaeology, and ancient languages at both undergraduate and postgraduate levels. He serves as Honours Coordinator for the School of Philosophical, Historical, and International Studies.
Norman M. Naimark serves as the Robert & Florence McDonnell Professor of East European Studies and Professor of History at Stanford University, with courtesy appointments in German Studies. He holds senior fellowships at both the Hoover Institution and Freeman Spogli Institute for International Studies, and is affiliated with The Europe Center and the Center on Democracy, Development and the Rule of Law. Education: Ph.D. in History, Stanford University (1972) Naimark specializes in Soviet-era Eastern European history, with dual research pillars: Soviet policies in post-WWII Europe and 20th-century genocide/ethnic cleansing phenomena. His work bridges historical analysis with contemporary human rights discourse, emphasizing geopolitical power dynamics and systematic violence against civilian populations. Methodologically, he combines archival rigor with comparative frameworks across national contexts. His publication trajectory from 1979–2019 reveals evolving focus from Marxist movements in partitioned Poland to Soviet occupation mechanics, culminating in comprehensive genocide studies. The 2019 monograph on Stalin's postwar European sovereignty struggles synthesizes decades of research into Soviet imperial practices. Scientific awards: Officer's Cross of the Order of Merit of the Federal Republic of Germany (1996) Richard W. Lyman Award for outstanding faculty volunteer service (1995) Stanford Dean's Teaching Award (1991-92, 2002-3) Naimark's academic leadership includes directing Stanford's Global Studies Division, Bing Overseas Studies Program, and Center for Russian, East European, and Eurasian Studies. His research informs current policy discussions on authoritarianism and democratic resilience, as evidenced by recent engagements with Belarusian democracy movements and U.S.-Russia relations. He collaborates extensively through Stanford's interdisciplinary centers, particularly contributing historical perspectives to The Europe Center's sovereignty research and the Center on Democracy, Development and the Rule of Law's governance initiatives.
Kenneth Pomeranz is the University Professor of Modern Chinese History at the University of Chicago in the Department of East Asian Languages and Civilizations (EALC). Previously taught at the University of California, Irvine , his research spans late Imperial and twentieth-century China , comparative world history , and global economic systems . Research Focus: Reciprocal influences between state, society, and economy; origins of the world economy through mutual regional influences; comparative studies of labor, family organization, and economic history. Current Projects: A history of Chinese political economy from the seventeenth century to the present; a book titled Why Is China So Big? exploring China's political unity despite its vast size. Scientific Awards and Fellowships: John K. Fairbank Prize (twice) World History Association Book Prize (shared) Guggenheim Fellowship American Academy of Arts and Sciences Fellow Publications: Key works include The Great Divergence , The Making of a Hinterland , and The World that Trade Created . His articles address topics such as labor-intensive industrialization, global environmental history, and Qing state-building.
Prof. Dr. Ahmet Taşağıl is a prominent historian specializing in Turkic studies, Eurasian history, and pre-Islamic cultures. He holds the rank of Professor at Yeditepe University's Faculty of Arts and Sciences, History Department, since 2015, and previously served at Mimar Sinan Fine Arts University. His academic journey includes a PhD from Istanbul University (1989-1991) and extensive research on ancient Turkic empires like the Gokturks and Huns. Education: PhD in General Turkish History (Istanbul University), MSc in Medieval History (Istanbul University), BA in History (Istanbul University). Affiliations: Currently at Yeditepe University; previously at Mimar Sinan Fine Arts University and Kirgizistan-Türkiye Manas Üniversitesi. Research Interests : Focuses on early Turkic states (Gokturks, Huns, Uyghurs), cross-cultural relations between Turkic and Chinese empires, shamanism, and pre-Islamic Turkic societies. His work bridges archaeology, ethnohistory, and political analysis, with a particular emphasis on primary sources like Chinese records and Orkhon inscriptions. Publications : Over 50 books and articles, including seminal works like Kök Tengri’nin Çocukları , Avrasya'nın Sekiz Asrı Çengizoğulları , and İslamiyet Öncesi Türkler . His research often examines the socio-political structures of nomadic empires and their legacy in Eurasian history. Awards : Recipient of the Moğalistan Devlet Onur Madalyası, Muğla Sıtkı Koçman Tarih Ödülü, and numerous academic honors. His contributions to Turkic cultural heritage are widely recognized internationally. Grants & Projects : Led projects on Central Asian archaeology, cultural atlas of the Turkic world, and historical studies of Siberian tribes. Collaborated with institutions in Kazakhstan, Russia, and Turkey. Teaching : Offers courses on pre-Islamic Turkic history, Eurasian empires, and historical methodology in Turkish and English.
Professor Stephen Graham at Newcastle University is a leading scholar in critical urban studies, focusing on the intersections of militarism, surveillance, and urban infrastructure. His work explores how cities are shaped by and become sites of geopolitical conflict, technological control, and social inequality. Research spans urban verticality , military urbanism , and digital surveillance . Key themes include infrastructure disruption , elite spatial practices , and post-conflict urbanism . Recent publications analyze the militarization of urban space , robotic imperialism , and surveillance societies . His "Splintering Urbanism" framework remains foundational for understanding fragmented urban networks. Current work investigates vertical geopolitics , elite bunkering , and smart city security , with a focus on planetary-scale urban systems and their vulnerabilities.
Hans Beck serves as Professor of Greek History at the University of Münster (Westfälische Wilhelms-Universität) since 2018, with an additional appointment as Adjunct Professor in the Faculty of Arts at McGill University. His academic career includes previous positions as Professor of Ancient History and Director of Classical Studies at McGill University (2005-2018), Heisenberg Fellow at Goethe-Universität Frankfurt (2004-2005), and Research Assistant at the University of Cologne (1997-2004). Beck earned his academic training through doctoral studies at the Universities of Erlangen, Canterbury, and Cambridge (1989-1996), followed by a fellowship at the Center for Hellenic Studies in Washington, DC (2001-2002). His educational background reflects a strong international foundation in classical studies. His research spans multiple interconnected fields within ancient history, with particular emphasis on the history and culture of ancient Greece, historical geography of Greece, environmental studies of the ancient Greek world, political culture of the Roman Republic, and ancient historiography. Beck's work consistently explores themes of localism, federalism, and political structures across ancient societies, with notable contributions to understanding Greek city-states, regional identities, and comparative political systems. His approach often bridges geographical, historical, and cultural perspectives to examine how ancient communities organized themselves politically and maintained regional identities within larger frameworks. Analyzing his recent publications reveals a sustained focus on local political structures within broader contexts, particularly examining how Greek city-states maintained autonomy while participating in federal leagues. His work increasingly incorporates comparative approaches, connecting Greek political structures with those of Rome and even ancient China, reflecting his editorial work on cross-cultural studies. Beck demonstrates particular expertise in analyzing how physical landscapes shaped political organization and how religious practices reinforced regional identities. Fellow of the Royal Society of Canada (2018) Anneliese Maier Research Award from Alexander von Humboldt Foundation (2014) Heisenberg Fellowship from Deutsche Forschungsgemeinschaft (2004) Doctoral scholarship from German Academic Exchange Service (1995) Doctoral scholarship from Hanns Seidel Foundation (1994) Beck has supervised numerous doctoral students including Jordan Christopher (2022), Chandra Giroux (2021), Wentian Fu (2020), Rebecca Robinson (2017), Alex McAuley (2015), and François Gauthier (2015), covering diverse topics from ancient Qin and Macedon to cult practices in ancient empires. His academic leadership extends to directing research projects B3-49 'Belonging in/to Lakonia' and B3-40 'Localism and Religion in Ancient Greece' within the Excellence Cluster focusing on 'Religious Diversity and Legal-Political Unity.' As head of the project 'Belonging in/to Lakonia' and 'Localism and Religion in Ancient Greece,' Beck leads interdisciplinary research teams examining archaeological and historical evidence from the Sanctuary of Apollo at Amyklai and its surroundings. His work integrates textual analysis with material culture studies, creating comprehensive approaches to understanding ancient regional identities and religious practices. Beck's leadership in these projects demonstrates his commitment to bridging traditional disciplinary boundaries in classical studies.
Craig Buckley is an Associate Professor in the Department of the History of Art and affiliated with the Yale School of Architecture. His research bridges modern architecture with visual arts and media, focusing on techniques like montage, collage, and screen-based practices. Education: BA (Trent University), MA (University of Western Ontario), PhD (Princeton University) His work examines how media such as print, film, and digital screens shape architectural culture. Key themes include cinema architecture, media theory, and the intersection of design with socio-political movements like 1968 protests. His recent articles analyze topics such as colonial-era cinema architecture, media façades, and pneumatic structures. He teaches courses on architecture’s relationship with media and print culture, often utilizing Yale’s special collections.
