Find Academic Supervisors

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +5 more

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

• Film Studies
• Teen Cinema
• Gender and Sexuality Studies
• +7 more

Dr. Frances Smith is an Associate Professor in Film Studies at the University of Sussex's School of Media, Arts and Humanities. She holds a PhD in Film and Television Studies from the University of Warwick (2013), an MA in Management from Durham University (2008), and a Master of Modern Languages in French/Italian from Manchester University (2007). Her research focuses on teen cinema, female authorship, Hollywood and European cinema, and gender studies, with current work on Céline Sciamma's Girlhood. She authored Rethinking the Hollywood Teen Movie (2017) and co-edited Refocus: The Films of John Hughes (2021). Teaching includes convening Analysing Film, American Teen Cinema, and Working with Film modules. She has taught Gender and Representation, British Cinema, and Study Skills. Her awards include Fellowship of the Higher Education Academy (2016). Active in PhD supervision focusing on teen cinema, female authorship, and gender in cinema. Publications span over 25 articles/chapters addressing topics like queer youth representation, transatlantic media comparisons, and directorial authorship in John Hughes and Amy Heckerling films. Research explores intersections of gender, space, and cultural identity in global popular cinema.

Laurie ShannonView profile

Professor

• Early Modern Literature
• Gender & Sexuality Studies
• Environmental Humanities
• +5 more

Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.

Elaine ChunView profile

Associate Professor

• Sociolinguistics
• Linguistic Anthropology
• Language and Racism
• +4 more

Elaine Chun is an Associate Professor in the Department of English Language and Literature at the McCausland College of Arts and Sciences, University of South Carolina. She holds a Ph.D. in Linguistics from the University of Texas at Austin (2007) and an A.B. in Linguistics from Stanford University (1995). Education: Ph.D. in Linguistics, University of Texas at Austin (2007); A.B. in Linguistics, Stanford University (1995). Research Interests Dr. Chun specializes in sociolinguistics and linguistic anthropology, with a focus on language, race, gender, and sexuality. Her work examines how language practices traverse racial and national boundaries, particularly in contexts like Asian American YouTube commentary, K-pop fandom, and U.S. public spaces. She investigates ideologies of race and gender, collaborative interpretation in social media, and anti-racist strategies. Publication Trends Her recent publications emphasize language in digital media, racial ideologies, and sociocultural identity. Topics include racism in public discourse, transnational social media analysis, racial parody, and the intersection of language with race and gender. Her work spans journals like American Speech , Language in Society , and Discourse & Society .

• Cultural studies
• Literary studies
• Language studies
• +3 more

Rachel Morley is an Associate Professor at the School of Slavonic and East European Studies (SSEES), University College London. She holds a BA in French Language and Literature from the University of Oxford (1992), followed by BA, MA, and PhD degrees from UCL (1999, 2001, 2011). Her roles include Academic Director of Education and Student Experience at SSEES (2022–2027) and Co-Convenor of the UCL SSEES Cinema Research Group. Dr. Morley's research focuses on Cinema studies Cultural studies Feminist and queer theory Literary studies with emphasis on Soviet/Russian cinema, gender representation, and film historiography. She held a Leverhulme Trust Research Fellowship (2020–2022) for her project on female subjectivity in contemporary Russian cinema. Her teaching spans Russian cinema, poetry, language, and translation. Past roles include Postgraduate Teaching Assistant at SSEES (1999–2009) and lecturer at the University of Cambridge (2006, 2008). She has also supported international students as SSEES International and Affiliate Tutor (2014–2018). Key Achievements: Leverhulme Trust Research Fellowship Fellow of the Higher Education Academy (2016) Her work bridges film, literature, and cultural history, emphasizing underrepresented narratives and feminist perspectives in Russian and Soviet cinema.

Andrew J FleckView profile

Associate Professor

• Early Modern British Literature
• Dutch-English Cultural Relations
• Literary Analysis
• +3 more

Andrew J Fleck is an Associate Professor in the English and Comparative Literature Department at San José State University, affiliated with the College of Humanities and the Arts. He has been teaching since 2001, specializing in Early Modern British Literature with a focus on Dutch-English cultural relations between 1588-1688. Fleck holds a PhD from Claremont Graduate University (2000). His research explores how Dutch figures influenced English literary and cultural imagination, including studies on John Donne, Thomas Nashe, and early modern drama. He has published widely in journals like Studies in Philology and Journal of British Studies , with a particular emphasis on textual analysis, historical narratives, and cross-cultural exchanges. Fleck’s work spans from examining the role of Dutch language performances in early modern theater to analyzing the representation of national identity in texts like The Shoemaker’s Holiday . His recent publications (2013) include studies on John Donne’s engagement with astronomical themes and global adaptations of Macbeth . He maintains an active presence in academic encyclopedias, contributing entries on Milton’s Dutch connections and Renaissance authors. His scholarship bridges literary analysis with historical context, often highlighting how literature reflects political, religious, and cultural tensions of the period. Fleck’s teaching and research reflect a commitment to interdisciplinary approaches, integrating historical, linguistic, and cultural methodologies.

Heather KnightView profile

Assistant Professor

• Social Robotics
• Human-Robot Interaction
• Non-Verbal Machine Communication
• +3 more

Heather Knight is an Assistant Professor in the Department of Electrical Engineering and Computer Science at Oregon State University, part of the College of Engineering. Her research focuses on social robotics and human-robot interaction, emphasizing non-verbal communication and the design of non-anthropomorphic robots. She directs the CHARISMA Research Lab, which applies principles from performing arts to enhance robot charisma through expressive motion and interaction design. Dr. Knight holds a Ph.D. in Robotics from Carnegie Mellon University (2016), and dual M.S. degrees in Robotics (Carnegie Mellon) and Electrical Engineering & Computer Science (MIT, 2008), alongside a B.S. in Electrical Engineering from MIT (2006). She also leads Marilyn Monrobot, a robot theater company producing comedic performances and an annual Robot Film Festival. Her work bridges technical innovation with societal impact, exploring how robots can better communicate intent through motion and interaction. Notable contributions include the 'Sanitizerbot' project for playful public health support and the development of Laban-based motion frameworks for expressive robotics. Awards include being named to Forbes' 30 Under 30 in Science (2011) and her TED talk on robot comedy. Key Research Themes: Multi-robot formations, expressive motion design, human-robot social dynamics, and ethical integration of AI in robotics. Recent Projects: VR storytelling with social robots, service robots in workplace environments, and motion-based affective communication. Her articles span topics from robot humor generation to industrial light communication systems, reflecting a commitment to both foundational research and applied solutions for human-robot coexistence.

Andreas StoehrView profile

Professor

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +3 more

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

James WilsonView profile

Professor

• African American Theatre
• Gender and Sexuality Studies
• Musical Theatre History
• +4 more

James Wilson is the Executive Officer of the Theatre and Performance program at The Graduate Center, CUNY, and holds a Professorship in both Theatre and Africana Studies. He also teaches English at LaGuardia Community College, CUNY, and is an affiliate faculty member in the Africana Studies Certificate Program. His research focuses on African American theatre, gender/sexuality studies, musical theatre history, and applied theatre pedagogy. Wilson earned his Ph.D. in Theatre from The Graduate Center, CUNY. His notable works include Failure, Fascism, and Teachers in American Theatre (2023) and Bulldaggers, Pansies, and Chocolate Babies (2010), which explore teacher representations and Harlem Renaissance performances respectively. His recent essays analyze queer performance in musical theatre, historical teacher portrayals in drama, and the intersections of race/gender in early 20th-century performance. He co-edits the Journal of American Drama and Theatre and is a Drama Desk voting member. Current projects include studying representations of teachers in performance and examining queer pedagogical frameworks in theatre history.

Rosa AndujarView profile

Senior Lecturer

• Ancient Greek Tragedy
• Ancient Greek Comedy
• Archaic Greek Poetry
• +9 more

Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.

Maxwell BoykoffView profile

Professor

• Climate Change Communication
• Science-Policy Interactions
• Political Economy
• +6 more

Maxwell (Max) Boykoff is a Professor in the Environmental Studies department at the University of Colorado Boulder and a Fellow in the Cooperative Institute for Research in Environmental Sciences (CIRES). He holds a PhD in Environmental Studies from the University of California, Santa Cruz (2006) and an MBA from the University of Colorado Boulder (2023), complementing his BS in Psychology from The Ohio State University. His research focuses on two primary arenas: the cultural politics of science, climate change and environmental issues, examining how attitudes and behaviors shape action possibilities; and transformations of carbon-based economies, with emphasis on science-policy interfaces and decarbonization politics. His work explores how climate science finds meaning in everyday life and feeds back into policy decisions. Boykoff's publications demonstrate consistent focus on climate communication, media representations, policy conflicts, and societal transformations. His recent work emphasizes digital communication strategies, climate health connections, countermovement analysis, and creative engagement methods. Article trends show increasing attention to social media dynamics, global comparative studies, and interdisciplinary approaches spanning environmental studies, communication, and political science. Awards & Recognition: CU Excellence in Leadership Program (2022) Contributing Author to IPCC Sixth Assessment Report Deputy Editor at Climatic Change journal (over a decade) He leads significant research initiatives including the Media and Climate Change Observatory (MeCCO) monitoring global climate coverage across 82 sources in 40+ countries, Inside the Greenhouse (creative climate communication project), and the Colorado Local Science Engagement Network . He serves on the Independent Science Panel for New Zealand's Deep South Challenge. Boykoff teaches courses including Climate Change Politics & Policy, Creative Climate Communication, Political Economy and the Environment, and Science & Environmental Communication. He mentors through the Red Cross/Red Crescent Climate Centre Internship Program and integrates research with teaching and service commitments.

Isabelle StaufferView profile

Professor

• German literature (early modern period, fin de siècle, contemporary)
• Literary theory
• Cultural studies (gender/queer studies, performativity, postcolonial studies)
• +6 more

Prof. Dr. Isabelle Stauffer holds the Professorship for Modern German Literature at the Catholic University of Eichstätt-Ingolstadt , where she also serves as Vice Dean of the Faculty of Languages and Literature and Deputy Director of the Center for Religion, Church, and Society in Change (ZRKG) . She co-leads the ZRKG Research Field III on "Religiosity in Contemporary Transformation Processes" and examines intersections of literature with gender/queer studies , postcolonial theory , and cultural history of gallantry . Studied at University of Zurich and Humboldt University Berlin Doctorate (2006) and Habilitation (2015) from Johannes Gutenberg University Mainz Previously held positions at Goethe University Frankfurt, Philipps University Marburg, and Saarland University Her research spans early modern to contemporary German literature , with specializations in intermediality (film, digital media), epistolary culture , and dandyism/fashion history . Current projects include organizing the 2025 IVG congress panel "Figures of Crisis – Crisis of the Figure" and editing the complete works of Aurora von Königsmarck. She has published extensively on topics including: Postcolonial transformations in early modern texts Religious discourse in contemporary literature Intermedia reflexivity in digital age narratives Queer performativity in historical and modern contexts Translation as cultural transfer mechanism Surface aesthetics in cinema and art

• Latinx Literature
• Spanish-American Literature
• Translation Studies
• +3 more

Dr. Michele Shaul serves as Professor of Spanish and Chair of the World Languages Department at Queens University of Charlotte, where she also directs the Center for Latino Studies. A dedicated scholar and educator, she co-founded the e-journal Label Me Latina/o and leads community-focused initiatives bridging academia and social outreach. Her academic credentials include: Ph.D. in Spanish-American Literature from the University of North Carolina, Chapel Hill M.A. in Spanish from the University of Florida, Gainesville B.A. with honors in Spanish from the University of Florida, Gainesville Dr. Shaul's research interrogates Latinx identity through literary criticism, translation, and creative writing, emphasizing intersectional experiences of race, gender, and disability within U.S. institutions. Her work actively challenges monolithic narratives while centering marginalized voices in both scholarly and artistic contexts. Analysis of her recent publications (2016-2023) reveals a cohesive trajectory exploring bilingual expression, cultural memory, and systemic inequity. Edited volumes on Latinx literature in Spanish and theater demonstrate scholarly rigor, while creative works like poetry and short stories employ personal narrative to examine reincarnation, hybrid identity, and border-crossing experiences. Her contributions have earned significant recognition: Queens’ 2016 Hunter-Hamilton Love of Teaching Award for pedagogical excellence 2023 Con A de Arte Award from the Latin American Coalition for cultural leadership Through the student/faculty Latino Studies Project, Dr. Shaul mentors researchers documenting Charlotte's Latino community history while collaborating with artists on tolerance-focused initiatives. Her editorial work with international scholars demonstrates sustained commitment to amplifying underrepresented voices across academic and creative domains. Dr. Shaul co-leads the e-journal Label Me Latina/o and directs the Latino Studies Project, fostering collaborative research between students, faculty, and Charlotte's Latino community. Her social outreach partnerships integrate art installations and performance to address diversity through experiential learning and public engagement.

David M FeldshuhView profile

Professor

• Theater
• Arts and Healthcare
• Social Issues
• +3 more

David M Feldshuh is a Professor in Performing and Media Arts at Cornell University with over 40 years of service, uniquely combining a board-certified emergency medicine physician career with theater artistry. As founding Artistic Director of the Schwartz Center for the Performing Arts, he leads a resident company of professional actors collaborating with students across Cornell. His education spans Dartmouth College (B.A. Philosophy, Phi Beta Kappa, cum laude), London Academy of Music and Dramatic Arts, and dual Ph.D. (Theatre) and M.D. (Medicine) from the University of Minnesota, followed by Emergency Medicine residency at Hennepin County Medical Center and board certification. Feldshuh’s research centers on theater as a vehicle for social change, particularly at the arts-healthcare intersection. He pioneers creativity training methodologies derived from Zen meditation, Gestalt Therapy, and martial arts to enhance professional presence. His work examines ethical dilemmas in medical practice through performance, with emphasis on cultural bias mitigation and historical trauma processing. His creative output reveals consistent focus on social justice narratives, evolving from historical adaptations like Antigone to contemporary explorations of systemic inequity. Recent works demonstrate increasing formal innovation through multi-role performance structures and transmedia storytelling approaches that bridge academic and public engagement. Major honors include: Pulitzer Prize Finalist and 5 Emmy Awards for Miss Evers' Boys Cornell’s Stephen H. Weiss Presidential Fellowship (highest teaching honor) Distinguished Service Award from Tuskegee University’s National Bioethics Center AMA “Freddy” Award for medical film excellence CINE Golden Eagle for documentary work Feldshuh mentors through honors tutorials and developed the globally adopted eCornell course Acting in Public , teaching 1,600+ students across 15 countries. His Schwartz Center leadership established institutional grant frameworks supporting large-scale productions like Bernstein’s Mass with 138 performers. Current initiatives include leadership workshops for Cornell Tech and corporate clients, extending his presence-training methodology beyond academia. He maintains active creative practice through the Schwartz Center’s resident company, directing major productions while integrating medical ethics into performance pedagogy. His stadium announcing role at Cornell commencements for 20+ years exemplifies his commitment to institutional community engagement.

Nicholas MortimerView profile

Senior Lecturer

• Performance Design
• Labor Studies
• Social Activism through Art
• +3 more

Nicholas Mortimer is a Senior Lecturer in Design at Goldsmiths, University of London. He holds an MA in Design Interactions (Royal College of Art, 2013) and a BA in Fine Art Sculpture (University of Brighton, 2005). His work focuses on socially engaged design practices, reimagining historical performance traditions to address contemporary labor and societal issues. As co-founder of Post Workers Theatre (PWT), he explores workers’ theatre and creative resistance through collective writing, performance, and design. His research spans topics like gig economy critiques, housing privatization, and community activism, often blending performance, sound, and participatory methods. Education: MA Design Interactions, Royal College of Art, 2013 BA Fine Art Sculpture, University of Brighton, 2005 Research Interests: Performance as social critique Historical folk traditions and modern labor struggles Community-driven design practices Radical pedagogy and participatory methods Key Projects: Post Workers Theatre : Investigates politically engaged performance, addressing labor inequality through updated workers’ theatre forms. Autohoodening : Critiques Amazon labor practices via a reimagined midwinter ritual. Rave of the Ritualesque : Examines rave culture’s potential for collective resistance. Affiliations: Department of Design, Goldsmiths, University of London IASPIS (Swedish Arts Grants Committee) residency collaborations Labs/Teams: Post Workers Theatre collective Collaborations with institutions like Tate Liverpool, Luleå Arts and Crafts Biennale, and the Maidstone Museum