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Katarzyna Myćka is a Professor at the Stanisław Moniuszko Academy of Music in Gdańsk, where she has served since the 2018/19 academic year. A marimba virtuoso and one of the leading pioneers of concert marimba performance, she represents a unique specialization within the Faculty II – Instrumental department, specifically in percussion studies. Her academic journey began as a piano student at the same institution under Grażyna Fiedoruk-Sienkiewicz, and since 2001 she has worked at her alma mater, initially as an accompanying pianist for various instrumental classes before focusing on marimba performance and education. Myćka's research interests center on marimba performance practice, contemporary percussion repertoire development, and the scholarly investigation of women composers. Her doctoral dissertation on women composers, defended in 2023, represents a significant contribution to musicology and gender studies in music. She actively promotes Polish musical heritage through editing sheet music collections of forgotten Polish composers and has developed a comprehensive discography that showcases both traditional repertoire adaptations and contemporary works. Her seven commercially released CDs demonstrate remarkable versatility, spanning from Bach transcriptions to modern compositions by artists like Emmanuel Séjourné and Anna Ignatowicz. Meritorious for Polish Culture distinction from the Minister of Culture and National Heritage (2016) Medal of the National Education Commission (2023) As an educator, Professor Myćka founded the International Katarzyna Myćka Marimba Academy (IKMMA), an intensive masterclass program that has become a significant training ground for emerging marimba specialists. Her teaching extends beyond technical mastery to encompass artistic interpretation and professional development for percussionists. She actively promotes the work of women composers both through her scholarly research and performance practice, contributing to greater representation in concert programming. Myćka maintains an active performance career, having collaborated with prestigious ensembles including the Beijing Symphony Orchestra, Camerata Israeli, Wiener KammerOrchester, and Stuttgart Philharmonic Orchestra, demonstrating her international stature in the percussion world.

• Marimba Performance
• Percussion
• Contemporary Music
• +3 more

Prof. Anna Janosz is a distinguished academic at the Stanisław Moniuszko Academy of Music in Gdańsk, specializing in rhythmics and music education. She holds a PhD (1998) and postdoctoral degrees (2003, 2013), and was appointed Professor in 2011. Her roles include teaching Promotion of Cultural Goods, Event Organization, and Pedagogy, while leading the Department of Rhythmics & Piano Improvisation since 2020. She is internationally recognized for her research in movement interpretations of 20th/21st century music, publishing a monograph Sound in Movement Interpretations... (2012) and over a dozen academic articles. Her work bridges music, movement, and education through the Dalcroze method, with engagements in Austria, Spain, China, and Serbia. Awards include the Rector’s Award and Poland’s 'Meritorious for Polish Culture' honor badge. Research focuses on rhythmic expression, sonorist timbres, and music’s impact on movement. She leads workshops globally and organizes community music initiatives. Professional activities span university teaching, international conferences, and cultural management projects under Erasmus programs.

• Cultural Management
• Music Education
• Cultural Animation
• +3 more

Mateusz Krawczyk serves as a Lecturer at the Feliks Nowowiejski Academy of Music in Bydgoszcz, specializing in percussion performance within jazz and popular music disciplines. His professional profile centers on active performance and educational contributions to Poland's musical landscape. His academic foundation includes a degree in percussion from the Feliks Nowowiejski Academy of Music, with concentrated studies in Jazz and Popular Music alongside Instrumental Studies. This educational background directly informs his current pedagogical approach and performance practice. Krawczyk maintains significant performance affiliations with major Polish institutions including the Pomeranian Philharmonic and Płock Philharmonic, while also contributing to the Polish Sinfonia Iuventus Orchestra. His ensemble work spans diverse projects such as Scodrix, the Jachna-Cichocki-Urowski-Krawczyk Quartet, and WidePoint (Urowski/Lemańczyk/Wendt/Krawczyk), demonstrating versatility across contemporary music contexts. His research and teaching interests concentrate on percussion techniques within jazz frameworks, popular music performance practices, and instrumental pedagogy. This focus manifests through both academic instruction and practical application in performance settings. Notable professional recognitions include: Distinction at National CEA auditions (Warsaw, 2010) Trophy for best instrumentalist at 16th Big Band Festival (Nowy Tomyśl, 2011) with JazzBigBand 75 Krawczyk actively contributes to Poland's cultural infrastructure as a percussionist in accompanying sections for nationwide workshops and festivals. His work bridges academic instruction with practical performance, though no formal student supervision roles or research grants are documented in available materials.

• Percussion
• Jazz
• Popular Music
• +1 more

Hubert Gabriel Żmudzki is a Polish composer and pianist affiliated with the Stanisław Moniuszko Academy of Music in Gdańsk (Doctoral School participant since 2023) and the Karol Szymanowski Academy of Music in Katowice , where he teaches harmony, counterpoint, and contemporary score reading. His academic journey includes diplomas in Composition (2021) and Music Theory (2023) with distinction. Born: 15 June 1997 in Więcbork Doctoral Studies: Supervised by Prof. Krzysztof Olczak Research Interests focus on microtonal/spectral music , interdisciplinary connections between astronomy, surrealism, and philosophy , and extended instrumental techniques . His compositions explore: Surreal painting-inspired textures Astronomical phenomena as creative stimuli Spectral harmony with dense polyphony Scientific Awards include: 1st Prize, Tadeusz Baird Competition (2022) 3rd Prize, Henryk Mikołaj Górecki Competition (2020) Winner, NeoVoyager Mentoring Program (2023-2024)

• Music Composition
• Spectral Music
• Microtonal Music
• +3 more

Leszek Lorent is Professor of Musical Arts (dr hab.) and head of the New Music Studies and the Anthropology of Musical Culture Workshop at the Fryderyk Chopin University of Music in Warsaw. A celebrated percussionist, scholar, and author, he has premiered dozens of contemporary works, recorded more than a dozen critically acclaimed albums, and published extensively on the philosophy, anthropology, and theology of percussion music. Education & Training: Graduated with distinction (2008) – Fryderyk Chopin University of Music, Warsaw Post-graduate studies – Conservatoire National Supérieur de Musique et Danse de Lyon, class of Prof. Jean Geoffroy 2006–2009 – annual courses in new-music interpretation, Tallinn, Estonia Research & Artistic Interests: Lorent’s work explores the intersection of percussion performance, contemporary music creation, philosophical inquiry, and anthropological research . He specializes in multi-percussion repertoire and instrumental theatre, investigating how percussion functions in sacred rituals, shamanic traditions, and modern avant-garde aesthetics. His scholarly output spans ethnomusicology, theology, phenomenology of sound, and cultural studies , often focusing on Polish and global contemporary composers such as Marcin Błażewicz, Dariusz Przybylski, and Ignacy Zalewski. Album & Article Trends: Across 20+ albums and 25+ scholarly articles , Lorent consistently bridges the sacred and the experimental . Recordings range from solo percussion recitals to large choral-percussion works, frequently nominated for the Polish Fryderyk Award and the Global Music Awards . His writings analyze percussion as a ritual technology, philosophical metaphor, and cultural signifier , appearing in journals such as Aspirations , Zagadnienia Naukoznawstwa , and conference proceedings of the Polish Academy of Sciences. Scientific Awards & Honors: Rector’s Award, Fryderyk Chopin University of Music (2015, 2017, 2024) Global Music Award – Gold Medal Triple Winner (2019) Global Music Award – Silver Medal Triple Winner (2018) Multiple Fryderyk Award nominations (2016–2023) International Classical Music Awards nomination (2015) Scholarships: Prime Minister, Minister of Culture, Société Générale Bank, ZAiKS, Młoda Polska, Ministry of Science & Higher Education Advising & Service: As head of the Anthropology of Musical Culture Workshop , Lorent mentors graduate researchers in performance studies, music philosophy, and cultural anthropology. In 2018 he was appointed to the Advisory Team of the Minister of Higher Education and Science , evaluating scholarship applications for outstanding students and young scholars. Laboratories & Performance Teams: Lorent directs collaborative projects with the Chopin University Modern Ensemble , siXen Percussion Group , and Hashtag Ensemble , fostering interdisciplinary creation that integrates percussion, electronics, vocal performance, and multimedia staging.

• Percussion Performance
• Contemporary Music
• Music Anthropology
• +3 more

Małgorzata Sienkiewicz-Kosecka is a faculty member at the Stanisław Moniuszko Academy of Music in Gdańsk , affiliated with Faculty II – Instrumental and the Inter-faculty Accompaniment Department . She holds the rank of Lecturer . Her career began with piano studies under Prof. Hanna Sulikowska, followed by advanced training with Prof. Katarzyna Popowa-Zydroń and Prof. Waldemar Wojtal at the Gdańsk Academy, where she earned distinctions and performed J. Brahms's Piano Concerto in D minor with the academic Symphony Orchestra. Her professional focus centers on chamber music and piano accompaniment . She currently serves as an accompanist at her alma mater, collaborating with the Department of String Instruments and Department of Wind Instruments and Percussion . Additionally, she has held roles as a senior piano teacher and accompanist in music schools across Gdańsk, Gdańsk-Wrzeszcz, and Elbląg. Her expertise spans both performance and pedagogy, with a specialization in collaborative music-making. Her early career included recognition as a laureate of national and regional piano competitions, reflecting her technical and artistic proficiency. While no scientific awards or publications are explicitly noted, her contributions to music education and ensemble performance are central to her professional identity.

• Chamber Music
• Piano Accompaniment
• Classical Music Performance
• +3 more

Łukasz Godyla serves as Assistant Professor at the Feliks Nowowiejski Academy of Music in Bydgoszcz, where he also graduated with distinction in music theory and composition under Prof. Zbigniew Bargielski. Concurrently, he pursues doctoral studies at the Fryderyk Chopin University of Music in Warsaw since 2011, maintaining an active dual role in academia and creative practice. His research centers on contemporary composition across diverse musical forms, with particular emphasis on orchestral, choral, and electronic genres. Godyla's work frequently integrates Polish literary themes and cultural elements, as evidenced by compositions inspired by Tadeusz Różewicz's poetry. His creative output demonstrates technical mastery and innovative approaches to modern musical structures, establishing him as a significant voice in Poland's contemporary music scene. Analysis of his 15 most recent compositions (2007-2012) reveals consistent exploration of religious texts (e.g., Lacrimosa, Rex tremendae maiestatis), literary adaptations, and abstract conceptual frameworks. The works span solo instrumental studies to large-scale orchestral/choral productions, showcasing exceptional versatility in instrumentation and form while maintaining distinctly Polish artistic identity. Godyla's exceptional contributions have been recognized through prestigious awards: First Prize at National Composition Competition (2006) First Prize at T. Baird Young Composers' Competition (2007) Honorable mention at F. Baird Composition Competition (2007) Distinction at Legnica Cantat Competition (2008) First Prize at Z. Mycielski Competition (2010) John Paul II Scholarship (2007) Artistic Scholarship of the Mayor of Bydgoszcz (2008) Scholarship of the Minister of National Heritage (2010) As an educator, Godyla mentors emerging composers while receiving substantial institutional support through national and regional scholarships. His works have been performed at major festivals including 'Warsaw Autumn' and recorded on albums such as 'Musica Nova Pomorza i Kujaw,' reflecting sustained creative momentum and professional recognition within Poland's musical establishment.

• Music Composition
• Contemporary Classical Music
• Choral Music
• +3 more

Zbigniew Kozub is a full Professor at the Department of Music Composition and Theory, Ignacy Jan Paderewski Academy of Music in Poznan, holding the title of prof. dr hab. awarded in 2015. His primary appointment is within the First Faculty of the academy, where he teaches composition, film and theater composition, and doctoral seminars as part of his research and teaching duties. His research centers on contemporary classical composition with deep specialization in orchestral , choral , and theatrical music . Kozub's work integrates Polish cultural heritage with modern techniques, particularly evident in his sacred compositions drawing from Brandstaetter texts and adaptations of Polish literary giants like Wyspiański and Witkacy. His style bridges traditional forms with electronic elements and multimedia approaches. Analysis of his 15 most recent compositions (2015-2021) reveals three dominant trends: instrumental concertos expanding Polish repertoire for saxophone, trombone, and piano; large-scale vocal-orchestral works reinterpreting sacred texts; and theatrical scores for dance and television exploring national identity. Over 60% incorporate electronics or multimedia elements, demonstrating his commitment to contemporary expression. His artistic achievements include: First Prize (symphonic category) in the XXIII National Composers Competition named after G. Fitelberg (1988) Special Award for film music to 'The Little Prince' (1992) Medal of Young Art (1988) Numerous distinctions in national composition competitions Kozub maintains active collaborations with major Polish cultural institutions including Teatr Polski, Polski Teatr Tańca, and TVP, creating works that engage with Poland's artistic legacy while pushing contemporary boundaries through innovative instrumentation and interdisciplinary approaches.

• Music Composition
• Contemporary Classical Music
• Film Music
• +3 more

Artur Kroschel is a University Professor and Head of the Department of Composition at the Academy of Music named after I.J. Paderewski in Poznań, where he has been employed since at least 2016. His academic career includes a doctorate from the Academy of Music in Wrocław (2008) and a higher doctorate (habilitatus) from the Academy of Music in Krakow (2015). Professor Kroschel specializes in contemporary composition with a focus on innovative techniques across various ensembles. His research interests encompass modern compositional methods, 20th/21st century music theory, and Polish contemporary music traditions. His creative output demonstrates particular expertise in chamber music, orchestral works, vocal compositions, and experimental forms that push the boundaries of traditional composition. Kroschel's extensive compositional output shows consistent evolution toward more complex ensemble configurations while maintaining distinctive Polish contemporary music characteristics. His works from 2016-2018 demonstrate increasing sophistication in handling diverse instrumental combinations, from unconventional duos like viola-double bass to complex orchestral textures. A notable trend is his exploration of timbral possibilities across different instrument families, particularly in woodwind and string writing. First prize at the IX Silesian Days of Contemporary Music Festival in Katowice (2000) Distinction at the Adam Didur Composition Competition in Sanok (2000) Rector's Award of the Academy of Music in Poznań (2009, 2012, 2018) Zasłużony dla Kultury Polskiej honor badge (2010) Bronze Medal for Long-Term Service from the President of Poland (2018) Professor Kroschel serves as Artistic Director of the International Festival of Contemporary Music 'Poznań Spring Music Festival' since 2011 and is Vice-President of the Poznań Branch of the Polish Composers' Union. He is the co-founder of Sepia Ensemble, which specializes in contemporary music performance. His teaching portfolio includes composition, composition basics, 20th/21st century composition techniques, and contemporary music literature. He has served as a juror for composition competitions in Poland and Germany, contributing significantly to the development of emerging composers.

• Composition
• Contemporary Music
• Music Theory
• +3 more

Paweł Nowicki is a contemporary music performer, educator, and composer affiliated with the Stanisław Moniuszko Academy of Music in Gdańsk as a Lecturer in the Instrumental Faculty. He specializes in percussion, particularly the vibraphone and marimba, and is a core member of the ensemble Kwartludium. His career spans international performances at leading festivals like Unsound (New York), Musica Viva (Lisbon), and Beijing Modern Music Festival, alongside collaborations with artists like Michał Derlatka and Maciej Cieślak. Organizational roles: Vice President of Kwartludium New Music Foundation, curated Gdańsk's New Music Days Festival (2016). Pedagogical achievements: Teacher of the Year (2018), Mayor of Gdańsk Award for Education (2022), led workshops in Australia (2016). He holds a Doctorate in Musical Arts (2020) and has produced acclaimed albums such as Przypływy (Tides) (2016) and compositions for theater/film including Rabbit à la Berlin . His work bridges classical, contemporary, and interdisciplinary music.

• Contemporary Music
• Chamber Music
• Classical Music Performance
• +3 more

Piotr Kostrzewa is an Assistant Professor and the first Dean of the Department of Jazz and Stage Music at Chopin University of Music (UMFC). He is a renowned percussionist with Sinfonia Varsovia Orchestra, a pedagogue, bandleader, and President of the Sinfonia Varsovia Foundation. Education: Karol Szymanowski Complex of Primary and Secondary State Music Schools (Warsaw), Fryderyk Chopin Academy of Music (1989, percussion under Prof. Edward Iwicki) His career spans over 30 years, including collaborations with legendary conductors like Yehudi Menuhin and Krzysztof Penderecki, performances at Carnegie Hall and Teatro Colón, and recordings of 200+ albums with Sinfonia Varsovia for labels like Decca and Sony. He has also contributed to film soundtracks for works such as "Three Colors" and "The Battle of Warsaw 1920". As an educator, he supervised big bands at Karol Szymanowski Complex and Chopin University, winning multiple Grand Prix awards at festivals. He founded the Franciszek Wybrańczyk Artistic Scholarship in 2008 to support young musicians from the Mazovian region.

• Percussion
• Jazz Music
• Big Band Ensembles
• +3 more

Tomasz Jocz is an Associate Professor at the Stanisław Moniuszko Academy of Music in Gdańsk, Faculty of Choral Conducting, Church Music, Artistic Education, Rhythmics and Jazz. He holds a Doctor of Musical Arts degree and has been a faculty member since 2005, teaching jazz percussion and instrumental ensembles. His career spans 20+ years as a jazz drummer, composer, and arranger, with international performances across 14 countries and collaborations with renowned musicians like Maciej Sikała and Jan Ptaszyn Wróblewski. Specialized in jazz and popular music Active educator and recording artist (50+ albums) Recipient of prestigious scholarships and awards His work includes theater and film music compositions, charity concert organization, and jury memberships at major Polish jazz competitions. He is a member of the Phonographic Academy (FRYDERYK awards) and ZAiKS Association of Authors.

• Jazz Music
• Percussion Performance
• Composition and Arrangement
• +2 more

Michał Janocha serves as an Assistant Professor at the Institute of Composition and Music Theory, I.J. Paderewski Academy of Music in Poznań. He is actively engaged with the Electroacoustic Music Studio (SMEAMuz Poznań), the Polish Society for Electroacoustic Music, and the Polish Composers’ Union. As co-founder of both the Poznań Laptop Orchestra λ-ensemble and the Trans-for-Matha Ensemble, he drives innovation in contemporary music performance and creation across Europe and the United States. He earned his doctorate from the I.J. Paderewski Academy of Music in Poznań in 2019, establishing his foundation in advanced compositional techniques and music theory. Janocha's creative research centers on electroacoustic and algorithmic composition , where he pioneers the integration of live electronics , spatial audio , and everyday technology (smartphones, sensors) into musical practice. His work explores 5-dimensional sound geometry and domestic music-making through laptops, bridging traditional composition with cutting-edge digital interfaces. This manifests in diverse output—from chamber orchestral works to interactive installations—characterized by real-time processing, audience participation, and hybrid acoustic-electronic textures that redefine contemporary music boundaries. His publication trends reveal a decisive shift toward interactive spatial audio systems and algorithmic processes since 2019, with increasing focus on smartphone-based performance ( Five roots ), tactile interfaces ( Tactile thresholds ), and political multimedia narratives ( POLSKA 2020 ). The fusion of Polish musical identity with global new music practices remains a consistent thread across his electroacoustic tape works, laptop orchestra compositions, and video-operas. Janocha leads significant creative collectives including the Poznań Laptop Orchestra λ-ensemble—which specializes in networked computer music—and the Trans-for-Matha Ensemble dedicated to premiering new works. Through SMEAMuz Poznań, he contributes to Poland’s electroacoustic music infrastructure while collaborating with major institutions like the Poznań Philharmonic and international festivals including Warsaw Autumn and CAFe Budapest.

• Composition
• Electroacoustic Music
• Algorithmic Composition
• +5 more

Piotr Sołkowicz is an Assistant Professor at the Department of Percussion, Institute of Instrumental Studies, Ignacy Jan Paderewski Academy of Music in Poznan, and serves as a solo percussionist with the Poznan Philharmonic Orchestra. His academic and artistic career bridges performance, pedagogy, and scholarly research in percussion and contemporary music. Education: Doctor of Arts, Ignacy Jan Paderewski Academy of Music in Poznan (2018) Dr. Sołkowicz specializes in Balkan rhythmic traditions as inspiration for asymmetric metrorhythmic structures, with deep engagement in contemporary composition and chamber music. His research analyzes works by composers like Nebojša Jovan Živković and Dobri Peliev, connecting rhythmic theory to practical performance. He actively explores intersections between music and mathematics through annual lectures with Adam Mickiewicz University. Scientific Awards: III nagroda w kategorii duetów, Międzynarodowy Konkurs Współczesnej Muzyki Kameralnej, Kraków 2006 Medal Brązowy za długoletnią służbę, Prezydent RP (2016) Zespołowa Nagroda Rektorska II Stopnia (2018) Medal Komisji Edukacji Narodowej, Minister Edukacji i Nauki (2021) As an educator, Dr. Sołkowicz conducts master classes at music schools and serves on juries for national percussion competitions. His performance career includes world-premiere recordings of Feliks Nowowiejski's symphonies and concertos with the Poznan Philharmonic. He maintains active collaborations with contemporary composers and ensembles across Europe, contributing to new music through frequent premieres. Dr. Sołkowicz leads multiple ensembles including the percussion quartet 'Neon', 'Sorim Duo', 'Idiom Project Ensemble', and the 'PerkTon Duo' (with Dr. Piotr Szulc). His work with 'Kwadrofonik' featured the first all-Polish performance of Steve Reich's 'Music for 18 Musicians', and he regularly performs in the 'Moja Muzyka' concert series at Poznan's Royal Castle.

• Percussion
• Chamber Music
• Contemporary Music
• +3 more

Alina Ratkowska is a Professor at the Fryderyk Chopin University of Music in Warsaw, where she leads the Organ and Harpsichord Department and serves on the University Council. She is also the General and Artistic Director of the Wojciech Kilar Polish Philharmonic Sinfonia Baltica in Słupsk since 2022. Education: 1999 - Fryderyk Chopin University of Music, Warsaw; 2002 - Schola Cantorum Basiliensis, Basel; 2020 - Academy of Music in Gdańsk (conducting); 2009 - Gdańsk University of Technology (Public Relations). Her research and performance focus on early music and contemporary harpsichord repertoire , including historical documentation of Gdańsk's musical heritage and the revival of works by Baroque composers like Johann Gottlieb Goldberg and Johann Jeremias du Grain. She has pioneered the expansion of harpsichord use in modern classical compositions . Her recent albums, such as Le Clavecin Moderne and recordings of Goldberg's concertos, highlight her dual expertise in Baroque interpretation and avant-garde experimentation . These works often intersect with interdisciplinary collaborations involving percussion and saxophone. Scientific Awards: Fryderyk Award (2020) Splendor Gedanensis Award (2019, 2020) Sztorm Roku (2009, 2013) Opus Klassik Nominations (2019) Ratkowska has co-founded the Sarton record company, initiated the Goldberg Festival in Gdańsk (2006), and conducted premieres of works by Polish composers like Krzysztof Baculewski and Zygmunt Krauze. Her academic editing includes critical editions of Goldberg's concertos and contemporary Polish harpsichord music.

• Early Music Performance
• Harpsichord
• Baroque Music
• +3 more