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Przemysław NeumannView profile

Professor

• Symphonic Conducting
• Opera Conducting
• Vocal Ensemble Leadership
• +3 more

Przemysław Neumann is a University Professor (prof. AMP) at the Institute of Conducting of the Poznań Academy of Music , where he has worked since obtaining his doctorate in 2009. His career blends conducting and pedagogical roles, with notable collaborations including the National Philharmonic in Warsaw and regional philharmonic orchestras. Education : Doctorate (dr) from Akademia Muzyczna w Bydgoszczy (2009) Specialization : Symphonic-Operatic Conducting Research and Artistic Focus Neumann’s work centers on conducting practice, particularly in symphonic and operatic repertoires. He has led projects like: Artistic director of the academic orchestra Sinfonietta (2009–2013) Concerts featuring Mozart opera finales "Love Generation" concert with T. Baird’s 4 Love Sonnets (soloist/director) Staging Handel’s Acis and Galatea with the Vocal-Acting Faculty and Historical Instruments Department Scientific Awards His accolades include international competition prizes, ministerial scholarships, and distinctions in vocal and conducting disciplines.

Jakub ChrenowiczView profile

Assistant Professor

• Conducting
• Symphonic Music
• Opera
• +5 more

Jakub Chrenowicz is an accomplished conductor and academic currently serving as Assistant Professor at the Faculty of Symphonic and Opera Conducting at the Ignacy Jan Paderewski Academy of Music in Poznań. With a distinguished career in musical direction and performance, he has conducted numerous prestigious orchestras and operatic and ballet productions across Poland and internationally. His academic credentials include a PhD received in 2016 from the University of Music Fryderyk Chopin in Warsaw, where his thesis advisor was Professor Antoni Wit. His academic journey also included studies at the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main as part of the LLP-Erasmus program, and a scholarship at Accademia Musicale Chigiana to study under Gianluigi Gelmetti. Chrenowicz's artistic career has been marked by significant collaborations with renowned orchestras such as the Warsaw Philharmonic Orchestra, Sinfonia Varsovia, Polish National Radio Symphony Orchestra, Polish Radio Symphony Orchestra, Kammerorchester Berlin, and the Gran Teatre del Liceu Orchestra and Choir in Barcelona. He has conducted important productions including the Polish National Ballet's Biblical Parables, Casanova in Warsaw, and operatic works such as Moniuszko's The Haunted Manor and Stravinsky's The Rite of Spring. His artistic collaborations have included work with acclaimed soloists such as Alexander Gavrylyuk, Daniil Trifonov, Iulianna Avdeeva, Soyoung Yoon, Dang Thai Son, Peter Jablonski, Kaja Danczowska, Jadwiga Rappé, Olga Pasiecznik, Krzysztof Jakowicz, Konstanty Andrzej Kulka, Piotr Paleczny, Tomasz Strahl, Bartłomiej Nizioł, Jakub Jakowicz, Łukasz Długosz, Leszek Możdżer and David Krakauer. His professional achievements include receiving the prestigious Kiepura Award for Best Theatre Conductor in 2016 from the Teatr Wielki – Polish National Opera in Warsaw. As an academic, he contributes to the education of future conductors while maintaining an active performance schedule.

Piotr MaciejowskiView profile

Assistant Professor

• Vocal Studies
• Solo Singing
• Opera
• +4 more

Piotr Maciejowski is an Assistant Professor at the College of Vocal Studies, Paderewski Music Academy in Poznan, Poland. He earned his Doctor of Arts degree in 2021 from the Chopin University of Music in Warsaw, specializing in solo singing under Prof. Jerzy Knetig. His professional role involves teaching and performance-based research. Education: Doctor of Arts, Chopin University of Music, Warsaw (2021) Graduate of Poznan University of Music in the class of Prof. Wojciech Maciejowski His research and performance focus spans vocal studies, with extensive experience in operatic and oratorio-cantata genres. Maciejowski collaborates with prominent orchestras including the Polish Radio National Symphony Orchestra, Wrocław Philharmonic, and Sinfonia Varsovia. His repertoire features iconic works like Bach's Passions, Mozart's Masses, Handel's Messiah, and Penderecki's Credo. He has worked with renowned conductors such as Łukasz Borowicz, Sylvain Cambreling, and Jerzy Maksymiuk. His professional development includes masterclasses with Neil Schicoff, Matthias Rexroth, and Sergei Leiferkus. Maciejowski is currently employed at the College of Vocal Studies, Poznan, and has previously participated in the Young Talents Training Program "Opera Academy" at the Grand Theatre – National Opera in Warsaw (2013–2018).

• Opera
• Vocal Performance
• Early Music
• +3 more

Artur Stefanowicz serves as Associate Professor at the Fryderyk Chopin University of Music in Warsaw within the Vocal and Acting Department (Department of Vocal Studies). An acclaimed countertenor, conductor, and director, he co-founded the Opera Institute—a collaborative venture between the Theatre Academy, Academy of Fine Arts, and Fryderyk Chopin University. His international career spans major venues including Deutsche Staatsoper Berlin, Glyndebourne Opera Festival, Teatro Liceo Salamanca, and New York City Opera. He graduated from the Fryderyk Chopin Academy of Music in Warsaw (1991) under Professor Jerzy Artysz, with advanced training under Paul Esswood and Professor Jadwiga Rappé. In 2013, he attained habilitation, cementing his academic credentials. Stefanowicz's research centers on historically informed vocal performance, specializing in Baroque opera repertoire. His expertise drives innovative interpretations of Handel, Vivaldi, and Monteverdi works, bridging scholarly rigor with theatrical vitality. As both performer and director, he champions authentic reconstructions of early operatic practices while mentoring new generations of artists. His accolades include the prestigious Venanzio Rauzzini Mozart Competition first prize (Vienna, 1990) and second prize at 's-Hertogenbosch International Vocal Competition (1991), highlighting his exceptional artistry. Mentoring vocal students at the university level, Stefanowicz has guided graduates including Kacper Szelążek, Michał Sławecki, and Rafał Tomkiewicz. Since 2017, as music director of the Opera Institute, he has spearheaded landmark productions: Monteverdi’s La Coronation of Poppea , Handel’s Rodelindo , Cavalli’s Il Giasone , and the 2018 world premiere of Stradelli’s Il Trespolo tuttore (released on DUX DVD).

• Vocal Performance
• Opera
• Music Education
• +3 more

Aleksander Teliga is a Professor and Lecturer at the Fryderyk Chopin University of Music, Białystok Branch, within the Faculty of Instrumental-Pedagogy, Music Education and Vocal Studies. Renowned as one of Europe's leading bass opera singers, his career spans major international venues including La Scala, Bolshoi Theatre, and Royal Danish Opera House. His educational background includes: Master's degree in vocal performance from the M. Lysenko Conservatory in Lviv Doctoral degree from the Karol Szymanowski Academy of Music in Katowice (2003) Professor title awarded by the President of Poland (2022) Teliga's research and professional focus centers on vocal performance and opera interpretation, with expertise in over 70 bass roles across Verdi, Moniuszko, and Russian repertoire. His work emphasizes classical singing techniques, dramatic interpretation of bass characters, and preservation of Polish operatic traditions. He actively contributes to vocal pedagogy through academic teaching and masterclasses. His distinguished accolades include: Grand Prix at the 12th Russian Glinka Competition (1987) Two Golden Mask awards (1991, 1993) Arion Statuette for artistic and teaching achievements (2008) Silver Gloria Artis Medal (2017) International Classical Music Awards (2013) University Merit Medal (2022) As an educator since 2015, Teliga mentors vocal students while maintaining an active international performance schedule. His artistic collaborations with conductors like Barenboim and directors including Treliński demonstrate his dual commitment to academic instruction and stage artistry. Current engagements include roles at Moscow's Bolshoi Theatre and Warsaw's National Opera.

Lisa Anderson BongersView profile

Lecturer

• Stage Management
• Opera Production
• Theater Direction
• +3 more

Lisa Anderson Bongers serves as an Instructor of Stage Management at the University of Missouri-Kansas City (UMKC) Conservatory, leveraging over 30 years of experience as a leading operatic stage manager across U.S. and European institutions including San Francisco Opera, Washington National Opera, and major orchestras. She earned dual degrees in theater and video/film production from UMKC, forming the foundation for her interdisciplinary career spanning live performance and media production. Her expertise centers on stage management for large-scale opera and theater productions, with notable work on world premieres like John Adams' Doctor Atomic and Francesca Zambello's Ring Cycle . She integrates multimedia techniques across performance domains, having collaborated with the New York Philharmonic, San Francisco Ballet, and Alvin Ailey Dance Company while contributing to PBS Great Performances and theatrical film releases.

Kristin OkerlundView profile

Lecturer

• Piano Performance
• Chamber Music
• Accompaniment
• +2 more

Kristin Okerlund is a Lecturer at the Music and Arts Private University of the City of Vienna (MUK), specializing in piano performance, chamber music, and accompaniment. She studied at the St. Louis Conservatory of Music, University of Illinois, and Vienna Conservatory (MUK) under notable mentors including John Wustman, Ian Hobson, and Leonid Brumberg. Her research interests align with her professional practice, focusing on collaborative piano techniques, operatic repertoire, and cross-cultural musical partnerships. As an accompanist, she has performed with renowned artists such as Bernd Weikl, Samuel Ramey, and Edita Gruberova across four continents. Notable achievements include: Prizewinner in multiple international piano competitions Teaching faculty at the Zhou Xiao Yan Opera Center in Shanghai (2007) Collaboration with conductors like Sir Georg Solti and Zubin Mehta Okerlund has been engaged at the Vienna State Opera since 1993 and maintains an active presence in both concert and educational settings.

• Vocal Performance
• Opera
• Classical Music
• +1 more

Univ.-Prof. Uta Schwabe is a Professor at the Music and Arts University of Vienna , specializing in vocal performance and opera. She has taught singing classes since 2006. Education : Diploma in Music Education (1993), Franz Liszt Academy of Music, Weimar Master Class in Vocal Performance (1997), Felix Mendelssohn Bartholdy Academy of Music and Theatre, Leipzig Research and Teaching Focus : Vocal pedagogy, operatic performance, and classical music interpretation. Her expertise bridges historical and contemporary approaches to singing. Career Highlights : Uta Schwabe has performed at major opera houses including the Vienna State Opera (1997–1999), Hamburg State Opera, and Berlin State Opera. She collaborates with renowned orchestras such as the Leipzig Gewandhaus Orchestra, Dresden State Orchestra, and Klangforum Wien, and has participated in international festivals like Bregenz and Schwetzingen. Scientific Awards : Master Class Scholarship (1993/94) Master Class Scholarship (1995/96)

• Piano Performance
• Music Pedagogy
• Chamber Music
• +4 more

Eva Doris Moizi is a Professor at the Faculty of Music, Music and Arts Private University of the City of Vienna, where she has been affiliated since 2002. Her academic background includes piano studies at Klagenfurt State Conservatory, instrumental pedagogy at the University of Music and Performing Arts Vienna (now MUK), and accompaniment training in Vienna. Education: Piano studies under Prof. Hriwa, instrumental pedagogy with Adrian Cox, and accompaniment training with Johannes Kropfitsch, David Lutz, and Prof. F. Fanning. Positions: Accompanist at MUK (since 2002), accompanist at Hainburg Music School (2002-2004), and accompanist at Institute of European Studies Vienna (1998-2002). Her research interests align with her practical expertise in piano performance, vocal/operatic accompaniment, and chamber music collaboration. She has worked extensively with orchestras like the Vienna Philharmonic and Carinthian City Theater Orchestra, participating in international competitions such as Prague Spring and Gradus ad Parnassum. Scientific awards and honors include: Multiple prizes at Prima la Musica competitions 1999 Special Prize from the Club Carinthia Moizi has contributed to music education through accompaniment roles in solo/chamber music concerts, summer courses for string/wind instruments, and competition jury support across Austria and abroad.

István BonyhádiView profile

Lecturer

• Piano Performance
• Vocal Accompaniment
• Classical Music
• +3 more

István Bonyhádi is a Hungarian pianist and accompanist who has been teaching since 1998 at the Music and Arts Private University of the City of Vienna (MUK) and since 2002 at the University of Music and Performing Arts Vienna (Institute for Vocal and Musical Theatre). He specializes in piano accompaniment for vocal and operatic performance, with a focus on song interpretation and collaborative music-making. His career spans international masterclasses and performances, including engagements in Asia, Europe, and beyond. He has collaborated with renowned singers like Sylvia Geszty, Christa Ludwig, and Roman Trekel, and participated in prestigious competitions such as the "International Kärntner Sparkasse Wörthersee Music Scholarship" and "Belvedere" in Vienna.

• Organ Performance
• Harpsichord Performance
• Orchestral Conducting
• +5 more

Jerome Preysinger is a Visiting Professor at the Music and Arts Private University of the City of Vienna's Faculty of Music since 2004. His academic career spans multiple institutions and roles in conducting, musicology, and pedagogy. Education: Bachelor's studies at Carleton University (1980-1984), majoring in organ, musicology, and composition Graduate studies at McGill University (1985-1989), focusing on musicology and conducting Concurrent studies at Concordia University (1986-1988) in organ and harpsichord Postgraduate Kapellmeister training at Franz Liszt Academy of Music (1990-1992) Research and Teaching Interests: Jerome Preysinger's work integrates organ performance, harpsichord studies, orchestral and choral conducting, and operatic coaching. His career reflects expertise in both classical and historical performance practices. Professional Highlights: He has held diverse roles including teaching positions at McGill University and Franz Liszt Academy of Music, music directorship of the McGill Savoy Operetta Society, conducting roles in Germany and Brazil, and long-term artistic leadership at Christ Church Vienna and Volksoper Vienna.

• Classical Singing
• Lied Interpretation
• Oratorio Performance
• +3 more

Birgid Steinberger is a renowned soprano and Professor at the Music and Arts University of the City of Vienna, where she has held a professorship for Lied and Oratorio since 2001. She is also a Professor of Singing at the Institute for Church Music at the University of Music and Performing Arts Vienna since 2010. Her career spans prestigious operatic roles at institutions like the Vienna State Opera, Vienna Volksoper, and Bavarian State Opera, alongside significant contributions to concert and chamber music performances globally. Born in Burghausen, Bavaria, began vocal studies at 16 with Wilma Lipp Studied with Charlotte Lehmann (Hanover, 1987-1989) and Kurt Widmer (Basel, 1992) Awarded scholarship from Gianna Szel Foundation (1986) and prizewinner at International Hugo Wolf Competition (1990) Her operatic repertoire includes Susanna and Countess Almaviva ( The Marriage of Figaro ), Pamina ( The Magic Flute ), and Mrs. Wordsworth ( Albert Herring ). She has performed at major festivals including Heidelberg Castle Festival, Schubertiade Feldkirch, and Lockenhaus Festival. Scientific Awards: Austrian Kammersängerin (2009)

Avra XepapadakouView profile

Associate Professor

• Performing Arts
• Musicology
• Theatre Studies
• +3 more

Dr. Avra Xepapadakou is an Associate Professor at the Department of Education, School of Education, University of Nicosia. She specializes in performing arts, musicology, and 19th-century cultural history, with a focus on Eastern Mediterranean markets. As Program Coordinator, she leads academic initiatives while curating archives for renowned theatre directors Romeo Castellucci and Dimitris Papaioannou. Current research involves Balzan Prize-funded projects (2016) at Oxford and Universität Zürich Collaborates with European cultural institutions on digital archives Her research explores: 19th-century salon music and theatrical networks Historical institutionalization of creative industries Contemporary performance curation Scientific contributions include: Co-authoring Interspersed with Musical Entertainment (2017) Developing Thymèle, a dynamic multimedia performing arts dictionary She has pioneered: Modern approaches to theatrical archive infrastructure Cross-cultural analysis of European opera and melodrama

J. Taylor HightowerView profile

Associate Professor

• Voice
• Vocal Literature
• Opera
• +3 more

Dr. J. Taylor Hightower serves as an Associate Professor at the University of Southern Mississippi, specializing in Voice and Vocal Literature instruction for undergraduate and graduate students through voice lessons and Vocal Literature I/II courses. His educational background includes: Doctor of Music (DM) in Voice Performance with minors in College Pedagogy and Music History from Indiana University-Bloomington (2004) Master of Music (MM) in Voice Performance from Indiana University-Bloomington (2001) Bachelor of Music (BM) in Voice Performance from Furman University (1996) His creative scholarship centers on classical vocal performance across opera and art song repertoires, supported by fluency in German, Italian, and French. Recent activities include lead baritone performances in Puccini's Il Tabarro with Mobile Opera (2019) and Fauré's Requiem with the Meridian Symphony, alongside international engagement as Guest Faculty at Canada's Operatic Arts Academy where he conducted masterclasses. His work spans national collaborations with artists from New York and New Orleans to regional Mississippi-based projects. Based in Marsh Hall's Fine Arts Building (FAB 208) in Hattiesburg, he maintains active performance practice while developing pedagogical approaches for voice instruction.

• Music Composition
• Computer Music
• Interactive Systems
• +3 more

Tod Machover serves as Professor of Music and Media at the Massachusetts Institute of Technology (MIT) Media Lab since its founding in 1985, and concurrently as Visiting Professor of Composition at the Royal Academy of Music since 2006. Renowned as 'America's most wired composer,' he pioneered Hyperinstruments technology in 1986 and directs MIT's Hyperinstruments and Opera of the Future research groups. His educational foundation includes studies with Elliott Carter and Roger Sessions at The Juilliard School, followed by serving as the first Director of Musical Research at Pierre Boulez’s IRCAM in Paris. Machover’s creative philosophy breaks traditional boundaries through innovative syntheses: acoustic and electronic sound, symphony orchestras with interactive computers, and operatic arias fused with rock elements. His work spans music composition, computer music, and interactive systems, emphasizing audience participation and technological augmentation of human expression. Major recognitions include: Chevalier de l’Order des Arts et des Lettres (French Culture Ministry) Steinmetz Prize from the IEEE (2007) World Technology Award for the Arts (2010) Awards from Fromm Foundation, Koussevitzky Foundation, and National Endowment for the Arts His compositions receive continuous support through commissions from leading global ensembles and soloists. As MIT lab director, he mentors researchers in developing next-generation musical interfaces while securing funding from cultural ministries and major foundations. The Hyperinstruments and Opera of the Future groups under his leadership explore AI-driven performance systems, collaborative city-wide operas, and instruments that translate physical gesture into complex musical output, positioning Machover at the vanguard of 21st-century music creation.