Beth Piatote is an Associate Professor of English and Comparative Literature at the University of California, Berkeley. She holds a PhD in Modern Thought and Literature from Stanford University and is an enrolled member of the Confederated Tribes of the Colville Reservation (Nez Perce). Her work bridges scholarly and creative realms, focusing on Indigenous literature, law, language revitalization, and cultural studies. Education: PhD in Modern Thought and Literature (Stanford University). Research interests include Native American legal systems, Nez Perce language preservation, global Indigenous literatures, and creative writing. She co-founded and chairs Berkeley’s Designated Emphasis in Indigenous Language Revitalization and directs the Arts Research Center, where she leads the Indigenous Poetics Lab. Her publications include Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (2013) and the short story collection The Beadworkers (2019), which received multiple literary recognitions. Her plays Antíkoni and Tricksters, Unite! explore Indigenous narratives through performance. Awards include MLA honorable mentions, PEN/Bingham Prize longlistings, and a 2020 Playwrights Retreat win. Current projects involve a scholarly monograph on sensory representations of Indigenous law and creative works in poetry and essays.
Maile Arvin is a Kanaka Maoli feminist scholar and Assistant Professor at the Department of Ethnic Studies, University of Hawaiʻi at Mānoa. Her research and teaching focus on Indigenous relationships to land, histories of race and settler colonialism in Hawaiʻi, Oceania, and the United States. Previously, she was faculty in History and Gender Studies at the University of Utah and founding director of the Center for Pasifika Indigenous Knowledges. PhD in Ethnic Studies, University of California San Diego (2013) MA in Ethnic Studies, University of California San Diego (2009) BA in English, Swarthmore College (2005) Her research examines: Colonial production of racial categories, particularly Polynesians as an 'almost white race' in historical social science History of incarceration of Native Hawaiian children in government institutions (1865–1960s) Intersection of settler colonialism and Indigenous feminisms Critique of eugenics and genomic studies in the Pacific Community-engaged memorialization projects in Hawaiʻi Recent scholarly trends include analyses of Indigenous sovereignty, critiques of settler colonial whiteness, and interdisciplinary studies of race-gender dynamics. Arvin's publications explore Polynesian racialization, decolonial feminism, and the socioeconomic impacts of colonial institutions. NEH Chair's Grant for Nā Lei Poina ʻOle ACLS Digital Justice Seed Grant Arvin leads Nā Lei Poina ʻOle (Beloved Children Never Forgotten), a community history project about reformatories and industrial schools in Hawaiʻi. In collaboration with Kawela Farrant and the North Shore Community Land Trust, this project uses archival and oral histories to confront the legacy of child incarceration. She also critiques the nonprofit-industrial complex's role in limiting Indigenous sovereignty.
Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.
Purnima Dhavan is an Associate Professor of History at the University of Washington's College of Arts & Sciences, holding the Giovanni and Amne Costigan Endowed Professorship. She specializes in early modern South Asia (1500-1800), focusing on religious and cultural identity, Mughal institutions, and literary networks. Her research integrates interdisciplinary methods, with adjunct affiliations in Near Eastern Languages and the Jackson School's South Asia Center. Education: PhD in South Asian History from the University of Virginia (2003), MA (1998), and BA (1996) from the University of Michigan. She has taught at multiple institutions, including the College of St. Benedict/St. John’s University and Bowdoin College. Research Interests: Mughal literary culture, Sikh warrior traditions, gender in pre-colonial societies, and environmental history. Notable works include her book *When Sparrows Became Hawks* (2011) on Sikh militarization and a forthcoming project on literary associations in Mughal urban centers. Publications span peer-reviewed journals and edited volumes, emphasizing pre-colonial South Asia’s intellectual and socio-political dynamics. Awards include the Howard Keller Chair and NEH fellowships. Service: Extensive contributions to academic governance at UW, including roles in the Faculty Senate, departmental leadership, and national professional organizations like the American Historical Association and Association of Asian Studies. Languages: Native Hindi speaker, advanced Urdu/Persian/Punjabi, and proficient in Spanish.
Wendy Gay Pearson serves as Associate Professor in the Department of Gender, Sexuality, and Women's Studies at Western University. Her academic work spans multiple interdisciplinary fields with a particular focus on identity, citizenship, and belonging through the lenses of gender and sexuality. Professor Pearson's research interests encompass gender and sexuality studies, queer theory, feminist theory, critical race theory, and cultural studies. She approaches these topics through postmodernist and postcolonial theoretical frameworks, with emerging intersectional approaches to race, ethnicity, and diaspora. Her work specifically investigates these issues within science fiction, Canadian literature and film, and Indigenous film, examining connections between seemingly disparate areas such as analyzing Eden Robinson's Monkey Beach through both science fiction and Indigenous studies perspectives. Professor Pearson's scholarly output demonstrates a clear trajectory toward increasingly intersectional analyses, particularly in the most recent publications that bridge Indigenous studies with gender and sexuality frameworks. Her work consistently explores how science fiction functions as a space for imagining alternative gender and sexual possibilities, while simultaneously examining how Canadian cultural production engages with queer identities. The publications reveal a growing emphasis on Indigenous perspectives in film and literature, with multiple forthcoming 2024 contributions to the Routledge Handbook of Indigenous Film . As evidenced by her extensive editorial work including The Routledge Companion to Gender and Science Fiction (2023) and Reverse Shots: Indigenous Film and Media in an International Context (2014), Professor Pearson has established herself as a significant contributor to scholarly conversations at the intersection of gender studies and speculative fiction. Her book Zero Patience (2011) with Susan Knabe demonstrates long-standing engagement with queer cinema. Professor Pearson's academic supervision extends across multiple disciplines, reflecting her interdisciplinary approach. Her work has been supported through various academic channels that enable her to explore connections between Indigenous film, queer Canadian culture, and science fiction, though specific grant details are not provided in the available information. Her research methodology combines close textual analysis with theoretical frameworks from queer studies, feminist theory, and critical race theory, creating innovative approaches to understanding how cultural texts negotiate complex identity formations. This integrative approach is particularly evident in her examination of works by authors like Hiromi Goto, Nalo Hopkinson, and Larissa Lai, where she simultaneously considers sexuality, gender, race, and science fiction elements.
Lady Rojas Benavente is an Associate Professor in the Department of Classics, Modern Languages and Linguistics at Concordia University, where she has been teaching since her appointment as Assistant Professor in 1996, with promotion to Associate Professor in May 2003. Prior to joining Concordia, she served as an Assistant Professor at the University of Ottawa and as a lecturer at the Faculty of Education at The University of Western Ontario, where she taught second language methodology, French and Spanish. Dr. Rojas Benavente received her PhD in Hispanic Literature from the University Laval in 1991, following an MA in Spanish Literatures (Cum Laude, 1985) and BA in History and Spanish (1983), both from the University of Ottawa. She also holds a Diploma qualifying as a Secondary School teacher specializing in Spanish Language and Literature, Psychology and Philosophy from the National Pedagogic University of Women in Lima, Peru (Cum Laude, 1968). Her research focuses on Critical Feminism in Peruvian & Latin-American Women Writers, with special emphasis on contemporary Peruvian and Mexican narrative, drama, poetry and essay. Her work encompasses Cultural Studies and Literary and Critical Theories, Latin American History, Post-colonialism, Human Rights, Women Studies, Feminist Theories, Gender Issues, Latin America Black History, Indigenous and Minorities Studies, and Comparative Studies in Education. She has published nine books (two poetry collections and seven critical interpretations) and over 50 refereed papers in Latin American Women's literary work, particularly focusing on Peruvian and Mexican authors. Dr. Rojas Benavente's scholarly output demonstrates consistent engagement with themes of gender, ethnicity, and power structures in Latin American literature. Her recent publications explore the works of contemporary Peruvian women writers, examining how they address issues of violence, racism, and gender in post-independence national contexts. Her research trajectory reveals a deepening focus on decolonial perspectives, indigenous resistance, and the intersection of gender with other social categories. Hispanic Literary and Cultural Institute's Honor Diploma (2010) Publication Award from the University of New Brunswick for the Anthology, Constructing Memory: Latino-Canadian Women Writers in the New Millennium Recognition by Mouvement Desjardins in celebration of International Women's Day (2008) As president of the Society for Literary Criticism of Spanish American Women Writers' work (CCLEH), Dr. Rojas Benavente has facilitated connections between Concordia colleagues, local artists, international writers, and the Latino-Montreal community. She serves on the editorial boards of Alba de America, a literary magazine from the United States, and Voces, a Peruvian cultural magazine. Her leadership extends to organizing numerous conferences on Latin American women writers across Canada, Latin America, and Montreal, including multiple meetings of Hispano-Canadian Women Writers and events commemorating significant figures in Latin American literature.
Nizar F. Hermes serves as Associate Professor and Department Chair in the Department of Middle Eastern and South Asian Studies at the University of Virginia, concurrently holding the position of Director of Graduate Studies. His office is located in 141 New Cabell Hall, with Spring 2025 office hours held Tuesdays from 12:00-3:00 PM. He maintains dual professional email contacts through the university system. His academic foundation includes: PhD in Comparative Literature, University of Toronto Dr. Hermes' research program centers on North African and Mediterranean literary traditions, with deep specialization in premodern Arabic-Islamic cultural production. His work investigates poetic representations of urban spaces, cross-cultural encounters between the Islamic world and Europe, and the transmission of literary heritage across the Mediterranean. Particular attention is given to Maghribī poetic imagination, elegiac traditions, and the intersection of literature with food history and refugee experiences. His methodological approach combines close textual analysis with historical contextualization to reveal continuities in Arab literary consciousness. Analysis of his recent publications (2014-2025) reveals three dominant scholarly trajectories: 1) The literary reconstruction of North African cities through poetic elegies, 2) Cross-cultural encounters documented in Arabic travel literature and folk poetry, and 3) The representation of European 'others' in medieval Arabic texts. His 2024 monograph 'Of Lost Cities' synthesizes these threads while his edited volume 'The City in Arabic Literature' (2018) establishes foundational frameworks for urban studies in Arabic literary criticism. No scientific awards or fellowships were documented in the source materials. While his role as Director of Graduate Studies indicates active mentorship responsibilities, specific student advisees and grant funding details were not provided in the available documentation. His scholarly output demonstrates sustained engagement with graduate education through publications on teaching methodologies for Arabic humanistic literature. No dedicated research laboratories or formal collaborative teams were referenced, though his co-edited volumes and multi-author publications suggest active participation in scholarly communities focused on Mediterranean studies and comparative literature.
Gustavo Verdesio serves as an Associate Professor of Spanish within the Department of Romance Languages & Literatures at the University of Michigan. He maintains significant interdisciplinary affiliations as a faculty member of the Program in Native American Studies and as a Faculty Associate for Latina/o Studies. His academic credentials include: Ph.D. in Hispanic Studies or Latin American Studies from Northwestern University (1992) Verdesio's research critically engages with Colonial Studies, Native American Studies, and Material Culture, focusing on Indigenous materialities in Uruguayan history. His current project examines the re-emergence of Indigenous groups previously declared extinct in Uruguay and non-Indigenous responses to Indigenous bodies within settler colonial structures. He investigates objects, agricultural practices, monumentality, and the political implications of Indigenous bodily recognition. Analysis of his 2018-2021 publications reveals consistent thematic focus on settler colonialism in Latin America, Indigenous rights frameworks, and decolonial approaches to archaeology and historical knowledge, with concentrated attention on Southern Cone nations including Uruguay and Argentina. Scientific Awards: No awards, fellowships, or medals were documented in available materials No information regarding graduate student advising, dissertation supervision, or specific research grants was provided in the source documentation. His academic activities appear centered on independent research and interdisciplinary collaboration rather than directed mentorship or externally funded projects as described. The available texts contain no references to laboratories, research centers, or formal collaborative teams associated with Professor Verdesio's work.
Zhiqiang Yu serves as an Associate Professor in the Department of Modern Languages and Comparative Literature at Baruch College's Weissman School of Arts and Sciences, City University of New York. With over two decades of teaching experience, he has established himself as a dedicated educator specializing in Chinese language, cinema, and civilization courses. Education: Ph.D. in Chinese, University of Washington M.A. in Asian Civilization, University of Iowa B.A. in Chinese Literature, Fudan University (Shanghai) Professor Yu's research focuses on innovative approaches to Chinese language pedagogy, with particular interest in applying economic principles and artificial intelligence to language teaching. His work bridges traditional linguistic scholarship with modern educational technology, examining how efficiency, resource allocation, and technological advancements can enhance language learning outcomes. His research spans Chinese linguistics, dialectology, cinema studies, and cultural elements in language teaching. His publication record reveals a consistent trajectory toward optimizing language instruction through systematic analysis. Recent work increasingly focuses on AI applications in language education and the economic framework of pedagogical efficiency. His scholarship demonstrates a progression from traditional linguistic analysis toward innovative teaching methodologies that incorporate modern technological and theoretical frameworks. Scientific Awards: Award of Excellent Academic Research Reviewer from Journal of International Chinese Education (2016) Graduate Teaching Fellowship from University of Washington (1993) Graduate Teaching Fellowship from University of Iowa (1989) Graduate Research Fellowship from University of Iowa (1988) Student Excellency Award from Fudan University (1984) Professor Yu has served extensively on departmental committees including as Department Assessment Coordinator and Secretary of the Asian and Asian-American Studies Committee. He has organized numerous academic events featuring prominent Chinese cultural figures and has contributed to developing Chinese language curriculum resources including online placement tests. His professional service extends to editorial work for CUNY publications and Chinese language training for the New York Police Academy. He maintains active involvement with multiple professional organizations including the American Name Society, American Oriental Society, American Society of Geolinguistics, Association for Asian Studies, and Chinese Language Teachers Association, frequently presenting at international conferences on Chinese language pedagogy.
Steven G. Kellman is a Professor of English at the University of Texas at San Antonio (UTSA), where he has taught since 1976. A leading scholar in comparative literature and literary translingualism, he was UTSA's first Ashbel Smith Professor (1995-2000) and has received numerous accolades including the National Book Critics Circle Balakian Citation and the New York Society Library Award for Biography. His academic foundation includes: Ph.D. in Comparative Literature, University of California at Berkeley (1972) M.A. in Comparative Literature, University of California at Berkeley (1969) B.A. in English & General Literature, State University of New York at Binghamton (1967) Kellman's research focuses on comparative literature, modern and contemporary literature, prose fiction, literary translingualism, film, and biography. He pioneered the study of writers who create in non-native languages, examining how linguistic displacement fuels creativity and shapes identity across cultural boundaries. His work bridges literary analysis with cultural history, particularly in American literature and biography. His recent publications demonstrate sustained engagement with translingualism, pandemic-era literary interpretation, and biographical recovery of marginalized voices. Articles from 2022-2025 reveal consistent thematic threads: re-examining classic texts like Camus' The Plague through contemporary crises, analyzing translingual writing as spiritual practice, and recovering erased narratives in literary partnerships. Honors include the National Book Critics Circle Nona Balakian Citation (2006), New York Society Library Award for Biography (2006), and Gemini Ink Literary Excellence Award (2008). Additional distinctions: UTSA COLFA Researcher of the Year Award (2019-2020) McGinnis-Ritchie Award for Nonfiction (2008) San Antonio Public Library Foundation Arts and Letters Award (2005) Two UTSA President's Distinguished Achievement Awards in Research Excellence (1990-91, 2005-2006) Kellman has secured prestigious fellowships including the Fulbright Distinguished Chair at Sofia University and Harvard's John E. Sawyer Fellowship. He served four terms on the National Book Critics Circle board and edits Brill's Literary Multilingualism series, demonstrating sustained commitment to advancing literary scholarship through editorial leadership and institutional service.
Sunny Stalter-Pace serves as the Hargis Professor of American Literature in Auburn University's College of Liberal Arts, English Department. A specialist in modernist performance, literature, and urban space, she authored Imitation Artist: Gertrude Hoffmann's Life in Vaudeville and Dance (2020) and is currently completing a cultural history of the New York Hippodrome. Her work bridges academic research with public engagement through blogs, interviews, and collaborations with institutions like the Library of Congress. Her educational foundation includes: Ph.D. in English, Rutgers University (2007) M.A. in English, Rutgers University (2003) B.A. in English and French, Loyola University Chicago (1997), magna cum laude Stalter-Pace's research interrogates intersections of mobility, gender, and performance in 20th-century American culture. She examines how vaudeville, subway systems, and theatrical spectacles shaped public identity, with particular attention to women's experiences and spatial politics. Her methodology combines literary analysis, archival research, and visual studies to reveal how imitation and movement function as cultural forces. Current projects explore aquatic performances at the New York Hippodrome and the legacy of vaudeville producer Gertrude Hoffmann. Her 15 most recent publications demonstrate an evolving trajectory from subway systems ( Underground Movements , 2013) toward aquatic spectacles and vaudeville legacies, consistently centered on New York City's infrastructure. This body of work establishes mobility studies as a critical lens for understanding modernism, revealing how transportation networks and performance venues structured social interactions. Her interdisciplinary approach connects theater history, gender studies, and urban theory to uncover marginalized narratives in American cultural production. Key recognitions include: Harry Ransom Center Fellowship (2020) New York Public Library Short-Term Research Fellowship (2020) Alabama Humanities Foundation Grant (2014) College of Liberal Arts Excellence in Teaching Award nomination (2011) Multiple research fellowships from 2003-2017 Stalter-Pace has secured substantial funding for archival research through fellowships from the NEH, MLA, and university grants. She serves on Biographer’s International Organization's program committee and curated the 'Common Grounds' exhibition at Auburn's Jule Collins Smith Museum. Her teaching innovations include the first-year seminar 'Thinking Through the Arts' and courses on contemporary drama that integrate Hamilton into American literature pedagogy. As Book Review Editor for Transfers: Interdisciplinary Journal of Mobility Studies , she shaped scholarly discourse in mobility studies. Through her Hippodrome research blog and collaborations with the New York Public Library, Stalter-Pace transforms specialized scholarship into accessible public history. Her Library of Congress presentation on Albertina Rasch and the Hippodrome exemplifies her commitment to bridging academic research with community engagement, while ongoing interviews and blog posts extend her work beyond traditional academic boundaries.
Wendy Laura Belcher is a Professor of African literature at Princeton University, holding a joint appointment in the Department of African American Studies and the Department of Comparative Literature. She specializes in early African literature, medieval studies, and postcolonial thought, with a focus on Ethiopian and Ghanaian intellectual traditions. Her work bridges global literary history and decolonial critique, emphasizing Africa’s role in shaping global cultural narratives. Belcher earned her PhD in English Literature from UCLA, alongside MA degrees in African Studies and Urban Planning, and a BA in English Literature from Mount Holyoke College. Her research includes groundbreaking translations of Ethiopian texts, such as The Life and Struggles of Our Mother Walatta Petros , and projects like the Princeton Ethiopian Miracles of Mary (PEMM) digital humanities initiative, supported by NEH grants. Her research interests span African literature’s global influence, early African philosophical texts, and the Kebra Nagast ’s impact on modern movements like Rastafarianism. She co-leads the Black Queen of Sheba project, exploring medieval African ideas in global culture. Belcher is also renowned for her best-selling guide Writing Your Journal Article in Twelve Weeks , aiding academics worldwide in publishing success. Belcher’s awards include the Fulbright Scholarship, SSEMW’s Best Scholarly Edition award, and the Paul Hair Award. Her work appears in journals like Eighteenth-Century Fiction and Research in African Literatures , with peer-reviewed chapters in volumes on African Christian biography and global medievalism. She collaborates with scholars like Michael Kleiner and Ralph Lee on translations and digital humanities projects. Her teaching and research challenge Eurocentric narratives, emphasizing Africa’s rich textual heritage and its contributions to global literature.
Cassandra L. Yacovazzi is an Associate Professor in the Department of History at the University of South Florida. Her teaching spans American history from exploration to the present, emphasizing race, class, gender, religion, and cultural history. Courses include "American Women I" (AMH3561), "American Women II" (AMH3562), and specialized research seminars on Utopian Experiments in America and the Transformation of America (1960–1980). Her research intersects women’s work, religion, and consumerism, as seen in her book Escaped Nuns: True Womanhood and the Campaign Against Convents in Antebellum America (Oxford University Press, 2018) and ongoing work on Mary Kay Ash and beauty culture. She examines Catholic nun communities and their opposition in 19th-century America, linking these to broader themes of gender, capitalism, and religious identity. Recent publications focus on anti-Catholicism, sectarianism, and the interplay between religion and societal change, with articles in journals like New York Review of Books . Her work often contextualizes historical movements within contemporary debates about gender and faith. She has reviewed scholarship on the Vatican II era, French Revolution refugee nuns, and ecumenical civil rights efforts, highlighting the enduring relevance of historical narratives. Yacovazzi’s teaching philosophy prioritizes critical analysis over memorization, engaging students with primary sources and conflicting evidence. She fosters free inquiry and respect in the classroom, aiming to cultivate historical thinking and interdisciplinary dialogue.
Jaime Rodriguez Matos is an Assistant Professor in the Department of Modern and Classical Languages and Literatures at California State University, Fresno, where he has been employed since 2018. His academic career includes prior roles as Lecturer at Fresno State (2016-2018) and Assistant Professor at the University of Michigan (2007-2016). Education: Ph.D., Spanish and Portuguese, Columbia University M.Phil., Spanish and Portuguese, Columbia University M.A., Spanish and Portuguese, Columbia University B.A., Spanish Language and Literature, University of New Hampshire Rodriguez Matos specializes in Latin American poetry, nihilism, infrapolitics, and temporal theory. His work interrogates the intersections of philosophy and literary form, particularly focusing on the deconstruction of time in works by José Lezama Lima, Eduardo Lalo, and Álvaro García Linera. Current research explores neo-revolutionary rhetoric and anarchic political thought in Latin America. His published and forthcoming articles address themes such as Lacanian critiques of hegemony, the ontologies of the present, and the formless in Caribbean politics. Rodriguez Matos has presented at international conferences including the Latin American Studies Association and the University of California, Irvine Humanities Commons cluster. Selected Publications: Writing of the Formless: José Lezama Lima and the End of Time (Fordham University Press, 2017)
Prof María Noriega-Sánchez is Professor of Spanish and Translation Studies at the University of Cambridge, Faculty of Modern and Medieval Languages and Linguistics, and a Fellow and Director of Studies in Modern and Medieval Languages at Sidney Sussex College. She has been teaching at Cambridge since 2008, specializing in Spanish language instruction from ab initio to advanced levels, translation studies, and contemporary Hispanic culture. Her research centers on innovative approaches to language pedagogy, particularly the role of translation as the 'fifth skill' in language acquisition. Prof Noriega-Sánchez has pioneered methods that integrate translation into language learning processes, challenging traditional approaches that often exclude translation from foreign language teaching. Her work explores how new technologies can enhance collaborative learning environments and develop effective language teaching materials. Prof Noriega-Sánchez's scholarly output reveals significant trends in translation pedagogy and multimodal communication. Her publications demonstrate a consistent exploration of how translation functions as both a teaching methodology and cognitive process in language acquisition. She has been instrumental in establishing translation as an essential component of language learning, bridging theoretical insights with practical classroom applications. Highly Commended in the Innovative Teaching category of the Cambridge SU Student-Led Teaching Awards (May 2023) As Director of Studies at Sidney Sussex College since 2009 and former Undergraduate Tutor (2015-2020), Prof Noriega-Sánchez has guided numerous students through their academic journeys. She has developed innovative Spanish language curricula at Cambridge, created interactive teaching materials for the Open University, and contributed to the 'Spanish at Your Fingertips' project developed by the University of Cambridge Language Centre in partnership with BBC Worldwide. Prof Noriega-Sánchez co-founded the Cambridge Conversations in Translation research group at CRASSH (2015-2018) and serves as Co-Convener of the Cambridge Translation Studies Network. Her collaborative work with Ángeles Carreres and other scholars has significantly influenced translation pedagogy both nationally and internationally, establishing her as a leading voice in the field of language education and translation studies.
