Beth Piatote is an Associate Professor of English and Comparative Literature at the University of California, Berkeley. She holds a PhD in Modern Thought and Literature from Stanford University and is an enrolled member of the Confederated Tribes of the Colville Reservation (Nez Perce). Her work bridges scholarly and creative realms, focusing on Indigenous literature, law, language revitalization, and cultural studies. Education: PhD in Modern Thought and Literature (Stanford University). Research interests include Native American legal systems, Nez Perce language preservation, global Indigenous literatures, and creative writing. She co-founded and chairs Berkeley’s Designated Emphasis in Indigenous Language Revitalization and directs the Arts Research Center, where she leads the Indigenous Poetics Lab. Her publications include Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (2013) and the short story collection The Beadworkers (2019), which received multiple literary recognitions. Her plays Antíkoni and Tricksters, Unite! explore Indigenous narratives through performance. Awards include MLA honorable mentions, PEN/Bingham Prize longlistings, and a 2020 Playwrights Retreat win. Current projects involve a scholarly monograph on sensory representations of Indigenous law and creative works in poetry and essays.
Maile Arvin is a Kanaka Maoli feminist scholar and Assistant Professor at the Department of Ethnic Studies, University of Hawaiʻi at Mānoa. Her research and teaching focus on Indigenous relationships to land, histories of race and settler colonialism in Hawaiʻi, Oceania, and the United States. Previously, she was faculty in History and Gender Studies at the University of Utah and founding director of the Center for Pasifika Indigenous Knowledges. PhD in Ethnic Studies, University of California San Diego (2013) MA in Ethnic Studies, University of California San Diego (2009) BA in English, Swarthmore College (2005) Her research examines: Colonial production of racial categories, particularly Polynesians as an 'almost white race' in historical social science History of incarceration of Native Hawaiian children in government institutions (1865–1960s) Intersection of settler colonialism and Indigenous feminisms Critique of eugenics and genomic studies in the Pacific Community-engaged memorialization projects in Hawaiʻi Recent scholarly trends include analyses of Indigenous sovereignty, critiques of settler colonial whiteness, and interdisciplinary studies of race-gender dynamics. Arvin's publications explore Polynesian racialization, decolonial feminism, and the socioeconomic impacts of colonial institutions. NEH Chair's Grant for Nā Lei Poina ʻOle ACLS Digital Justice Seed Grant Arvin leads Nā Lei Poina ʻOle (Beloved Children Never Forgotten), a community history project about reformatories and industrial schools in Hawaiʻi. In collaboration with Kawela Farrant and the North Shore Community Land Trust, this project uses archival and oral histories to confront the legacy of child incarceration. She also critiques the nonprofit-industrial complex's role in limiting Indigenous sovereignty.
Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.
Ken Mello is an Associate Professor of Religion at Southwestern University, specializing in Native American and Indigenous religious studies. His expertise includes contemporary Indigenous identity, sacred space, gender/sexuality studies, and non-textual religious traditions. He employs an 'integrated approach' combining interdisciplinary methods (history, anthropology, sociology) and direct community engagement to teach and research indigenous traditions. Education: PhD from UC Santa Barbara (2003), MAs from University of Arizona (1996) and Colgate University (1994), BA from Colgate (1992). His research focuses on urban Native American religious identity, religion-place intersections, and future projects include material culture revival, Native American music, and religion-sports connections. Courses cross-list with Environmental Studies, Feminist Studies, Race/Ethnicity Studies, and LABS to foster interdisciplinary learning.
Purnima Dhavan is an Associate Professor of History at the University of Washington's College of Arts & Sciences, holding the Giovanni and Amne Costigan Endowed Professorship. She specializes in early modern South Asia (1500-1800), focusing on religious and cultural identity, Mughal institutions, and literary networks. Her research integrates interdisciplinary methods, with adjunct affiliations in Near Eastern Languages and the Jackson School's South Asia Center. Education: PhD in South Asian History from the University of Virginia (2003), MA (1998), and BA (1996) from the University of Michigan. She has taught at multiple institutions, including the College of St. Benedict/St. John’s University and Bowdoin College. Research Interests: Mughal literary culture, Sikh warrior traditions, gender in pre-colonial societies, and environmental history. Notable works include her book *When Sparrows Became Hawks* (2011) on Sikh militarization and a forthcoming project on literary associations in Mughal urban centers. Publications span peer-reviewed journals and edited volumes, emphasizing pre-colonial South Asia’s intellectual and socio-political dynamics. Awards include the Howard Keller Chair and NEH fellowships. Service: Extensive contributions to academic governance at UW, including roles in the Faculty Senate, departmental leadership, and national professional organizations like the American Historical Association and Association of Asian Studies. Languages: Native Hindi speaker, advanced Urdu/Persian/Punjabi, and proficient in Spanish.
Ann D. Braude is a Senior Lecturer on American Religious History and Director of the Women's Studies in Religion Program at Harvard Divinity School (HDS), affiliated with Harvard University. She joined HDS in 1998 after roles at Carleton College and Macalester College. Her work emphasizes inclusive religious narratives, particularly exploring intersections of gender, spirituality, and social movements. Key research areas include 19th-century Spiritualism, Indigenous religious perspectives, and modern abstract art's relationship to spirituality. Braude holds an AB from Vassar College, MA from the University of Chicago, and PhD from Yale University. Her research has produced influential works like Radical Spirits (2008) and Sisters and Saints (2007), which examine women's roles in shaping religious history. She organized pivotal conferences such as the 2005 celebration of women at HDS and curated the bicentennial exhibition Faces of Divinity (2016). Her current projects include studying gender dynamics in abstract painting and Native American religious frameworks through a biennial speakers series. Braude’s courses focus on American religious history, feminist theology, and Indigenous religious studies. Her articles and public engagement reflect a commitment to bridging academic research with broader societal conversations about religion, gender, and culture. She maintains active roles in both Harvard Divinity School and the broader academic community, contributing to interdisciplinary dialogues on pluralism and religious diversity.
Jose Luis Belmonte Postigo is an active researcher and faculty member at the University of Seville, specifically in the Department of American History within the Faculty of Philosophy, Arts and Humanities. His academic career spans over a decade, with research activity documented from 2010 to the present. He earned his doctorate from the Pablo de Olavide University with a thesis on slavery in Santiago de Cuba (1780-1803), supervised by Dr. Juan Marchena Fernández. Belmonte Postigo's research focuses on the history of slavery in the Spanish Caribbean and Latin America, with particular attention to Cuba, Puerto Rico, Peru, and the broader Atlantic World. His work examines the social, economic, and cultural dimensions of slavery, including enslaved people's resistance strategies, social mobility, and the complex relationships between masters and slaves. He has conducted extensive research on how enslaved individuals navigated systems of power, sought freedom, and maintained cultural practices across the colonial period. His publications reveal a strong interest in the microhistories of enslaved individuals and communities, analyzing how they negotiated their circumstances within rigid colonial structures. Belmonte Postigo has made significant contributions to understanding the regional variations of slavery across the Spanish Empire, particularly examining how local contexts shaped slave societies in different parts of the Caribbean and Latin America. Belmonte Postigo has received recognition for his scholarly work, with a substantial following on academic platforms like Academia.edu where he has 938 followers. He collaborates with scholars across Latin America and Spain, contributing to edited volumes and participating in international research projects focused on slavery and colonial history. In addition to his research, Belmonte Postigo has demonstrated commitment to academic service through peer reviewing and contributing to scholarly journals. His expertise in colonial slavery has positioned him as a key contributor to ongoing scholarly conversations about the legacy of slavery in Latin America and the Caribbean.
Kristin Schwain is a Professor in the Department of Art History at the University of Missouri's School of Visual Studies. She holds a PhD in Art History and Humanities from Stanford University and a BA in Art History and Humanities from Valparaiso University. Her interdisciplinary research examines marginalized objects and practices in American art history, emphasizing their cultural significance through lived experience. Her educational background includes: PhD in Art History and Humanities, Stanford University BA in Art History and Humanities, Valparaiso University Dr. Schwain's research centers on American Material and Visual Culture, Art and Religion, Arts of the African Diaspora, and Public Humanities. She investigates overlooked artifacts to reveal their influence on everyday life, challenging assumptions about modernization's impact on religious expression. Her work bridges historical analysis with contemporary relevance through studies of traditional craft, artist books, photojournalism, and mass-produced objects as lenses into social practices. Her recent publications demonstrate consistent focus on art-religion intersections in American cultural history, from Henry Ossawa Tanner's biblical paintings to Afro-Cuban religious themes in Ediciones Vigía artist books. This body of work reveals evolving methodologies for uncovering marginalized narratives through interdisciplinary frameworks spanning visual culture, material studies, and diaspora scholarship. Her scholarly recognition includes: First Biennial National Basketry Association Book Award for Rooted, Revived, Reinvented: Basketry in America Dr. Schwain has secured major grants from the Smithsonian Institution, Luce/American Council of Learned Societies, Center for the Study of Religion and American Culture, and Georgia O’Keeffe Museum Research Center. Her collaborative public humanities projects with the Missouri School of Journalism's Pictures of the Year International and Scruggs-Vandervoort-Barney department store collection demonstrate institutional partnerships that translate academic research into community engagement. She actively collaborates with the Museum of Art and Archaeology at the University of Missouri on exhibitions like Rooted, Revived, Reinvented: Basketry in America and Juan Roberto Diago: Foraged Materials, Assembled Histories , fostering cross-generational dialogues through multi-venue traveling shows and digital initiatives including The iCatalog .
Wendy Gay Pearson serves as Associate Professor in the Department of Gender, Sexuality, and Women's Studies at Western University. Her academic work spans multiple interdisciplinary fields with a particular focus on identity, citizenship, and belonging through the lenses of gender and sexuality. Professor Pearson's research interests encompass gender and sexuality studies, queer theory, feminist theory, critical race theory, and cultural studies. She approaches these topics through postmodernist and postcolonial theoretical frameworks, with emerging intersectional approaches to race, ethnicity, and diaspora. Her work specifically investigates these issues within science fiction, Canadian literature and film, and Indigenous film, examining connections between seemingly disparate areas such as analyzing Eden Robinson's Monkey Beach through both science fiction and Indigenous studies perspectives. Professor Pearson's scholarly output demonstrates a clear trajectory toward increasingly intersectional analyses, particularly in the most recent publications that bridge Indigenous studies with gender and sexuality frameworks. Her work consistently explores how science fiction functions as a space for imagining alternative gender and sexual possibilities, while simultaneously examining how Canadian cultural production engages with queer identities. The publications reveal a growing emphasis on Indigenous perspectives in film and literature, with multiple forthcoming 2024 contributions to the Routledge Handbook of Indigenous Film . As evidenced by her extensive editorial work including The Routledge Companion to Gender and Science Fiction (2023) and Reverse Shots: Indigenous Film and Media in an International Context (2014), Professor Pearson has established herself as a significant contributor to scholarly conversations at the intersection of gender studies and speculative fiction. Her book Zero Patience (2011) with Susan Knabe demonstrates long-standing engagement with queer cinema. Professor Pearson's academic supervision extends across multiple disciplines, reflecting her interdisciplinary approach. Her work has been supported through various academic channels that enable her to explore connections between Indigenous film, queer Canadian culture, and science fiction, though specific grant details are not provided in the available information. Her research methodology combines close textual analysis with theoretical frameworks from queer studies, feminist theory, and critical race theory, creating innovative approaches to understanding how cultural texts negotiate complex identity formations. This integrative approach is particularly evident in her examination of works by authors like Hiromi Goto, Nalo Hopkinson, and Larissa Lai, where she simultaneously considers sexuality, gender, race, and science fiction elements.
Darold Cuba is an intellectual historian and political scientist affiliated with the Department of History at the University of Cambridge. He serves as a Teaching Fellow at the Global History Lab (GHL) and a Research Associate at the Cambridge Black Advisory Hub (CamBAH). As a founder of multiple initiatives including MarronageOrg, Oxbridge Africas (OA), the Cambridge AntiRacism Forum (CARF), Cambridge Enterprise's CRoSS+Hub, and the Cambridge Histories of Marronage (CHoM) Workshop series, he maintains significant influence in academic and social justice circles. His research focuses on the concept of "Landed Blackness" and "United States Post Emancipation Marronage (USPEM)," examining how Freedom Colony Founding Families (FCFFs) in the United States from 1865 to 1900 created autonomous Black communities through land ownership, strategic worship traditions, and collective governance. His work engages deeply with anticolonial, postcolonial, and decolonial scholarship, drawing on theorists like Frantz Fanon, Edward Said, Homi Bhabha, Gayatri Chakravorty Spivak, and Linda Tuhiwai Smith. By applying Michel Foucault's concept of the "regime of truth," Cuba investigates how Black communities created their own truths to resist systemic white supremacy and institutional racism. Cuba serves on the Fairfield Foundation's Family Circle Leadership Group's Executive Committee and is a descendant of indigenous Native AmerIndian, African, and European communities from Tsenecommacah (Gloucester County in the Virginia Tidewater region). His scholarship connects historical freedom colonies to contemporary Black political thought, emphasizing their continued relevance in modern movements for reparations and racial justice.
Ashley Cordes (Coquille/KōKwel) serves as an Assistant Professor of Indigenous Media in Environmental Studies and Data Science at the University of Oregon's College of Arts and Sciences. She is also a recent American Council of Learned Societies Fellow whose research bridges Indigenous science and technology studies, digital media, and environmental/place-based studies. Her educational background includes a PhD in Media Studies with an outside area in Native American Studies from the University of Oregon (2019), an MA in Communication from Hawaii Pacific University (2012), and a BA in Communication with a Journalism Certificate from Loyola Marymount University (2010). Cordes' research centers on how Indigenous culture and technology producers leverage digital media, emerging technologies, and discourse to advance Tribal sovereignty, cultural revitalization, and the resurgence of Indigenous knowledge systems. Her work specifically examines AI, blockchain, and cryptocurrency through Indigenous epistemologies, challenging dominant narratives about technological progress and financial systems. She has published in journals such as Cultural Studies >Critical Methodologies , Journal of International and Intercultural Communication , and Feminist Media Studies , and is the author of Indigenous Currencies: Leaving Some for the Rest in the Digital Age (MIT Press). Her recent publications reveal a consistent focus on decolonial approaches to technology, with particular attention to Indigenous data sovereignty, environmental justice, and alternative economic systems. The trajectory of her work shows increasing engagement with AI ethics from Indigenous perspectives, culminating in her contributions to the Indigenous Protocol and Artificial Intelligence position paper. American Council of Learned Societies Fellow Contributor to Indigenous Protocols and Artificial Intelligence Working Group Cordes actively mentors doctoral students in Indigenous digital media and participates in multiple research collectives including Abundant Intelligences, CHoRUS Network (focusing on ethical data gathering in Indigenous contexts), Indigenous Protocols and Artificial Intelligence, and the Climate Resilience Taskforce. Her community-engaged work includes the Storying on the Coquille River project, which addresses climate change impacts on salmon populations through digital humanities approaches. She maintains strong connections to her Coquille Nation community, serving on the Climate Resilience Taskforce and as Chair of the Culture and Education Committee, ensuring her academic work remains grounded in community needs and Indigenous knowledge systems.
Nicholas Guyatt serves as Professor of North American History in the Faculty of History at the University of Cambridge and is a Fellow of Jesus College. He joined Cambridge in 2014 after teaching positions at Princeton University, Simon Fraser University, and the University of York. His academic foundation includes a BA and M.Phil. from the University of Cambridge and a Ph.D. from Princeton University under Daniel T. Rodgers. Guyatt's research centers on race, national identity, and state formation in 18th-19th century America, with core expertise in colonial history, the Atlantic World, and intellectual history of American imperialism. His work critically examines racial segregation, maritime history, and evolving concepts of citizenship and world order. Analysis of his recent publications reveals consistent thematic focus on racial ideologies, colonization projects, and imperial thought across the early republic and Civil War eras. His scholarship demonstrates methodological breadth spanning political, intellectual, and social history with particular attention to African American experiences and transnational connections. His distinguished recognition includes: Stanford Humanities Center Faculty Fellow (2009-2010) British Academy Mid-Career Fellow (2013-2014) Senior Visiting Research Fellow at Oxford's Rothermere American Institute (2013-2014) He actively supervises M.Phil. and Ph.D. candidates in 18th-19th century American/Atlantic history, especially welcoming research on Native Americans, African Americans, slavery/abolition, and empire. His editorial leadership with Zed Books' 'Global History of the Present' series reflects commitment to diversifying historical scholarship beyond Eurocentric frameworks. Current major projects include co-authoring 'Jefferson's Wolf: The Struggle to End Slavery in the Founding Era' (Harvard University Press, 2026) and editing 'The Oxford Illustrated History of the United States' (OUP, 2026), demonstrating sustained scholarly productivity through collaborative academic networks.
Laura Spitz is Dean and Professor at the University of Calgary Faculty of Law, with a concurrent Visiting Professorship at Université Paris 1 Panthéon-Sorbonne Law School. Her academic and professional journey spans multiple institutions, including Seattle University, University of New Mexico, Cornell University, and Thompson Rivers University. Educational Background: JSD, Cornell University JD, University of British Columbia BA, University of Toronto Spitz's research interrogates the legal construction of borders and identities, blending contracts, commercial law, and critical analyses of personhood in corporate and environmental contexts. Her work explores the limits of subject-object dichotomies in law and society. Notable awards include multiple Graduation Hooding Professor distinctions at the University of New Mexico and Colorado Law School, alongside teaching accolades. She contributes to constitutional pluralism debates and has co-authored influential works on legal personhood. A nonpracticing member of the Law Society of British Columbia, Spitz serves as a legal expert in contracts and business law, with experience in First Nations economic development and nonprofit law. She has advised on Supreme Court cases and held leadership roles in global engagement and international affairs.
Nizar F. Hermes serves as Associate Professor and Department Chair in the Department of Middle Eastern and South Asian Studies at the University of Virginia, concurrently holding the position of Director of Graduate Studies. His office is located in 141 New Cabell Hall, with Spring 2025 office hours held Tuesdays from 12:00-3:00 PM. He maintains dual professional email contacts through the university system. His academic foundation includes: PhD in Comparative Literature, University of Toronto Dr. Hermes' research program centers on North African and Mediterranean literary traditions, with deep specialization in premodern Arabic-Islamic cultural production. His work investigates poetic representations of urban spaces, cross-cultural encounters between the Islamic world and Europe, and the transmission of literary heritage across the Mediterranean. Particular attention is given to Maghribī poetic imagination, elegiac traditions, and the intersection of literature with food history and refugee experiences. His methodological approach combines close textual analysis with historical contextualization to reveal continuities in Arab literary consciousness. Analysis of his recent publications (2014-2025) reveals three dominant scholarly trajectories: 1) The literary reconstruction of North African cities through poetic elegies, 2) Cross-cultural encounters documented in Arabic travel literature and folk poetry, and 3) The representation of European 'others' in medieval Arabic texts. His 2024 monograph 'Of Lost Cities' synthesizes these threads while his edited volume 'The City in Arabic Literature' (2018) establishes foundational frameworks for urban studies in Arabic literary criticism. No scientific awards or fellowships were documented in the source materials. While his role as Director of Graduate Studies indicates active mentorship responsibilities, specific student advisees and grant funding details were not provided in the available documentation. His scholarly output demonstrates sustained engagement with graduate education through publications on teaching methodologies for Arabic humanistic literature. No dedicated research laboratories or formal collaborative teams were referenced, though his co-edited volumes and multi-author publications suggest active participation in scholarly communities focused on Mediterranean studies and comparative literature.
Lady Rojas Benavente is an Associate Professor in the Department of Classics, Modern Languages and Linguistics at Concordia University, where she has been teaching since her appointment as Assistant Professor in 1996, with promotion to Associate Professor in May 2003. Prior to joining Concordia, she served as an Assistant Professor at the University of Ottawa and as a lecturer at the Faculty of Education at The University of Western Ontario, where she taught second language methodology, French and Spanish. Dr. Rojas Benavente received her PhD in Hispanic Literature from the University Laval in 1991, following an MA in Spanish Literatures (Cum Laude, 1985) and BA in History and Spanish (1983), both from the University of Ottawa. She also holds a Diploma qualifying as a Secondary School teacher specializing in Spanish Language and Literature, Psychology and Philosophy from the National Pedagogic University of Women in Lima, Peru (Cum Laude, 1968). Her research focuses on Critical Feminism in Peruvian & Latin-American Women Writers, with special emphasis on contemporary Peruvian and Mexican narrative, drama, poetry and essay. Her work encompasses Cultural Studies and Literary and Critical Theories, Latin American History, Post-colonialism, Human Rights, Women Studies, Feminist Theories, Gender Issues, Latin America Black History, Indigenous and Minorities Studies, and Comparative Studies in Education. She has published nine books (two poetry collections and seven critical interpretations) and over 50 refereed papers in Latin American Women's literary work, particularly focusing on Peruvian and Mexican authors. Dr. Rojas Benavente's scholarly output demonstrates consistent engagement with themes of gender, ethnicity, and power structures in Latin American literature. Her recent publications explore the works of contemporary Peruvian women writers, examining how they address issues of violence, racism, and gender in post-independence national contexts. Her research trajectory reveals a deepening focus on decolonial perspectives, indigenous resistance, and the intersection of gender with other social categories. Hispanic Literary and Cultural Institute's Honor Diploma (2010) Publication Award from the University of New Brunswick for the Anthology, Constructing Memory: Latino-Canadian Women Writers in the New Millennium Recognition by Mouvement Desjardins in celebration of International Women's Day (2008) As president of the Society for Literary Criticism of Spanish American Women Writers' work (CCLEH), Dr. Rojas Benavente has facilitated connections between Concordia colleagues, local artists, international writers, and the Latino-Montreal community. She serves on the editorial boards of Alba de America, a literary magazine from the United States, and Voces, a Peruvian cultural magazine. Her leadership extends to organizing numerous conferences on Latin American women writers across Canada, Latin America, and Montreal, including multiple meetings of Hispano-Canadian Women Writers and events commemorating significant figures in Latin American literature.
