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Dr. Miradet Zulić is an Associate Professor at the Academy of Music of the University of East Sarajevo, specializing in Musicology and History of Music. He holds a PhD in Musicology (2009) from the Academy of Music in Sarajevo and has held academic positions since 2010, teaching History of Music I-IV and Methodology of Professional Work. His career includes part-time teaching roles at the Secondary Music School in Sarajevo (Accordion Department) and the Art School in Bihać, alongside jury work in national and international music competitions. Education: B.A. in Theoretical and Pedagogical Music (Sarajevo Academy of Music, 1980s), M.A. in Pedagogical Music Studies (2003), and PhD in Musical History (2009). He completed doctoral research at the University of Music and Applied Arts in Vienna (2005–2006). Research focuses on musicology, regional musical history (Northeastern Bosnia), accordion pedagogy, and cultural heritage preservation. He has authored two major publications: *HARMONICA: A Basic Overview* (2005) and the monograph *Secondary Music School Tuzla – 50 Years* (2011). His work appears in journals like *Muzika*, *Novi Zvuk*, and *Intermusik*. Awards include the 2007 Recognition for Music Pedagogy Excellence and 2015 Lifetime Achievement Award for contributions to education and musicology in Tuzla Canton. He is a member of the Musicological Society of Bosnia and Herzegovina, serving on its Board of Directors for two terms. Professional activities include jury service for music competitions, leadership roles in academic organizations, and contributions to international conferences. His teaching and research emphasize bridging historical music studies with contemporary pedagogical practices.

• Musicology
• History of Music
• Music Education
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Valida Tvrtković Akšamija is an Associate Professor at the Department of Music Theory and Pedagogy, Academy of Music, University of Sarajevo. She serves as Prodean for Teaching and Student Affairs and has taught courses in Methodology of Music Teaching for over two decades. PhD in Musicology (Music Pedagogy) from the University of Sarajevo (2014) Masters in Music Education (2008) Diploma in Music Theory and Pedagogy (2002) Her research focuses on music pedagogy , teaching methodology , inclusive education , and lifelong learning . She has contributed to teacher training frameworks and explored innovations in music education for diverse populations. Recent publications emphasize interdisciplinary approaches and inclusive practices in music education. She has participated in numerous symposiums and seminars across Bosnia and Herzegovina and the region. She led the TEMPUS project on accessibility for students with special needs (2013) and completed professional development grants in Canada and Bosnia. She currently chairs the Center for Music Education and serves on editorial boards and international councils like ICTM National Committee of BiH.

• Music Pedagogy
• Methodology of Music Teaching
• Music Education
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Predrag Đoković is an Associate Professor at the Academy of Music, University of East Sarajevo, teaching at the Department of Church Music and Singing since 2011. He holds a PhD in Musicology from the Faculty of Music in Belgrade, with a dissertation on the influence of the European Early Music Movement on Serbian performance practices. His work spans three core areas: pedagogy, musicology, and performance, focusing on Serbian church music and Western early music. Education: Graduated in General Music Pedagogy from Belgrade, completed postgraduate studies in Early Music at Trinity College of Music (London), and earned a Master's and PhD in Musicology from Novi Sad and Belgrade. Research interests include liturgical singing, early music interpretation, and the synthesis of pedagogical and performance practices. He contributed to significant publications like the revised Osmoglasnik and Katavasije collections, and his radio series 'School of Church Chanting' promotes liturgical music education. Đoković has conducted workshops and seminars internationally, emphasizing polyphonic singing and liturgical traditions. His artistic work involves early Western European music performances as a countertenor and with ensembles like Renaissance. He has also held roles at the Theological Seminary in Sremski Karlovci and led singing schools in New Belgrade and Vienna.

• Serbian Church Music
• Western Early Music
• Musicology
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Snježana Đukić-Čamur is an Assistant Professor at the Academy of Music of the University of East Sarajevo, specializing in Music Pedagogy and Church Music. She earned her Master of Arts in 2007 with a thesis on Serbian vocal-instrumental compositions referencing the Battle of Kosovo. Since 2001, she has held permanent faculty roles, teaching subjects like Vocal Literature, Music Theory, and Counterpoint. She became Vice-Dean for Teaching in 2014. Her research focuses on Serbian musical history and pedagogical methodologies. Education: Graduated from Stevan St. Mokranjac Music High School (Bosnia and Herzegovina), completed Bachelor's and Master's degrees at the University of East Sarajevo Academy of Music. Research: Authored a 2012 study on Serbian composers' engagement with national historical themes. Presented at 12 domestic and international conferences. Professional Involvement: Member of the Musicological Society of Republika Srpska and Association Novi Zvuk. Organizing committee member for the International Accordion Festival and M-INISTAR conference. Her teaching spans over 14 years, covering an extensive range of music theory and composition courses. She actively contributes to academic administration and cultural initiatives.

• Music Pedagogy
• Music Theory
• Music Analysis
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Dušan Erak is a full professor at the Music Academy of the University of East Sarajevo, specializing in music pedagogy and solfeggio methodology. He has held roles including Head of the Department of Theoretical Teaching (since 2018) and Vice-Dean for Artistic and Scientific Research (2020–2022). Born in Sarajevo in 1974, he graduated in General Music Pedagogy (2004) and Guitar (2006), with a master's in Solfeggio Teaching Methodology (2007). His doctoral studies at Belgrade's Faculty of Music focused on music pedagogy. His research emphasizes solfeggio methodology and music education, with notable contributions including co-authoring 'Application of Artistic Literature in Solfeggio Teaching' (2013) and organizing international events like the Solfeggio Seminar and Days of Vojin Komadina. He has conducted choirs nationally and internationally, winning awards in competitions across Europe. His artistic career includes over 85 performances as a guitarist and collaborations with renowned orchestras and ensembles. Erak has mentored numerous students, reviewed academic papers, and served on expert juries for music competitions. His work bridges traditional and contemporary pedagogical approaches, leveraging technology (e.g., The Ear Gym app) in modern solfeggio instruction. He received the Dean’s Award in 2014 for promoting the academy abroad through performances and academic collaborations.

• Music Pedagogy
• Solfeggio Teaching Methodology
• Music Education
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Maja Žuža is an Associate Professor at the Piano Department of the Music Academy of the University of East Sarajevo. She serves as the current Dean of the Music Academy since October 2020, previously holding roles as Vice Dean for Teaching (2018-2020), Head of Piano Department, and Coordinator for International Cooperation. She completed her undergraduate studies (2008) and master's degree (2012) in Piano at the same institution, earning top academic honors and scholarships. Her career includes over 300 international concerts as a soloist and with the piano duo M&M. She is a founding member of cultural initiatives like the International Pianist Competition and the Association 'Koral', promoting classical music. Active in academic leadership, she collaborates with institutions across Europe and holds memberships in organizations such as the Serbian Educational and Cultural Society 'Prosvjeta'. Award-winning performer and educator, her work emphasizes cultural exchange through music. She has organized major events like the 15th International Accordion Art Festival and academic conferences on contemporary music trends.

• Piano Performance
• Classical Music
• Music Education
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Zoran Jančić is a full-time Professor of Piano at the Music Academy of the University of East Sarajevo, where he has served as a core faculty member specializing in advanced piano performance. He graduated and earned his master's degree from the Academy of Music in Zagreb (1975-1983) under Professor Pavica Gvozdić and refined his technique through masterclasses with Evgeny Timakin, Arbo Waldma, Rudolf Kereri, and Pierre Barbiset. His educational foundation includes: Graduate and Master's studies at the Academy of Music in Zagreb (1975-1983) Advanced training with internationally renowned pedagogues including Timakin, Waldma, Kereri, and Barbiset Jančić's artistic focus centers on virtuosic piano repertoire spanning Baroque to contemporary works, with particular expertise in Beethoven's late sonatas, Chopin's complete etudes and nocturnes, Albeniz's Spanish Suites, and Granados's Goyescas. His performance philosophy emphasizes historical authenticity combined with technical precision, demonstrated through over 50 distinct concert programs and premieres of lesser-known concertos by Dittersdorf, Hummel, and Ries. His accolades highlight exceptional contributions to classical performance: Darko Lukić diploma for artistic excellence Svetislav Stančić award for definitive Beethoven interpretation Winner of Yugoslavia's XIII Competition of Music Artists (1979-1983) Recognition from the Croatian Musical Institute As an active performer, Jančić maintains a rigorous international schedule across Europe's premier venues, collaborating with orchestras including the Campden Symphony Orchestra and Bremen String Orchestra while mentoring emerging pianists through his professorship at the Music Academy.

• Piano Performance
• Classical Music
• Chamber Music
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Rade Radović is a Full Professor at the Music Academy of the University of East Sarajevo, specializing in composition, conducting, and church music. He earned master's degrees from the Russian Academy of Music 'Gnesins' in Moscow, studying composition under Boris Tchaikovsky and accordion under Vladimir Karolj. Since 2000, he has taught at the Music Academy in departments including Musical Forms, Church Choral Music, Accordion, and Chamber Music. He leads the Chamber Choir of the Department of Church Music and Singing, which has performed internationally and won multiple awards. His compositions and orchestrations are widely performed, and he has authored two significant publications: a study on Zolotarjov's accordion works and a monograph on the choir's decade-long activities. Conducted over 200 international concerts and festivals Recipient of the Golden Order of St. Hieromartyr Peter (2016) Founded the Chamber Choir in 2001 Artistic collaborations include Yale University's Institute of Sacred Music Research Highlights Focus areas include Orthodox spiritual music, contemporary choral compositions, and Serbian musical heritage. His choral arrangements blend liturgical traditions with modern performance practices. Recent works emphasize interdisciplinary projects connecting church music with secular a cappella genres.

• Composition
• Choral Music
• Church Music
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Professor Maja Ačkar is a full professor at the Piano Department of the Music Academy, University of Sarajevo. Born in 1978, she graduated in 2001 with a GPA of 9.75 and earned her master's degree in 2006. Her academic career includes international study at the Royal College of Music in Stockholm (2003/04) and specialized training in harpsichord and Baroque music. Education: B.A. & M.A. in Piano Performance (University of Sarajevo), Specialization in Harpsichord & Baroque Music (Royal College of Music, Stockholm) Performance Focus: Renaissance to contemporary composers, with emphasis on promoting Bosnian composers through concerts, edited sheet music publications, and CD recordings Global Presence: Performed in Bosnia and Herzegovina, Croatia, Serbia, Slovenia, Italy, Poland, Sweden, Norway, Germany, Spain, Turkey, Egypt, and USA Her scholarly contributions include editorial work on the Anthology of Bosnian Composers' Piano Music and participation in festivals like Majske Muzičke Svečanosti and Seviqc Brežice. Notable collaborations include artists like Yevgeny Xaviereff, U. Soderberg, and Lovro Pogorelić. Scientific Awards : Three First Prizes and One Second Prize at Federal Competitions First Prize at Comune di Pianello International Competition (Italy) Karim Zaimović Foundation Stipend FONUS Stipend Swedish Government & Swedish Institute Stipends

• Classical Music
• Musicology
• Performance Studies
• +3 more