Find Academic Supervisors

• Ethnomusicology
• Musicology
• Alpine Music Traditions
• +3 more

Yannick Wey is a Lecturer at the Competence Center for Music Education Research (CC MER) within the Lucerne School of Music at Lucerne University of Applied Sciences and Arts (HSLU). His roles include academic teaching, research coordination, and interdisciplinary collaboration in musicology and ethnomusicology. He holds a PhD from the University of Innsbruck, an MA and BA in Trumpet Performance from Zurich University of the Arts, and has conducted extensive research on Alpine music traditions. Education: PhD in Musicology, University of Innsbruck (2019) MA and BA in Trumpet Performance, Zurich University of the Arts His research focuses on Swiss folk music traditions , including yodeling, alphorn performance, and the cultural history of instruments like the Büchel. He examines musical transcription practices, cognitive aspects of folk music learning, and the intersection of music education with digitalization. Current projects explore Amazonian sound collaboration, KI applications in Alpine music, and safeguarding musical heritage archives. Notable contributions include studies on alphorn tonal reconstruction, dulcimer cultural development, and machine learning classification of yodel styles. His work appears in journals like Music & Science , Journal of Music Research Online , and Anthropos . Awards: SEMPRE 50th Anniversary Commemorative Collection recognition (2022) Nominated for Preis der deutschen Schallplattenkritik (2022) He actively organizes academic events like the Performing, Engaging, Knowing conference and chairs the ICTM Study Group on Multipart Music. His research integrates fieldwork, archival studies, and cross-cultural analysis to preserve and reinterpret Alpine musical heritage.

• Signal Processing
• Communication Systems
• Wireless Communications
• +5 more

Assoc. Professor Jun Tong is affiliated with the School of Electrical, Computer and Telecommunications Engineering at the University of Wollongong. He holds a PhD from City University of Hong Kong and specializes in signal processing for communication systems and instrumentation, focusing on robust, low-complexity algorithms for high-dimensional signals and imperfect models. His research enhances spectrum/energy efficiency in challenging environments. Research Interests: Signal processing applications in communication systems, MIMO and 5G/6G technologies, optical systems, machine learning for signal processing, and sensor networks. He has published extensively in top-tier journals like IEEE Transactions and conferences such as ICC and MWP. Teaching & Supervision: Teaches Digital Signal Processing, Engineering Electromagnetics, and Digital Hardware. Supervises PhD/Master’s projects on topics like 6G wireless communication, MIMO systems, and light-field imaging. Current students are researching areas such as ODDM modulation and sub-THz communications. Funding & Grants: Secured grants including the Advancement and Equity Grants Scheme for Research (AEGiS) for multi-modal defect detection in manufacturing. Previously led projects on UOW-UESTC collaborations. Service & Leadership: Member of the IEEE. Actively involved in academic leadership and curriculum development within his school.

Andrea SchiavioView profile

Senior Lecturer

• Music Cognition
• Embodied Cognitive Science
• Musical Creativity and Education
• +3 more

Andrea Schiavio is a Senior Lecturer in Music at the University of York, UK, and holds roles including Past President of ESCOM (European Society for the Cognitive Sciences of Music). He earned his PhD in Music from the University of Sheffield (2014) and has held postdoctoral positions at Ohio State University, Bosphorus University, and the University of Music and Performing Arts Graz. His research focuses on embodied cognitive science approaches to music, including creativity, skill acquisition, and the intersection of music with perception, emotion, and culture. Research Interests: Embodied music cognition, musical creativity, music education, cultural and philosophical foundations of music psychology, and interdisciplinary science-humanities collaboration. Current projects include the ERC Synergy Grant-funded REM@KE project reconstructing historic musical instruments through embodied cognition methods. Awards: €8M ERC Synergy Grant (2024), FWF Lise Meitner Fellowship (2017), and a FWF Stand-Alone Grant (2019). Editor of the Oxford University Press book series Music as Art and Science and co-author of Musical Bodies, Musical Minds (MIT Press, 2022). Teaching: Leads courses on music cognition, philosophy of music, and pedagogical practices. Collaborates internationally, including roles in grant-funded research and editorial boards.

Marsha SiefertView profile

Associate Professor

• Cultural History
• Media History
• Cold War Studies
• +12 more

Marsha Siefert is an Associate Professor in the Department of Historical Studies at Central European University (CEU) in Budapest, Hungary, where she is also affiliated with the Doctoral School of History. Her research spans cultural and communications history, with a focus on media industries, public diplomacy, and labor under state socialism from the 19th century to the present. PhD, Communication – University of Pennsylvania Ph.D. (Nostrification), Literature – University of Szeged MA, Communication – University of Pennsylvania MA, Folklore – Indiana University BS with Distinction, Music (Piano/English) – Indiana University Her research interests center on the intersections of media, culture, and politics. She explores how cinematic and musical forms have been used as tools of cultural diplomacy, particularly during the Cold War. Her work delves into Soviet cinematic co-productions, labor history in Eastern Europe, and the role of informal communication in wartime and repressive regimes. She also investigates the historical dynamics of sound recording, film biographies, and the capitalization of culture. Her recent publications reflect a strong trend in Cold War cultural history, especially in cinematic diplomacy and transnational media flows. Articles analyze Soviet films as instruments of soft power, the role of music in underground resistance, and the transnational dimensions of labor and reconstruction in socialist Europe. Her editorial work on labor in state-socialist Europe underscores a commitment to inclusive historical narratives. Bridgebuilder's Award, Muhlenberg College (1995) Association of American Publishers Award (1991) Mellon Fellowship, Harry Ransom Center (2008) Kennan Institute Grant (2013) Inaugural Fellow, NYU Center for Ballet and the Arts (2016) Humanities Grant with Susan Zimmermann (2015–2017) WORCK COST Action Committee Member (2020–2024) Marsha Siefert has supervised 92 MA theses and 11 PhD students to completion, advising on topics ranging from Soviet cinema to Yugoslav nuclear programs and labor discipline. She has secured multiple research grants and collaborates internationally with institutions such as the Leibniz Institute for Contemporary History (IfZ), Oxford University, and NYU. She is a Research Associate with the Democracy in History project at CEU’s Democracy Institute and a partner in the INFOCOM project on informal communication in Nazi Europe. She is actively involved in research teams and workshops, including the INFOCOM project and the Experimental Humanities Workshop. Her ongoing projects include studies on Soviet ballet films, 19th-century telegraph diplomacy, and Cold War music networks.

• Acoustics
• Sound Synthesis
• Mathematical Modeling
• +3 more

Dr. Charlotte Desvages is a Lecturer in the School of Mathematics at the University of Edinburgh, specializing in mathematical computing and technology-enhanced education. She holds a PhD in Musical Acoustics (2018) from the University of Edinburgh and a Physics undergraduate degree from France. Her work bridges acoustics, computational modeling, and pedagogical innovation. She is part of the Technology Enhanced Mathematical Sciences Education group, focusing on integrating learning technologies and improving teaching methodologies. Her research explores physical modeling of musical instruments (e.g., violins), sound synthesis, and numerical methods for simulating instrument behavior. She emphasizes practical applications, such as reconstructing sounds of historical instruments through computational models. Teaching-wise, she focuses on applied mathematics, computational physics, and engineering courses, leveraging her extensive tutoring experience during her PhD. Dr. Desvages advocates for stronger recognition of teaching in academia and believes in fostering student engagement through interactive and technology-driven learning environments. She contributes to the School’s efforts to enhance educational quality and accessibility.

• Ethnomusicology
• Cultural Studies
• Folklore Studies
• +5 more

Professor Tomasz Rokosz serves as Head of the Department of Ethnomusicology and Hymnology at the Institute of Art Sciences, Faculty of Humanities, John Paul II Catholic University of Lublin. His academic journey includes habilitation at the University of Silesia in Katowice (2017) and doctorate at Maria Curie-Skłodowska University in Lublin (2005) under Professor Jerzy Bartmiński. His research spans ethnomusicology, cultural studies, and Polish philology with particular focus on ritual studies, traditional music, and folklore transformations. Rokosz has conducted extensive field research in Poland and abroad, examining the intersection of music, language, and ritual in cultural contexts. His work reveals how traditional practices adapt in contemporary settings while maintaining core cultural significance. Analysis of his recent publications shows consistent focus on Polish ritual traditions, particularly Midsummer and Christmas celebrations, with growing interest in urban ethnology and instrument reconstruction. His research methodology combines ethnographic fieldwork with archival analysis, emphasizing the preservation of intangible cultural heritage. Marie Curie Scientific Award 2011 for contributions to Polish folk song research Folk Phonogram of the Year 2000 for album 'Się Gra' Rokosz has supervised numerous master's and doctoral theses while serving on academic committees for folklore competitions and cultural festivals. His research grants include international projects on traditional music preservation and cultural heritage documentation. As founder of the Podlasie Culture and Regional Research Workshop, he has built collaborative networks across academic and cultural institutions. His field research teams regularly conduct ethnographic expeditions, particularly in southeastern Poland, documenting musical traditions and ritual practices. Rokosz also participates in international organizations including the Polish Ethnological Society and International Organization of Folk Art (IOV), contributing to global discourse on cultural preservation.

Denis KalkofenView profile

Associate Professor

• Virtual Reality
• Mixed Reality
• Augmented Reality
• +5 more

Dr. Denis Kalkofen serves as an Associate Professor at the Institute of Computer Graphics and Vision (ICG) at Graz University of Technology, Austria. His academic journey began with a Dipl.-Ing. (2004) from the University of Magdeburg, followed by a Dr. techn. (2009) from Graz University of Technology. University of Magdeburg - Dipl.-Ing. (2004) Graz University of Technology - Dr. techn. (2009) University of Michigan, Ann Arbor - Virtual Reality Laboratory member Stanford University - Visiting Assistant Professor at Computational Imaging Laboratory (2019) University of South Australia - Visiting Researcher at Wearable Computer Laboratory (2019) Dr. Kalkofen's research centers on developing visualization, interaction, authoring, and display technologies for Virtual and Mixed Reality environments, with particular emphasis on combining computer graphics and computer vision techniques to create comprehensible and accessible VR/MR experiences. His work spans situated visualization (addressing label placement and X-ray visualization), photometric rendering (recovering lighting properties for realistic AR), and content creation automation (leveraging existing data sources for AR content). His publication trends over the past 15+ years demonstrate consistent leadership in AR/MR research, evolving from foundational work on visualization techniques to current cutting-edge research in neural rendering, neuroadaptive systems, and industrial AR applications. Recent work shows increased focus on practical industrial implementations, error management in AR assembly, and multimodal learning applications. Best paper award for 'enRoute: Dynamic path extraction from biological pathway maps' (2012) Best short paper for 'TutAR: Augmented Reality Tutorials for Hands-only Procedures' (2018) Best paper for 'Tools for Teaching Mining Students in Virtual Reality' (2020) Honorable Mention for Best Paper for 'Adaptive User-Perspective Rendering' (2017) Dr. Kalkofen leads Team Kalkofen at ICG, supervising researchers including Peter Mohr, Shohei Mori, David Mandl, and Ana Stanescu. His team has secured significant funding for projects related to AR/VR content creation, visualization techniques, and industrial applications. They maintain strong collaborations with institutions including Stanford University, University of South Australia, and University of Michigan. Team Kalkofen operates within the Institute of Computer Graphics and Vision at TU Graz, focusing on three main research thrusts: situated visualization for AR, photometric rendering for realistic MR, and automated content creation for professional AR applications. The team maintains active partnerships with industry and academic institutions worldwide, contributing to the advancement of practical AR/MR technologies.

Michael WackerbauerView profile

Researcher

• Musicology
• Music History
• Chamber Music
• +6 more

Dr. Michael Wackerbauer is a Researcher at the Institute of Musicology within the Faculty of Philosophy, Arts, History and Social Sciences at the University of Regensburg. Born in Regensburg, he holds dual academic backgrounds in physics (diploma in semiconductor physics) and musicology (doctorate focusing on 19th century chamber music for strings). His academic career has been deeply intertwined with the University of Regensburg since 2000, where he has served in various teaching and research capacities, becoming a permanent scientific assistant at the Institute of Musicology since the winter semester of 2017/18. Wackerbauer's research interests span musicology with particular focus on 19th and 20th century music, chamber music traditions, historical musical instruments, mechanical music, and the cultural history of music festivals, especially the Donaueschingen Music Festival. His scholarly output reveals a distinctive pattern of engagement with German musical heritage, regional music history (particularly Regensburg), and the intersection of technology and music. His publications demonstrate methodological diversity, ranging from archival research and cataloguing to analytical studies of specific compositions and historical festival programming. Among his most significant contributions are his extensive work on the Donaueschingen Music Festival archives, his cataloguing of historical musical instruments in Regensburg's museums, and his research on mechanical music and automatons. His scholarly approach combines meticulous archival work with broader cultural analysis, situating specific musical phenomena within their historical and technological contexts. Wackerbauer has also maintained an active presence in music journalism as an editor of the 'neue musikzeitung' since 2002. His scholarly work has been published through various channels including monographs with ConBrio and Hans Schneider Verlag, contributions to the 'Regensburger Studien zur Musikgeschichte' series, and articles in journals such as Musiktheorie, Die Tonkunst, and Die Musikforschung. He has also co-edited significant volumes including the 2023 special issue 'Mensch - Musik - Maschine' on Johann Nepomuk Mälzel and the 2021 memorial volume 'Musik und Wissenschaft' for Wolfgang Horn. Beyond his academic pursuits, Wackerbauer has maintained a practical connection to music through his long-term artistic activity as a cellist, performing at the Regensburg Theater from 1997-2008 in symphony concerts, opera productions, and musical theater. He was also a co-founder of the Regensburg music magazine 'Mälzels Magazin' in 1998, demonstrating his commitment to both scholarly and public-facing music discourse.

Linus WunderlichView profile

Lecturer

• Mathematical Finance
• Machine Learning
• Deep Neural Networks
• +6 more

Dr. Linus Wunderlich is a Lecturer in Financial Mathematics at Queen Mary University of London (QMUL), affiliated with the School of Mathematical Sciences. He holds a PhD in Hybrid Finite Element Methods for Non-linear and Non-smooth Problems in Solid Mechanics from Technical University Munich. His research focuses on integrating machine learning with numerical techniques in mathematical finance, including solving high-dimensional PDEs via neural networks and accelerating risk computations through Chebyshev interpolation. He also explores the theoretical foundations of AI and its applications in finance, engineering, and education. Linus teaches courses such as Mathematical Tools for Asset Management and Masterclass in Business Analytics , emphasizing practical machine learning skills for business contexts. His work spans computational finance, numerical analysis, and interdisciplinary projects including Olympic medal prediction models and violin bridge modeling from CT scans. Research grants include a £10,800 project with Numerical Algorithms Group Ltd on efficient volatility interpolation (2018–2019). He collaborates with institutions like LSE, Birkbeck, and University College Dublin, presenting at conferences such as SIAM Financial Mathematics and the German Probability & Statistics Days. His activities include developing interactive art projects and teaching machine learning courses during the pandemic. No scientific awards are explicitly mentioned in the provided texts. His research interests and publications reflect a blend of mathematical rigor and applied innovation, bridging finance, engineering, and education.

• Dental biomechanics
• Instrumentation design
• Systems engineering
• +6 more

Dr. Jie Chen is a Professor and Chair of the Department of Mechanical Engineering at Purdue University (Indianapolis campus, with a courtesy appointment in West Lafayette). He holds dual roles in Mechanical Engineering and Orthodontics. His research focuses on dental biomechanics, energy systems, and instrumentation design, with significant contributions to orthodontic load systems and biomedical engineering. Education: B.S. in Mechanical Engineering, Tianjin University (1982) M.S. in Biomedical Engineering, Shanghai Second Medical University (1985) Ph.D. in Mechanical Engineering and Mechanics, Drexel University (1989) Research Interests: Energy efficiency in HVAC systems and electrical demand forecasting Quantification of orthodontic force systems using finite element analysis Biomechanical validation of orthodontic appliances CT-based quantification of dental displacement and root resorption Optical and haptic interfaces for medical and automotive systems His publications span energy optimization, orthodontic biomechanics, and human-machine interaction. Notable works include real-time energy management platforms and finite element modeling for orthodontic simulations. Recent research explores AI-driven visual analytics and autonomous vehicle systems. Grants & Labs: Active in interdisciplinary collaborations at Purdue, with lab work focused on biomechanical testing and smart energy systems. Supervises projects in orthodontic engineering and advanced manufacturing.

Timothy MooreView profile

Professor

• Ancient Music
• Greek and Roman Theatre
• Roman Historiography
• +3 more

Timothy J. Moore is the John and Penelope Biggs Distinguished Professor of Classics and Chair of the Department of Classics at Washington University in St. Louis. He holds affiliate faculty positions in the Performing Arts Department and the Comparative Literature and Thought programs. Moore earned his PhD in Classics from the University of North Carolina at Chapel Hill and has held visiting professorships in Germany and fellowships at prestigious institutions including the American Academy in Rome. His research focuses on ancient music, Greek and Roman theatre, and historiography, with notable projects including an online database of meters in classical drama and studies on musical theatre in antiquity. Moore's teaching emphasizes interdisciplinary approaches, blending ancient texts with modern performance studies. He has pioneered pedagogical methods using music to teach meter and ancient languages. His recent publications explore ludic elements in ancient theatre, Roman comedy metrics, and comparative analyses of ancient and modern performance traditions. He has directed NEH summer institutes and co-authored influential volumes on Plautus and Menander. Education: PhD in Classics, University of North Carolina at Chapel Hill Awards: Mellon Fellowship, Rome Prize, Humboldt Research Fellowship, and numerous teaching honors including the President’s Associates Teaching Excellence Award Current Projects: Online meter database, long-range Greek/Roman musical theatre study, comparative analyses of Kyogen comedy and ancient drama Moore's work bridges classical scholarship and modern performance, emphasizing cultural transmission and interdisciplinary dialogue. He actively collaborates across departments and institutions, fostering innovative approaches to classical studies in both research and education.

Rebecca SearsView profile

Senior Lecturer

• Ancient Music
• Papyrology
• Latin Poetry
• +3 more

Rebecca Sears is a Senior Lecturer in the Department of Classics at Washington University in St. Louis. She holds a PhD from the University of Michigan and previously taught at Tulane University, Wake Forest University, and the University of Michigan. Her research focuses on ancient music, papyrology, Latin poetry (particularly Ovid’s Metamorphoses ), and ancient magic. She is currently writing a textbook on Greek and Roman music for the University of Michigan Press. Sears is also a violinist who performs in benefit concerts, blending her passion for classical music and scholarship. Her recent courses include Ancient Greek and Roman Music , exploring the role of music in antiquity through literary and archaeological sources. She has published widely on musical papyri and ancient magic, including articles in the Bulletin of the American Society of Papyrologists and contributions to edited volumes. In 2024, she was elected to a leadership role in the Society for Classical Studies and played a key role in a Bowdoin College exhibition. Sears’ work bridges scholarly research and public engagement, with a focus on reconstructing ancient musical practices and their cultural contexts.

Loutfouz ZamanView profile

Associate Professor

• User research in gaming
• Game analytics and data science
• Game evaluation and testing
• +2 more

Dr. Loutfouz Zaman is an Associate Professor in the Game Development and Interactive Media department at Ontario Tech University , part of the Faculty of Business and Information Technology . He holds a PhD in Computer Science with a focus on Human-Computer Interaction from York University. His research explores visual programming interfaces, game analytics, and extended reality technologies, with a focus on practical applications such as automated bug detection and user experience optimization. Dr. Zaman has collaborated on projects funded by MITACS, NSERC, and industry partners, addressing challenges in healthcare incident management, language learning gamification, and air traffic control simulation training. He teaches courses ranging from introductory game math to graduate-level topics in human-computer interaction and machine learning for game analytics. Education: Bachelor of Science in Computer Science (Software Systems) – Concordia University Master of Science in Computer Science (Human-Computer Interaction) – York University PhD in Computer Science (Human-Computer Interaction) – York University Research Interests: Dr. Zaman’s work spans user research in gaming, game evaluation methodologies, and emerging technologies like AR/VR. His team focuses on developing tools for visual game analytics and automated testing, with recent projects including mixed reality fitness gaming interfaces and deep learning-based bug detection systems. Grants & Collaborations: His industry partnerships include projects on healthcare incident management during pandemics, CRM gamification, and pet identification systems using computer vision. He actively seeks doctoral candidates to expand research in visual analytics, XR technologies, and automated bug detection. Labs & Affiliations: Dr. Zaman is affiliated with the Software and Informatics Research Centre (SIRC) and contributes to the university’s efforts in bridging academic research with real-world applications.

Claudia MolitorView profile

Professor

• Composition
• Sound Art
• Interdisciplinary Art
• +6 more

Claudia Molitor is a composer, artist, and performer at City St George's, University of London, where she is affiliated with the Department of Music and Sound Arts within the College of Arts and Sciences. Her work bridges music, sound art, video, and fine art, with a strong focus on interdisciplinary and collaborative practices. University: City St George's, University of London School: College of Arts and Sciences Department: Department of Music and Sound Arts Email: claudia.molitor@citystgeorges.ac.uk Her research explores composition as a cultural and technological practice, particularly through the lens of expanded notation, the phenomenology of listening, and collaborative creation. Her artistic inquiry often engages with philosophical concepts such as Timothy Morton’s 'hyperobject,' challenging traditional notions of authorship and the musical work. The breadth of her recent publications and compositions reveals a sustained engagement with themes of perception, environment, embodiment, and materiality. Projects like Sonorama , The Singing Bridge , and MELT demonstrate her interest in site-specific sound installations, acoustic ecology, and the interplay between sound and space. Her work frequently integrates technology, historical reconstruction (e.g., Walking with Partch ), and sensory experience. Notable scientific contributions include peer-reviewed articles such as 'Composition as Hyperobject' and 'Curating experience: Composition as cultural technology – a conversation,' reflecting her theoretical depth and engagement with contemporary art discourse. She has been actively involved in mentoring and collaborative research, though specific student names are not listed. Her artistic projects often involve partnerships with institutions like Tate Britain, NMC Recordings, and the British Library, indicating significant grant and project funding, though specific grants are not detailed. Her creative output is exhibited and performed internationally, including at festivals such as Wien Modern, hcmf//, Spor, BBC Proms, and Sonica, as well as venues like Somerset House and the Onassis Cultural Centre. These engagements suggest leadership in collaborative artistic teams and labs focused on experimental sound and interdisciplinary research.

J. Drew StephenView profile

Associate Professor

• Nineteenth-Century European Opera
• Musicology
• Historical Performance Practices
• +5 more

J. Drew Stephen is an Associate Professor in the Department of Music at the University of Texas at San Antonio, affiliated with the College of Liberal and Fine Arts. He is a graduate advisor and co-director of the COLFA Semester in Urbino study abroad program. B.M., University of Western Ontario Diploma, Staatliche Hochschule für Musik, Freiburg M.A., M.M., Ph.D., University of Toronto Dr. Stephen’s research focuses on the social and cultural significance of the hunt in nineteenth-century European opera , particularly in works by Weber, Wagner, and Verdi. He also explores Canadian music , performance practices of eighteenth- and nineteenth-century brass instruments , and diversity in music education . His work on the hunting horn’s influence on orchestral horn development bridges historical analysis and practical performance. Recent publications include studies on contemporary natural horn revival , Wagner’s operatic symbolism , and Haydn’s horn techniques . Themes span musicology , historical performance , brass instrument research , and cultural studies in music . Scientific honors include the 2023 Ruth A. Solie Award and 2021 President’s Distinguished Teaching Award . He has performed with ensembles like the Austin Baroque Orchestra and Tafelmusik Baroque Orchestra, and currently teaches courses spanning music history , film music , and rock history . Dr. Stephen is an active performer on modern and natural horns , having held professional roles in Germany, Canada, and Texas. He serves as principal horn for the Austin Baroque Orchestra and collaborates with period instrument ensembles in Texas and beyond.