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Dr. Tani Barlow is the George & Nancy Rupp Professor of Humanities and Professor of History at Rice University, affiliated with the Chao Center for Asian Studies and the Center for the Study of Women, Gender, and Sexuality. A leading scholar in Modern Chinese intellectual history, her work bridges gender studies, media culture, and transnational feminism. She co-founded the Chinese Commercial Advertising Archive and edits the acclaimed journal positions: asia critique . Her research examines late 19th to early 20th century China through lenses of consumer culture, feminist theory, and cultural ephemera. Notable books include In the Event of Women (2018) and The Question of Women in Chinese Feminism (2004). Barlow holds visiting professorships at Tsinghua University, Hitotsubashi University, and the University of Bologna. She has directed major projects like the Rockefeller Foundation's Critical Asian Studies initiative and the Luce Foundation’s Ephemera Project. Her articles span journals like Boundary 2 and differences , analyzing topics from advertising art to Marxist sociology. Her recent work explores digital humanities applications in historical research and the intersections of capitalism with gendered identities in China. Barlow mentors advanced graduate students specializing in modern Chinese history with technical skills in data analysis and cultural theory. Her interdisciplinary approach integrates visual studies, political economy, and feminist critique to reframe understandings of China’s modernization processes.

• Modern Chinese Intellectual History
• Feminist Theory
• Gender and Social Science
• +3 more

Ian Duncan is the Florence Green Bixby Professor of English at the University of California, Berkeley, where he specializes in Scottish literature, British Romanticism, and the evolution of the novel. He holds a BA from King's College, Cambridge (1977) and a PhD from Yale University (1989), with prior faculty positions at Yale and the University of Oregon before joining Berkeley in 2001. His research bridges literature, natural sciences, and media studies, focusing on the novel's development alongside evolutionary theory, Scottish cultural identity, and Romantic-era transformations. Key interests include the interplay of biological concepts with narrative form, the historical novel's political dimensions, and literature's relationship to opera and film. Duncan has authored seminal works such as Scott’s Shadow (2007) and Human Forms (2019), exploring how the novel shaped understandings of human nature during scientific revolutions. He edits major projects including The Cambridge History of Scottish Literature and is writing Scotland and Romanticism . Honors include: Corresponding Fellow, Royal Society of Edinburgh Honorary Fellow, Association for Scottish Literature Berkeley Distinguished Teaching Award (2017) Saltire Society Research Book of the Year (2008) He directs critical editions of James Hogg and Walter Scott, co-edits the Edinburgh Critical Studies in Romanticism series, and has held visiting positions at Princeton, LMU Munich, and Aix-Marseille University.

• Scottish literature
• British literature (19th century)
• Theory and history of the novel
• +2 more

Lingzhen Wang is a Professor of East Asian Studies at Brown University, specializing in modern Chinese literature and culture, women's cinema, critical theory, and transnational feminist studies. She received her PhD in East Asian Literature from Cornell University and B.A./M.A. from Nanjing University. Research Interests Her research focuses on women's liberation movements in Chinese revolutionary history, socialist feminism, and the intersection of gender, media, and cultural studies. She critically examines how Chinese female filmmakers and writers navigate institutional frameworks and global ideologies. Scientific Awards Distinguished IWLC Visiting Professor, Tsinghua University National Endowment for the Humanities Fellowship Bunting Fellowship, Radcliffe Institute Teaching She teaches courses on modern Chinese literature, China through cinema, gender studies, and media analysis, including courses like Chinese Women, Gender and Feminism and Market Economy and Popular Culture in Contemporary China .

• Modern Chinese Literature
• Women's Cinema
• Critical Theory
• +2 more

Anna Krylova is an Associate Professor at Duke University with joint appointments in the Department of History and Gender, Sexuality, and Feminist Studies. Her research bridges historical theory, gender studies, and modern Russian/Soviet history, with a focus on socialist alternatives in industrial modernity. She is currently developing two books: The Grip of History: Essays in Historical Criticism and Social Theory and Imagining Socialism in the Soviet Century . Education Ph.D. in History, Johns Hopkins University (2001) M.A. in History, Johns Hopkins University (1998) M.A. in Political Science, Johns Hopkins University (1995) Research Focus Krylova interrogates the intersections of gender theory, socialist feminism, and Western/Soviet Marxism. Her award-winning book, Soviet Women in Combat (2010), redefines narratives of violence on the Eastern Front. Current projects critique poststructuralist influences on historiography and reimagine Soviet socialism beyond Stalinist paradigms. Publications Overview Her recent articles (2023–2024) analyze agency, poststructuralism, and Marxism's latent role in contemporary historiography. Works consistently engage themes of gender binaries, socialist imaginaries, and Cold War legacies, reflecting a commitment to rethinking historical methodology. Awards and Honors Herbert Baxter Adams Prize (2011) for best first book in European history National Humanities Center Fellowship (2013–2014) Institute for Advanced Study Membership (2013) Mellon Faculty Book Manuscript Fellowship (2008–2009) Advising and Grants Krylova mentors Ph.D. students in Russian history and gender theory. Her research is supported by grants from SSRC, IREX, and the Davis Center at Harvard. She has held residencies at Tübingen University and the John Hope Franklin Humanities Institute.

• Historical Theory
• Gender Theory
• Socialist Feminism
• +4 more

Steven Ma is a Professor at Clemson University's College of Engineering, Computing and Applied Sciences. He is affiliated with the Department of Mechanical Engineering, though the department name is not explicitly mentioned. His contact information includes an office in 222 Fluor Daniel Building, phone number (864) 656-5537, and email sma22@clemson.edu. Education : Ph.D. from State University of New York at Buffalo (1991), MS from Beijing Polytechnic University (1986), BS from Beihang University (1983). Steven Ma's research interests focus on engineering disciplines, specifically Autonomous Wheeled Vehicles, Machine Design and Manufacturing, Hydraulics and Electro-Hydraulic Control, Welding & Fatigue, and Bolted Joints Design. These areas highlight his expertise in mechanical systems and manufacturing technologies. Analysis of his publications reveals a secondary focus on historical and political topics, particularly Russia's Great War and Revolution, the Russo-Japanese War, and transnational cultural exchanges. His work explores themes like military finance, ideological propaganda, and the global impact of capitalism and revolutionary movements. As of the latest data, there are no documented scientific awards or student advisement records for Steven Ma. His affiliations and contributions to engineering research remain central to his academic profile.

• Autonomous Wheeled Vehicles
• Machine Design and Manufacturing
• Hydraulics and Electro-Hydraulic Control
• +2 more

Auritro Majumder is Associate Professor of English at the University of Houston's College of Liberal Arts and Social Sciences, holding a courtesy appointment in the India Studies Program. His academic profile spans literary scholarship, critical theory, and intellectual history with a focus on non-Western perspectives. His educational background includes a Ph.D. in English from Syracuse University (2014), a Certificate in Critical Theory from Cornell University (2012), an M.A. (First Class) in English from Jadavpur University (2009), and a B.A. (First Class Honours) in English from Jadavpur University (2007). Majumder's research centers on peripheral internationalism and decolonial knowledge production , examining literary traditions across India, the Soviet Union, China, Latin America, and the United States. His work bridges literary theory , critical race studies , and global political movements , with particular emphasis on Bengali literature, caste-race intersections, and South-South cultural networks. His monograph Insurgent Imaginations: World Literature and the Periphery (Cambridge University Press, 2020) redefines world literature through non-Western frameworks. Analysis of his 15 most recent publications reveals consistent engagement with decolonial aesthetics , transnational solidarity , and subaltern epistemologies . His scholarship demonstrates interdisciplinary reach spanning literary studies, political theory, film criticism, and comparative intellectual history, with increasing focus on contemporary debates around planetary consciousness and peripheral modernities. His scientific recognition includes: Project Completion Grant, CLASS (2019) William Lee Pryor College Professorship (2018-2019) Research Progress Grant (2017) CLASS Research Funds (2016) New Faculty Summer Research Grant (2015) Majumder actively contributes to academic service as Executive Committee member of the Modern Language Association’s South Asian and South Asian Diasporic Language, Literature and Culture Forum, editorial board member for Mediations , jurist for the National Endowment for the Humanities, and reviewer for multiple international journals. He has lectured globally across North America, South Asia, Europe, and Brazil. His teaching portfolio includes courses on postcolonial literature, modern Indian literature, and graduate seminars in postcolonial theory. Current projects include a monograph titled The Global South in Literature and Theory and a co-edited anthology Cultures of the Cold War in South Asia .

• Literary and Critical Theory
• Postcolonial Studies
• World Literature
• +7 more

Jia-Yan Mi serves as Associate Professor of Chinese and English in the Department of World Languages and Cultures at The College of New Jersey's School of Humanities and Social Sciences, where she has held key roles since 2002 including Director of the Chinese Program and Faculty Advisor for the Chinese Students Association. Her academic foundation includes a Ph.D. in Comparative Literature and Film Studies from the University of California at Davis (2002). Mi's research critically intersects Comparative Literature, Asian American Studies, Critical Theory, and Film Studies with specialized focus on Chinese poetry, diaspora narratives, and cultural identity. Her work examines embodied experience in modern Chinese literature, border theory in global contexts, and pandemic-era poetic responses, consistently bridging literary analysis with visual culture and postcolonial frameworks. Recent scholarly output reveals an escalating engagement with viral optics, diasporic consciousness, and therapeutic nation-building in Chinese literary traditions, evolving from foundational studies of modern poetry to contemporary analyses of global Chinese-language expressions during crisis. Her scientific recognition includes: Outstanding Research on Modern and Contemporary Poetics, Jianghan University, PRC (2018) Support of Scholarly Activities (SOSA) Award, The College of New Jersey (2023) Mi maintains extensive institutional engagement through committee leadership including: Director of Chinese Program (2002–present) Chair of Minor in Comparative Literature Committee (2023–present) Roebling Committee and Art on Campus Committee membership (2021–present) Department Promotion Committee service (2018–present)

• Comparative Literature
• Asian American Literature
• Critical Theory
• +4 more

Jane Anna Gordon is a Professor of Political Science at the University of Connecticut with cross-disciplinary affiliations in American Studies, El Instituto, Global Affairs, Philosophy, and Women’s, Gender, and Sexuality Studies. Her work bridges political theory with African diasporic, Caribbean, and decolonial frameworks. Research Focus: Specializing in modern and contemporary political theory, Gordon explores Africana political thought, theories of enslavement, political theories of education, and social science methodologies. Her scholarship emphasizes creolization, critical resistance, and interdisciplinary epistemologies. Recent Publications: Her recent works include Statelessness and Contemporary Enslavement (2020) and Creolizing Rosa Luxemburg (2021), alongside co-edited volumes on Caribbean thought and Richard Wright. These reflect her engagement with decolonial theory, radical democracy, and critical race studies. Leadership Roles: Former President (2014-2016) of the Caribbean Philosophical Association, she directs the CPA Summer School and co-edits the Creolizing the Canon and Global Critical Caribbean Thought book series. She also co-edits the open-access journal Philosophy and Global Affairs .

• Political Theory
• Africana Political Thought
• Theories of Enslavement
• +4 more

Sianne Ngai is the Andrew W. Mellon Professor in the Department of English at the University of Chicago, where she has taught since 2017. Her work bridges aesthetic theory, critical theory, and cultural studies, with a focus on the affective dimensions of capitalist culture and equivocal aesthetic judgments. Her educational background includes: Ph.D., Harvard University, 2000 Ngai's research centers on everyday aesthetic categories (cute, zany, interesting, gimmick) and their relationship to capitalism, revolutionizing affect theory through analyses of politically ambiguous emotions. Her work critically intersects with feminist and queer studies , examining how gender, sexuality, and race shape aesthetic experience. She approaches mundane aesthetic judgments with philosophical rigor previously reserved for the sublime, revealing their embeddedness in labor, value, and temporal structures of capitalist culture. Her publications form a cohesive trajectory: from Ugly Feelings ' exploration of non-cathartic negative affects to Our Aesthetic Categories ' elevation of trivial aesthetic terms, culminating in Theory of the Gimmick 's investigation of capitalist contradictions. Recent works extend this framework to comedy, dialectical thought, and cross-cultural translations, demonstrating global scholarly impact through multiple language editions. Her major awards include: Modern Language Association’s James Russell Lowell Prize Christian Gauss Award finalist ASAP Book Prize (co-winner) Literary Hub Book of the Year Honorary Doctorate from the University of Copenhagen Guggenheim Fellowship Berlin Prize (American Academy in Berlin) Wissenschaftskolleg zu Berlin Fellowship ACLS Fellowship Huntington Library Fellowship Stanford Humanities Center Fellowship Ngai's research has been sustained by prestigious fellowships enabling extended scholarly residencies at top institutions worldwide. Her collaborative work includes co-editing Critical Inquiry 's special issue on Comedy with Lauren Berlant. Teaching remains central to her practice, with courses spanning American literature, feminist/queer criticism, and aesthetic theory—including upcoming 2025-2026 courses on literary criticism, Marx's Capital , and Adorno's Aesthetic Theory . Though not explicitly mentioned in institutional labs, Ngai's intellectual influence operates through international lecture circuits (from Aarhus University to Seoul National) and shaping critical discourse across humanities disciplines through her conceptual innovations in affect and aesthetic theory.

• Aesthetic Theory
• Critical Theory
• American Literature
• +2 more

Mark A. Allison is a Professor in the Department of English at Ohio Wesleyan University. He holds the Charles M. Weis Professorship and has earned degrees from Kenyon College (B.A.), University of Chicago (M.A.), and University of California, Berkeley (Ph.D.). Education: B.A. from Kenyon College, M.A. from University of Chicago, Ph.D. from UC Berkeley Specializing in nineteenth-century British literature and culture, his research focuses on: Utopian literature and theory Socialism and working-class political culture Marxism British novel traditions His publications examine intersections of socialist thought and literary production across the long nineteenth century, particularly through: Analysis of utopian narratives in Victorian novels Connections between aesthetics and anti-political ideologies Key figures like Thomas Carlyle and William Morris Raymond Williams' cultural theory Contact Information: Office: Sturges Hall #216 Phone: 740-368-3594 Email: maalliso@owu.edu

• Nineteenth-Century British Literature
• Utopian Literature and Theory
• Socialism and Working-Class Political Culture
• +2 more

Donald L. Donham is a Distinguished Research Professor in the Department of Anthropology at the University of California, Davis. He holds a Ph.D. in Cultural Anthropology from Stanford University (1979), following earlier degrees in Chemistry from Stanford (M.S., 1969) and Baylor University (B.S., 1967). Before joining UC Davis in 2003, he taught at Stanford and Emory Universities, and held postdoctoral fellowships at Cambridge University's Economics Department and African Studies Centre. His research focuses on power dynamics, economic-cultural interplay, historical methodology, Marxism, narrative theory, violence interpretation, and transcultural gender/sexuality studies. Donham's work emphasizes ethnographic analysis of revolutionary movements (e.g., Ethiopia's 1974 revolution), labor systems in Maale communities, and postcolonial political economies. His award-winning publications include Marxist Modern: An Ethnographic History of the Ethiopian Revolution (1999) and Violence in a Time of Liberation (2011). He has directed Mellon Foundation-funded research on violence and served as editor of American Ethnologist . His students have researched topics ranging from Ethiopian youth culture to Lebanese Shi'i religiosity, South African land politics, and Brazilian sexualities. Donham's academic career spans over five decades, with key roles at major institutions and recognition through fellowships from the Woodrow Wilson Center, UC Humanities Research Institute, and others. His teaching includes courses on cultural anthropology theory, sexualities, and historical methodologies.

• Cultural Anthropology
• Marxism
• Historical Methodology
• +5 more

Stephanie M. Pridgeon is an Associate Professor of Hispanic Studies and Department Chair at Bates College. Her research focuses on 20th- and 21st-century Latin American film and literature, with an emphasis on intersections of race, ethnicity, gender, religion, and politics. She holds a Ph.D. from Emory University. Her first book, *Revolutionary Visions: Jewish Life and Politics in Latin American Film* (University of Toronto Press), received Honorable Mention from the LASA Visual Culture Studies section. Her second book, *Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas*, was published in 2025. Current research includes analyzing visual imagery of the Mexican Revolution in literature. Pridgeon’s scholarship spans diverse topics such as Jewish-Indigenous literary interactions, queer ethnic rite narratives, and documentary film politics. She contributes to public discourse through opinion pieces like her 2024 analysis on Jewish political leadership in North America. Key Expertise: Latin American cinema, cultural hybridity, memory studies, feminist theory, and Marxist analysis. Recent Work: Leading projects on transnational Jewish narratives and post-revolutionary imagery.

• Latin American Literature
• Latin American Film Studies
• Cultural Studies
• +9 more

Joanne Barker is a Professor of American Indian Studies at San Francisco State University (SFSU), where she has been since 2003. She holds a Ph.D. in History of Consciousness from UC Santa Cruz. Her work critically examines Indigenous sovereignty, gender studies, and anti-colonial frameworks. She serves on the Segorea Te Land Trust Board , a women-led Indigenous land trust in the San Francisco Bay Area. In 2022–23, she was a Distinguished Visiting Scholar at the University of Chicago’s Race, Diaspora, and Indigeneity Studies program. Research Interests : Barker’s scholarship focuses on Indigenous sovereignty, colonialism, and feminist critiques of state power. She theorizes concepts like 'Indigenous feminisms,' 'territorial dispossession,' and 'state discourses of terror.' Her book *Red Scare: The State's Indigenous Terrorist* (2021) won the Native American and Indigenous Studies Association’s Best Subsequent Book Prize . Publications : Over 20 books and articles, including edited volumes like *Sovereignty Matters* (2005) and *Critically Sovereign* (2017). Recent work addresses intersections of care, catastrophe, and settler colonialism in *Catastrophe, Care, and All That Remains* (2021). Awards : NAISA Book Prize (2021), multiple fellowships, and contributions to Indigenous-led movements.

• Indigenous Studies
• Critical Race Theory
• Gender and Sexuality Studies
• +3 more

Álvaro Luís Lima is an Assistant Professor at the University of Florida's College of the Arts, specializing in Art History with a focus on African Art. He holds affiliate positions in the Center for African Studies and the Center for Gender, Sexualities, and Women’s Studies Research. His research examines modern/contemporary African art through interdisciplinary lenses of cultural studies and postcolonial theory. Research interests span socialist aesthetics in Mozambique, decolonial art practices, animal symbolism in post-apartheid art, and gender/queer narratives. His work analyzes how art reflects political transitions, cultural identity, and historical memory across Africa. Publications explore trends in socialist and post-socialist African art, with recurring themes of ideological transformation, cultural hybridity, and resistance. Recent articles critically engage with the legacies of colonialism and socialism. Awards include fellowships from the ACLS, Getty, and Mellon foundations, recognizing his contributions to redefining African art historiography. Curatorial projects like After the End: Timing Socialism in Contemporary African Art bridge academic and public discourse. Courses at UF cover African art history, socialism, and animal studies.

• Modern African Art
• Contemporary African Art
• Cultural Studies
• +2 more

Jean-Michel Rabaté is a Professor of English and Comparative Literature at the University of Pennsylvania , where he has taught since 1992. He is affiliated with the School of Arts & Sciences and the Department of English, with a focus on modernist literature, psychoanalysis, and critical theory. Co-founder and Senior Curator, Slought Foundation Managing Editor, Journal of Modern Literature His research spans 20th-century modernism, Joyce studies, Lacanian and Freudian psychoanalysis, and intersections between literature and philosophy. Recent publications explore Lacan's role as an 'irritant' in psychoanalysis, knots in post-Lacanian theory, and laughter's philosophical significance. Scientific Awards include: 2011 Lindback Award for Distinguished Teaching 2004 Alan Filreis Teaching Award 2003 CGS and LPS Awards for Distinguished Teaching Rabaté has advised numerous doctoral students on topics ranging from modernist utopias to biotopias. He has served as past president of the Samuel Beckett Society and as a Fellow of the American Academy of Arts and Sciences since 2008.

• Modernism
• Psychoanalysis
• Critical Theory
• +4 more