Lindsay Turner is an Associate Professor in the Department of English at Case Western Reserve University. A poet, critic, and translator, her work bridges creative writing, translation theory, and interdisciplinary research. Her prior role as Assistant Professor at the University of Denver’s Department of English and Literary Arts underscores her commitment to literary education. AB in English, Harvard College Masters in cinema studies, Université Paris III Sorbonne-Nouvelle MFA in poetry, New York University PhD in English, University of Virginia Turner’s research spans creative writing , transnational poetry , and gender studies , with a focus on the intersections of literature and labor. Her recent work examines gendered domestic and reproductive labor through poetic forms. Key trends in her publications include experimental translation , queer theory , and postcolonial philosophy . National Translation Awards Best Translated Book Awards French American Foundation recognition She has received grants such as the WPR Creative Grant from Harvard’s Woodberry Poetry Room and multiple French Voices Grants . Her translations have been praised by The New Yorker and The New York Times for their intellectual rigor and stylistic innovation.
Dr. Ling Yin is an Associate Professor in the School of Electrical and Mechanical Engineering at the University of Adelaide, Faculty of Sciences, Engineering and Technology. She joined the University of Adelaide in 2018 as an Associate Professor in manufacturing and served as Faculty Research Theme Leader in Advanced Manufacturing from 2019 to 2022. Dr. Yin leads multi-institutional projects on advanced manufacturing funded by Defence SA (2024-2025) and the National Health and Medical Research Council (NHMRC) (2025-2028). Dr. Yin's educational background includes B.Sc., M.Sc., and Ph.D. degrees in mechanical engineering from Huazhong University of Science & Technology in Wuhan, China. Her academic career spans five countries across three continents, including positions at Tianjin University in China, Kumamoto University in Japan, Kansas State University in the USA, the Australian National University and James Cook University in Australia, the National Institute of Standards & Technology (NIST) in the USA, and A*STAR Singapore Institute of Manufacturing Technology (SIMTech) in Singapore. Dr. Yin's research focuses on manufacturing and mechanical characterization of advanced materials with applications in optics, semiconductors, mechanical structures, dental restorations, osteoporosis/osteoarthritis studies, and marine/animal sciences. Her work involves extensive collaborations across multiple disciplines. Her recent publications demonstrate expertise in ultrasonic vibration-assisted machining of dental ceramics, particularly zirconia and lithium silicate glass-ceramics, as well as advanced characterization techniques like micro-CT and in-situ SEM testing for understanding material behavior at micro and nano scales. JSPS Invitation Fellowship from the Japan Society for the Promotion of Science Japanese Government Scholarship from the Ministry of Education, Culture, Sports, Science and Technology, Japan Supervisor for a PhD Thesis cum laude with a Medal of Excellence awarded by James Cook University in 2017 Supervisor for a Best Honours Project in Mechanical Engineering at Ingenuity awarded by the University of Adelaide in 2023 Dr. Yin is actively involved in supervising higher degree research students and has available PhD projects in 2025 focused on ultrasonic-vibration assisted manufacturing techniques for dental applications. She has successfully led international academic delegations through the New Colombo Plan to manufacturing facilities in Singapore and Japan. Dr. Yin is a senior member of the North American Manufacturing Research Institution (NAMRI) and the Society of Manufacturing Engineers (SME), and also a member of several professional organizations including ASME, OSA, American Ceramic Society, ASM International, and SPIE.
Mitsuhiro Yoshimoto is a Professor at Waseda University's Faculty of International Research and Education, with a PhD from the University of California, San Diego, MA from UCLA, and BA from SUNY Binghamton. His academic journey includes tenure at University of Iowa, New York University, Princeton University, and Waseda University since 2010. Education: PhD, University of California, San Diego MA, University of California, Los Angeles BA, State University of New York at Binghamton Yoshimoto's research spans Film Studies , Anime Studies , and Planetary Humanities . He explores intersections between cinema and neoliberalism, postcolonial theory in media, and the Anthropocene's representation in visual culture. His work includes analyzing nuclear disasters in film and intermedial adaptation in anime. His publications address topics like AKIRA 's role in English-speaking anime studies, In This Corner of the World 's transmedia adaptation, and populism in Hollywood films. He led the 2019 international symposium 'Theorizing Anime' at Waseda University. Scientific Awards: FY2014 Scientific Research Grant Review Committee Award 2014 Japan Society for the Promotion of Science Grant Yoshimoto has conducted funded research projects, including 'Reconsidering Japanese Anime Studies' (JSPS 2019-2022) and 'Contemporary Hollywood Films and the Shock Effect' (Waseda University). He teaches courses on cultural critical theories and international communication at graduate and undergraduate levels.
Miryam Sas is a Professor of Comparative Literature at the University of California, Berkeley. Her work bridges Japanese literature, film, theater, and avant-garde arts with critical theory. She specializes in 20th-century cultural movements, postwar Japanese experimental arts, and media theory. Her research includes studies on surrealism, intermedia, and post-Holocaust representation, with notable works like Feeling Media: Potentiality and the Afterlife of Art (2022) and Experimental Arts in Postwar Japan (2010). Her research interests span Japanese modernism, intermedia art, feminist film analysis, and photographic theory. She has curated exhibitions for institutions such as MoMA, the Getty Museum, and the Mori Art Museum, contributing essays on postwar avant-gardes and Japanese photography. Recent projects include translations of modernist poets Sagawa Chika and Ema Shōko, and collaborative archival work on Finding Zbaraż . Prof. Sas has been awarded the UC President’s Research Fellowship for her media theory work. Her teaching focuses on critical theory, Japanese cinema, and media studies, offering courses on infrastructural aesthetics and transnational Asian media. She actively participates in interdisciplinary dialogues through lectures and radio programs like France Culture’s La Fabrique de l’Histoire .
Ian Condry is a Professor of Japanese Culture and Media Studies at MIT, affiliated with the Department of Anthropology. He holds a BA in Government from Harvard (1987) and a PhD in Anthropology from Yale (1999). His research focuses on Japanese popular culture, media globalization, and creative industries. He is best known for his seminal work on hip-hop in Japan and anime production, emphasizing collaborative creativity and cultural hybridity. Condry leads the MIT Spatial Sound Lab, exploring immersive audio technologies, and co-founded the music discovery platform Hearby.com. He hosts the 'Near and Far' Japanese hip-hop radio show on WMBR 88.1FM since 2018 and releases music as Leftroman. Condry’s academic roles include former Head of Global Studies and Languages at MIT and Executive Committee member of the Technology Broadcasting Corporation. His work bridges academic research with creative practice, including organizing the Dissolve Music conference and curating multimedia projects. He has pioneered open-access publishing, making his books available under Creative Commons licenses. His research spans media anthropology, youth culture, and digital media’s societal impact. Key projects include the MIT/Harvard 'Cool Japan' research initiative and studies on post-3/11 cultural recovery. Condry’s interdisciplinary approach integrates ethnographic methods with technological innovation, addressing themes of global cultural flows and participatory media production.
Dr Alexander Jacoby is a Senior Lecturer in Japanese Studies at Oxford Brookes University, affiliated with the School of Education, Humanities and Languages. He is also the Director of the Europe Japan Research Centre, where he promotes academic collaboration between Europe and Japan. His teaching spans undergraduate and postgraduate levels, covering Japanese cinema, manga, anime, classical arts, and translation. Research Interests: Alexander's primary research focuses on classical and contemporary Japanese cinema. He explores themes such as family dynamics, gender, space, and national identity in Japanese film. His work bridges academic scholarship and public film criticism, contributing to both scholarly journals and major cultural publications. Publication Trends: His recent articles examine socio-cultural themes in modern Japanese cinema, particularly family structures and contested national narratives. These works reflect a consistent engagement with postwar Japanese society as portrayed through film, with an emphasis on directors like Hirokazu Koreeda and Yoshimura. Notable Presentations: 'Hirokazu Koreeda's Family Values' (2021) 'Crime and Punishment in the Films of Hirokazu Koreeda' (2018) 'Female Self-Determination in Yoshimura's Kyoto' (2017) Professional Engagement: Jacoby has curated Japanese film retrospectives at prestigious institutions including the British Film Institute (London), Museum of Modern Art (New York), Il Cinema Ritrovato (Bologna), and Giornate del Cinema Muto (Pordenone). He has also served as Year Abroad Tutor, supporting student exchanges and international learning. Labs and Research Groups: He chairs the Europe Japan Research Centre, a hub for interdisciplinary research on Japan-Europe relations in media, culture, and society.
Dr. Brigitte Steger is a Senior Lecturer in Modern Japanese Studies at the University of Cambridge, where she serves as a Fellow in Asian and Middle Eastern Studies at Downing College. She teaches modern Japanese society courses and directs graduate affairs while serving as Secretary of the Degree Committee. MA, MPhil, PhD in Japanese Studies (University of Vienna) Visiting researcher at multiple Japanese universities Co-founder of Cambridge Creative Circular Plastics Centre sub-project Her research focuses on cultural anthropology of Japanese daily life, particularly sleep practices (inemuri), gender dynamics in urban spaces, disaster response rituals, and cleanliness/waste practices. She conceptualizes sleep as socio-cultural performance and examines temporal practices in premodern Japan. Recent publications analyze Heian-era sleep patterns, 2011 tsunami shelter hygiene, and plastic consumption in consumer societies. She leads international research on historical timekeeping and contemporary waste practices. Her edited volumes explore Japanese gender diversity, including 'herbivore boys' and manga girl culture. Scientific awards: Bank Austria Prize (2002) Vorarlberg Science Award (2005) University of Cambridge weekly research contributor She supervises graduate research projects and serves on the European Association for Japanese Studies and Japan Anthropology Workshop councils. Her 2025-26 sabbatical focuses on completing Heian-period sleep research.
Dr. Kenji Fujita is a Research Fellow at the Kolling Institute, University of Sydney, specializing in ageing, pharmacology, and pharmaceutical care quality. He holds a PhD, MScMed (ClinEpid), and BPharm from the University of Sydney. Previously a pharmacist in Japan, he leads international initiatives in the Pharmaceutical Care Network Europe (PCNE) and the International Pharmaceutical Federation (FIP). His work focuses on deprescribing strategies, polypharmacy, and developing quality indicators for healthcare services. Dr. Fujita’s research integrates big data analysis, statistical modeling, and machine learning to address challenges in geriatric pharmacotherapy. Current projects include validating frailty indices, evaluating deprescribing interventions in older adults, and developing NLP tools for clinical documentation analysis. He has also contributed to assessing organizational readiness for guideline implementation in community pharmacies. Awards include the 2023 Outstanding Poster Presentation Award at the IAGG Asia/Oceania Congress and 2022 Best Poster at the Japanese Society of Social Pharmacy. He has secured grants such as the 2024 electronic frailty index project and the 2021 systems-approach to medication review initiative. Dr. Fujita collaborates with global networks like J-HOP (Japan Home Visiting Pharmacy Association) and leads multidisciplinary teams across Australia and Europe. His lab focuses on translating data-driven insights into actionable clinical practices to improve medication safety and quality in ageing populations.
Dong Hoon Kim is an Associate Professor in the Cinema Studies department at the University of Oregon's College of Arts and Sciences . His work bridges media history and cultural studies, focusing on the ideological and visual frameworks of cinema in East Asia and beyond. Research Interests: His scholarship critically examines colonial cinema , socialist cinema , transnational media flows , and the intersection of media spectatorship with national identity. His studies span East Asian film, media, and popular culture, emphasizing historical and discursive formations. University of Oregon | Cinema Studies Email: donghoon@uoregon.edu Office Hours: Mondays 12-1:30p.m., Winter 25 Key Publications: Kim authored Eclipsed Cinema: The Film Culture of Colonial Korea (2017) and co-edited The Bloomsbury Handbook of North Korean Cinema (2025). His articles explore topics like socialist star-making in North Korea, transcolonial benshi practices, and the global impact of South Korea's Parasite . Teaching: Courses include Introduction to Korean Cinema , Studio Ghibli Animation , and seminars on Japanese New Wave cinema, transnational film genres, and violence in Korean cinema. He emphasizes interdisciplinary approaches to East Asian cultures.
William H. Nienhauser, Jr. is the Halls-Bascom Professor of Classical Chinese Literature in the Department of Asian Languages and Cultures at the University of Wisconsin–Madison, College of Letters and Science. He is a leading authority on early Chinese literature, historiography, and poetry, with a particular focus on Sima Qian’s Shiji and the poetry of Du Fu. He has held visiting and research positions in China, Japan, Germany, and Taiwan, and remains academically active, including a 2018 appointment as Visiting Professor at Nankai University. His research interests include early traditional Chinese fiction, historiography, chuanqi and zhiguai tales, and the application of modern Western critical theories to Chinese literary texts. He is deeply engaged in the translation and annotation of classical works, especially the Shiji , often in collaboration with graduate students. His scholarship bridges philology, literary theory, and historical contextualization, contributing significantly to the global understanding of pre-modern Chinese literature. Nienhauser’s publications reveal a sustained focus on textual analysis, narrative structure, and the interplay between history and literature. His work spans from early Shijing poetry to Tang dynasty fiction, with a strong emphasis on Sima Qian’s historiographical methods and legacy. He has also contributed foundational reference works and critical editions, shaping the field of Chinese literary studies. His scientific awards reflect the international recognition of his scholarship: Woodrow Wilson Fellowship ACLS Fellowship NEH Fellowship Fulbright-Hayes Fellowship Japan Foundation Fellowship German Research Foundation Fellowship Alexander von Humboldt Foundation Fellowship Humboldt Foundation Lifetime Achievement Award (2003) Nienhauser has advised numerous graduate students in collaborative research projects, particularly on the Shiji and Du Fu. He has secured major fellowships and grants from prestigious organizations including the NEH, ACLS, Fulbright-Hayes, and the Humboldt Foundation, enabling extended research and translation work. His editorial roles, especially as a founding editor of Chinese Literature: Essays, Articles, Reviews (CLEAR), have been instrumental in advancing the field. While no formal lab or research center is mentioned, Nienhauser leads a major international collaborative translation project on the Shiji , involving scholars and students across institutions. His seminars and graduate courses foster a close-knit research community focused on classical Chinese texts.
Dr. Matt Jacobsen is a Lecturer in Film Studies at Queen Mary University of London's School of History. He holds a BA in English Literature from King's College London (2000) and an MA in Film and Communication from QMUL. Since 2002, he has taught Film History and Theory, demonstrating a strong commitment to enhancing student learning experiences. From 2012 to 2017, he served as Student Experience Manager within the School. Education: BA English Literature (King's College London), MA Film & Communication (QMUL) Roles: Lecturer, Former Student Experience Manager His research focuses on science fiction, fantasy, and horror cinema, with particular emphasis on Japanese animation and digital media within socio-historic frameworks. His doctoral work explored representations of adolescence in Japanese anime, video games, and horror films at the turn of the millennium. Publicly engaged through media appearances, Jacobsen serves as a weekly film critic for BBC Radio Kent, BBC Radio Solent, and a regular contributor to BBC Radio Cambs.
Andrew Campana is an Assistant Professor of Asian Studies at Cornell University's College of Arts and Sciences, specializing in modern and contemporary Japanese literature and media. His research explores the possibilities and limitations of expression during media transitions, with particular focus on poetry, digital media, and disability studies. His academic journey includes a Ph.D. in East Asian Languages and Civilizations from Harvard University and an Honors B.A. in East Asian Studies from the University of Toronto. Campana's first book, Expanding Verse: Japanese Poetry at the Edge of Media , published by the University of California Press in 2024 as an open access work, examines Japanese poetic practice from the 1920s to the present as poets engaged with evolving media technologies including film, tape recording, television, and the internet. As a researcher, Campana's work bridges literary studies, media studies, game studies, and disability studies, with current projects exploring how poetry became a key site of digital experimentation in Japan. His research methodology combines traditional literary analysis with hands-on creative practice, informed by his experiences at MIT's Trope Tank laboratory. His scholarly interests span Japanese media history, disability representation in literature and gaming, digital poetics, and gender studies. His research has received significant media attention, including features in the Cornell Chronicle ('Poets in Japan Experiment at the Edge of Media' and 'Japanese Poets Open New Ways of Thinking About Media'), The Statesman, and interviews on NPR's Academic Minute and the Curiosity Daily podcast discussing his work on gaming and accessibility. As an educator, Campana teaches courses including 'Introduction to Japan,' 'Japanese Poetry,' and 'The Glitch: Errors, Disability, and the Edges of Digital Media' (ASIAN 4703/6703), guiding students through interdisciplinary explorations of Japanese literature, media, and digital culture. His teaching reflects his commitment to understanding media transitions through both theoretical and practical lenses.
Joseph Seeley is an Assistant Professor in the Department of History at the University of Virginia , specializing in Korean history, the Japanese Empire, and East Asian environmental history. His research explores borderlands dynamics through ecological and imperial lenses, utilizing multilingual sources. Education : Ph.D. from Stanford University (2019), B.A. from Brigham Young University (2013), A.S. from Dixie State College (2007) His forthcoming book Border of Water and Ice (Cornell University Press, 2024) investigates the Yalu River's role in Japanese imperial boundary-making, while his publications span topics like colonial animal disease control, riverine development, and cultural symbolism of tigers. Supported by the Korea Foundation and Freeman Spogli Institute, his work combines environmental history with geopolitical analysis. Seeley teaches courses on East Asian environmental history, Korean civilization, modern Korean history, border conflicts, and North Korea. His research methodology emphasizes interdisciplinary approaches to imperial geography and ecological change.
Mimi Yiengpruksawan is a Professor of History of Art at Yale University, affiliated with the Department of East Asian Languages and Literatures, the Council on East Asian Studies, the Council on Southeast Asian Studies, and the Program in Medieval Studies. She holds a Ph.D. from UCLA (1988) and joined Yale in 1990, achieving tenure in 1998. Her research focuses on Buddhist art in nonmodern Japan and Eurasian cultural exchanges, emphasizing cross-regional and interdisciplinary approaches to study contact-driven cultural formation. Her academic work includes two major manuscripts: Michinaga’s Peacocks: A Heian World in Transition (examining exogenous influences on Kyoto’s art) and Kyoto in the Twilight of the Dharma (focusing on eschatological patronage). She also explores early modern Japanese global interactions, analyzing visual production during the 'Nanban' period. Recent research bridges environmental history with art, linking the 1006 supernova and Buddhist prophecies to artistic developments. Key publications include analyses of Buddhist iconography, transnational art networks, and transcultural architecture. She is a leading figure in rethinking Heian Japan’s cultural interconnectedness, challenging isolationist narratives through material evidence and primary sources.
Perry Hinton is a Professor (Teaching Focused) in the Centre for Applied Linguistics at the University of Warwick, part of the Faculty of Social Sciences. He contributes to the interdisciplinary degree in Language, Culture and Communication, drawing on his expertise in psychology and cultural studies. University: University of Warwick School: Faculty of Social Sciences Department: Centre for Applied Linguistics Academic Rank: Professor Email: P.R.Hinton@warwick.ac.uk His research centers on the psychology of interpersonal perception, especially the interplay between cognition and culture. Key areas include stereotyping as a cognitive and cultural phenomenon and Western (particularly British) interpretations of Japanese culture, including media portrayals and anime. He also has a strong commitment to statistical education, having authored multiple textbooks on SPSS and data analysis. The recent publications reflect a consistent focus on cultural psychology, intercultural communication, and social representation. Themes include the construction of identity, media influence, cultural stereotypes, and cognitive biases in person perception. His work often takes a multidisciplinary approach, integrating insights from psychology, linguistics, and media studies. Perry Hinton has authored and co-authored several influential books in his field, particularly on stereotypes and statistical methods. While no formal scientific awards are listed, his sustained publication record in peer-reviewed journals and with major academic publishers (Routledge, Bloomsbury, Palgrave) indicates significant scholarly recognition. He has supervised or co-edited collaborative works, such as the 2023 volume on intercultural relations, suggesting advisory and mentoring roles. His career path includes positions at five British universities, progressing from lecturer to Head of Department, with extensive experience teaching psychology across disciplines including linguistics, education, and media studies. He joined Warwick's Centre for Applied Linguistics at the inception of its Language, Culture and Communication program in 2014. Hinton works within a multidisciplinary academic environment, contributing to a research culture that bridges psychology and applied linguistics. His collaborations, particularly with Troy McConachy, suggest active participation in intercultural research teams and scholarly networks focused on global communication and cultural understanding.
