Dr. Frances Smith is an Associate Professor in Film Studies at the University of Sussex's School of Media, Arts and Humanities. She holds a PhD in Film and Television Studies from the University of Warwick (2013), an MA in Management from Durham University (2008), and a Master of Modern Languages in French/Italian from Manchester University (2007). Her research focuses on teen cinema, female authorship, Hollywood and European cinema, and gender studies, with current work on Céline Sciamma's Girlhood. She authored Rethinking the Hollywood Teen Movie (2017) and co-edited Refocus: The Films of John Hughes (2021). Teaching includes convening Analysing Film, American Teen Cinema, and Working with Film modules. She has taught Gender and Representation, British Cinema, and Study Skills. Her awards include Fellowship of the Higher Education Academy (2016). Active in PhD supervision focusing on teen cinema, female authorship, and gender in cinema. Publications span over 25 articles/chapters addressing topics like queer youth representation, transatlantic media comparisons, and directorial authorship in John Hughes and Amy Heckerling films. Research explores intersections of gender, space, and cultural identity in global popular cinema.
Olga Sorkine-Hornung is a Professor of Computer Science at ETH Zurich and head of the Institute of Visual Computing. She leads the Interactive Geometry Lab, focusing on theoretical and practical advancements in digital content creation, geometry processing, and shape modeling. Current position: ETH Zurich, Department of Computer Science Previous roles: Courant Institute (NYU), Technical University of Berlin Education: BSc and PhD from Tel Aviv University, postdoc at TU Berlin Her research spans shape representation, digital fabrication, computer animation, and fundamental geometry processing. Key contributions include Laplacian surface editing, as-rigid-as-possible deformation, and generalized winding numbers. She works on applications in VR, AR, and autonomous systems. Awards include Test of Time Awards (2024), ACM Fellow (2020), ERC Consolidator Grant (2020), and EUROGRAPHICS Young Researcher Award (2008). She has supervised numerous students and co-developed software libraries like libigl and Instant Meshes . Co-chair roles for SIGGRAPH, Eurographics, and Pacific Graphics Editorial board member for ACM Transactions on Graphics and other journals Keynote speaker at VMV, CVPR, and SIAM conferences Her work bridges mathematical rigor with practical implementation, advancing computer graphics and geometry processing through intuitive algorithms that maintain surface detail while enabling efficient computation.
Prof. Dr. Barbara Mittler is Professor of Sinology at Heidelberg University and founding co-director of the Heidelberg Centre for Transcultural Studies (CATS) and the Cluster of Excellence 'Asia and Europe in a Global Context.' Her research explores Chinese cultural policy, print media, musicology, visual culture, and transcultural studies. Mittler's scholarly contributions include groundbreaking work on Cultural Revolution culture, early Chinese print media (particularly women's magazines), and the transcultural flows of cultural production. Her current projects examine Mao as a global icon and comparative studies of Asian 'fathers of the nation.' Her publication record demonstrates consistent focus on cultural transmission mechanisms, with recent research developing transcultural frameworks for understanding cultural exchange and historical analysis. Publications reflect an interdisciplinary approach combining visual analysis, media studies, and historical methodology. Mittler has received numerous honors including the Fairbank Prize, Heinz-Maier-Leibnitz Prize, and memberships in the Leopoldina and Heidelberg Academy of Sciences. She leads major initiatives like the China-Schul-Akademie developing educational materials about China for German schools.
Gareth Roberts is an Associate Professor in the Department of Linguistics at the University of Pennsylvania, where he serves as Graduate Chair. He is also a faculty member of the Psychology Graduate Group, founder and director of the Cultural Evolution of Language Lab, and co-director of the Social and Cultural Evolution Working Group at Penn. Roberts earned his PhD in Linguistics from the University of Edinburgh in 2010, following an MSc in Evolution of Language and Cognition (2006) and a BA in German and Russian (2003) from the University of Nottingham. His academic journey includes postdoctoral positions at Yeshiva University and the University of Stirling before joining Penn as an Assistant Professor in 2014, where he was promoted to Associate Professor in 2022. His research focuses on the role of social and communicative pressures in shaping language emergence and evolution. Roberts investigates fundamental questions about linguistic variant spread, phonological system structuring, and how communication shapes linguistic structure. His work bridges linguistics, cognitive science, and cultural evolution through innovative experimental approaches using artificial languages and laboratory simulations. Analysis of Roberts' recent publications reveals a consistent focus on experimental semiotics, with particular attention to social biases in language evolution, phonological organization, indexicality emergence, and the dynamics of linguistic variation. His work often combines computational modeling with human experiments to isolate specific mechanisms driving language change. Linguistic Society of America Cognitive Science Society Philological Society Cultural Evolution Society Roberts has successfully secured substantial research funding including an NSF PAC Grant ($102,648), Penn URF Research Grants ($12,155), MindCORE initiative grant ($600,000), and multiple smaller grants totaling over $20,000. His lab currently includes researchers investigating diverse topics from case and gender marking emergence to AI agent effects on group dynamics, linguistic and genetic data in British history, and phonological space organization. The Cultural Evolution of Language Lab, which Roberts founded and directs, conducts cutting-edge research using experimental semiotics methodologies. Current projects examine how social factors influence language change, the emergence of linguistic structure through communication, and the interaction between iconicity and combinatoriality in communication systems.
Hiromi Tsuchiya Dollase is an Associate Professor of Chinese and Japanese at Vassar College since 2003. Her research focuses on Japanese women’s literature, girls’ magazine culture, and manga, with a particular interest in integrating popular media into language education. She teaches courses such as 'Japanese Popular Culture and Literature' and 'The Gothic and the Supernatural in Japanese Literature.' Dr. Dollase holds a PhD in comparative literature (Japanese and American) from Purdue University (2003), an MA from Illinois State University, and a BA/MA from Baika Women’s College. She authored *Age of Shojo: The Emergence, Evolution and Power of Japanese Girls’ Magazine Fiction* (2019) and has contributed to numerous edited volumes and refereed journals. Her work spans topics like child abuse depictions in manga, sex education in historical fiction, and queer reinterpretations of classic narratives. She co-edited *Women’s Voices in Manga* (2024) and *Manga!: Visual Pop-Culture in ARTS Education* (2020). Her research bridges literary analysis with cultural studies, emphasizing the intersection of gender, media, and education. Dr. Dollase has been featured in media discussions about Japanese literary icons like Nobuko Yoshiya. She actively contributes to interdisciplinary programs in Asian Studies, Media Studies, and Women’s, Feminist, and Queer Studies at Vassar.
Michelle Arrow is a Professor at Macquarie University's School of Humanities and Centre for Media History. Her research focuses on cultural history, post-war Australia, and feminist movements. She holds a PhD from the University of Sydney (1999), with notable works including Upstaged (2002), Friday on Our Minds (2010), and The Seventies (2019), which won the Ernest Scott Prize. Her work explores how culture shapes identities and responds to political shifts. She has led projects like 'Public Intimacy: A Biography of Anne Deveson' and contributed to media initiatives such as ABC TV's Rewind . Awards include Fellowships from the Academy of the Social Sciences (2023) and the Royal Historical Society (2025). Her current projects include a biography of Anne Deveson and studies on gender citizenship and LGBTQIA+ activism. Michelle has been a media commentator on topics like historical representation and social policy. Education: PhD in History, University of Sydney (1999) Thesis: Social and cultural history of Australian women playwrights (published as Upstaged ) Research Interests: 1970s Australia, Royal Commissions, feminist politics Popular culture and its political dimensions Historical representation in media and film Awards: Ernest Scott Prize (2020) NSW Premiers' Multimedia History Prize (2014) Elected Fellowships (2023, 2025) Grants/Projects: ARC-funded projects on women's refuges and children's rights Audio-visual archive prototyping (2017) Biography of Anne Deveson (2020–2023) Media Engagement: ABC TV presenter ( Rewind ) Contributions to The Conversation and public talks
University of Illinois Urbana-ChampaignUnited States
Martin Burke is the May and Ving Lee Professor for Chemical Innovation and Professor of Chemistry at the University of Illinois Urbana-Champaign , with additional appointments in Biochemistry, Biomedical & Translational Sciences, and multiple campus institutes including the Beckman Institute and the Carl R. Woese Institute for Genomic Biology. Education B.S. Johns Hopkins University , 1998 Ph.D. Harvard University , 2003 M.D. Harvard Medical School , 2003 Research Interests Burke’s program centers on molecular prosthetics : the design, synthesis and application of small molecules that replicate or replace missing or dysfunctional proteins. His group pioneered iterative cross-coupling (ICC) using MIDA-protected haloboronic acids to automate the construction of complex natural products and function-oriented small molecules. Current projects target ion-channel replacement in cystic fibrosis, iron-transport restoration in anemia, and non-toxic antifungals that overcome drug resistance. Scientific Awards & Honors National Academy of Medicine (2021) AAAS Fellow (2021) ASCI Member (2021) iCON Award (2019) Mukaiyama Award, Japan (2019) ACS Nobel Laureate Award for Graduate Education (2017) Thieme-IUPAC Prize in Synthetic Organic Chemistry (2014) Elias J. Corey Award (2013) Arthur C. Cope Scholar Award (2011) Research Output & Impact Burke has authored >120 peer-reviewed articles, >30 patents, and his work has been cited >20,000 times. High-impact publications in Nature , Science , and Angewandte Chemie have advanced automated synthesis, molecular prosthetics, and cystic fibrosis therapeutics. Laboratory & Training The Burke Laboratories house a multidisciplinary team of graduate students, post-doctoral researchers, and physician-scientists developing next-generation molecular prosthetics. The group is supported by NIH, NSF, private foundations, and industry partnerships aimed at democratizing molecular innovation.
Jan Oliver Borchers is a full professor of computer science and head of the Media Computing Group at RWTH Aachen University, where he holds the endowed Chair in Media Informatics and Human-Computer Interaction (Computer Science 10). He established his research group in 2003 and pioneered modern HCI academic research and teaching in Germany, becoming a leading lab in terms of archival publications at CHI, the top international conference in HCI. Before joining RWTH, he held faculty positions at Stanford University and ETH Zurich. His research focuses on Human-Computer Interaction with particular interest in new user interfaces for soft robotics, textile user interfaces, 3D printing and personal fabrication, augmented reality, wearable and tangible computing, interfaces for software development, deceptive patterns, and interactive guides and exhibits. He opened Germany's first Fab Lab in 2009 and has been instrumental in advancing digital fabrication and maker culture in academia. His work bridges theoretical HCI research with practical applications, as evidenced by his consulting for major companies including AirBus, Apple, ARD, Bayer, Children's Museum Boston, Daimler, Handelsblatt, OTIS, Scout24, TEDx, and Deutsche Telekom. His recent publications show a strong focus on deceptive patterns in UI design, textile interfaces, and the intersection of AI with human interaction. The research demonstrates consistent innovation in tactile interaction techniques, with numerous honorable mentions at top conferences like CHI. His lab has produced significant contributions to eyes-free interaction, textile computing, and the ethical implications of dark patterns, particularly regarding children's experiences with deceptive designs. IDC 2025 Best Work in Progress for research on children's assessment of deceptive designs CHI'25 Student Games Competition Winner for The Deceptive Dungeon RWTH-Wissenschaftsnacht 2024 Best Science Slam for Usability: 4 Prinzipien guter User Interfaces Multiple CHI Honorable Mentions spanning from 2008-2021 Best Note and Best Demo awards at ITS and UIST conferences Borchers has served in numerous leadership roles including heading the Computer Science Department's Examination Board (2015-2025), coordinating the department's public relations since 2010, and organizing the weekly Faculty Lunch since 2003. He is an active member of the ACM, SIGCHI, SIGCHI Germany, and GI, and introduced the Interactivity format to the CHI conference in 2005. His PhD thesis, A Pattern Approach to Interaction Design, became the first book to bring design patterns to HCI. The Media Computing Group under his leadership has developed significant expertise in physical computing, textile interfaces, and fabrication technologies, with a strong emphasis on both theoretical contributions and practical applications. His lab continues to push boundaries in interactive technologies while maintaining a strong ethical stance on user experience, particularly regarding deceptive design patterns.
Jostein Gripsrud is an Emeritus Professor in the Department of Information Science and Media Studies at the University of Bergen, Norway. He has held leadership roles including Head of Department (2004–2007) and has been a Professor since 1991. His career includes adjunct professorships at Stavanger University College and visiting fellowships at institutions like the École des Hautes Études en Sciences Sociales (Paris) and UCLA. Education: Dr.philos. (Honorary PhD), University of Bergen (1988) Cand.philol. (Norwegian M.A.), University of Bergen (1979) Research Interests: Focuses on media and the public sphere, media policy, cultural studies, and political communication. His work explores topics like digitalization’s impact on democracy, Scandinavian immigration discourse, and the role of media in shaping societal narratives. Key Publications Trends: Recent works analyze political polarization in Norway, Scandinavian media coverage of immigration, and historical media policy. Earlier research includes foundational studies on television’s role in European democracy and cultural capital dynamics. Awards: 2014 Norwegian Media Association Communication of Knowledge Prize 2001 University of Bergen Meltzer Prize 2011 International Francqui Professorship Research Projects: Includes the SCANPUB project on public discourse and political decision-making in Scandinavia. Labs/Teams: Active in interdisciplinary research networks, particularly in media policy and cultural studies.
Dr. Keke Wu is an Assistant Professor in Information Studies at the University of Maryland, College Park, appointed as of August 2025. She leads the UMD Lived Data Collective, a research group focused on making data cognitively accessible, emotionally resonant, and socially impactful through visualization. Her expertise spans: Data Science, Analytics, and Visualization Human-Computer Interaction Accessibility and Inclusive Design She has published extensively in leading venues like ACM CHI, IEEE VIS, and ACM ASSETS, including a Best Paper Award at CHI 2021. Dr. Wu’s work bridges computer science, cinematic arts, and creative technology to reimagine data representation for diverse audiences. She is affiliated with the following research centers: Artificial Intelligence Interdisciplinary Institute at Maryland (AIM) Human-Computer Interaction Lab (HCIL) Maryland Initiative for Digital Accessibility (MIDA) Social Data Science Center (SoDa)
Diliana Angelova serves as Associate Professor at the University of California, Berkeley, with scholarly specialization in Byzantine and Roman historical studies emphasizing gender dynamics, religious frameworks, and artistic expression. Education: BA, American University in Bulgaria, 1995 MA, Southern Methodist University, 1998 MA, Harvard University, 2002 PhD, Harvard University, 2005 Her research program critically investigates female agency within imperial systems through interdisciplinary analysis of textual sources, architectural patronage, and material artifacts. Core methodologies integrate gender theory with art historical analysis to reconstruct women's roles in religious and political spheres across late antiquity and early Byzantium, particularly examining how empresses leveraged sacred discourse for authority. Publication trends reveal sustained engagement with imperial ideology through physical manifestations—buildings, ivories, and urban landscapes—demonstrating how female rulers like Pulcheria and Ariadne engineered religious and architectural programs to project power. Thematic continuity connects her monograph on founding narratives with earlier articles exploring material culture as political language. Scientific Awards: Van Courtlandt Elliott Prize, Medieval Academy of America (2006) for outstanding first article in medieval studies Information regarding graduate student supervision and external research funding remains unspecified in available documentation, though her scholarly output indicates active contribution to Byzantine gender studies through major publications and academic reviews.
Masood Masoodian is an Associate Professor in the Department of Art and Media at Aalto University, Finland. He leads the Visual Communication Design research group, focusing on interactive visualization for health, energy, and sustainability contexts. Previously, he held roles at the University of Waikato (2000-2016), University of Southern Denmark, and Massey University. Education: Doctoral degree in Other disciplines from the University of Waikato (1999) Research interests include design thinking, visualization of complex data, and creative aging interventions. Notable projects include the EU-funded INT-ACT initiative (2024-2026) addressing intangible cultural heritage. He has received an award for collaborative work on video game ludonarrative analysis (2019). Recent activities include organizing workshops on map-based interfaces, co-creating cultural heritage methods, and delivering public talks on digital design. Supervised two theses and contributed to 131 peer-reviewed outputs, emphasizing human-centered design and sustainability. Grants: Principal investigator for multiple EU projects totaling over 3 years of active funding. Awards: Prize for 'Comedy in the Ludonarrative of Video Games' (2019). Labs/Teams: Visual Communication Design group, collaborating internationally on projects like INT-ACT's cultural heritage mapping.
Dr. Noga Ganany serves as University Associate Professor in the Study of Late Imperial China at the Faculty of Asian and Middle Eastern Studies, University of Cambridge, and holds dual roles as Governing Body Fellow and Director of Studies at Sidney Sussex College. Her scholarship centers on cultural history of Ming-Qing China (1400-1900), specializing in literature, religion, and book history with emphasis on print culture's role in religious practices. Education: PhD, Columbia University (2018) Research Focus: Dr. Ganany investigates the interplay between writing and worship in late-Ming hagiographic literature, examining how commercial publishing reshaped reverence for cultural icons and influenced pilgrimage. Her work extends to conceptualizations of death/afterlife through figures like King Yama, bridging literary analysis, religious studies, and historical context with material culture of the book. Publication Trends: Recent articles (2013-2023) reveal consistent engagement with religious narratives in late imperial China, particularly netherworld journeys, hagiographic texts, and tomb art. Her scholarship demonstrates interdisciplinary methodology combining textual analysis with visual/material sources, highlighting print culture's transformative role in religious practices and icon veneration. Academic Leadership: She actively supervises graduate research in late-imperial Chinese literature and religions, currently guiding Ilay Golan's PhD on overseas sailor religious traditions. Dr. Ganany organizes two major sponsored lecture series: 'Book Culture in Buddhism and Beyond' (Glorisun Global Buddhist Network) and the 'Yin-Cheng Distinguished Lecture Series on Buddhism' (Tzu Chi Foundation), fostering cross-disciplinary dialogue in Buddhist studies.
Raymond Boyle is a Professor of Communications (Theatre, Film & Television Studies) at the University of Glasgow, where he directs the Centre for Cultural Policy Research (CCPR). He holds a BA in Media Studies and History from the University of Ulster and an MA in Communications from Dublin City University. Previously, he taught at Glasgow Caledonian University and Stirling University before joining CCPR in 2007. His research focuses on media policy, cultural policy, and sports media, with particular attention to digital media's impact on television, sports journalism, and cultural intermediaries. Notable projects include studies of the UK Film Council, the Commonwealth Games 2014, and UEFA's Football Management programs. He has authored/co-authored books such as The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (2018) and edited volumes like Changing Sports Journalism Practice in the Age of Digital Media (2019). Boyle serves on the editorial boards of Media, Culture and Society and collaborates with institutions like UEFA. His work bridges academic research with consultancy, addressing media rights, sport governance, and public policy. Grants include AHRC-funded projects on UK film policy transitions and copyright issues in European football media rights. Teaching includes the MSc Media Management program. He has delivered keynote addresses on media digitization, sport and identity, and participated in public discussions on topics like FC Barcelona's cultural impact and Scottish media engagement.
Wink Smith, PhD, is an Instructor in the Department of Interpretation and Translation at Gallaudet University, part of the School of Language, Education, and Culture. He holds a PhD in Linguistics (2023) and has over 16 years of professional experience as an interpreter, educator, and researcher. His work bridges theory and practice in interpretation, with a focus on cognitive linguistics frameworks, depiction in signed languages, and message analysis. He has presented nationally and internationally, published in RID Views, and developed CEU training programs. Research interests include embodied imagery in depiction, skill development methodologies, and the role of depiction in interpretation. He actively serves on professional committees such as the Certification Council for RID and the Conference of Interpreter Trainers (CIT). Awards include the 2016 NAD Outstanding Service Award and a 2021 Certificate of Appreciation for service in interpretation. Teaching responsibilities span undergraduate and graduate courses like INT-595G Special Topics, INT-736 Professional Practice I, and INT-223 Interactive Discourse Analysis. His recent scholarly contributions explore linguistic structures in signed languages and cognitive frameworks for interpreting.
