Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence
Beth Piatote is an Associate Professor of English and Comparative Literature at the University of California, Berkeley. She holds a PhD in Modern Thought and Literature from Stanford University and is an enrolled member of the Confederated Tribes of the Colville Reservation (Nez Perce). Her work bridges scholarly and creative realms, focusing on Indigenous literature, law, language revitalization, and cultural studies. Education: PhD in Modern Thought and Literature (Stanford University). Research interests include Native American legal systems, Nez Perce language preservation, global Indigenous literatures, and creative writing. She co-founded and chairs Berkeley’s Designated Emphasis in Indigenous Language Revitalization and directs the Arts Research Center, where she leads the Indigenous Poetics Lab. Her publications include Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (2013) and the short story collection The Beadworkers (2019), which received multiple literary recognitions. Her plays Antíkoni and Tricksters, Unite! explore Indigenous narratives through performance. Awards include MLA honorable mentions, PEN/Bingham Prize longlistings, and a 2020 Playwrights Retreat win. Current projects involve a scholarly monograph on sensory representations of Indigenous law and creative works in poetry and essays.
Dimiter Angelov serves as the Dumbarton Oaks Professor of Byzantine History at Harvard University, holding a faculty position in the Department of History within the Faculty of Arts and Sciences. He chairs Harvard's Ph.D. Program in Byzantine Studies and teaches graduate and undergraduate courses spanning Byzantine, medieval eastern Mediterranean, and medieval Balkan history. His academic credentials include: Ph.D., Harvard University Professor Angelov specializes in the intellectual and political history of the Byzantine Empire after the tenth century, with focused interests in empire and imperialism, political thought and rhetoric, biography, geographical imagination, and the Fourth Crusade's impact. Current research encompasses a comprehensive history of Byzantine political thought examining virtue and tyranny from the fifth to fifteenth centuries, alongside collaborative analysis of Eustathios of Thessaloniki's twelfth-century geographical anthology. His scholarly output features three major monographs exploring Byzantine political ideology, court ceremonies, and imperial biography. These works demonstrate consistent engagement with thirteenth and fourteenth century institutional transformations, particularly how Byzantine elites navigated governance challenges through classical intellectual traditions in the post-Crusade era. No scientific awards are documented in the provided materials. He actively supervises graduate students pursuing research in Byzantine and medieval Balkan/eastern Mediterranean history. The source texts do not reference specific grants, funding sources, laboratory facilities, or research teams.
Ramsey McGlazer is an Associate Professor specializing in twentieth-century European and Latin American literature, film, and critical theory. His research engages with poetry, politics-aesthetics intersections, critical carceral studies, and feminist/queer/psychoanalytic frameworks. He holds a Ph.D. in Comparative Literature and Critical Theory from UC Berkeley (2015) and previously taught at the University of St Andrews and Brown University’s Pembroke Center. McGlazer’s work interrogates modernist critiques of progress, radical psychiatry movements, and the interplay between aesthetic practices and institutional critique. His acclaimed monograph Old Schools: Modernism, Education, and the Critique of Progress (2020) won the American Association for Italian Studies First Book Prize. Current projects include The Clinic and its Double , exploring mid-century radical psychiatry and avant-garde art. He serves as Senior Editor of Critical Times and Coeditor of Italian Culture , and has translated key works like Rita Segato’s The War Against Women . McGlazer’s writing appears in venues such as Los Angeles Review of Books and n+1 . Research interests span Surrealist provocations, Brazilian artist Lygia Clark’s propositions, and transnational feminist solidarities. His scholarship bridges literary analysis with critical engagements in carceral studies, postcolonial theory, and decolonial thought.
Dorothy Kim serves as Assistant Professor of English at Brandeis University with cross-appointments in the Department of Women's, Gender and Sexuality Studies and the Women's Studies Research Center. Her innovative scholarship bridges medieval literary studies, digital humanities, and critical race theory, examining how medieval history is weaponized by contemporary white supremacist movements and advocating for antiracist frameworks in academia. She earned her Ph.D. and M.A. from the University of California, Los Angeles and her B.A. from the University of California, Berkeley. Her educational trajectory reflects deep engagement with interdisciplinary approaches to literature and cultural studies. Kim's research centers on exposing the racialized foundations of medieval studies, particularly through projects analyzing digital white supremacy and medievalism's role in alt-right ideology. She pioneers methodologies connecting medieval women's literary cultures with contemporary trans feminism while interrogating Jewish/Christian difference in manuscript studies. Her work consistently challenges the field's historical whiteness and develops decolonial digital humanities practices. Her publication trends reveal a decisive shift toward critical race interventions in premodern studies, with increasing focus on database methodologies, sonic histories, and the material politics of medieval manuscript transmission. Recent works demonstrate how digital tools can either reinforce or dismantle racial hierarchies in academic knowledge production. Her distinguished honors include: 2023 Medieval Academy of America Article Prize in Critical Race Studies American Studies Association Digital Humanities Book Prize (2021) Society for Medieval Feminist Scholarship's Best Feminist Article Award (2021) AAUW Postdoctoral Fellowship (2018-2019) Folger Shakespeare Library Long-Term Fellowship (2025-2026) SSHRC, Ford Foundation, Fulbright, and Mellon fellowships Kim directs major collaborative projects including the NEH-funded An Archive of Early Middle English (161-manuscript database) and co-leads the Global Middle Ages Project. As co-director of RaceB4Race and the Reckonings Institute, she creates platforms for community archiving and social justice praxis. Her mentorship focuses on training students in critical digital methodologies through Brandeis' DH Lab while developing antifascist frameworks for humanities education. She currently leads the Brandeis University DH Lab housing her NEH project, co-edits Literature Compass's pre-1800 section, and develops two major book projects: Race, the Crusades, and the Katherine Group (based on her AAUW fellowship) and Music, Multimodal Manuscripts, and Remediating the Medieval Lyric for ArcPress.
Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.
Ilham Khuri-Makdisi serves as Associate Professor of History at Northeastern University's College of Social Sciences and Humanities, specializing in Middle Eastern history with emphasis on Ottoman Eastern Mediterranean cities during the late 19th and early 20th centuries. Her research examines global and intra-imperial connections, movements of people and ideas, and transnational radical networks across the Ottoman Empire and Mediterranean world. Her educational background includes a PhD in History and Middle Eastern Studies from Harvard University (2004). This foundational training informs her interdisciplinary approach to Ottoman studies within global historical frameworks. Professor Khuri-Makdisi's research interests center on Ottoman Eastern Mediterranean urban history, global radical movements, intellectual history, and translation studies. She investigates socialism and anarchism in Beirut, Cairo, and Alexandria through diverse social groups including intellectuals, dramatists, and workers. Current projects explore Arabic-Ottoman Turkish translations and position the nahda (Arab Renaissance) within broader Ottoman and global contexts, revealing intricate cultural exchanges that shaped modern Middle Eastern thought. Her publications demonstrate consistent engagement with transnational intellectual and social currents, particularly examining how concepts of 'the social' evolved in Arabic thought and how fin de siècle Egypt functioned as a nexus for radical networks. These works collectively emphasize the interconnectedness of Ottoman territories with global movements, challenging nationalist historiographies through meticulous analysis of cross-border ideological flows. As an educator, she teaches foundational courses including Introduction to Middle Eastern History (HIST 1185), Modern Middle East (HIST 1290), and Capstone (HIST 4701), employing diverse sources from architectural records to political speeches to examine Europe-Middle East relations, imperialism, state formation, and social movements since the 19th century.
Kaya Şahin is an Adjunct Professor at Indiana University Bloomington's Hamilton Lugar School of Global and International Studies. He holds a Ph.D. in History from the University of Chicago (2007). His research focuses on the Ottoman Empire, early modern Eurasian empires, and the interplay of historiography, governance, and identity in early modern global contexts. Key areas include the Ottoman-Safavid rivalry, intercultural exchanges, and the construction of imperial discourses. Educational Background: Ph.D. in History, University of Chicago, 2007. Research Interests: - Institutional and ideological foundations of Ottoman imperialism - Comparative studies of early modern Eurasian empires - Ottoman historiography and its modern interpretations - Cultural and religious dimensions of the Ottoman-Safavid rivalry - Early modern Eurasia as a unified historical zone. Awards and Honors: NEH Fellowship (2015-16) SSRC Postdoctoral Fellowship (2012-2013) Sherman Emerging Scholar (2011-2012) Newberry Library Mellon Fellowship (2010-2011) Mellon Fellowship at Northwestern University (2007-2008) His work examines global interconnectedness in early modernity, emphasizing the Ottoman Empire’s role within a broader Eurasian framework. Recent publications explore Anthony Sherley’s Persian travels, Celalzade Mustafa’s bureaucratic writings, and apocalyptic interpretations of Ottoman conquests.
Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.
Bai Gao is a Professor of Sociology at Duke University. His research focuses on political economy, globalization trends, and industrial policy, particularly in the context of China and East Asia. He holds a Ph.D. from Princeton University (1994). Research Interests : Impact of state industrial policy on emerging technologies (e.g., electric vehicles in China) Globalization dynamics and post-neoliberal policy paradigms Comparative analysis of developmental models (China, Japan, Germany) Geopolitical implications of China's Belt and Road Initiative Key Contributions : Author of Japan’s Economic Dilemma (2001) and High-Speed Rail: An Analysis of the Chinese Innovation System (2021) Edited volumes on China-Pakistan Economic Corridor and global political economy Grants & Funding : "FDI and the Chinese Model of Economic Development" (2005-2007) "Institutional Analysis of Global Production Networks" (2003-2004) Courses Taught : SOCIOL 541: The United States and the Asian Pacific Region SOCIOL 344: Technology and Organizational Environments
Ali Karjoo-Ravary is the Richard W. Bulliet Assistant Professor of Islamic History at Columbia University, specializing in the intellectual, social, and visual histories of premodern Islam through Arabic, Persian, and Turkic sources. His research intersects historical writing, cosmology, Sufism, and multilingual poetry in the Islamic East (Mashriq). Education: Ph.D., University of Pennsylvania (2018) M.A., University of Pennsylvania (2016) B.A., SUNY Stony Brook (2011) His current book project, Muhammad’s Song: Politics, Performance, and Cosmology in the Fourteenth Century , examines post-Mongol Islamic monarchy through Kadi Burhaneddin's life and rule. He also explores Sufi visual iconography, science fiction's relationship to religion, and architecture's role in evolving Islamic discourses. Scientific Awards and Fellowships: Bard Graduate Center Visiting Fellow (Fall 2020) Wolf Humanities Center Graduate Research Fellow (2016-2017)
Max Cavitch is an Associate Professor of English at the University of Pennsylvania's School of Arts & Sciences, specializing in American literature, psychoanalytic studies, and cinema. He joined Penn in 1999 after earning his B.A. from Yale and Ph.D. from Rutgers. His research spans 19th- and 20th-century literature, African American studies, and interdisciplinary fields like animal studies and gender theory. Cavitch has authored influential works such as *American Elegy* (2007) and co-edited volumes on Whitman and early American studies. He directs Penn's Psychoanalytic Studies program and edits the blog *Psyche on Campus*, honored with the 2022 American Psychoanalytic Association's Excellence in Journalism Award. His teaching includes courses on psychoanalysis, autobiography, and American poetry. Cavitch has held fellowships from the Fulbright Foundation, Newcombe Foundation, and others. His recent projects explore world autobiography, psychoanalysis in academia, and the history of 'ashes' as a conceptual and material symbol. Award-winning scholar and educator, Cavitch's work bridges literary criticism with clinical theory, media studies, and transnational frameworks. He advises doctoral students in American literature and affiliated programs, maintaining active collaborations with institutions like the McNeil Center for Early American Studies and the Psychoanalytic Center of Philadelphia.
Timothy Hampton is a Professor of French and Comparative Literature at the University of California, Berkeley , and serves as Director of the Doreen B. Townsend Center for the Humanities . He was previously the Director of the Designated Emphasis in Renaissance and Early Modern Studies and co-chairs the Democracy, Free Speech, and Values study group. His research explores intersections of literature and politics , poetry and song , and the history of emotion and diplomacy in Renaissance and early modern periods. Recent projects include a 2022 France-Berkeley Fund grant on poetry translation and a Diebold Foundation grant for interdisciplinary cultural studies. Notable publications include Bob Dylan: How the Songs Work (2019) and Cheerfulness: A Literary and Cultural History (2022). Upcoming works address premodern colonialism and American education through memoir and cultural critique. His scholarship appears in MLN , Critical Inquiry , and public venues like Salon and Aeon/Psyche .
Andreas Kalyvas serves as Associate Professor in the Department of Politics at The New School for Social Research, where he teaches courses on liberalism, oligarchy, and political thought. Previously, he taught at Columbia University and the University of Michigan, and has held visiting positions at institutions across Spain, Chile, Germany, Poland, and South Africa. His academic credentials include: PhD in Political Science, Columbia University (2001) MA in Political Science, Columbia University (1994) BA in Political Science and Public Administration, National and Kapodistrian University, Athens (1990) Professor Kalyvas's research explores democratic theory and political thought from ancient to contemporary contexts, focusing on sovereignty, constituent power, tyranny, and citizenship. His work bridges jurisprudence, history, and politics with particular emphasis on emergency rule, oligarchic power, and migration. He is currently finalizing Tyranny Legalized: Republicanism, Dictatorship, and the Enemy Within , examining the normalization of authoritarian practices within legal frameworks. Analysis of his recent publications reveals a sustained investigation into democratic foundations amid contemporary crises. His scholarship consistently connects historical political concepts to modern challenges, especially regarding constituent power, democratic breakdowns, and the tension between legal norms and political emergencies. This trajectory demonstrates increasing engagement with postcolonial perspectives and global democratic struggles while maintaining deep roots in classical political theory. His scholarly recognition includes: Laurance S. Rockefeller Visiting Fellowship at Princeton University (2009-2010) Polity Prize for best journal article (2006) Leo Strauss Award for doctoral dissertation excellence (2002) Professor Kalyvas actively mentors graduate students through dissertation supervision and independent studies, with research supported by prestigious fellowships like the Rockefeller award. His teaching portfolio reflects his research expertise, featuring courses on liberalism in crisis, oligarchy, and political thought that examine historical and contemporary power structures. While no formal lab structure is mentioned, his international collaborations and edited volumes with scholars like Federico Finchelstein demonstrate extensive scholarly networks across political theory and continental philosophy.
Marisol De La Cadena is a Professor in the Department of Anthropology at the University of California, Davis, with affiliations in Science and Technology Studies (STS). Her work bridges anthropology, political theory, and environmental thought, focusing on ontological divergence and multispecies relations in Latin America, particularly in Peru and Colombia. Department: Department of Anthropology School: College of Letters and Science University: University of California, Davis Email: mdelac@ucdavis.edu Office: Young Hall 315 Her research centers on the intersection of modern politics and non-modern or ahistorical ontologies, especially through what she calls "ontological openings." Drawing from deep ethnographic engagement with Quechua-speaking interlocutors in the Andes, she explores how earth-beings, humans, and nonhumans co-constitute worlds that exceed Western categories. Her theoretical contributions challenge conventional boundaries between nature and culture, history and timelessness, and politics and cosmology. Her recent fieldwork in Colombia examines human-cow relations on cattle ranches and in veterinary schools, situating these practices within broader ecological crises and post-conflict transitions. Her publications reveal a consistent interest in how ethnographic concepts function as both empirical observations and theoretical tools. The body of her work, including key articles like "Uncommoning Nature" and "Runa: Human but not only," reflects a deep commitment to rethinking anthropological method and theory. Her research trends emphasize ontological politics, multispecies ethnography, and the decolonization of knowledge, contributing significantly to contemporary debates in STS and anthropology. Her scientific honors include: John Simon Guggenheim Memorial Foundation Fellow (2008) Lewis H. Morgan Lecture Series Invited Speaker, University of Rochester (2011) Invited Researcher, Center for Advanced Studies, Norwegian Academy of Sciences (2015) Guest Speaker, Mellon-Sawyer Seminar, University of Cape Town (2010) She has been principal investigator on several major grants, including the John E. Sawyer Mellon-Sawyer Seminar on the Comparative Study of Cultures (2012–2016), a Wenner-Gren Conference Support Grant (2009–2010), and multiple research fellowships from the Guggenheim, Wenner-Gren, and American Philosophical Societies. These grants have enabled collaborative, transdisciplinary research on cosmopolitics, indigeneity, and the anthropology of worlds. She is affiliated with research initiatives such as the Sawyer Seminar on the Comparative Study of Cultures and contributes to global academic networks in anthropology and STS. Her work fosters dialogue between indigenous thought, continental philosophy, and ethnographic practice, creating spaces for alternative modes of knowing and being.
