Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.
Dr. Chandranath Adak is an Assistant Professor at the Department of Computer Science and Engineering, Indian Institute of Technology Patna (IIT Patna), and concurrently serves as a Visiting Fellow at the School of Computer Science, University of Technology Sydney (UTS), Australia. He holds a Ph.D. in Analytics from UTS (2019) and previously served as an Assistant Professor at Indian Institute of Information Technology Lucknow (IIITL) and the Centre for Data Science at JIS Institute of Advanced Studies, Kolkata. Education: Ph.D. (Analytics), University of Technology Sydney (2019) M.Tech., Computer Science and Engineering, University of Kalyani (2014) B.Tech., Computer Science and Engineering, West Bengal University of Technology (2012) Research Interests: His work spans Computer Vision, Deep Learning, Reinforcement Learning, Document Image Analysis, and AI-driven solutions for healthcare, forensics, and industrial automation. He has pioneered methods in biomarker detection using electrochemical sensors combined with ML models, handwriting analysis for educational and forensic applications, and anomaly detection in industrial systems. His research bridges theoretical advances with real-world applications, such as medical diagnostics and quality control systems. Publications: His recent work includes innovations in biosensor-based medical diagnostics, handwriting evaluation systems, and transformer networks for historical document analysis. These contributions reflect a focus on interdisciplinary applications of AI across healthcare, cultural heritage preservation, and industrial automation. Awards: Start-up Research Grant, SERB, India (2022) Dr. Kalam Doctoral Scholarship, UTS (2018) IEEE CIS Graduate Student Research Grant (2017) Senior Member, IEEE (2024) Teaching & Supervision: Taught courses at UTS including 'Introduction to Data Analytics' and supervised research in machine learning and computer vision. His mentorship emphasizes hands-on experience with AI tools and real-world problem-solving. Labs & Teams: Engaged in collaborative projects at UTS's CIBCI Centre and Griffith University's IIIS, focusing on computational intelligence and sensor-driven AI systems.
Massachusetts Institute of TechnologyUnited States
Jonathan A. Kelner is a Professor of Applied Mathematics in the Department of Mathematics at the Massachusetts Institute of Technology (MIT) and a member of the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL). His research focuses on applying techniques from pure mathematics to solve fundamental problems in algorithms and complexity theory, with the goal of developing practical algorithms for real-world questions. Dr. Kelner received his undergraduate degree from Harvard University and his Ph.D. in Computer Science from MIT in 2006. Before joining the MIT faculty, he spent a year as a member of the Institute for Advanced Study. His educational background has provided a strong foundation for his interdisciplinary research spanning mathematics and computer science. His research interests include combinatorial optimization, mathematical programming, spectral graph theory, distributed computing, machine learning, computational geometry and topology, computational biology, signal processing, and random matrix theory. Kelner's work demonstrates how deep theoretical insights can lead to practical algorithmic improvements, particularly in graph algorithms and optimization problems. His approach often involves connecting seemingly disparate areas of mathematics to create novel algorithmic techniques. Analysis of his recent publications reveals a strong focus on spectral graph theory, optimization algorithms, and the Sum-of-Squares method. His work frequently addresses fundamental questions in theoretical computer science with practical implications for algorithm design. A notable trend in his research is the development of nearly-linear-time algorithms for various graph problems, which represents significant improvements over previous approaches. NSF CAREER Award Alfred P. Sloan Research Fellowship NEC Award for Research in Computers and Communication Sprowls Doctoral Dissertation Award Best Student Paper Award at STOC 2004 Best Paper Award at STOC 2011 Kokusai Denshin Denwa Junior Faculty Chair 2008 Harold E. Edgerton Faculty Achievement Award 2011 School of Science Award for Excellence in Undergraduate Education 2012 Professor Kelner has been actively involved in mentoring students and has received recognition for his teaching excellence, including the School of Science Award for Excellence in Undergraduate Education in 2012. His research has been supported by prestigious grants including the NSF CAREER Award. He has collaborated extensively with researchers across multiple institutions, often working with other leading figures in theoretical computer science to produce groundbreaking results in algorithm design. At MIT, Kelner is part of both the Mathematics Department and CSAIL, positioning him at the intersection of theoretical mathematics and practical computer science. This dual affiliation reflects the interdisciplinary nature of his work, which bridges pure mathematical theory with concrete algorithmic applications.
Joshua Nall is the Director of the Whipple Museum of the History of Science at the University of Cambridge's Department of History and Philosophy of Science, a role he has held since 2022. Previously, he served as Curator of Modern Sciences at the same museum from 2013. His research focuses on the material culture and mass media of the physical sciences, particularly exploring how scientific instruments and media shaped modern astronomy and imperial science. He has curated major exhibitions like Astronomy and Empire (2017) and co-edited influential volumes such as Victorian Material Culture: Science and Medicine (2022). Nall's 2019 book News from Mars won the Philip J. Pauly Prize, analyzing how mass media influenced 19th-century astronomical debates about potential life on Mars. His work bridges museum curation, historical scholarship, and digital humanities, notably through projects like Tools of Knowledge , which used data analysis to study the British instrument trade. He is also a leading voice in forgery studies, examining counterfeit scientific artifacts. Key interests include the history of scientific instruments, British imperial astronomy, and the social dimensions of science communication. His collaborative work extends to exhibitions like Craftswomen: Uncovering Hidden Labour in the History of Science , which highlighted overlooked contributions of women in scientific craftsmanship.
Margaret Graves is the Adrienne Minassian Associate Professor of Islamic Art and Architecture at Brown University’s History of Art and Architecture department, serving as Director of Graduate Study. She holds a PhD, MSc, and MA from the University of Edinburgh. Her research focuses on Islamic art and material culture, particularly medieval and modern acts of making, forgery, and colonial-era craft reform. Notable works include Arts of Allusion (2018), winner of major prizes, and her forthcoming Invisible Hands on 19th/20th-century ceramics forgery. Research interests span medieval Islamic intellectual history, colonial antiquities markets, and collaborations with conservators. Teaching includes courses on cultural heritage, museum studies, and Islamic art historiography. Awards include the 2019 International Center of Medieval Studies Book Prize and the 2021 Karen Gould Prize. Current projects explore postcolonial craft legacies, international banking ties to antiquities markets, and occult sciences in medieval craftsmanship.
Bruce Rusk is an Associate Professor in the Department of Asian Studies at the University of British Columbia (Faculty of Arts) and serves as the Graduate Advisor. He previously taught at Cornell University for six years before joining UBC in 2012. During the 2012–13 academic year, he was on leave at the Institute for Advanced Study in Princeton and the National Humanities Center in North Carolina. Additionally, he is the webmaster and past president of the Society for Ming Studies, a scholarly organization focused on Ming history and culture. Bruce holds a Ph.D. from the University of California, Los Angeles (UCLA), where his dissertation, The Rogue Classicist: Feng Fang (1493–1566) and his Forgeries , examined sixteenth-century classical text forgeries. Following his Ph.D., he was a postdoctoral fellow at Stanford University from 2004 to 2006. He also earned his B.A. (History Honours) from UBC, which inspired his return to Vancouver to join the scholarly community here. His research focuses on the cultural history of pre-modern and early modern China, particularly the Ming and Qing dynasties. Key interests include authenticity and forgery in textual and material culture, transmission of knowledge, history of philology, writing systems in East Asia, and digital humanities. He collaborates globally on the SSHRC-funded FROGBEAR project, developing an open access repository for East Asian religious studies. Current work explores authentication practices surrounding artifacts like Xuande incense burners and silver ingots, reflecting his broader study of how authenticity and deception were negotiated in late imperial China. Recent publications address intersections between forgery, material culture, and digital methodologies, including co-editing Literary Information in China: A History (2021) and analyzing Ming-Qing literary practices. His work highlights the cultural significance of textual preservation and the sociocultural dynamics of early modern Chinese scholarship. As a leader in academic organizations, Bruce has contributed to the Society for Ming Studies, advancing research in Ming culture through his roles as webmaster and past president. His advising and grants include mentoring UBC graduate students and contributing to the FROGBEAR initiative. His career bridges historical research with digital innovation, emphasizing interdisciplinary approaches to Asian studies.
Simon Gathercole is a Professor of New Testament and Early Christianity at the University of Cambridge's Faculty of Divinity. He serves as Director of Studies in Theology at Fitzwilliam College and holds editorial roles for Journal for the Study of the New Testament , Early Christianity , and New Testament Studies . His research focuses on New Testament interpretation, early Christian-Jewish relations, and Christological doctrines. Education: Bachelor's in Classics and Theology from Cambridge PhD under James Dunn at Durham University Short-term studies at University of Tübingen and Jewish Theological Seminary, New York Research Interests: Explores connections between New Testament texts and contemporary literature, specializing in Pauline studies, Gospel christology, and apocryphal writings. Current projects include early views on eschatological timing and substitutionary atonement theory. Recent Work Trends: Recent articles engage with Pauline syntax in 1 Thessalonians, Lukan parables' eschatology, and inscriptions' utility for NT studies. Maintains focus on manuscript titles and Gnostic texts' theological implications. Advising & Grants: Supervises doctoral research in Pauline theology and extra-canonical Gospels. Active in editorial work shaping NT scholarship through journal curation. Labs/Teams: Leads Cambridge's Divinity Faculty research initiatives, collaborating on projects like the Corpus Inscriptionum Iudaeae/Palaestinae .
Martha Easton is an Associate Professor of Art History and Program Director of Museum Studies at Saint Joseph's University. She specializes in medieval art and architecture, with a focus on illuminated manuscripts, gender and hagiography, feminist theory, and medieval collecting practices. Easton is a founding member of the Material Collective, a collaborative dedicated to innovative approaches to visual culture, and has lectured extensively at institutions like the Met Cloisters. Education : PhD in Fine Arts (Institute of Fine Arts, New York University) with major fields in Early Christian and Medieval Art; minor in Japanese Art Certificate of Curatorial Studies (Institute of Fine Arts/The Metropolitan Museum of Art) MA in Fine Arts (Institute of Fine Arts, New York University) BA in History (Carleton College) Her research explores intersections of gender, medievalism, and the afterlife of medieval art in modern collections. She is currently writing a book on John Hays Hammond Jr., a scientist-collector who built Hammond Castle, and has published widely on feminist art history, medieval eroticism, and the Material Collective’s collaborative scholarship. Scientific Awards : Michael J. Morris Grant for Scholarly Research (2020-21) Teaching Innovation Grant (2020) Senior Research Fellowship, Center for the History of Collecting (The Frick Collection, 2015) Samuel H. Kress Foundation Travel Grant (1998) Andrew W. Mellon Foundation Fellowship (1996-97) Easton has taught at institutions including Seton Hall University, Bryn Mawr College, and New York University, and her work bridges medieval scholarship with modern curatorial practices and feminist reinterpretation of historical narratives.
Eric Rentschler is the Arthur Kingsley Porter Professor of Germanic Languages and Literatures at Harvard University, affiliated with the Film and Visual Studies Program. He holds a PhD from the University of Washington with academic training in German literature, history, and European intellectual history across Stuttgart, Bonn, and Prague. A leading scholar in German cinema and cultural studies, his work spans from Weimar-era films to contemporary German cinema, focusing on historical memory, political representation, and transnational cultural exchanges. Director of Harvard’s annual Berlin Film Program (coordinated with Deutsche Film- und Fernsehakademie Berlin) Editor of New German Critique and co-director of the German Film Institute Recipient of major grants including Guggenheim, Humboldt, ACLS, DAAD, and Fulbright fellowships His research integrates film theory with historical analysis, examining cinematic representations of Nazism’s legacy, post-wall German society, and transnational art movements. Notable publications include The Ministry of Illusion: Nazi Cinema and Its Afterlife (Harvard UP, 1996) and The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present (Columbia UP, 2015). Current projects explore German cinema during Helmut Kohl’s chancellorship. Award-winning educator, Rentschler has received Harvard’s Levenson Teaching Prize (2001) and Cabot Fellowship (2003). He organizes the monthly Film and Visual Studies Colloquium, fostering interdisciplinary dialogue between scholars and filmmakers.
Prof. Dr. Koert van Bekkum serves as Professor and Department Chair of Old Testament at the Evangelische Theologische Faculteit Leuven (ETF Leuven), where he also holds the position of Academic Vice Dean for Research since 2022. Previously, he was an Associate Professor of Old Testament at ETF Leuven (2018-2020) and continues to hold an Associate Professor position at Theological University Kampen since 2018. His academic career spans biblical scholarship, theological education, and research leadership in the field of Old Testament studies within the Reformed tradition. His educational background includes: PhD from Theological University Kampen (2010) with highest honors, dissertation: 'From Conquest to Coexistence: Ideology and Antiquarian Intent in the Historiography of Israel's Settlement in Canaan' Basiskwalificatie Onderwijs, Vrije Universiteit Amsterdam (2014) Visiting PhD Candidate, Archaeological Institute, Hebrew University Jerusalem (2000) Member Megiddo Expedition (1998, 2000) Drs. theol., Theological University Kampen (1997) VWO-diploma (gymnasium), Gomarus College, Groningen (1989) Van Bekkum's research interests span multiple dimensions of Old Testament scholarship, with particular emphasis on biblical historiography, archaeology of the Southern Levant, and the intersection of biblical studies with Reformed theology. His work demonstrates deep engagement with ancient Near Eastern contexts, biblical chronology, and the theological interpretation of scripture. He has made significant contributions to understanding biblical covenants, ancient Israelite history, and the relationship between biblical texts and archaeological evidence. His scholarship often bridges traditional Reformed theological perspectives with contemporary academic approaches to biblical studies, creating a distinctive voice in the field that values both confessional commitments and scholarly rigor. His recent publications reveal a consistent focus on the intersection of biblical texts with historical and archaeological contexts, particularly regarding the chronology of ancient Israel and the Southern Levant. Van Bekkum frequently examines how biblical narratives interact with ancient Near Eastern contexts, as seen in his work on Joshua, Deuteronomy, and biblical covenants. His scholarship shows a growing interest in reception history and how biblical texts have been interpreted across different eras, including contemporary contexts of religious pluralism. Notably, he has engaged with controversial topics like the Shapira forgeries and biblical chronology, demonstrating willingness to tackle complex scholarly debates while maintaining theological integrity. Van Bekkum is actively involved in academic service, serving on the Executive Board of the Netherlands School for Advanced Studies in Theology and Religion (2017-), as a member of the American Schools of Oriental Research (2019-), and previously as Secretary of the Oudtestamentisch Werkgezelschap in Nederland en België (2017-2022). His leadership extends to editorial roles, including previous service on the Editorial Board of Verantwoordingsreeks (2014-2017) and the Board of the Society for Christian Philosophy (2013-2017). His academic work is characterized by a commitment to integrating biblical scholarship with Reformed theological tradition while engaging constructively with contemporary scholarly debates. Van Bekkum's research demonstrates how historical-critical methods can coexist with confessional theological commitments, offering a model for evangelical scholarship that is both academically rigorous and theologically faithful.
Finbarr Barry Flood is the William R. Kenan, Jr., Professor of the Humanities and Founder-Director of the Silsila: Center for Material Histories at NYU's Institute of Fine Arts. He holds a Ph.D. in Islamic Art History from the University of Edinburgh (1993) and a B.A. in Archaeology from Trinity College Dublin (1988). His research focuses on Islamic art and architecture, cross-cultural material culture, and art historical methodologies. Notably, he has held prestigious fellowships such as the Slade Professorship at Oxford and ACLS Collaborative Research Fellowship. His work bridges global art histories, examining topics like medieval Hindu-Muslim encounters, iconoclasm, and the materiality of religious artifacts. Flood’s scholarly contributions include seminal books like Objects of Translation and The Great Mosque of Damascus . His awards reflect both academic excellence and teaching prowess, including NYU's Golden Dozen Award. As director of Silsila, he leads interdisciplinary research into material histories, fostering collaborations across disciplines and regions. His publications span 40+ years, addressing themes from medieval art technologies to modern reinterpretations of Islamic aesthetics.
Prof. Dr. Martin Johns serves as Chair of Application Security at the Institute for Application Security within the Carl Friedrich Gauss Faculty at Technical University Braunschweig. He joined TU Braunschweig after working as Research Expert at SAP Security Research, where he shaped security strategy and led software security teams. Prior to SAP, he worked as software engineer in Germany at companies like TC Trustcenter and Infoseek Germany. Academic qualifications include a PhD in Computer Science (University of Passau, 2009) and a Diploma in Computer Science (University of Hamburg, 2003). His research focuses on web security and software security , particularly secure programming , vulnerability detection , and attack mitigation strategies. Recent publications cover topics like GDPR compliance frameworks , WebAssembly security , federated learning privacy , and server-side request forgery (SSRF) defenses. His work appears in top conferences including IEEE S&P, CCS, WWW, and ACM CODASPY.
Prof. Dr. Martina Hartmann is an Adjunct Professor of Medieval History at the Ludwig Maximilian University of Munich and the President of the Monumenta Germaniae Historica (MGH) since 2018. Her research bridges medieval text transmission , gender studies , and historical auxiliary sciences , with a focus on early and high medieval periods. Education: History and Classical Philology (University of Bonn, 1980-1986); Doctorate in Medieval History (1989); Habilitation at University of Regensburg (2000). Research: Analyzes gender dynamics in medieval royal courts , source criticism of lost Carolingian documents , and the MGH's role during the Nazi era . She has extensively studied the Magdeburger Centurien and Matthias Flacius Illyricus . Her recent publications (2019-2024) examine deperdita (lost medieval documents), WWII-era academic survival , and digitization challenges for historical sources . She has contributed to debates on medieval women's agency and monastic administrative practices . Awards include an honorary doctorate from Masaryk University (2023). Current projects involve revising the MGH's historical narrative and documenting persecuted scholars in volumes like Zwischen Vaterlandsliebe und Ausgrenzung .
Irene Peirano Garrison is the Pope Professor of Latin Language and Literature at Harvard University's Department of Classics, serving as Director of Graduate Studies. She holds a B.A. from Oriel College, Oxford (2002) and a Ph.D. from Harvard (2007). Previously, she taught at Yale University (2007–2020). Her research explores Roman poetry's intersection with rhetoric, literary criticism, and pedagogy, with a focus on authorship, authenticity, and ancient reception studies. Her major works include The Rhetoric of the Roman Fake (2012) and Persuasion, Rhetoric and Roman Poetry (2019), analyzing imperial Latin literature's rhetorical dimensions. Current projects address classical pedagogy's historical entanglements with identity politics and a forthcoming monograph on The Latin Playbook (Cambridge UP). Prof. Garrison co-edits Transactions of the American Philological Association (TAPA) and serves as Latin Literature editor for the Oxford Classical Dictionary . Teaching spans Latin poetry, ancient rhetoric, and classical scholarship's history. She actively advocates equity, gender, and inclusion in academia.
