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Ramsey McGlazer is an Associate Professor specializing in twentieth-century European and Latin American literature, film, and critical theory. His research engages with poetry, politics-aesthetics intersections, critical carceral studies, and feminist/queer/psychoanalytic frameworks. He holds a Ph.D. in Comparative Literature and Critical Theory from UC Berkeley (2015) and previously taught at the University of St Andrews and Brown University’s Pembroke Center. McGlazer’s work interrogates modernist critiques of progress, radical psychiatry movements, and the interplay between aesthetic practices and institutional critique. His acclaimed monograph Old Schools: Modernism, Education, and the Critique of Progress (2020) won the American Association for Italian Studies First Book Prize. Current projects include The Clinic and its Double , exploring mid-century radical psychiatry and avant-garde art. He serves as Senior Editor of Critical Times and Coeditor of Italian Culture , and has translated key works like Rita Segato’s The War Against Women . McGlazer’s writing appears in venues such as Los Angeles Review of Books and n+1 . Research interests span Surrealist provocations, Brazilian artist Lygia Clark’s propositions, and transnational feminist solidarities. His scholarship bridges literary analysis with critical engagements in carceral studies, postcolonial theory, and decolonial thought.

• Twentieth-century literature
• Film studies
• Critical theory
• +9 more

Dr. Silvia VESCO is an Associate Professor in the Department of Asian and North African Studies at Ca' Foscari University of Venice, where she specializes in Japanese art history, particularly Edo-period visual culture, ukiyo-e prints, illustrated books, and the works of Katsushika Hokusai. She is actively involved in research, teaching, and cultural curation, with a strong focus on Italian collections of Japanese art and cross-cultural artistic dialogues between Japan and the West. Education: PhD in History of Indian and East Asian Art, Ca' Foscari University of Venice (1999) Master in Art & Archaeology, SOAS, University of London (1995) Degree in Oriental Languages and Literatures, University of Venice (1993, with honors) Her research interests encompass Japanese aesthetics, museum studies, and the global reception of Japanese art. She has led major digitization projects for the Museum of Oriental Art in Venice and contributed to the development of its new museological framework. Her scholarly work reveals a consistent focus on Hokusai, Edo-period print culture, and the philosophical dimensions of Japanese visual forms. The recent publications highlight a deep engagement with Hokusai’s pedagogical works, the aesthetics of emptiness, and contemporary reflections on nature in post-Fukushima Japan. Her interdisciplinary approach bridges art history, cultural studies, and museum practice. Scientific Recognition: Finalist, Premio Nazionale per la divulgazione scientifica 'Giancarlo Dosi' (2020) Japan Foundation Fellowship (1997) Postgraduate scholarship from the University of Venice (1994) She has supervised numerous MA theses, served on PhD committees, and mentored students in Japanese art history. Her research has been supported by grants from the Japan Foundation and institutional collaborations with museums and cultural centers. She is a referee for VQR, Edizioni Ca' Foscari, and international journals, and serves on the scientific committees of several academic and museum publications. Labs and Teams: Scientific Committee, Museum of Oriental Art, Ca' Pesaro, Venice Scientific Committee, Edizioni Ca' Foscari Coordinator, Scientific Committee for Ca' Foscari Japanese Studies, Arts and Literature Member of the editorial board of 'Venezia Arti' and 'Quaderni del Polo museale del Veneto'

• Japanese Art History
• Edo Period Art
• Ukiyo-e Prints
• +7 more

Tim Elmo Feiten is an Assistant Teaching Professor of Philosophy at the University of Cincinnati. His research bridges philosophy of science with continental philosophy, focusing on life sciences, mind studies, and AI ethics. He holds degrees from the University of Freiburg (B.A. 2009, M.A. 2012) and University of Cincinnati (M.S. 2024, M.A. 2024, Ph.D. 2024 in Philosophy and the Life Sciences). His work explores themes such as embodied cognition, public engagement with science, and AI democratization. Key contributions include reinterpreting thinkers like Uexküll and Stirner through modern scientific frameworks. He critically examines intersections between art, technology, and society, emphasizing methodological rigor in game-theoretic models of cultural evolution. Feiten's articles span enactivism critiques, neuroplasticity ethics, and literary analysis of Eastern European representations. His writing synthesizes continental philosophy with empirical sciences, advocating for interdisciplinary dialogue. Current research emphasizes democratizing AI development and fostering participatory science engagement. No scientific awards listed. Advising and grants are not detailed in available texts. Active in philosophical communities through publications and conferences.

• Philosophy of Science
• Philosophy of Mind
• Artificial Intelligence Ethics
• +3 more

Dr. Laura McMahon is an Associate Professor in Film and Screen Studies at the Faculty of Modern and Medieval Languages and Linguistics , University of Cambridge. She is currently on sabbatical leave and will return in Easter Term 2024. Her research explores intersections between film and philosophy , with a focus on French and Francophone cinema , decolonial approaches , feminist theory , and ecocritical perspectives . Dr. McMahon’s work examines how contemporary feminist filmmakers like Onyeka Igwe and Khady Sylla engage with archives to reframe history through speculative reimagining . She also investigates ecological themes in Claire Denis’s films and the ethics of animality in global art cinema. Her monograph Animal Worlds: Film, Philosophy and Time (2019) and edited collections like Animal Life and the Moving Image (2015) highlight her contributions to debates on nonhuman representation and deconstructive aesthetics . Her recent publications analyze documentary practices , postcolonial archives , and critical repurposing in moving image work. She welcomes inquiries from MPhil and PhD students working on related topics. Her teaching and research are affiliated with the Cambridge Film and Screen initiative and the Cambridge Italian Research Network (CIRN).

• Film and Philosophy
• Decolonial Studies
• Feminist Theory
• +6 more

Ramón Soneira Martínez is a Postdoctoral Fellow at the Austrian Archaeological Institute's Department of Classical Studies. He holds a Degree in History from the Complutense University of Madrid (Spain) with a focus on Ancient History, a Master's degree in Religious Studies, and a PhD in Religious Studies from the Max-Weber-Kolleg of the University of Erfurt (Germany) and the University of Graz (Austria). His academic career centers on interdisciplinary approaches to ancient religious phenomena. Education : Bachelor's Degree in History (Ancient History focus), Complutense University of Madrid Master's Degree in Religious Studies Doctor of Philosophy (PhD) in Religious Studies, Max-Weber-Kolleg (University of Erfurt) and University of Graz Research Interests : Ramón specializes in Ancient History of Religion, Theory and Methodology of Religious Studies, Religious Deviance, and Atheism in the ancient Mediterranean. His work explores unbelief narratives, sacred spatial practices, and biopolitical dimensions of religious systems in Greco-Roman contexts. Publication Trends : His recent scholarship (2020–2025) examines atheistic positions in Classical Athens, interdisciplinary frameworks for analyzing ancient religion, biopolitical dimensions of marriage, and ecological interpretations of sacred landscapes. These works frequently engage with Platonic philosophy, pre-Socratic thought, and comparative methodologies across Mediterranean civilizations. Current Research Projects : Doubt and religion in the ancient Mediterranean: A comparative analysis of unbelief narratives Lodging/Living in a Sacred Context: Investigating spatial dynamics of religious environments

• Ancient History of Religion
• Theory and Methodology of Religious Studies
• Religious Deviance
• +1 more

Marisol De La Cadena is a Professor in the Department of Anthropology at the University of California, Davis, with affiliations in Science and Technology Studies (STS). Her work bridges anthropology, political theory, and environmental thought, focusing on ontological divergence and multispecies relations in Latin America, particularly in Peru and Colombia. Department: Department of Anthropology School: College of Letters and Science University: University of California, Davis Email: mdelac@ucdavis.edu Office: Young Hall 315 Her research centers on the intersection of modern politics and non-modern or ahistorical ontologies, especially through what she calls "ontological openings." Drawing from deep ethnographic engagement with Quechua-speaking interlocutors in the Andes, she explores how earth-beings, humans, and nonhumans co-constitute worlds that exceed Western categories. Her theoretical contributions challenge conventional boundaries between nature and culture, history and timelessness, and politics and cosmology. Her recent fieldwork in Colombia examines human-cow relations on cattle ranches and in veterinary schools, situating these practices within broader ecological crises and post-conflict transitions. Her publications reveal a consistent interest in how ethnographic concepts function as both empirical observations and theoretical tools. The body of her work, including key articles like "Uncommoning Nature" and "Runa: Human but not only," reflects a deep commitment to rethinking anthropological method and theory. Her research trends emphasize ontological politics, multispecies ethnography, and the decolonization of knowledge, contributing significantly to contemporary debates in STS and anthropology. Her scientific honors include: John Simon Guggenheim Memorial Foundation Fellow (2008) Lewis H. Morgan Lecture Series Invited Speaker, University of Rochester (2011) Invited Researcher, Center for Advanced Studies, Norwegian Academy of Sciences (2015) Guest Speaker, Mellon-Sawyer Seminar, University of Cape Town (2010) She has been principal investigator on several major grants, including the John E. Sawyer Mellon-Sawyer Seminar on the Comparative Study of Cultures (2012–2016), a Wenner-Gren Conference Support Grant (2009–2010), and multiple research fellowships from the Guggenheim, Wenner-Gren, and American Philosophical Societies. These grants have enabled collaborative, transdisciplinary research on cosmopolitics, indigeneity, and the anthropology of worlds. She is affiliated with research initiatives such as the Sawyer Seminar on the Comparative Study of Cultures and contributes to global academic networks in anthropology and STS. Her work fosters dialogue between indigenous thought, continental philosophy, and ethnographic practice, creating spaces for alternative modes of knowing and being.

• Anthropology
• Science and Technology Studies (STS)
• Indigeneity
• +12 more

Sho Konishi serves as Director of the Nissan Institute of Japanese Studies and Associate Professor in Modern Japanese History at the University of Oxford, holding dual appointments in the Faculty of History and the Oxford School of Global and Area Studies. His interdisciplinary work bridges Japanese studies with transnational intellectual history, focusing on non-imperial connections between Japan, Russia, and global networks. Undergraduate studies completed as a U.S. military school cadet after extensive coursework in Russia Georgetown University: Philosophy and International Affairs University of Chicago: Ph.D. in History (Theology and History) Postdoctoral fellowship at Harvard University Konishi's research centers on intellectual and cultural history with emphases on transnational encounters, anarchist thought, and the history of science. He investigates non-imperial knowledge production across 19th-20th century Japan, Russia, and Eastern Europe, with particular focus on symbiosis theory, linguistic democracy, and the role of nonverbal communication in epistemology. His work challenges Western-centric modernity narratives through examinations of anarchist natural science and transnational emotional histories. His publications reveal consistent engagement with alternative epistemologies and cross-cultural exchanges, spanning transnational history, the history of science, and cultural studies. Key themes include Japan-Russia intellectual networks, anarchist cooperative movements, and non-imperial frameworks that reposition Japan within global knowledge systems rather than colonial paradigms. ICAS Book Prize 2023 – Humanities for Japan’s Russia: Challenging the East-West Paradigm Konishi contributes to international academic governance as Advisory Board Member for the Esperantic Studies Foundation, External Faculty at the University of Chicago Stevanovich Institute on the Formation of Knowledge, and International Advisory Board Member for Manchester University Press's Anarchist Studies Series. His cultural impact extends to architectural projects like the Venice Biennale's Philippine Pavilion through 'Symbiogenesis: The Art of Bayanihan Architecture'.

• Intellectual History
• Cultural History
• Transnational History
• +7 more

Rashmi Varma is a Professor at the University of Warwick, affiliated with the Faculty of Arts. She has previously taught at the University of North Carolina, Chapel Hill, and Jesus and Mary College, University of Delhi. Education: BA in English (Honours) from Lady Shri Ram College, University of Delhi MA in English Literature from University of Delhi PhD in English and Women’s Studies from University of Illinois at Chicago Research interests: Varma specializes in the postcolonial city, postcolonial Indian and African theory, global feminism, representations of indigeneity, and world literature theory. Her work interrogates urban political ecologies, feminist pedagogy, and subaltern politics. Scientific awards: British Academy Mid-Career Fellowship (2011-2012) for Modern Tribal: Representing Indigeneity in Postcolonial India Supervision: She currently supervises PhD students Angel Maria Varghese, Shavena Malvika Nair (Chancellor's International Scholar), Ragesree Roy, and Archana Vinod (Chancellor's International Scholar). Collaborations: Varma co-edited journals like Feminist Dissent and special issues on transnational feminism, urban political ecologies, and postcolonial theory. She was involved in the Tate Exchange workshop on 'Production, Truth and Justice' (2021).

• Postcolonial Studies
• Urban Studies
• Global Feminism
• +5 more

William Brown is an Associate Professor of Film in the Department of Theatre & Film within the Faculty of Arts at the University of British Columbia. He earned his D.Phil. from the University of Oxford and joined UBC in January 2022 after teaching positions at the University of Roehampton, University of St Andrews, University of Oxford, and New York University Abu Dhabi. At UBC, he serves as Graduate Advisor for Cinema and Media Studies. His research spans multiple intersecting fields including film-philosophy, digital media, posthumanism, and critical race theory. Brown approaches cinema through both theoretical scholarship and practical filmmaking, creating works that blend fiction, documentary, and video essays. His academic contributions include numerous books that have shaped contemporary film theory, particularly exploring the relationship between cinema and philosophical concepts in the digital age. Brown's publications reveal a consistent trajectory toward understanding cinema's relationship with ecological thought, nonhuman perspectives, and decolonial approaches. His recent work focuses on navigating from the 'White Anthropocene' to the 'Black Chthulucene,' examining how cinema can represent and intervene in ecological crises while challenging dominant Western perspectives. Nominated for Best Monograph by British Association of Film and Television Studies Society (2018) Book Reviews Editor for Studies in European Cinema and Film-Philosophy Conference Report Editor for Cinema: Journal of Philosophy and the Moving Image Brown has supervised five PhD dissertations to completion, four of which successfully combined practice and theory. His teaching encompasses both film production and film history/theory. As an active filmmaker, he has created approximately 15 no-budget feature films that have received recognition from prestigious critics and festivals including Sight & Sound Films of the Year and American Online Film Awards. He is a frequent keynote speaker at international conferences and has presented at venues including the British Film Institute's Philosophical Screens series.

• Film Philosophy
• Digital Media
• Posthumanism
• +5 more

Professor Roel Sterckx is the Joseph Needham Professor of Chinese History, Science, and Civilization at the University of Cambridge, affiliated with Clare College. He specializes in pre-imperial and early imperial Chinese thought, classical Chinese language, and natural history. His research bridges anthropology and the history of science, focusing on topics like ritual, economic thought, and animal studies. He has authored influential books including Food, Sacrifice, and Sagehood in Early China and Animals through Chinese History . Sterckx is a Fellow of the British Academy (since 2013) and holds leadership roles at the Needham Research Institute. He supervises PhD students on subjects ranging from Warring States rhetoric to Han Dynasty apocrypha. Education: BA/PGCE in Sinology and History, Katholieke Universiteit Leuven Masters in Classical Chinese and Philosophy, National Taiwan University PhD in Chinese History, University of Cambridge Research Interests: Early Chinese cultural ecology, ritual economy, and the interplay of moral and material values. His work analyzes texts like the Rites of Zhou , Mozi , and Huainanzi , emphasizing agricultural thought and animal symbolism. Awards: British Academy Fellowship (2013) Grants and Labs: Directs the Cambridge-based Needham Research Institute, focusing on East Asian science and technology history. Current projects include studies on Han perceptions of southern regions and the economics of ritual in early China.

• Chinese thought
• pre-imperial and early imperial cultural history
• natural history
• +7 more

Maan Barua is a University Lecturer in Human Geography at the University of Cambridge's Department of Geography, affiliated with the Vital Geographies and Infrastructural Geographies research groups. His research focuses on urban ecologies, postcolonial environments, and the intersections of political economy with posthumanist thought. He leads the ERC Horizon 2020-funded 'Urban Ecologies' project (£1.23 million, 2018-2024) and has authored influential works like Lively Cities (2023) and Plantation Worlds (2024). Prior to Cambridge, Barua held a British Academy Postdoctoral Fellowship at the University of Oxford. His grants include major support from the Wellcome Trust, Leverhulme Trust, and British Academy. He collaborates internationally with institutions like SciencesPo (Paris) and Freie Universität Berlin, and serves as adjunct faculty at India's National Institute of Advanced Studies (NIAS). Research areas include urban metabolism, biocapital, and postcolonial environmental theory. Current projects examine urban wetlands, amphibious urbanism, and metabolic politics. His work bridges anthropology, ecology, and policy, including contributions to IUCN's Asian Elephant Specialist Group.

• Urban Ecology
• Environmental Geography
• Political Economy
• +3 more

Prof. Ronald Meester is a Full Professor of Mathematics at the Faculty of Science, Vrije Universiteit Amsterdam. He specializes in mathematical statistics, probability theory, and their applications in legal and environmental contexts. His current positions include director of Meester Advies (Leiden) and expert for Landelijke Deskundigheidsmakelaar Politie (Apeldoorn). He has supervised 14 PhD theses and contributes to interdisciplinary research bridging statistics with law, epidemiology, and environmental policy. Research focuses on Bayesian reasoning, likelihood ratio analysis, and statistical methodologies for legal evidence evaluation. Recent work addresses nitrogen deposition policy critiques and epidemiological study design limitations. His ancillary activities include authorship (since 2003) and teaching roles at SSR Utrecht. Media engagements include commentaries on scientific integrity and environmental policy. Teaching includes the course 'Mathematical Modelling of Stochastic Systems' (2024-2025 academic year). Active in international collaborations and has produced 111 research outputs spanning articles, books, and encyclopedia entries. His work contributes to UN SDGs related to sustainable development through environmental statistical analysis.

• Mathematical Statistics
• Probability Theory
• Bayesian Reasoning
• +3 more

Mick Smith is a Professor and Queen's National Scholar at Queen's University, holding joint appointments in the Department of Philosophy and the School of Environmental Studies within the Faculty of Arts and Science. He earned his Ph.D. in Environmental Values from the University of Stirling (1993), following earlier degrees in Ecology and European Thought. His research integrates environmental ethics, social theory, and phenomenology to explore nature-culture intersections, including emotional geographies, ecological sovereignty, and tourism ethics. Education: Ph.D. (1993): University of Stirling, UK M.Phil (1988): North Staffordshire Polytechnic, UK M.A. (1988): Thames Polytechnic, UK B.Sc. H. (1982): University of York, UK Research Focus: Smith investigates how humans interpret and value environments through hermeneutics, ethics, and emotion. His six key areas include environmental hermeneutics, ethics, social-theoretical frameworks, emotional mediation of environmental responses, political theory, and tourism ethics. Advising & Grants: Supervises graduate students in Philosophy and Environmental Studies. His grants and collaborative projects focus on ecological ethics and sustainability. He co-edits Emotion, Space and Society and contributes to interdisciplinary environmental studies. Affiliations: Founding Editor of Emotion, Space and Society ; contributor to the Center for Humans and Nature.

• Environmental Ethics
• Environmental Policy
• Environmental Geography
• +3 more

Sohl Lee serves as Associate Professor in the Department of Art History and Criticism at Stony Brook University, specializing in Contemporary East Asian Art and Visual Culture, Critical Theory and Globalization, and Curatorial Studies. Holding a Ph.D. from the University of Rochester since 2014, she contributes significantly to the academic community through teaching and research. Her educational background features: Ph.D. in Visual and Cultural Studies from the University of Rochester (2014) Professor Lee's research explores modern and contemporary East Asian art through interdisciplinary lenses including aesthetics of politics, activist art, vernacular modernism, postcolonial theory, and historiography. Her scholarship appears in prominent journals such as Yishu: Journal for Contemporary Chinese Art , Art Journal , and InVisible Culture , establishing her as a leading voice in global art discourse. Her publication trajectory reveals consistent engagement with democracy, ecological consciousness, and Cold War legacies across East Asian contexts. Key thematic threads include the intersection of art and political movements, ecological thinking in Korean contemporary art, and visual representations of national division—demonstrating how artistic practices navigate complex socio-political landscapes. Dr. Lee's scholarly contributions have been recognized through competitive fellowships: Social Sciences Research Council Fellowship Korea Foundation Fellowship Susan B. Anthony Institute of Gender and Women Studies Fellowship She actively shapes student learning through undergraduate courses including 'Art and the City,' 'Modern and Contemporary Korean Art,' and 'Social Engagement and Publicness in East Asia.' Her curatorial practice extends academic work into public spheres through exhibitions mounted in both the United States and South Korea, bridging theoretical frameworks with tangible cultural production.

• Contemporary East Asian Art
• Visual Culture
• Critical Theory
• +7 more

James Grantham Turner is the James D. Hart Chair and Distinguished Professor of English at the University of California, Berkeley. He specializes in 18th-century British literature, gender and sexuality studies, Renaissance and Early Modern studies, narrative and the novel, poetry, and drama. His research bridges literature and art history, focusing on sexuality, gender, ecology, and classical antiquity. He holds degrees from Oxford University (B.A., 1968; M.A., Cert.Ed.; D.Phil., 1977) and has taught at institutions including Oxford, Sussex, Northwestern, and Michigan before joining Berkeley in 1990. Turner’s recent work includes The Villa Farnesina: Palace of Venus in Renaissance Rome (2022), winner of the PROSE Award in Art History, and Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy (2017). His research explores interdisciplinary histories of sexuality, combining European literature, social history, and art. He has contributed to major exhibitions at the Metropolitan Museum of Art, National Gallery of Victoria, and the Getty Museum. Awarded fellowships from the Guggenheim Foundation, NEH, and ACLS, Turner’s scholarship spans over 100 articles and books. He has served on editorial boards for PMLA , Eighteenth-Century Studies , and others. His recent conference papers include discussions on Milton’s cosmology and Renaissance erotic art. He currently teaches at Berkeley and maintains office hours in Wheeler Hall. Turner’s research also intersects with global sexualities, food studies, and classical mythology. His work emphasizes cross-cultural analysis, from Italian Renaissance palaces to Enlightenment-era libertinism. He continues to explore intersections of art, literature, and sexuality across pre-modern Europe.

• Gender & Sexuality Studies
• 18th-Century British Literature
• Renaissance and Early Modern Studies
• +7 more